Hawksmoor (32 page)

He hailed a taxi and took it as far as the Limehouse church; as he stepped out the cold wind caught him in the face and for a moment he sought shelter behind an advertisement hoarding on which could be seen a number of computers floating above the city. Eventually he went towards St Anne's, but then veered to the right and crossed a patch of waste land beside it: the wind blew even more strongly here, since it came directly from the river, and it brought to him the scattered shouts and calls of the meths-drinkers who were a few hundred yards away from him. As he walked forward he noticed the sparks rising above a fire, and when he came closer he could see the dark shapes which were apparently dancing around it. They are happy, he thought, for they do not remember; and then he began running towards them. 'You!' he cried, 'You! What are you doing and what do you want here?' But they did not stop their dancing when he came up to them: it seemed that he was being grabbed, as if to enter the ring, but with a shout he pulled himself free. Then they became still and gazed at him when he questioned them. 'Have any of you seen the one called the Architect? He's one of you. Have you seen him?' They were all old ones, dishevelled and weary now that the spell of the dance had passed. They said nothing but stared into the flames and one of them began to moan. Hawksmoor noticed that the head of a toy bear had been thrust onto a pole, and was lying upon the charred ground. He shouted at them impatiently: 'I am a police officer! Put out that fire now!' None of them moved and so Hawksmoor himself walked into the fire and stamped upon it ferociously until there were only ashes and burned sticks remaining.

'Where is he?' he shouted at them again as they began to retreat from him, 'Do any of you know where he is?' But still they made no noise and Hawksmoor, disgusted at himself for behaving in a manner which he had not foreseen, turned away. As he walked back he called out into the air, 'I don't want to see any more fire, do you understand me? No more fire!'

He found the road which leads down to the river and, wrapping his dark coat closely around himself so that he might withstand the wind, he passed an old tramp who was squatting by the roadside and with his fingers digging into the damp earth. Hawksmoor looked at him closely, but he was not the man he sought. The tramp stared back at him as he passed, and continued staring as he walked into the distance: Hawksmoor heard him shouting out something but the sounds of the river were closer to him and he could not distinguish the words. The muddy water raced beneath his feet and the lights of the city had changed the sky to a transient purple, but he was thinking only of the figure fleeing before him in Spitalfields and of the pale face of the boy as it had looked up at him in the shadow of the church.

And he could not escape these images, as the time passed and the disorder spread. The circulation of the suspect's description, followed inevitably by rumour and speculation in the newspapers, had not materially assisted the investigation of the six murders; it had, in fact, only inflamed the passions of those for whom the description of the tramp seemed to act as an emblem of all that was most depraved and evil. On the first day of the 'photo-fit' being released, there were scores of sightings of the man from all over the country, and the number of such sightings did not greatly diminish until public attention had been diverted elsewhere. More unfortunately, however, a number of tramps were abused or assaulted by gangs who used the excuse of 'the child murderer' to express their resentment at harmless wandering men. One group of small children actually killed one such vagrant: he was sleeping drunkenly on a patch of waste ground, and they set him alight. After these events it became accepted that Hawksmoor had committed an 'error of judgment' in releasing such sketchy details of the suspect -and Hawksmoor's position was made all the more precarious by the fact that, after exhaustive searches and inquiries, no trace of the man had been discovered. It seemed that he had just disappeared -that is, as some of the officers involved in the case used to say to each other, if he ever existed in the first place.

But Hawksmoor knew that he existed and, although he had never mentioned to anyone the night of his pursuit, he knew that the murderer was closer to him than ever. There were even occasions when he believed that he was being followed and, as he lay awake one night, he conceived the fantasy that he too should dress as a tramp in order to surprise him -but even as the idea occurred to him he rejected it, trembling. He took long walks in the evening in order to avoid such thoughts, but he found that he was treading the same paths as before.

There was a time, for example, when he walked into the park behind St George's-in-the-East and sat upon a bench close to the abandoned museum -it had been upon this bench that he had spoken to the father of the murdered child, and glimpsed the illustrations in the book which the weeping man had held in front of him. And as he stared at the trees beside the church he contemplated the calm of a life which itself resembled a park with no people in it -then he might sit and stare at these trees until he died. But his momentary serenity unnerved him, for it seemed to imply that his life was already over.

Each night he came home from his wanderings and held the white notebook in his hands, first bringing it close to his nose in order to savour the slight odour of wax which still lingered upon its stiff covers. He read again each phrase, and then stared intently at the drawings as if they might yield some clue. But they offered nothing and one night, in his anger, he tore the pages from the book and threw them across the floor. When he arose in panic the next morning, he looked down at the scattered sheets and said out loud, 'What rage is this? What fury? Of what kind?' Then he took the pages, smoothed them with the palm of his hand, and fixed them with pins to the walls.

So that now, if he sat looking down upon Grape Street, the letters and images encircled him. And it was while he sat here, scarcely moving, that he was in hell and no one knew it. At such times the future became so clear that it was as if he were remembering it, remembering it in place of the past which he could no longer describe. But there was in any case no future and no past, only the unspeakable misery of his own self.

And so when he sat with Walter in the Red Gates he could scarcely talk, but looked down at his glass as Walter anxiously watched his face. Yet he drank in order to speak freely, for it seemed to him that he had lost his connection to the world and had become much like one of the cardboard figures in a puppet theatre, shaking a little as the hand which held him trembles. But if he could speak, and the voice came not from someone crouched below but from himself… 'Do you know,' he murmured and Walter craned forward to hear him. 'Do you know that when murderers kill themselves, they try and make it look like another murder? But do you know how many of them are struck by lightning? A lot. More than you think.' He glanced around furtively.

'You know what we were told years ago, it must be years ago now, that you could see the image of the murderer imprinted on the victim's eyes? If only I could get that close, you see. And I'll tell you something else. There are some people so frightened of being murdered that they die of their own fear. What about that?' Walter felt his legs trembling with the suppressed desire to run, and he got up quickly to order more drinks. When he returned Hawksmoor stared at him. 'I know it, Walter, I can feel it. Do you know, I can go into a house and feel if a murder has taken place there? I can feel it.' And he let out a loud laugh, which for a moment silenced the other conversations in the pub.

A broken glass was being swept from the floor and, as Hawksmoor noticed how each of the shattered pieces shone quite differently in the light, Walter seized his opportunity to speak. 'Do you think we need a break from this case, sir? A real break?'

Hawksmoor was visibly alarmed: 'Who told you to say that?'

Walter tried to calm him. 'No one told me, but it's been eight months now. You deserve a rest from it.'

That's a strange word, deserve, isn't it? Do you know what it means?'

'It means to need something, doesn't it?'

'No, it means to be worthy of something. And so I'm worthy of rest.'

Walter noticed how his hand trembled, and Hawksmoor gripped his glass more tightly. 'I don't know what to say to that, sir.' He gazed at Hawksmoor, not without friendliness. 'You'll start to dream about it soon,' he put it to him gently.

'What makes you think I don't dream about it now?' He had spoken too loudly, and once again there was a sudden silence in the room.

Hawksmoor looked down, abashed, and this was the occasion for which Walter had waited. 'It just seems to me, sir, that we're not getting anywhere. '

'Is that how it seems to you?'

That's how it seems to everyone, sir. ' Hawksmoor looked up at him sharply, and in that moment the relationship between the two men was subtly but permanently changed. 'We don't have the facts,'

Walter was saying, 'and that's our problem.'

'You know about facts, do you, all these facts we don't have?'

Hawksmoor was very grim. 'In your experience, Walter, do any two people see the same thing?'

'No, but '

'And so it's your job to interpret what they have seen, to interpret the facts. Am I right?'

The conversation puzzled Walter, and he decided to retire from it.

'Yes, sir.'

'And so the facts don't mean much until you have interpreted them?'

That's right.'

'And where does that interpretation come from? It comes from you and me. And who are we?' Hawksmoor raised his voice. 'Don't you think I worry when everything falls apart in my hands -but it's not the facts I worry about. It's me.' When he stopped, he passed his hands trembling across his face. 'Is it hot in here or is it just me?' He took out a handkerchief to wipe the sweat from his forehead and then, as Walter still said nothing, he added, 'I'm going to find him.'

And then, later, he heard himself saying, 'I told you about that notebook, didn't I?' But he managed to stop himself and, muttering an excuse, went once more to the bar where three women turned and laughed when he began speaking to them. Walter watched the sweating, shambling figure as he winked and said, 'I'll show you something you won't forget. Do you want to see something?' And they laughed again: 'What is it?' one of them asked 'Something you've got for us? Something small, I should think'. And they cackled. But they stopped when he took some pictures out of his jacket pocket and held them up to the light in triumph. 'Get them out of here!' the same woman cried in disgust, 'We don't want any of that filth!' Then Hawksmoor himself looked at what he held in his hands, and bowed down as if in prayer when Walter came up to him and saw that he was holding photographs of the murder victims. Tut them away now, sir, ' he murmured, 'I'll take you back.' Hawksmoor stuffed the photographs into his pocket, yawning, and Walter led him home.

The ringing of the telephone startled Hawksmoor as he sat at his desk: it was the Assistant Commissioner who wished to see him at once but, as soon as he rose from his chair, he became quite calm. He remained calm as he ascended in the lift to the thirteenth floor and, when he entered a large office, the Assistant Commissioner was staring out of the window at the grey rain: this will be the shape of your damnation, Hawksmoor thought, to look out perpetually and mournfully. But the figure turned round swiftly. 'Forgive me, Nick.'

'Forgive you? Forgive you for what?' There was turmoil in Hawksmoor's face.

'Forgive me for summoning you like this.' Then he sat down, and cleared his throat. 'How's the case going, Nick? How close are you to finding him?' The telephone rang but he ignored it and waited for Hawksmoor to speak. Then he added, in the gathering silence, T'm not sure we're getting anywhere, Nick.'

T'm sure we are. In time, sir.' Hawksmoor stood with his arms straight down by his sides, almost at attention.

'But we're not becoming any wiser. We've got nothing extra have we?' Hawksmoor averted his eyes from the man's gaze and stared out of the window behind him. 'I've got something else for you, Detective Superintendent, not quite in your usual line but '

'You mean you're taking me off the case?'

'I'm not so much taking you off this case as putting you on another one.'

Hawksmoor took a step backward. 'You're taking me off the case.'

'You've got things out of perspective, Nick. You laid the foundations, and you did a good job, but now I need someone to build the case up stone by stone.'

'But the bodies are buried in the foundations,' Hawksmoor replied, 'generally speaking, that is.'

The Assistant Commissioner lowered his voice slightly: There's been some talk about you recently. They say you've been under a lot of strain.'

'And who is they?' Whenever he heard that word, he imagined a group of shadows moving from place to place.

'Why don't you take some time off? Before you begin the new case.

Why don't you have a good rest?' And he rose, making a point of looking directly at Hawksmoor, who looked back helplessly.

When he returned to his own office Walter was waiting for him: 'How did it go?'

'So you knew.'

'Everyone knew, sir. It was only a matter of time.' And Hawksmoor heard a vast sea roaring around him: he saw quite distinctly a small creature waving its arms in panic as the water swirled around him like storm clouds. 'I tried to help -' Walter began nervously to say.

'I don't want to hear it.'

'But you wouldn't let me. Things had to change, sir.'

'Everything has changed, Walter.' He took the files from his desk.

'And I hand everything on to you. It's all yours now.' Walter stood up as Hawksmoor gave him the files; they were both on opposite sides of the desk, and their fingertips met accidentally as they leaned towards each other.

'Sorry,' said Walter drawing back quickly and apologising for his touch.

'No, it wasn't your fault. It had to happen.'

Hawksmoor sat very still after Walter had left the room, and during the course of the afternoon he tried to look at himself as if he were a stranger, so that he might be able to predict his next step. Time passes, and he looks down at his own hands and wonders if he would recognise them if they lay severed upon a table. Time passes, and he listens to the sound of his own breathing, in its rise and its fall. Time passes, and he takes a coin from his pocket to observe how it has been worn down in its passage from hand to hand. When he closes his eyes at last, he finds himself slipping forwards and wakes at the moment of his fall. But still he goes on falling; and the afternoon changes to evening, and the shadows around Hawksmoor change.