Authors: Gene D. Phillips
Red Dawn
(film),
213
Reed, Carol,
82
Reeves, Keanu,
289
Reflections in a Golden Eye
(novel and film),
28
Remar, James,
232
Reynolds, William,
100
,
102
,
106
,
107
Riesenberger, George,
258
Riley, Brooks,
146
“Rip Van Winkle” (Coppola cable-TV film),
257
â
60
,
281
,
288
,
360
Risky Business
(film),
213
Ritt, Martin,
88
Riverrun
(film),
64
Roberts, Julia,
140
Robinson, Bill “Bojangles,”
229
Rocco, Alex,
106
Rommel, Field Marshal,
32
Rope
(play),
10
Rosenman, Leonard,
212
Rostant, Edmond,
10
Rothstein, Edward,
91
Rourke, Mickey,
217
,
224
,
301
â
2
,
303
,
307
Rumble Fish
(Coppola film),
11
,
214
â
25
,
233
; commercial failure of,
231
; comparison with
Jack
,
312
; comparison with
Peggy Sue Got Married
,
254
,
256
; credits,
358
â
59
Rumble Fish
(Hinton novel),
213
â
14
Russell, Ken,
183
Russo, Gianni,
101
Samuel Goldwyn Award,
19
â
20
,
27
,
63
San Sebastian International Film Festival,
64
Sante, Luc,
115
Scantelbury, Glenn,
290
Scarface
(film),
239
Schaffner, Franklin,
32
Schatz, Leslie,
298
Scheider, Roy,
301
Schickel, Richard,
3
Schultz, Dutch (Arthur Flegenheimer),
232
,
239
,
240
,
242
Schumacher, Michael,
4
Schwartzman, Jason,
319
science-fiction genre,
298
Scorpio Rising
(film),
210
Scorsese, Martin,
17
,
65
,
226
,
229
,
278
,
288
Scott, George C.,
32
Scott, Jay,
277
Scott, Ridley,
250
screenplays,
4
,
27
â
31
;
Apocalypse Now
,
146
â
47
,
148
,
149
,
159
,
161
;
Bram Stoker's Dracula
,
287
;
The Conversation
,
74
â
75
,
80
â
81
,
83
;
The Cotton Club
,
228
,
229
,
230
â
31
,
234
,
241
;
Gardens of Stone
,
173
;
The Godfather
,
90
,
110
;
The Godfather II
,
114
â
15
;
The Godfather III
,
131
,
132
;
Jack
,
307
,
308
; “Life without Zoe,”
279
;
One from the Heart
,
187
;
The Outsiders
,
205
,
209
;
Peggy Sue Got Married
,
249
;
The Rainmaker
,
302
,
304
;
Rumble Fish
,
215
;
Tucker: The Man and His Dream
,
268
Screen Writers Guild,
30
â
31
,
205
,
268
Seidler, David,
268
Seven Arts,
27
,
28
,
30
,
36
; Coppola's parting with,
31
; merged with Warner Brothers,
37
,
45
.
See also
Warners-Seven
sex, cinematic,
25
,
41
,
42
â
43
,
249
Shadow of a Doubt
(film),
251
Shadow of the Vampire
(film),
298
Shatner, William,
20
Sheen, Joseph,
154
Sheen, Martin,
151
,
152
,
154
,
157
,
170
,
208
Shining, The
(film),
288
Shire, David,
82
Shire, Talia Coppola (sister of Francis),
8
,
10
,
82
,
319
; in
The Godfather
,
95
â
96
,
101
;
The Godfather II
and,
116
,
124
,
125
,
126
;
The Godfather III
and,
131
,
132
,
141
; “Life without Zoe” and,
279
,
280
; in “Rip Van Winkle,”
258
,
259
Siegel, Bugsy,
109
Sight and Sound
(journal),
142
Silence of the Lambs
(film),
17
Skager, Mona,
57
,
66
,
185
,
188
,
191
Sketch Book
(Irving),
257
Slater, Christian,
277
Sleepy Hollow
(film),
9
Smith, Nicholas,
290
Smith, William,
221
Sopranos, The
(television series),
27
,
318
Spader, James,
320
Spindel, Bernard,
74
Spiotta, Robert,
10
,
185
,
191
,
192
Sragow, Michael,
106
Stanton, Harry Dean,
195
,
258
,
259
State of Things, The
(film),
200
Steiner, Max,
206
Stockton, Col. John,
150
Stockwell, Dean,
269
Storaro, Vittorio:
Apocalypse Now
and,
150
,
153
,
167
,
168
; “Life without Zoe” and,
279
;
One from the Heart
and,
187
,
190
,
194
,
197
;
Tucker: The Man and His Dream
and,
269
,
272
,
276
Streetcar Named Desire, A
(play),
10
studio executives, Coppola's conflicts with:
The Cotton Club
and,
232
â
33
,
237
,
238
â
39
;
The Godfather
and,
92
â
93
,
95
â
96
,
99
â
100
,
157
,
228
;
One from the Heart
and,
194
;
Pinocchio
and,
316
â
17
;
Rumble Fish
and,
223
Sturges, Preston,
29
Sunset Boulevard
(film),
176
Supernova
(film),
320
Tavoularis, Dean,
184
,
288
;
Apocalypse Now
and,
150
,
151
,
156
;
Gardens of Stone
and,
174
;
The Godfather
and,
97
,
99
;
The Godfather II
and,
116
â
17
,
118
;
The Godfather III
and,
132
;
Jack
and,
308
; “Life without Zoe” and,
279
;
One from the Heart
and,
187
â
88
,
197
;
The Outsiders
and,
205
â
6
,
207
;
Peggy Sue Got Married
and,
250
;
Rumble Fish
and,
215
,
216
,
217
â
18
,
224
;
Tucker: The Man and His Dream
and,
268
â
69
,
270
,
272
technology, Coppola's fascination with,
9
Ten Days That Shook the World
(film),
10
,
12
Terry, Bridget,
257
Thief of Bagdad
(film),
184
Third Man, The
(film),
82
This Property Is Condemned
(play and film),
28
â
29
Thompson, Kay,
279
Thomson, David,
157
Tibaldi, Antonio,
63
Timm, Larry,
289
Tonight for Sure
(early Coppola film),
13
â
14
,
16
,
17
,
25
,
26
; credits,
353
; financing of,
94
Tschelitstcheff, André,
318
Tucker: The Man and His Dream
(Coppola film),
4
,
264
â
78
,
361
â
62
Tune, Tommy,
190
Turner, Kathleen,
248
â
49
,
250
,
251
,
256
,
257
,
319
Twentieth-Century Fox,
185
Two Christophers, The
(early Coppola film),
19
“Under the Hood” (documentary film),
264
,
267
unions,
62
United Artists,
154
,
155
,
160
â
61
,
193
Universal Pictures,
73
,
215
,
217
,
285
University of California at Los Angeles (UCLA),
11
â
12
,
16
,
17
,
19
,
48
; American Zoetrope and,
66
; Coppola's friends from,
23
,
202
,
206
; George Lucas at,
51
; Research Library,
146
,
148
; Samuel Goldwyn Award and,
63