Grimus (7 page)

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Authors: Salman Rushdie

Tags: #Fiction, #Literary, #100 Best, #Fantasy

BOOK: Grimus
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XIV

I
N NORMAL CIRCUMSTANCES
, Flapping Eagle would have felt an instinctive sympathy for Mrs O’Toole, physically distorted as she was. He himself had suffered the social darts that fly at the freak; they should have had much in common. He now knew why they did not. If Virgil Jones was right in saying that Calf Mountain could not, should not be climbed without an experienced guide, it was obvious who that guide had to be. Flapping Eagle realized that he was impatient to set off, catching himself in the act of wondering how to persuade Mr Jones to accompany him. No wonder Dolores was distraught; no wonder she had turned against him after that polite, friendly beginning.

Could she be persuaded to come as well? That would be the neatest solution, he thought. If she would not come, then it had to be admitted that she and Flapping Eagle must now be enemies. The admission did nothing to lessen his depression.

XV

O,
IT WAS
a certain thing, the trunk, so ponderous, so cobwebbed, so comforting, the trunk with its long-broken locks, never opened, captor of her life. O, it was a wondrous thing to be so sure, to hold her memories so fast. Open it now and let them flood her, washing her in certainties of days and griefs that could not change a jot. The moving finger writes and having writ moves on. Nor all your tears wash out a word of it. Nor tears nor the ghost of an eagle. Sure, sure, sure, as fixed in the fluid of the years as her immortal body, immortal now as souls, replenished daily, neither growing old nor young, static. The present is tomorrow’s past, as fixed, as sure, the trunk would tell her so. There, the creak, the weight of the lid lifted, the open gape of time. There, the candles, devoted servants of god, immortal invisible godonlywise, in light inaccessible hidfromoureyes. O thou who changest not abide with me. No, no, they can’t take this away from me. O, the candles, how did I lapse, how misuse them so, stark white pure candles? Look, the photographs, yellow as dust and half as crumbling, ashes to ashes, into the grave the great queen dashes. Grave Virgil, named for a poet, photograph him if only there were a camera and fix him there, yellow and crumbling, for evermore. Her eyes, better than any camera, conjure him now before them, hold him there, not yellow, not crumbling, warm flesh as she felt it in the night, folds enfolding her to make her safe and send the time away, nothing can change beneath the folds. There, the photographs. The little girl, poor dear thing said Auntie to have the hump. The hump, the hump, the cameeelious hump. She, La Belle Dame Aux Camelious. Or sans mercy. Merciful heavens that do not alter, there, see the uniform, the little nunkit, conventpure little girl, say seven ave marias and he won’t go away. There, the past. Put him in the trunk, dear gravedigger poet, put him there to stay unaltered, put him in the trunk and keep him, folded, enfolded, the same for ever and ever, world without end, our men. Fix me jesus, fix him in a song, the fat greekname, virgil virgil give me your answer do. I’m half crazy all for the love of you. And how could he leave, how return to all that pain? The wounds are closed here, the hurt half-healed, here he is safe and I to make him so, safe in the unchanging daytoday. No eagle can snatch him away, no eagle take him back to his past, the past is sure, it cannot be re-entered, fixed and yellow and crumbling, the past. The moving finger having writ. Close the trunk, put away childish things, it is done and he stays and nothing will change nothing nothing nothing there is nothing to change it and we shall stay virgil and dolores fixed and unchanging in the glue of love. Poor dear grave-digger jones, so much to remain forgotten in him, the weight of the past and its doings ensures the present will not change. Virgil, virgil, give me your answer do. There, the trunk, shut, sure, certain, fixed. Pat it so and be grateful. Now might I do it, pat. Pat, it is done.

She swept the room and tidied the table, rolled the rushmats and dusted the rocking-chair, stoked the embers and filled the pot with water and roots, and began to prepare food for two. There were only the two of them, solid as a rock, immutable as the room, Dolores O’Toole and Virgil Jones, Virgil O’Toole and Dolores Jones, Virgil Dolores and Jones O’Toole, Virgil O’Dolores and Dolores O’Virgil. Like the two queers: William Fitzhenry and Henry Fitzwilliam. She cackled as she worked.

She did not see the ghost at first. It stood, tallish and fairish in the doorway looking worried, trying to decide how to express its problems to her. Eventually, since she continued to ignore it, it coughed.

She turned to the doorway, the word
Virgil!
forming on her lips, and froze. Her mouth opened and worked noiselessly, a scream without a sound. She backed slowly away from it until she stumbled against the trunk.

—Mrs O’Toole, it said. Are you ill? You look like death.

Terror entered her. She hauled open the lid of the trunk and jumped in. Rummaging feverishly, she found what she was looking for. She held it up: a small crucifix, carved in wood, crumbling with the work of maggots.

She said: —
Apage me, Satanas
.

—Dolores, said the ghost. It’s all right. Dolores.

—Go away, said Dolores O’Toole. You aren’t there. We live alone. Virgil Jones and Dolores O’Toole. There is no-one else. Look: there are only two mats. I am cooking for two. There are only two of us. That doesn’t change.

—Do you recognize me? said the ghost, slowly. Do you know who I am?

—Go away, said Mrs O’Toole, cowering behind the edge of the trunk. Don’t come closer. Go back where you came from. Go back where you belong. Go back to Grimus. Spectre of the Stone Rose, begone! I don’t believe in you.

—The Stone Rose, repeated the ghost. Grimus. What…


Apage me!
shrieked Dolores O’Toole and pulled the lid of the trunk shut over her head.

The ghost stood in the centre of the room, wondering what to do. Finally, since he wished to speak to Dolores in private, he decided against summoning Virgil Jones just yet. He approached the trunk.

—God protect me, came from within as he lifted the lid.

—Mrs O’Toole… Dolores… said the ghost, I’ve a proposition for you.

—No, no, said Dolores. You’re not here.

—I know you’d rather I left, said the ghost; I know you’re worried I’ll try and persuade Virgil to come with me. But what I’m suggesting is this: would you come, too? Would you?

—You cannot tempt me up the mountain, said Dolores, her eyes gleaming. Up there is the past. We left it behind. The past cannot be re-entered. Nothing changes. The past is fixed. Go away.

The ghost sighed.

—Then I must be your enemy, it said. Dear Mrs O’Toole, I am sorry, believe me; especially since I see you are ill. I’ll go and get Virgil… Mr Jones.

—Leave him alone! cried Dolores. Go away and leave him alone!

The ghost left her.

Flapping Eagle, running to find Virgil Jones, remembered overhearing, when he was still young, two women of the Axona talking.

One of them had said: —We must be careful with Born-From-Dead.

And the second woman, the older of the two, had replied, —Yes. To be born thus is to have death sitting always behind the eyes.

And Livia Cramm had said the same.

And Virgil Jones had named him Destroyer.

And yet he had wanted none of it.

So who did?

And who or what was Grimus?

And the Stone Rose?

And would Virgil Jones agree to accompany him? Or would Mrs O’Toole’s illness be the deciding factor?

He ran, panting, to the hollow by the well.

XVI

I
T WAS THE
well that finally helped Virgil Jones to decide; but before he reached that point, he had snapped almost every twig he could find. When he broke them, he threw the pieces into the well.

This is how he persuaded himself:

Nicholas Deggle could not have known that Flapping Eagle would meet old Virgil.

Snap
.

Ergo, he
could
have sent the Axona to Calf Mountain purely as an experiment, to see if the Gate he had built would hold.

Snap
.

Which meant he intended to follow.

Snap
.

If Nicholas Deggle returned, life would be insupportable anyway. After Grimus, Virgil Jones must rank as his main enemy. Ever since he was expelled from the island.

Snap
.

If he did not return, life would scarcely be better. The effect was spreading. Dolores had made experimental forays a little way up the slopes and she had felt it. Once it reached their little hovel, it would be no better than K. For Dolores, at any rate.

Snap
.

But Nicholas Deggle must have known (Flapping Eagle must not know, not yet) what Flapping Eagle, wanting what he wanted,
being what he was
, would do to the island. What he would in all probability do.

Snap
.

Still, there was little merit left in staying put.

Snap
.

Except for Dolores, of course: she would never climb the mountain again. But then, it was possible to argue that should he agree to guide Flapping Eagle—
the irrevocable choice
—he would be doing so for Dolores’ sake.

Snap
.

Then again, what if Deggle arrived once he had left? Could Dolores cope? He thought about that for a moment; then he concluded that, if he did go, he would have to assume that she could.

Snap
.

A crucial question: would he be any use as a guide, damaged as he was by past experience of the dimensions? Again, a bleak answer: he would have to hope for the best.

Snap
.

Another crucial question: Could he influence Flapping Eagle sufficiently to make the whole plan work? Yet again, uncertainty: it all depended on how Flapping Eagle reacted to what he encountered on the mountain.

Snap
.

And yet, was there an alternative? What with the growth of the effect, and the increased frequency of the admittedly minor earth-tremors, the island was deteriorating, and not at all slowly.

Snap
.

It was at this point that the well helped. He threw the broken twig into it and reflected upon the similarity between the well and the island. An idea that didn’t work. Did one abandon it, set oneself apart from it as he had done from the life of the island? Did one attempt to save it? Or did one agree to destroy it, in the same way as one would fill up a dry well…?

Like Flapping Eagle, who had already chosen ascent instead of stasis; like Dolores O’Toole, who, last night, had chosen to speak her love rather than keep silent any more; in the same way, Virgil Jones decided upon action rather than prolonged inaction. Because it was there to be done, as the chicken had been there for Flapping Eagle to kill, as Dolores’ love had been there to be declared, and as the well was there to fill. One does, in the end, what there is to do, he told himself, and stood up, straightening his bowler hat, blinking.

He snapped a last twig, and then Flapping Eagle arrived at a run.

Virgil Jones took his courage in both hands and said:

—Mr Eagle, are you still set upon climbing the mountain?

Flapping Eagle stopped, out of breath.

—Yes, he said, and was about to continue when Virgil said:

—In that case, you must permit me to be your guide.

Flapping Eagle was struck dumb by the unexpectedness of the statement.

—Mrs O’Toole, he said at last. I don’t think she’s very well.

Dolores O’Toole was still in the trunk when Virgil went into the hut—alone, on Flapping Eagle’s suggestion.

She stood up with a cry of pleasure as he came in.

—Virgil, she said. I was so afraid.

—Now, now, Dolores, he said helplessly, feeling grossly hypocritical.

She climbed out of the trunk and came to him, standing in front of him like a vulnerable chimpanzee.

—Nothing will change, will it, Virgil? she repeated.

Virgil Jones closed his eyes.

—Dolores, he said. Please try to understand. I must go up the mountain with Mr Eagle. I must.

—O good, she cried all at once, clapping her hands. I knew it would be all right.

He looked at her. —Dolores, he said. Did you hear? We are going to leave in the morning.
Leave
.

—Yes, she said, early in the morning. We’ll go down to the beach as usual, and I’ll carry your chair for you, clumsy and shortsighted as you are. My love.

—O god, said Virgil Jones.

—It’s not your fault, he said outside, to Flapping Eagle. Please ascribe no blame to yourself. It is my responsibility. Mea culpa.

—You’ll stay with her, of course, said Flapping Eagle.

—No, said Mr Jones. If acceptable to you, we leave tomorrow morning.

Flapping Eagle had to ask: —Why, Mr Jones? Why choose me?

Mr Jones smiled crookedly. —My dear fellow, he said, never look a gift horse in the mouth. Do you know Latin?

—No, said Flapping Eagle. Or just a few words.


Timere Dañaos et dona ferentes
, said Mr Jones. Do you follow me?

—No, said Flapping Eagle.

—Perhaps it’s just as well, said Virgil Jones, if we are to be friends.

XVII

T
O KEEP
D
OLORES
calm, Flapping Eagle had dinner alone that night, by the well; Virgil Jones brought it out to him. He was puzzled; there was a whole set of facts that didn’t add up: some awful history of which he was unaware, and which had brought Mr Jones to his surprising decision. He tried to work it out and failed; so he tried to go to sleep instead, and eventually succeeded.

Meanwhile, Virgil Jones was making a despairing attempt to break through the barrier in Dolores’ mind.

—You remember Nicholas Deggle, he said.

—O yes, said Dolores, quite normally. I never took to him. Good riddance, I thought, when he disappeared.

—He didn’t disappear, Dolores. He was thrown out. So listen: if he should arrive, don’t mention you knew me. All right?

—Very well, darling, she said equably, but you’re being foolish. Why, he’ll
see
you, for heaven’s sake.

—Dolores, exclaimed Virgil Jones, I’m going away!

—I love you too, said Mrs O’Toole.

Virgil shook his head in a gesture of impotence.

—Listen, Dolores, he tried again. Nicholas Deggle has a grudge against me. So don’t let him know I loved you… love you. For your own sake.

—Darling, said Mrs O’Toole, I want to tell the whole world about our love. I want to shout it out all over the island. I want…

—Dolores, said Virgil Jones. Stop. Stop.

—I’m so glad you’re staying, she said. And I’m proud of you, too.

—Proud, echoed Mr Jones.

—O yes, she said. For chasing away that spectre from Grimus. That was well done. Now nothing can happen.

—No, said Mr Jones, admitting defeat. Nothing.

That night, Virgil Jones dreamt of Liv. Tall, beautiful, deadly Liv, who had been the breaking of him so long ago. She was the centre of the whirlpool and he was falling towards her as her mouth opened in a smile of welcome and opened further and wider and opened and opened and he fell towards her and the water rushed up over his head and he broke, like a twig.

Flapping Eagle woke several times during the night, since the bare ground was both hard and lumpy. There was an itching on his chest. He scratched at it sleepily, and thought as he drifted off again:
That damn scar
.

That damn scar played him up sometimes.

Tiusday morning again. Misty.

Virgil Jones was shaken gently awake. He found Mrs O’Toole smiling at him, saying: —Time to get up, my love.

He got up. Methodically, he took an old bag from its peg on the wall, filling it with fruit and vegetables.

—Why ever do you need all that for the beach, dear? asked Dolores. He didn’t reply.

—I’ll need your belt now, my love, she said, attempting a dulcet tone. He dressed in silence: the black suit, the bowler hat.

—Dolores, he said, I need the belt myself today.

—O, she pouted. Well, if you’re going to be like that, I’ll manage without it.

She hoisted the chair on to her hump. —Come on, she cooed. Time to be off.

—I’m not coming with you, he said.

—All right, dear, she said; you come on behind as usual. I’ll see you down there.

—Goodbye, Dolores, he said.

She hobbled out of the hut with the rocking-chair on her back.

He collected Flapping Eagle from the wellside. The Axona had tied a cloth around his forehead and stuck a feather in at the back.

—Ceremonial dress, he joked; Virgil Jones didn’t smile.

—Let’s go, he said.

The rocking-chair sat upon the beach, with its back to the sea. Beside it, on the greysilver sands, Dolores O’Toole sat and sang her songs of mourning and requition.

—O, Virgil, she said. I’m so, so happy.

Waiting in the forests on the slopes of Calf Mountain, silent, invisible, as the fat, stumbling man and his tallish feathered companion, feather bobbing beside bowler, made their progress up the overgrown paths, watching over them and waiting, was a Gorf.

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