House of Thieves (35 page)

“You're asking me to commit suicide; you know that, don't you?”

“Indeed I do,” said Manet. “And I'm also committing suicide.”

“Then for God's sake, man, why are you doing this?” exclaimed Lucien.

Manet didn't seem put off by Lucien's question at all. He almost seemed eager to answer it. The old man smiled at Lucien.

“Let me explain something to you, Monsieur Bernard. Back in 1940, when this hell began, I realized that my first duty as a Christian was to overcome my self-centeredness, that I had to inconvenience myself when one of my human brethren was in danger—whoever he may be, or whether he was a born Frenchman or not. I've simply decided not to turn my back.”

“Inconvenience myself” was a bit of an understatement under these circumstances, Lucien thought. And as for Christianity, he agreed with his father: it was a well-intentioned set of beliefs that never worked in real life.

“So, Monsieur Bernard,” continued Manet, “I will pay you twelve thousand francs to design a hiding place that is invisible to the naked eye. That is your architectural challenge. I have excellent craftsmen to do the work but they're not architects; they don't have your eye and couldn't come up with as clever a solution as you could. That's why I'm asking you for your help.”

“Monsieur, I absolutely refuse. This is crazy. I won't do it.”

“I'm hoping you'll reconsider my proposition, Monsieur Bernard. I feel it can be a mutually beneficial arrangement. And it's just this one time.”

“Never, Monsieur. I could never agree…”

“I realize that making a decision that could get you killed is not one to be made on the spot. Please, do me the favor of taking some time to think about this. But I'd like to hear from you today by six p.m., at the Café du Monde. I know you need to make a closer examination of the apartment for you to decide, so take this key and lock the door when you finish. And now, monsieur, I'll leave you to it.”

Lucien nodded and tried to speak, but nothing came out.

“By the way, at nine a.m. tomorrow, I'm signing a contract to produce engines for the Heinkel Aircraft Works. My current facilities are much too small to handle such a job, so I'm planning an expansion next to my plant at Chaville. I'm looking for an architect,” said Manet as he walked toward the door. “Know of one?”

The room started spinning around, and Lucien became so disoriented that he couldn't keep his balance. He sat on the floor and thought he was going to vomit.

“Christ, what a day!” he muttered.

Normally, Lucien would do anything to get a job, no matter how despicable. Like the time he slept with the very overweight wife of the wine merchant, Gattier, so that she would persuade her husband to select Lucien to design his new store on the rue Vaneau. It had turned out beautifully—not one change had been made to his design.

This, however, was a different matter altogether. Sure, he was broke, but were twelve thousand francs and a guaranteed commission worth the risk of dying? The money wouldn't help him if he was dead. Actually, it wasn't the dying part that troubled him. It was the torture by the Gestapo that would precede the dying. Lucien had heard on good authority what the Germans did to those who wouldn't cooperate—days of barbaric treatment before death, or if the Gestapo was feeling merciful, which was a rarity, internment in a camp.

Parisians had quickly learned that not all German soldiers were the same. There were three very different types. The largest branch, the Wehrmacht, was the regular army that did most of the fighting and had some sense of decency toward the French. Next was the Waffen-SS, the special elite army unit of the Nazi Party, which fought in combat but was also used in rounding up Jews. The last and the absolute worst was the Gestapo, the secret police, who tortured, murdered, mutilated, and maimed Jews—or anyone, including fellow Germans, for crimes against the Reich. The Gestapo's cruelty was said to be beyond imagination.

People were even scared to use the word
Gestapo
. Parisians would usually say, “
They've
arrested him.” The Gestapo headquarters at 11 rue des Saussaies was just around the corner from the Palais de l'Élysée, the former residence of the French president. Everyone in Paris knew and feared this address.

No, no matter how much he needed money and craved a new project, the risk was unfathomable. Lucien had never fooled himself into believing he was the heroic type. He'd learned that in 1939, when, as an officer called up from the reserves, he'd been stationed for eight months on the Maginot Line, the string of concrete fortresses that the French government guaranteed would protect France from a German onslaught. Since no fighting had occurred in France after the fall of Poland, he'd sat on his ass reading architectural magazines his wife had sent him, designing imaginary projects. One fellow officer who was a university professor had used the time to write a history of the ancient Etruscans.

Then on May 10, 1940, the Germans had invaded, but instead of attacking the “invincible” Maginot Line, they'd swept around it, entering northern France through the Ardennes Forest. Meanwhile, Lucien had been stationed inside a bunker on the Maginot Line, never getting the chance to engage the enemy. Secretly, he'd been glad because he was terrified of fighting the Germans, who seemed like superbeings. They had crushed everyone they had invaded with incredible ease—the Poles, the Belgians, and the Dutch, plus forcing the British off the continent at Dunkirk.

After the armistice was signed on June 22, he was considered officially defeated and captured, but Lucien and other officers had had no intention of being herded into a prisoner of war camp in Germany. Uncle Albert, the brother of Lucien's mother, had spent four years in a German prison camp during the First World War and as a result spent the rest of his life unhinged, doing weird things like chasing squirrels in the park like a dog. Lucien and many other French soldiers had simply taken off their uniforms, destroyed their military papers, and then blended into civilian life with forged demobilization documents. Before the Wehrmacht had reached the garrisons of the Maginot Line at the end of June, Lucien had returned to his wife in Paris.

What he found was a ghost town. Even though Paris had been declared an open city by the British and thus safe from bombing, over a million people—out of a population of three million—fled. Lucien and his wife had decided to stay, believing that it was far less dangerous to face the Germans than the perils of the open road. It had turned out to be the right decision: with millions of other Frenchmen fleeing south, the roads became impassable and many people had gone missing or died of exposure. This mass exodus and the military's quick surrender to the Germans humiliated France in front of the world. Lucien hated the Germans with all his heart for what they did to his country. He cried the day of the surrender. But all that really mattered to him was that he and his wife were still alive.

No, Lucien wasn't a hero, and he definitely wasn't a do-gooder, one of those guys who stood up for the downtrodden. Manet had do-gooder written all over him. And to risk one's life to help a
Jew
? Lucien's father would've laughed in his face. Having grown up in Paris, Lucien had been around Jews all his life, at least indirectly. He'd heard that there were something like two hundred thousand heebs living in Paris, although he'd never met one Jew at the École Spéciale d'Architecture, where he'd studied. There were hardly any Jewish architects. Lucien had always reasoned that Jews had an innate mercantile talent, so they went into business and professions like law and medicine that would make them loads of money. Architecture, Lucien quickly learned, was not the way to go if you wanted to become rich.

But Lucien felt that Manet was right about one thing. The Jews were getting a raw deal. The Germans took away even the most basic everyday necessities—their phones had been disconnected and their bicycles confiscated. And not just the immigrant Jews from Poland, Hungary, and Russia, who lived mostly in the eastern arrondissements of Paris, but the native-born Jews too, the ones who didn't have that “Jew” look. Professional men like doctors, lawyers, and university professors suffered. And it didn't matter how famous you were. Nobel Prize winner Henri Bergson had died from pneumonia that he had contracted while waiting in a line to register himself as a Jew with the French authorities. But what was happening to the Jews was a political matter that was out of his control, even if he thought it was unfair.

For a people that were supposed to be so smart, though, Lucien thought Jews had been acting pretty dumb. Since 1933, there had been reports in French newspapers of how the Nazis treated Jews in Germany. Didn't they realize the Germans would treat them the same way here? Some had made it across the Pyrenees into Spain and Portugal, and others had gotten across the Swiss border early on. They were the smart ones; they'd realized what was in store for them and had saved themselves.

The Jews who had stayed were doomed. Since the fall of 1940, it had been impossible for them to get out of the country. Jews had even been forbidden to cross the demarcation line into unoccupied France. They had to escape the cities to avoid arrest and deportation by the Germans. There must be thousands of them hiding in the countryside, Lucien thought, whole families with kids and grandparents. The Jews who were so used to the good life now had to hide in haylofts surviving on a few grams of bread each day. Compared to a barn, Manet's hideout would be a palace.

Lucien stood up and began walking through the apartment.

Granted, it was suicide to get involved in this.

But…if it was done cleverly, maybe the Jew would never be discovered, no one would know of his involvement, and best of all, Lucien would make a huge amount of money plus get a big commission out of it. Besides, Manet was a very shrewd, successful man. He might take a calculated risk, but he wasn't reckless. The old man would've thought this all out to the last detail.

Then the image of being lashed to a chair at 11 rue des Saussaies, getting his face pummeled to a pasty red lump, came to mind. Lucien turned to walk toward the door. Still, he thought, with a little ingenuity there could be a place to hide a man in plain sight. He placed his hand on the door handle, then looked back into the empty apartment. Lucien shook his head and opened the great wooden door a few centimeters to see if anyone was about, and stepped out in the corridor.

Then again, Lucien reasoned, the commission alone would make the risk worth considering. To get such a huge project to design was an incredible opportunity that would never have come his way before the war. And God knows, he desperately needed the money; he hadn't worked since the Occupation began. His own savings were long gone, and Celeste's money wouldn't last forever. It wouldn't hurt to at least look around, he thought. He reentered the apartment and began walking through the rooms.

First, Lucien ruled out the obvious hiding places, such as behind the bookshelves—a stock cliché of American mystery movies—or in a recess at the back of a closet. As if they were the lens of a movie camera, his eyes swept over every square meter of each room, taking in every detail. At the same time, he intuitively analyzed every surface by contemplating the construction of the space behind it—as if he was thinking with X-ray vision. Though Lucien didn't know how big Manet's “guest” was, his mind placed an imaginary average-size man within each possible space to see if there was enough room. Lucien examined the beautiful wainscoting along the walls. The wide recessed panels could be removed, opening up a space big enough for a man to fit through. But was that too obvious a hiding place? Probably. There had to be a twist. What if the person had to go through the panel opening and crawl down the length of the wall to hide within another hidden compartment? If the Germans found the removable panel, there would be just an empty space behind it. Unfortunately, as Lucien inspected further, he noticed the walls behind the wainscoting weren't deep enough for a man's body.

Then Lucien noticed how unusually tall the baseboards along the floor were. Using the small tape measure he always carried with him, he confirmed they were almost forty centimeters high. Maybe they could be hinged like a flap on a mail slot, so a man could pull them up and slide on his belly into a hollowed-out space. That would've been a solution if the wall had been the right depth. Too bad, the Germans never would've looked down there.

Lucien moved on. There was a wall along a corridor that curved out in the center, creating a semicircular niche where a small bronze statue of Mercury sat on a meter-high base. A man could crouch inside the base, unless he was really tall. The statue and the wood top of the base would have to be lifted up then put back into place in order for the man to hide. That would be quite difficult to do. Even if the statue was fastened to the top from underneath and the top hinged to the base, it would be very heavy. Lucien picked up the statue and guessed it weighed around fifty kilos. Would Manet's guest have the strength to open and close the top?

Lucien walked across the room to get a better look at the niche. Lighting a cigarette, he leaned against one of the very tall wooden Doric columns that framed the opening between the salon and the dining area. He looked it up and down and saw its fluted shaft was made from one piece of exquisite chestnut. If only it sat on a tall pedestal, he thought, a person could fit inside the pedestal to hide. Then Lucien noticed how big the diameter of the column was and measured it—about fifty-six centimeters. An incredible wave of euphoria swept over him. Using his own shoulders as a guide, he calculated that the column was just wide enough to fit a normal-size man upright, even accounting for the thickness of the column wall.

Lucien was giddy with excitement. The two columns, which he knew were nonstructural and merely decorative, must be hollow. Smiling, he ran his hand over the column's shaft; a narrow hinged door could be cut in, with its vertical joints hidden by the fluting. There couldn't be any horizontal joints showing so the bottom joint would have to align with the base. The top joint had to line up with the column capital above. Though the shaft of the column was almost four meters high, a door could be made that tall if he used a piano hinge. Lucien had once designed a door with standard hinges that stood three meters high. If Manet's men were as good as advertised, this could work.

He'd done it! It was such a brilliant, elegant, and ingenious solution.

He'd fool those fucking Nazi bastards.