Simulacrum, the next level. She should be more beneficent. If she has money she should help others in the allegory.
[Jamaa el Fna was saved by the grace and lobbying of Juan Goytisolo; that’s another
story and his. Our night on the town, Marrakech, the other double wore a wig to be like me. The men around us thought she was my daughter.]
Or when I would mount the stage to perform. And she was on the other side of this, performing as well. How did her rhythms resound with mine? Someone might do a graph of our voices and perform “voice recognition.”
Would we ever know?
[There is no way to search for information quickly; it is unwieldy and out of date.
A dedicated, purpose-built studio space would be ideal. Barring that, a small, office-sized room can be adapted for this purpose. The room should be quiet with no obtrusive external noises. Leakage of sound from the studio to adjoining spaces is also a consideration
…
The room should not be square. A rectangular room, with the ceiling height different than the wall lengths, should be used.]
On a mission to scan what she considered valuable to poets, Archive of exploration, and of course let’s call out all doubles, the copiers, those that digitize the originals…
Or those that usurp
poethic
power.
Sitting here in a quiet house far away from a city. I do this too occasionally, get away to write. Like the lady novelist. Border line of prim cover and seething sex underneath. Was it all three of them, she the duchess and one a model and one a…what was she? I digress…
A plot to save the world.
Many identities blur in celluloid. Many others also had questions of her. I only wondered because we were close in age and of that time. Her father was a NATO commander; that interested me. Fathers-in-war, daughters-of-the-long-ago-heroic-war. And then I was in the ladies-of-the-night scene in another movie filmed in Quebec with its red silk wallpaper and brothel vibe and playing it in red bra, a feather boa and my line—I made it up, unscripted as it were—was “I’d rather be home reading a good book,” and something about my red Tibetan Buddhist protection cord. “What does it protect you from?” “One’s own ego”…did I say that? And later that same time when we were alone he said it too—“What does it protect you from?”—he another I loved—and also he said,
You look so much like her
. I was sure he had met her by then. He lived near Hollywood and was one of the most famous people in the world.
stardom, stolen?
stretch until you cannot snap back?
I had come to her rooms waiting a shape to investigations
I, twice of impetus
and the things in her world so much like mine, intervenient
maize and pulque
firewater and couscous
large photograph of a seashell, djinn in the corner,
Arabic alphabet primer on the desk
a double I, twice of emphasis
distant friends…it might be easier seeing them in their elements…or thought so…
have you walked the tundra yet in this protest?
so we look compelled
or
canceled
and build the vault for our oristry
catacombs become a choice & enter
Islam Istrokan Xtian and long Byzantine tomes in defense of icons
walk through walls, as Djuna does
saying how love becomes the deposit of the heart
like tidings in a tomb,
bow down
the dead can do this in their
bardo
, travel through walls
and guide their voices in fierce orality
One of the Deciders sitting in a big boardroom down below:
“
It’s all about impermanence anyway, so why the fuss?
”
Then this one room for elegizing, mourning fallen icons, emotional color, disengaged but vital enrichment…voice…metallic…
shine…band of light…mica-light…granular…clone that lies here…other side of wall…chamber…separation…
bend…eyes aside, or turn right at you caught aside…now…cloth…texture, inner thinking…
of you you might fold under can’t put a label on it…as we hope…alas I hope, meant because you can have your modesty you can have me too—so I look…cinematic
a rabbit’s foot, Rosicrucian cross, a vial of Ganges water, ashes of the celebrated poet in an oatmeal can
and we look
over all the clutter and shot….…shot….…shot
through.
of artificial machination
dislocation of a twinned body, extensions,
ashes are remnants of our auspicious time shot shot through with heat
sprinkle here, anoint my own corpse
double girl, bury your artifacts here
the Original Anne on the runway
the Original Anne “such promise” the Original naive but
awakening to her purpose
Original Anne down for the triple count
Original Anne on the lam
dying to revive
(Anne Only took over all the engagements of the Original Anne
she intercepted her mail, accessing her own demise)
she had sprung her out of the dark castle
now lead me to the tundritic Archive
and commanded: now write this down, your adventure,
your confession for all to see
But Original Anne felt her perspicacity her stamina her purpose return as the power of the Deciders weakened, and she was fully reconstituted. There was an archival tape with aboriginal sticks from Fuji playing in her head, accompanying a poem of terrific orality, and as it played, she felt herself “shaken back” into being.
She stared down the false Anne, a fierce tiger light emanating from her eyes, piercing the deceptive One’s resolve. And this diminishing fabricant disappeared, like gossamer, fleeting ephemera on the horizon.
horama…oneiros…chrematismos…
that too, a piracy
her eyes had the glint of Djuna’s mind
tortoise shells, sawfish teeth, rock salt, octopus bones, panther skeleton
skulls and hooves…imagine
that they lie at the surface, almost violent
exoskeleton of self’s selves
support
and age and Deciders
in contractual…
and death
as antlers do a
shot shot shot
a simplification is as a war cry
“don’t ban poetry from this room!”
from this body!
we arrive in the shape of investigators to the final rooms
Deciders have at day’s end to explore these matters
in contractual machinations
and death-to-the-poem corporate styles
and become inseparable from them
women called into the room
in a power arrangement where they stand before a Decider
decidedly at disadvantage
feng shui
decidely off for the women
eyes roam around the room, an array of Deciders behind desks without much on them like prefab newscasters
and shiny surfaces like fortresses, reflections of Deciders’ features coming up at the women
one Decider at a desk before a woman raw and exposed
another flanked on the left with a trophy of counting coup
invoking regulations in a weak and whimpering monotone “
it’s the rule
”
patriarchs demand your silence where monosyllables stress the company out
squint in light
glare seeping in from between slats of the blinds
By the shape of false governance came this shape of looking
The low-level Deciders were frantic when they heard of the escape of Original Anne. A seventh-level Decider was caught in the dilemma and wouldn’t admit his weakness. The message from above was
never admit a mistake, never be accountable.
You had to keep decisions blamed on the lower-level Deciders. They were not quite ready to handle the cinematic world the world of
reflections and double mirrors a fallen world might sputter off its reel and die.
But this was metaphor.
There were scant reels in the New Deciding-Way.
Had not Chief Decider created a hell realm for prisoners?
Had he not voted to close the progressive library where thoughts of freedom festered?
Libraries that might breed archivists?
He was swiftly demoted in the “new accountability.”
“
And now the tapes gone missing!
”
“
They’re in the business of hell-on-earth, madrassas for anarchy
”
heard how a poet gathered the fragments, wrote and rewrote…erased
started again…little woman upstart
because when you write out a line with your body—structure it—move it—
it gets free
that is what I wanted to see…how atom by atom your sentences replicate beyond one another
I, poet, wanted a shape of her as a free agent before she dissolved
I wanted to catch her, un-canceled
And to let her know she could be missed
Even if I harbored dark thoughts toward her, dark lady of my shadowy DNA
for she was the antiheroine of this tale
this is what happens when my singularities are alone
they want us to express their selves in triplicate
and steal or mingle among one another’s texts, and double helixes
and appropriate and glorify themselves in the texts of others
but we see them and they are glad of that, enjoying exposure
the imprints they make in what are deceptively empty chambers but none truly empty of ghosts, spirits, sense impressions
they come in mind trailing on willowy gossamer
sample: cartilaginous
sample: backbone
what they were on about…that they could plunge or fall in language
whose job it was to classify
but if you study smaller ones and their textures you may appreciate the balk of similarity
loneliness of classifying others in an outcome of the study of duplications
loneliness of erotics, may any two primates be truly alike?
but she is steady and outside time, ennobling it
and roots to be a scientist of illusion as she copies the originals
when you consider value of a shape of a form a genome barks
me too me too
which is plural and suggests a way to behave with accoutrements that are symbolic, the skins of these trembling lines
classifying items of possession, of poem-objects, exquisite corpses, and the jangling aces and pentacles, and voices that speak into machines
if she may consider her relation to the formerly alive parts of formerly alive poems she will cheer up and be formally alive
she might stroke what is lonely and cold and listen to disembodied voices
might push further into a void of identity
angels and savants fly in and out
messing with your Decider Radar
that they would be concentrated as well on the same kind of
machinations
or inventory or tone, but for darker control
countenance of an artist rising above others in her public cause
we might think of study…anecdote…fantasy a scenario
duplicity as of original poet mind to save it
we might think of stealing into a heart
crisp and figural is a description
in so many insomniacs
that fixes the face
we faces have use
when we can’t sleep
it’s like a wax museum in here
Heart of Archive, or storage units of rogue plutonium
as public pressure closes the bomb factory down
peering-in faces the archons take charge
to face an event of poetry enacted
before a crowd of suppliants facing arrest
rewind, we must hear that dulcet tune again….
mega mega mega death-bomb enlighten
ideas in the event with masks
allowing of beauty and insomnia on a rocky divide
that was a title for something because I also have beautiful thoughts when I can’t sleep—
you too, as I say this facing you
these were the ideas of a nuclear-free zone
had in the event of facing off with police and other authorities
in the sure information a face would give beauty back to the world
as
tundra
derives from a word for “treeless”
up there to feel this business of lack of shadow, of tall things
“without trees” or “above the tree line”…an amphitheater of
summoning objects
or these living things back to themselves
come back! come back!
of struggling outside
and limitless, as of space
Archive hidden on a tundra, who would suspect?
one of the most uninhabitable places in the world
are you less grounded without a tree that’s to consider and if you are, why, how cruel yourselves often seem to trees in the rugged landscape. Not cruel, negligent. Are you fighting for them in all the ways they are captured and slaughtered?
seeing them, yes, but understanding?
not mistaken in all the selves you face daily, in the
face you face daily, and living with complex self that is a face-off
who speaks underneath your skin,
for fragile life-forms
that become institutionalized…or not
A map working its way through a body
Survival cartography
Chasm Falls: Original Anne half felt the jagged water drops
East Desolation Peak: Original Anne fell to her knees
Build the vault inside the Tundra, and she did, hands clawing the hard inhospitable ground
green lipstick of a Heian mentor
back up, flash back
she who tamed the tiger
on a climb to the monastery
shook the demons out of her hair
lustrous
long as my doppelgänger shadow
long
as long a walk a long long way up here
New Deciders were organizing another war on a comparable Utopia
demolishing stacks in a library of powerful gnosis
tomes to guide and replenish imagination
artists would climb out of their foxholes
rounded up, exposed, and demand conservation
the ploy was “space,” like nuclear power
who has the most capacity to make money off “space”?