Authors: Gene D. Phillips
Big
(film),
309
Black Stallion, The
(film),
11
,
202
“Black Sunday,”
233
Blade Runner
(film),
250
Blow-Up
(film),
82
Bludhorn, Charles,
72
â
73
,
96
,
113
,
135
,
136
,
160
Blue Skies
(musical film),
48
Boiler Room
(film),
261
Bonnie and Clyde
(film),
104
Bost, Pierre,
30
Bottoms, Sam,
174
Boulé, Claude,
30
box-office receipts:
Apocalypse Now
,
168
;
Bram Stoker's Dracula
,
298
;
The Cotton Club
,
243
; the
Godfather
films,
129
,
130
,
140
,
142
;
Jack
,
312
;
One from the Heart
,
198
;
The Outsiders
,
213
,
224
;
Peggy Sue Got Married
,
256
;
The Rainmaker
,
306
;
Tucker: The Man and His Dream
,
278
Boyer, Charles,
30
Boyum, Joy,
167
Bram Stoker's Dracula
(Coppola film),
3
,
287
â
99
,
317
,
363
Brando, Marlon,
96
,
220
; in
Apocalypse Now
,
150
,
153
,
159
,
188
,
290
; in
The Godfather
,
94
â
95
,
101
,
105
,
110
,
157
;
The Godfather II
and,
127
Breakfast Club, The
(film),
213
Bridges, Lloyd,
271
British Academy Award,
168
Broadway theater,
46
Burke, Michelle,
298
Burum, Steve,
11
,
12
;
The Outsiders
and,
206
,
209
,
212
;
Rumble Fish
and,
215
â
16
,
217
,
224
Busch, Anita,
73
Caan, James: in
Gardens of Stone
,
174
,
178
; in
The Godfather
,
96
,
103
; in
The Godfather II
,
127
; at Hofstra University,
10
,
55
; in
The Rain People
,
55
,
57
,
63
Cage, Nicolas (nephew of Francis F. Coppola): in
The Cotton Club
,
232
,
236
; in
Peggy Sue Got Married
,
250
,
256
â
57
; as producer,
298
; in
Rumble Fish
,
214
Cahir, Linda,
148
Calloway, Cab,
229
Camelot
(musical film),
48
Candy
(film),
94
Cannes International Film Festival,
8
,
108
;
Apocalypse Now
at,
156
,
161
â
62
,
168
,
193
,
265
;
The Conversation
at,
83
;
Hammett
at,
199
;
The Rainmaker
at,
300
;
You're a Big Boy Now
at,
43
,
54
Canonero, Milena,
269
Capote, Truman,
33
Caro, Mark,
315
Castro, Fidel,
117
Catholicism: in
Bram Stoker's Dracula
,
293
,
295
; in
The Conversation
,
74
,
77
,
79
; in the
Godfather
films,
105
â
6
,
118
,
121
,
122
,
133
â
34
,
136
Cawelti, John,
110
Chaillet, Jean-Paul,
14
Champlin, Charles,
44
Chapman, John,
98
Chew, Richard,
80
Chiu, Tony,
162
Citti, Franco,
139
civil rights themes,
47
Clark, Patricia,
46
Clark, Petula,
49
Clément, Aurore,
170
Cohn, Harry,
1
Colby, Ronald,
10
Coll, “Mad Dog” (gangster),
236
,
240
Columbia Pictures,
194
,
198
,
287
,
292
,
298
,
313
,
317
Columbo, Joseph,
93
Comden, Betty,
266
computer-generated images (CGI),
290
â
91
Conrad, Joseph,
144
,
146
,
147
,
151
,
154
,
160
,
171
Conte, Richard,
96
Conversation, The
(Coppola film),
3
,
9
,
34
,
72
â
83
; cinematographer,
58
; comparison with
The Rainmaker
,
305
; Coppola's early films and,
13
,
16
; Coppola's self-bugging and,
118
,
154
; credits,
356
; as cult film,
71
; in Library of Congress,
320
; Oscar nominations,
129
; Palm d'Or prize for,
161
; screenplay for,
45
,
69
,
72
; script rights for,
71
Copeland, Stewart,
216
â
17
,
225
Coppola, August (brother of Francis),
8
,
9
,
214
Coppola, Carmine (father of Francis),
8
,
14
,
19
,
216
;
Apocalypse Now
and,
150
;
Finian's Rainbow
and,
46
,
47
,
48
;
Gardens of Stone
and,
174
;
The Godfather
and,
90
,
107
;
The Godfather II
and,
117
,
129
;
The Godfather III
and,
132
; “Life without Zoe” and,
279
;
The Outsiders
and,
205
â
6
,
212
â
13
,
217
;
The Rain People
and,
55
; Tucker automobiles and,
262
,
263
,
275
Coppola, Eleanor (wife of Francis),
118
,
137
,
141
,
149
;
Bram Stoker's Dracula
and,
288
â
89
,
298
; as documentarian,
319
; Francis's affair with another woman and,
158
; on Francis's friendship with Lucas,
272
; making of
Apocalypse Now
and,
150
,
153
,
154
,
156
Coppola, Francis Ford: American Zoetrope and,
64
â
72
,
183
â
87
; appearances in films by others,
57
â
58
; artistic collaborators and,
48
,
52
,
190
; artistic control and,
45
,
46
,
113
,
130
,
233
,
315
; as auteur,
2
â
3
,
44
,
53
â
54
,
115
,
242
,
278
; autobiographical elements in films of,
40
â
41
,
74
,
78
,
250
,
277
,
307
; awards and prizes,
8
,
161
,
168
,
320
,
321
; black community and,
228
; cameo appearance in
Apocalypse Now
,
151
; casting and,
95
â
96
,
116
,
124
,
141
,
232
,
250
,
257
,
301
; Catholicism and,
74
,
118
,
125
; as “cinematic hired gun,”
201
,
247
,
299
; on cinematography,
42
; craftsmanship of,
124
; early years,
8
â
22
,
203
,
262
; film genres and,
318
; on filmmaking,
2
; friends of,
11
,
271
â
72
; Hollywood film industry and,
313
â
23
; improvisation and,
152
; Italian ancestry,
88
,
89
,
105
,
115
,
142
; journalists and,
155
â
56
,
186
,
194
; Mafiosi and,
236
â
37
; male camraderie in films of,
210
â
11
; move to Hollywood,
36
â
37
; musical genre and,
44
,
45
,
46
,
47
; Napa estate of,
171
,
302
,
308
; on-location shooting and,
39
,
40
,
48
; personal crises,
156
â
58
,
160
; as popular entertainer,
4
; production process techniques,
188
â
90
; relations with actors,
60
â
61
,
97
,
110
,
208
,
234
,
290
; relations with other directors,
51
â
52
,
73
,
75
,
145
,
199
; relations with production crew,
97
â
98
,
107
,
132
,
137
,
191
; reputation,
44
,
71
,
323
; as screenwriter,
19
â
20
,
27
â
35
; on Vatican banking scandal,
135
â
36
; visual sense,
310
; winery owned by,
298
,
311
,
318
â
19
; on working with studios,
37
.
See also
family, as theme in Coppola's films; studio executives, Coppola's conflicts with
Coppola, Gian-Carla “Gia” (granddaughter of Francis),
175
,
311
Coppola, Gian-Carlo “Gio” (son of Francis),
101
,
174
,
175
,
266
,
277
,
311
Coppola, Italia (mother of Francis),
8
,
55
,
158
Coppola, Nicolas.
See
Cage, Nicolas (nephew of Francis F. Coppola)
Coppola, Roman (son of Francis),
175
,
290
â
91
,
319
Coppola, Sofia (daughter of Francis),
134
,
140
â
41
,
250
,
279
,
319
,
323
Coppola, Talia.
See
Shire, Talia Coppola (sister of Francis)
Coppola
(Cowie),
4
Corliss, Richard,
196
,
210
,
296
â
97
Corman, Roger,
17
â
22
,
40
,
56
,
114
,
214
;
Apocalypse Now
character named after,
150
; Coppola's early career and,
258
,
320
;
Dementia
13
and,
22
â
23
,
24
,
26
; film school students and,
66
; in
The Godfather II
,
124
; influence on Coppola,
237