Godfather (68 page)

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America
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Blum, David. “The Reign Maker.”
Time
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Boorman, John, and Walter Donohue, eds.
Projections Six: Filmmakers on Filmmaking
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Boyum, Joy Gould.
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Breskin, David.
Inner Views: Filmmakers in Conversation
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Browne, Nick, ed.
Francis Ford Coppola's The Godfather Trilogy
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Bruni, Frank. “In the Name of the Father: Francis Ford Coppola.”
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Busch, Anita, and Beth Laski. “United We Stand: The Directors Company.”
Premiere
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Cagin, Seth, and Philip Dray.
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Cahir, Linda. “Joseph Conrad's
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Canby, Vincent. “Anthologies Can Be a Bargain.”
New York Times
, 12 March 1989, sec. 2.

          
. “Obsession with Technique.”
New York Times
, 21 February 1982, sec. 2.

          
. “A Tale of Two B Movies.”
New York Times
, 23 December 1983, sec. 2.

Carnes, Mark, ed.
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Caro, Mark. “Francis Coppola: An Interview.”
Chicago Tribune
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Chaillet, Jean-Paul, and Elizabeth Vincent.
Francis Ford Coppola
. Translated by Denise Jacobs. New York: St. Martin's Press, 1984.

Chiu, Tony. “Coppola's Cinematic Apocalypse.”
New York Times
, 12 August 1979, sec. 2.

Chown, Jeffrey.
Hollywood Auteur: Francis Coppola
. New York: Praeger, 1988.

Clarens, Carlos.
Crime Movies: A History of the Gangster Genre
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Coburn, Marcia. “Car and Striver: Tucker.”
Chicago Tribune
, 7 August 1988, sec. 13.

Combs, Richard. “Coppola's Family Plot.”
Film Comment
38, no. 2 (2002): 38–44.

Connolly, John. “Man of a Thousand Lives: Robert Evans.”
Premiere
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Conrad, Joseph.
Youth and Heart of Darkness
. 1902. New York: Doubleday, 1925.

Coppola, Eleanor.
Notes: On Apocalypse Now
. New York: Limelight, 1995.

Coppola, Francis Ford. “Apocalypse Now.” Unpublished screenplay. With John Milius. United Artists, 1975.

          
.
“Apocalypse Now:
For the Record.”
New York Times
, 27 May 2001, sec. 2.

          
.
Bram Stoker's Dracula: The Film and the Legend
. With James Hart. New York: Newmarket Press, 1992. [Includes Hart's final shooting script.]

          
. “The Conversation.” Unpublished screenplay. Paramount, 1972.

          
.
Coppola and Eiko on Bram Stoker's Dracula
. With Eiko Ishioka. San Francisco: Collins, 1992.

          
. “Coppola Speaks: Life Achievement Award.”
Film Comment
38, no. 4 (2002) : 78.

          
. “Frankly Francis: Coppola on the Coppolas.”
Premiere
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. “
The Godfather:
A Screenplay and
Godfather II:
A Screenplay.” With Mario Puzo. In
Best American Screenplays Three
, edited by Sam Thomas, 7–113. New York: Crown, 1995.

          
. “Journal: 1989–1993.” In
Projections Three: Filmmakers on Filmmaking
, edited by John Boorman and Walter Donohue, 3–43. Boston: Faber and Faber, 1994.

          
. “Memorandum.”
Esquire
, November 1977, 190–95.

          
. “The Outsiders.” Unpublished screenplay. With Katherine Rowell. Paramount, 1982. [This is Coppola's revision of Rowell's original draft.]

——. “Patton.” Unpublished screenplay. Twentieth Century-Fox, 1965. [Edmund North's subsequent revisions of the script are not included in this version of the script.]

          
. “The Rain People.” Unpublished screenplay. Warner Brothers, 1968.

          
. “Rumble Fish.” Unpublished screenplay. With S. E. Hinton. Universal, 1982.

Corliss, Richard. “Just a Dream:
Peggy Sue Got Married
.”
Time
, 13 October 1986, 104.

          
. “Once Upon a Time in Harlem:
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.”
Time
, 17 December 1984, 97.

          
. “Playing Tough:
The Outsiders
.”
Time
, 4 April 1983, 78.

          
. “Schemes and Dreams:
Godfather III
.”
Time
, 24 December 1990, 76–77.

          
. “Surrendering to the Big Dream:
One from the Heart
.”
Time
, 25 January 1982, 71.

          
. “Time Bomb:
Rumble Fish
.”
Time
, 24 October 1983, 90–91.

          
. “A Vampire with Heart:
Dracula
.”
Time
, 28 November 1992, 71.

Corman, Roger.
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Corman, Roger, et al. “The Ten Best Movies of All Time.”
Sight and Sound
, n.s., 12, no. 9 (2002): 24–50.

Cowie, Peter.
The Apocalypse Now Book
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.
Coppola: A Biography
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Daly, Michael. “A True Tale of Hollywood:
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New York
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Denvir, John, ed.
Legal Realism: Movies as Legal Texts
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Desowitz, Bill. “A Still Topical
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New York Times
, 2 January 2001, sec. 2.

Dick, Bernard.
Engulfed: The Death of Paramount Pictures and the Birth of Corporate Hollywood
. Lexington: University Press of Kentucky, 2001.

Dickos, Andrew.
Street with No Name: A History of the Classic American Film Noir
. Lexington: University Press of Kentucky, 2002.

Diones, Bruce. “
The Rainmaker
.”
New Yorker
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Durbin, Karen. “Nonstop Perfectionist: Al Pacino.”
New York Times
, 12 September 1999, sec. 2.

Ebert, Roger. “
Dracula:
Looks Good.”
Chicago Sun-Times Weekend
, 13 November 1992, 35.

          
. “The Great Movies:
The Godfather
.”
Chicago Sun-Times
, 12 September 1999, sec. B.

          
. “
Jack
Stunts Growth.”
Chicago Sun-Times
, 9 August 1996, sec. 2.

          
. “New York Stories.”
Chicago Sun-Times
, 3 March 1989, sec. 2.

          
. “Stylistic Devices in
Outsiders
.”
Chicago Sun-Times
, 25 March 1983, 49.

          
. “
Tucker
Gives Viewer the Legend.”
Chicago Sun-Times
, 12 August 1988, sec. 2.

Edelstein, David. “Gene Hackman.”
New York Times
, 16 December 2001, sec. 2.

Ehrenstein, David. “One from the Art:
Dracula
.”
Film Comment
29, no. 1 (1993): 27–30.

Eisenberg, Lee. “The Conversation; Francis Coppola and Gay Talese.”
Esquire Film Quarterly
, July 1981, 78–87.

Eller, Claudia, and James Bates. “Coppola Verdict Is Vindication.”
Chicago Sun-Times Showcase
, 22 July 1998, 51.

Entertainment Weekly
. Special Film Issue. 24 September 1999.

Evans, Robert.
The Kid Stays in the Picture: A Memoir
. Beverly Hills: Dove, 1995.

Farber, Stephen. “Directors Join the S. E. Hinton Fan Club.”
New York Times
, 20 March 1983, sec. 2.

          
. “Francis Coppola Sallies into TV on a Fairy Tale.”
New York Times
, 27 December 1984. sec. C.

French, Karl.
On Apocalypse Now
. New York: Bloomsbury, 1999.

Fry, Carol, and Robert Craig. “The Genesis of Coppola's
Dracula
.”
Literature/Film Quarterly
30, no. 4 (2002): 271–78.

Fussman, Cal. “Al Pacino.”
Esquire
, July 2002, 44–48, 110–12.

Gallagher, John.
Film Directors on Directing
. New York: Greenwood Press, 1989.

Garcia, Guy. “The Next Don?”
American Film
15, no. 12 (1990): 24–29, 47.

Geist, Kenneth. “
Gardens of Stone
.”
Films in Review
38, nos. 8–9 (1987): 423–24.

Gelmis, Joseph.
The Film Director as Superstar
. Garden City, N.Y.: Anchor, 1970.

Gianetti, Louis, and Scott Eyman.
Flashback: A Brief History of Film
. Rev. ed. Upper Saddle River, N.J.: Prentice Hall, 2001.

Gilbey, Ryan.
It Don't Worry Me: The Films of the 1970s
. London: Faber and Faber, 2003.

Goodwin, Michael, and Naomi Wise.
On the Edge: The Life and Times of Francis Coppola
. New York: Morrow, 1989.

Grant, Edmund. “
Godfather III
.”
Films in Review
42, nos. 3–4 (1991): 102–7.

          
. “
Bram Stoker's Dracula
.”
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44, nos. 3–4 (1993): 131–32.

Greiff, Louis. “Conrad's Ethics and the Margins of
Apocalypse Now
.”
Literature/ Film Quarterly
20, no. 3 (1992): 188–98.

Grisham, John.
The Rainmaker
. 1995. New York: Dell, 1996.

Grobel, Lawrence.
Above the Line: Conversations with Robert Evans and Others
. New York: Da Capo, 2000.

Haller, Scott. “Francis Coppola's Biggest Gamble.”
Saturday Review
, July 1981, 20–26.

Halliwell, Leslie.
Film Guide
. Edited by John Walker. Rev. ed. New York: Harper Collins, 2003.

Hampton, Howard. “
Apocalypse Now Redux
.”
Film Comment
37, no. 3 (2001): 36–42.

Harrison, Barbara. “
Godfather III
.”
Life
, November 1990, 50–65.

Hart, James. “The First Time I Met Francis Ford Coppola. In
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, edited by Peter Leecourt and Laura Shapiro, 82–87. New York: Perseus, 2000.

Hart, Marion. “Home Guide:
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.”
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Hirschberg, Lynn. “The Coppola Smart Mob.”
New York Times Magazine
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Horn, John. “First Take:
Supernova
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Premiere
13, no. 6 (2000): 35–36.

Horne, Philip. “Casualties of War:
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.”
Sight and Sound
, n.s., 11, no. 11 (2001): 12–16.

Isaacs, Neil. “
Cotton Club
: A Reverie.”
Literature/Film Quarterly
24, no. 1 (1996): 109–10.

James, Caryn. “Film View:
Dracula
.”
New York Times
, 11 November 1992, sec. 2.

Jameson, Richard. “One from Coppola.”
Film Comment
17, no 3. (1981): 3–4.

Jarrett, Michael. “Sound Doctrine: Walter Murch.”
Film Quarterly
53, no. 3 (2000): 1–9.

Jones, Kent. “Mythmaker: Francis Ford Coppola.”
Film Comment
38, no. 2 (2002): 30–36.

Kael, Pauline.
5001 Nights at the Movies
. Rev. ed. New York: Henry Holt, 1991.

          
.
For Keeps
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Keough, Peter. “Coppola Carves Out a Cinematic Elegy.”
Chicago Sun-Times Show
, 10 May 1987, 5.

          
.
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Kline, Sally, ed.
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Kobel, Peter. “Hollywood's Honeymoon with Time:
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.”
New York Times
, 20 January 2002, sec. 2.

Kolker, Robert. A
Cinema of Loneliness: Coppola and Other Directors
. Rev. ed. New York: Oxford University Press, 1988.

Kroll, Jack. “The Corleones Return.”
Newsweek
, 24 December 1990, 58–61.

Lebo, Harlan.
The Godfather Legacy
. New York: Simon and Schuster, 1997.

Lev, Peter.
American Films of the 70s: Conflicting Visions
. Austin: University of Texas Press, 2000.