Good Bait (8 page)

‘He warned you to keep away from him, you know he did.'

‘We was gonna run away.'

‘Run away? Where to? Back to Kosova or wherever he bloody comes from?'

‘Moldova. It was Moldova.'

‘Should have stayed there, shouldn't he?Then the poor little sod might still be alive.'

Sasha bit her lip and clenched her fists, determined not to cry.

Off in another room, a clock struck six times.

‘Sasha,' Karen said, ‘I have to ask you. The night that Petru was killed. Your friend Lesley texted you, Petru wanted you to contact him, he was worried, waiting to meet you.'

‘Yes.' The word like a slow release of breath.

‘But you didn't?'

A shake of the head.

‘You didn't text? Call? Anything?'

‘No.'

‘Why was that?'

‘I was frightened.'

‘What of?'

She pushed her feet back and forth along the floor. ‘My dad.'

Sasha tugged at a thread that had worked its way loose from a rip in her jeans.

‘He found out, didn't he?That I was seeing him again. Petru. He'd told me before, he didn't want me seeing him, not talking to him or nothing.'

‘Why was that?'

‘I dunno. Just never liked him, right from the first.'

‘He'd met him, then?'

‘Just the once, that's all. I brought him to meet my mum. I thought she'd like him, and my dad he was here. I didn't know. I thought he was, I dunno, off somewhere. Wouldn't've brought him otherwise. Soon as he saw Petru he started in on him
–
what was he doing here, how was he living, where all his money was coming from? – stuff like that. Not that Petru ever had any money, not really.

‘Then when he was leaving, my dad said he didn't want him round here again. Not ever. Didn't want me to have anything to do with him. When Petru started to stand up for himself, for us, talk back, I thought my dad was going to hit him. Petru, he wasn't frightened, but he's a big man, my dad, he'd've hurt him, I know he would. Hurt him bad. That's what he's like.'

She snapped the thread free.

‘After he'd gone, he told me I wasn't to have nothing to do with him again. Said he'd stop me using the computer, Facebook an' that, take away my mobile phone.'

‘So that's when you started using Lesley as a go-between?'

‘Yeah. She didn't mind. Liked it, really.'

‘And this particular evening, the one we're talking about, that was how you'd arranged to meet him?'

‘Yes.'

‘But Hampstead – why Hampstead? Not exactly round the corner.'

‘That's why, yeah? No way we're going to bump into anyone we knew. Anyone who knew me and might tell my dad.'

‘This would have been late, though. It would have been dark.'

‘That was okay. I didn't care.'

‘How about getting home?'

A quick glance away. ‘I wasn't. I told my mum I was staying at Lesley's. A sleepover.'

‘Little liar,' Fay Martin said quietly.

‘There was this place, stayed open all night. Burgers and stuff. That's where we'd go, just sit, you know, and talk. What was going to happen, what we were going to do.'

‘Do?'

‘Once we were married.'

‘Holy Jesus!' Fay Martin rolled her eyes up towards the heavens.

‘Sasha,' Tim Costello leaned forward, ‘you said your dad found out you were going to see Petru that evening – how did that happen?'

‘Mum was out and he was here. They'd …' She looked towards her mother, then away. ‘I think they'd had a row. Mum'd stormed out.'

‘I walked,' Fay Martin said, flatly.

‘Anyway, he was here and he asked me, you know, where was I going and I said, like, Lesley's, and soon as I said it I could tell he didn't believe me. Made me call her. Didn't stand up to him more'n a couple of minutes, did she? Told him. After that it all come out. Everything. How I'd been going behind his back. Where we was goin' to meet that evening, everything. I thought he was gonna go crazy, but he never. He'd warned me, that's what he said. Warned both of us. Told me to go to my room and locked me in. He'd already took my phone. That's an end to it, he said. Then I heard him leavin'.'

Tears were rolling slowly down Sasha's cheeks.

‘You know where he went?'

A shake of the head, shoulders down.

‘Sasha?'

‘No.'

An ambulance went past along the main road, siren wailing.

‘You wouldn't know, I suppose, Mrs Martin, where your husband went to after he'd locked Sasha in her room?'

‘Wasn't here when I got back, I know that.'

‘And this was when?'

‘Eleven, eleven thirty.'

‘And you wouldn't have any idea where he might have been?'

‘The pub, I dare say. Where he usually went off to when he was in one of his moods. And when he wasn't.'

‘Any pub in particular?'

‘Four Hands, most likely. Down Lewisham. Landlord has a lock-in most nights.'

‘And that's where you think he was?'

‘Good a guess as any. Gone three in the morning time he got home, anyway. Hammered didn't come into it.'

‘Mr Martin,' Karen said, ‘you're expecting him home this evening?'

‘Not 'less he's changed his plans.'

‘Which are?'

‘Over in Tallinn, isn't he?'

‘Estonia?'

‘Last time I looked.'

‘Stag do?' Costello suggested.

‘Business.'

‘So when are you expecting him?' Karen asked.

‘Couple of days, maybe three.'

‘Only we'll need to talk to him.'

‘What for?'

‘Hear his version of Sasha's story. Confirm his whereabouts, the night Petru Andronic died.'

‘You don't think he had anything to do with that? Terry? You must be jokin'.'

‘Normal procedure, Mrs Martin, that's all.'

‘He'll not like it.'

‘I'm afraid that's too bad.' Karen placed one of her cards on the table. ‘Ask him to contact this number as soon as he returns. We'll need to see you as well, Sasha. Make a statement, what you've just told us.'

‘Do I have to?'

‘I think so. Best to get it all clear once and for all. Perhaps you could bring her in, Mrs Martin? Tomorrow around ten thirty?'

Fay Martin's glare followed them all the way to the door.

Outside, the air bit cold and Karen shivered. Tim Costello pulled his coat collar up against his neck.

‘“He'd've hurt him, I know he would,” is that what she said?'

Karen nodded. ‘“Hurt him bad.”'

‘And then what was it? Before he went out? “That's an end to it.”'

‘That's what she said.'

‘Out of the mouths …'

‘I know.' Karen glanced back at the house, silhouette at one of the upstairs windows, Fay Martin looking down. ‘You fancy a drink,' she said, ‘before we head back?'

‘The Four Hands?'

‘Why not?'

11

Over the sea the sky loomed unnaturally dark. Midday, near as made no difference. A near complete absence of light. Cordon walked back down the hill, air heavy like a coat about his shoulders. Indoors, he set coffee on the stove to heat, picked a CD from the small pile on the floor and set it in place. Selected track three, early January, 1945: way, way before he was born.

The piece starts off with an easy swing, relaxed, a wash of cymbals behind the horns; and then, without warning, thirty seconds in, the trumpet unleashes itself into a blistering run, a chorus torn from another place, a world moved on. After that – an anti-climax, how could it be anything else? – the trombone and then the saxophone take their own pedestrian time, the sax straining towards the end, wanting more without seemingly knowing how. Only in the closing bars do we hear the trumpet clearly again, skittering irrepressibly around the final statement of the theme – puckish – up and down and in between.

‘Good Bait'. Dizzy Gillespie All Stars: New York City, 9 January.

Cordon poured the coffee, added milk.

Set the track to play again.

Concentrated on the sound.

A couple of days now since he had seen the report in the paper? The paragraph in the
Cornishman
concise and to the point.

The body of a woman who was fatally injured after falling under a Tube train at Finsbury Park, north London, four days ago, has been identified as that of Maxine Carlin, aged 46, formerly resident in Penzance. A neighbour, who did not wish to be named, told The Cornishman she thought Mrs Carlin had gone to London to see her daughter
.

How many days?

Maxine Carlin, forty-six.

Heroin. Alcohol. Children aborted, almost certainly; children taken into care. Men who spoke with their fists or not at all.

Forty-six.

A wonder she lived as long as she did.

For an instant he saw the train. The speed of it as she fell. The music again, unchanging. Outside, the sky offered no release.

It was none of his business, none. Gone to London to see her daughter. Well, so what if she had?
Gone missing, i'n't she?
Rose. Letitia.
That stupid bloody name!
He saw her face, Letitia's, younger, smiling, the dog lifting her head to lick the back of her hand. Letitia. Rose.
Thought a lot of you, fuck knows why
.

Jack Kiley and himself were of an age. Kiley, ex-professional footballer, albeit briefly; ex-Met. Now eking out a living as a private investigator. Security work a lot of it, private security, small scale: B-list celebrities, sports stars, hangers-on amongst the minor royals. There was a firm of local solicitors for whom he ran checks, chased payments, sat hour on hour in nondescript cafés, staring out through steamed-up windows; hunkered down behind the wheel of a borrowed car, waiting to witness some all-too-human indiscretion, reveal the truth behind the lie: the affair with the best friend's wife or husband; the disability that magically disappeared; a second family on the far side of the city, kids nicely set up in private school; a hopeless addiction to gambling or drugs or being tied up and blindfolded, then hoisted upside down and beaten with a cane.

Kiley still had contacts in the force and used them when he could, favours carried out and called in, information bartered and exchanged; friends in low places he'd collected through the years – Soho, Notting Hill, bits and corners of the East End.

He'd met Cordon three years before, chasing down the wilful teenage daughter of a merchant banker who'd done a bunk from Channing School and gone AWOL with her ageing artist lover in Cornwall. Sixty-four years young, a painter of vivid semi-abstract seascapes, small impasto nudes, his studio in St Ives looked out over the beach at Porthmeor.

After days of intense negotiations, during which many tears were shed and money, a considerable amount of money, was to change hands unseen, the painter joined Kiley in convincing the girl her future happiness lay in the bosom of her family.

He owed, Kiley acknowledged, Cordon a great deal for helping to bring that particular farrago to such a beneficent conclusion.

The two of them enjoyed several evenings in the Tinners' Arms, swapping stories about the job, cases they'd worked, people they'd served under, bastards all; Kiley, a few pints in, going on to embellish tales of his time with Charlton Athletic and Stevenage Borough. Together, they went to the jazz night at the Western Hotel, Mark Nightingale stoking up a local rhythm section, then curry to follow.

‘You're ever up in London,' Kiley had said. ‘Give us a bell.'

Cordon had leave owing and plenty of it. Brooking no argument, he took what was his due.

‘Sure you don't want me to meet you off the train?' Kiley said with a chuckle. ‘Trip to the big city. Might get lost.'

‘Fuck off.'

Cordon caught the Tube from Paddington, made the change, stepped out from Tufnell Park station into a cold January day, collar raised, duffle bag, army surplus, slung over one shoulder.

Half the shops in the street were shut down, to let, windows fly-posted over. A man of around Cordon's age, no older, sat on the pavement near the cash machine, a sheet of soiled cardboard stretched out beneath him, begging for change.

The charity shop below where Kiley lived was doing brisk business, women mostly, searching through rails of cast-offs to find something for their kids, a new skirt or top for themselves if the money stretched; neat piles of once-read books, videos no longer played, children's games, unwanted presents from aunt this and uncle that, a loving gran.

Kiley's place was on the second floor: bedroom, tiny kitchen, bathroom with a shower and toilet but no bath, a larger room at the front which was office and living space combined. Filing cabinet and metal shelving stood along one wall; a couple of chairs, laptop, printer, answerphone, slimline TV. On the wall opposite hung a painting, pale and undefined, the sea from Porthmeor Beach, part of the deal. If he swivelled round from his desk, Kiley could look down into the ever-busy street.

Cordon dumped his bag, glad to be rid of the weight, and looked around.

‘So where is it?'

‘Where's what?'

‘The couch. You said I could sleep on the couch.'

‘Figure of speech.'

Cordon looked at the floor, thin rugs across bare boards.

‘It's okay, you can have my bed. Just a couple of nights you said, right?'

‘And you?'

Kiley inclined his head. ‘Just round the corner. Stay with a friend.'

‘She have a name?'

‘Jane.'

‘Nice. Straightforward.'

‘You want coffee?'

‘Why not?'

While Kiley was in the kitchen, Cordon looked along the higgledy-piggledy rows of books and CDs. Names he knew; names he failed to recognise. Junot Diaz. K. C. Constantine. Gerry Mulligan. Ronnie Lane.