How a Gunman Says Goodbye (25 page)

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Authors: Malcolm Mackay

Tags: #Literature & Fiction, #Contemporary, #Contemporary Fiction

BOOK: How a Gunman Says Goodbye
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47

Sometimes it feels like they don’t want him to be successful. They want a result – not the right result. You can either chase statistics or you can be a proper copper. Only rarely and co-incidentally do those two styles of policing overlap. That’s Fisher’s belief, anyway. There’s a uniformed cop downstairs who got a commendation for the high number of arrests he made. Fisher loathes the boy. Not his fault that he got the pat on the head from the bosses, but look at the arrests. Most were very minor, some the sorts of things he shouldn’t have been wasting his time on. Sure, people like it when you arrest a vandal or a drunk-and-disorderly, but it makes little difference to the big scheme. The big scheme means taking dealers off the street. They can’t supply the junkies, who then don’t go breaking into houses and mugging people to pay for the habit. You go for the big fish so that they can’t corrupt further down the chain. That’s what he’s always tried to do. But they keep stopping him.

He’s going to explode soon, you wait and see. Someone’s going to say something that sets him off. It’ll be a brief flash of anger, it always is with Fisher. Nobody in the office cares much for that; it’s the couple of days of silent rage that follow that bothers them. There’s a bit of bustle around the place, people in and out. A woman’s been found dead in her house. Wasn’t raped or burgled, and her on-off boyfriend is nowhere to be seen. Looks like the on-off boyfriend is going to be answering a lot of awkward questions when they catch up with him. That’s why there’s a bunch of cops buzzing all over that case. Of course they want to catch a dangerous man, but there’s ambition there, too. It should be an open-and-shut case. They want their name on it. They know this will resolve itself quickly, and they want to be associated with that. Nobody wants long-standing open cases with their name attached. Nobody wants a case that runs away from them and is taken out of their hands. Nobody wants to be where Fisher is right now. No new evidence to suggest that McClure didn’t kill Scott and then himself.

He was called into DCI Reid’s office. He was told that the Scott McClure investigation was being wound down. Not officially closed, but essentially abandoned. Too many men wasting valuable time on a dead investigation. Their skills, such as they are, required elsewhere. This is murder-suicide. Put it to a coroner, present the evidence and he’s going to record murder-suicide. Let him. End the active investigation; let the families put it behind them. Fisher didn’t point out that they seemed to have already done that. The lack of family interest in both dead men was horrible. Unusual, although not unheard of. You pick up bodies that have no family to care about them. You find the next of kin and you inform them. Their greatest concern is the expense of a funeral. It can be unpleasant. The families won’t care about this investigation shutting down. They’ll accept the murder-suicide, and they’ll get on with life. They won’t put pressure on for further investigation. Neither will the media. No headlines for a couple of street dealers. It would take outside pressures to get a case like this energized again.

It won’t get pressure from Fisher, either. Other priorities. Priorities like Frank MacLeod. The lying, cheating bastard Frank MacLeod. Fisher followed him. Followed him all the way to Peter Jamieson. A set-up, to either humiliate or endanger him. Or maybe old Frank is trying to keep all his options open. Play every string on the fiddle at once. That wouldn’t be a surprise, either. Not with a guy like Frank. There could still be a chance. He just has to make sure Frank knows that he only has one option. It helps if Frank likes him, but it’s not necessary. It helps if your contact wants to give you info, but forcing him is better than losing him. How do you play hard with a man like Frank? A man who’s seen every hard tactic in the book. Anyone can be scared. That’s the key. All those old guys are obsessed with holding on to life. The fear of losing it is the key. Make him believe that the only person who can keep him breathing is Fisher. Make yourself his only option.

He’s in his car, driving round to Frank’s house. No more sitting outside the house watching the hours rush away. He has to take action or see this all fall through his fingers. He’s not going to let another chance go. You spend years getting good results, doing your job the right way. You have a couple of failures, and people start to point the finger. They think you don’t have it any more. He’s been guilty of that himself in the past. He knows how it works. A cop getting older – you start to question their ability to close a case. Are they still in touch with modern crime and policing techniques? Do they still have the hunger? Some do lose it. They’ve done their bit, now they’re looking towards the end. He’s not that kind of cop. His ending will be forced on him, he knows it. The hunger’s still there, but nothing is falling his way.

Sitting outside Frank’s house. His car’s there, which suggests the old man’s still at home. Fisher’s looking up and down the street as he gets out of his car. Doesn’t seem to be anyone about. Nobody sitting in a car watching. Up to the front door, knocking. Takes about twenty seconds for Frank to open. His eyes have betrayed his shock.

‘Hello, Frank.’

‘Come in,’ Frank’s saying. There’s a roughness in his voice. That betrays him, too. He doesn’t want anyone seeing him meet the copper. Doesn’t want Jamieson knowing that they’ve met. This suggests that it isn’t a set-up, that Frank really is on the outside. He’s meeting people to check his options. Now there’s a real chance of landing him.

Frank’s led him through to the living room. Fisher’s taking a seat without waiting for an invite to do so. Frank’s watching him, obviously trying to pick his words.

‘Can I ask why you’re here?’ he’s asking, sitting opposite Fisher. Always so polite. That’s rather old-school, a charming generational difference. These days, most people would curse Fisher for turning up unannounced.

‘I want to talk to you,’ Fisher’s saying.

‘I thought I made it clear that I wasn’t going to talk to you.’ A slightly harsher tone this time. Making it clear that he doesn’t appreciate the visit. He doesn’t need to come out and say it, though. Fisher’s not dumb; he knows the risk for Frank. Frank understands what this is. Lives at risk; pressure being piled upon pressure.

‘I want to make it clear that you need to talk to me. I think you’re out of options. You may not realize it, but you are. I’m the last show in town. I may not be much, but I’m it. You can go running to other people if you want. Try and ingratiate yourself with a new bunch of crooks. Maybe try and cling on to Jamieson, like some pathetic love-struck teenager. How do you think any of them would react if they knew about our meetings?’

Frank’s laughing. Sitting there and laughing in Fisher’s face. Not the response the detective was expecting.

‘I didn’t realize I was quite so funny,’ Fisher’s saying, looking for an explanation.

‘Oh, you are. Don’t think I don’t know what’s going on here. This is your last roll of the dice. You’re desperate, so you’re putting the pressure on. Coming here to lean on me. You’re the police equivalent of muscle. You really think I can’t see how desperate you are?’ The laughter has gone from his voice now. More serious, more challenging.

Fisher’s frowning back at him. Nobody wants to be told how desperate they are, even if it’s true. A cop like him can’t afford to have it be so obvious to others. ‘This isn’t a question of me. This is a question of you. I’m beginning to wonder if you realize the situation you’re in.’

Frank’s laughing at him again. ‘You think I don’t know where I am? I know. Trust me, I know. It doesn’t look good for me. I understand that. You want me to think that you’re the only person who can save me.’

This is becoming pointless. Fisher’s standing up. ‘Listen,’ he’s saying. ‘I want you to understand what I’m going to do. I’m not letting you off the hook, no way. Not after everything you’ve done with your life. You have two days to call me and tell me that you want to get on board. You do that, and I protect you. I find you somewhere safe to live; I make sure you don’t get prosecuted. You don’t do that, and I make a few phone calls. I know I can’t get you for myself. I’d love to put you in the dock, but that’s not going to happen. Thing is, people like Peter Jamieson don’t need the same weight of evidence I do. He can find you guilty on a whim. One call from me, and I’m pretty sure he will.’

Fisher’s walking to the door, letting himself out. He feels like shit. He feels like a criminal. Threatening a man with murder. Doesn’t matter what the man’s done, who he is. You start lowering yourself to this level and you’ve lost. Maybe he’s already lost. The Scott McClure case has withered and died in quick time. Frank’s going to escape him, he knows it. He’s going to lose again.

Frank’s standing at the living-room window, watching Fisher drive away. Didn’t think the little bastard had it in him. Ballsy thing for any cop to do. Desperate, though. Pathetically desperate. Fisher looks less and less like a man to be afraid of. The man to be afraid of is Jamieson. Maybe Fisher will call him, but Frank doubts it. Not that kind of cop. Maybe it doesn’t matter.

The meeting with Jamieson has been on his mind constantly. It almost doesn’t matter how much Jamieson knows. Their conversation was so awkward. It was more like two old enemies than two old friends. Frank’s seen it before. Seen most things before. Never been on the receiving end, though. It’s the talk you have when you’re so far on the outside that you become a threat. The old employee who knows too much. Who has to be silenced. Seen that before. Done the silencing. He’s been kidding himself, pretending that this wouldn’t happen to him. That his relationship with Peter Jamieson was different from the rest. It was always going to happen. Gunmen don’t get happy retirements. Nobody gets to walk away.

48

Walking round the flat, just going in circles. Getting some of the nervous energy out of the way before he sets off. It’s actually nice to be able to do it. A relief, almost. If Emma was still here, then he could never prepare properly. Well, properly might be the wrong word. There is no properly. There’s just whatever works. Pacing around the flat, planning what to do with each half-hour until you leave – that works for Calum. He’ll get something to eat. Something light, nothing that’ll play on his stomach when his nerves are running. The nerves are worst during this preparation. The two or three hours before you leave for the job. When it’s under way you have so much else to think about. A good gunman’s focus will crush his nerves. You have to think clearly. For now, he paces and plots.

It’s after midnight when he leaves the flat. Black jeans, comfy black trainers, a plain navy-blue top. He picked up his gun from his usual supplier a few hours ago; he’ll return it as soon as the job is done. An expensive rental, rather than a purchase. Got a silencer for this job. Rarely uses them. Expensive and awkward. You only take them on a difficult job that needs every precaution. Jobs like this.

He’s taking his car to the meeting place agreed with George. They’ll take the van that George is picking up to do the job. Another job that’ll need a removal. He hates that. But it’s Frank. Jamieson wants the maximum respect shown; have Frank treated as well as a murdered man can be. The removal has something to do with covering tracks, no doubt. Try to make it look like another disappearance. Too many awkward jobs in a row. The chances of something going wrong are piling up. It would be so nice to have a couple of simple jobs. This is the price you pay. The price of working for an organization. Things are never straightforward.

He’s pulling up in the parking places outside a cash-and-carry. There’s CCTV, but it won’t be working tonight. The building’s owned by Jamieson, or by someone who works for Jamieson. It’s complicated, but Jamieson’s on a percentage and George will have made sure about the security. This is where he has to trust someone else with his safety. George is sitting in the van already. Small, old, white, no markings on the side. Nothing that anyone could possibly remember. Getting to the point where its age might become notable. Calum may have to point that out to Young, make sure he has it replaced. He’s leaving his own car unlocked, with the keys tucked inside the sun visor. A risk he has to take. Doesn’t want to be found with his own keys on him. Doesn’t want to be found with anything on him. On this job, it shouldn’t be an issue. The target already knows him. Still, plan for every eventuality; make sure you have nothing about your person that could identify you. He’s dropping into the passenger side of the van. Nodding a hello to George.

George looks more of a wreck than Calum’s ever seen him. Looks like he hasn’t slept for days. Looks like he’s been out partying. It could be nerves. Frank has an aura about him. The greatest gunman in the city, so they all say. George should know better. People get reputations, but it’s like Chinese whispers. A rumour starts, word goes round and, before you know it, people have reputations based on nonsense. People become known for things far removed from what they’ve actually done. Sure, Frank was one of the greats. Up until he walked through Tommy Scott’s front door, Calum might have believed in that mystique too. Seeing Frank sitting on the floor, guarded by Clueless McClure, quickly broke that spell. Frank used to be great. Now he’s not. Now he’s problematic. That’s the business. George can be as nervous as he likes. He’s the driver and he’ll help with disposal. Killing is Calum’s job.

‘You get everything we need?’ Calum’s asking. The collection of tools for a removal was left in George’s hands.

‘Think so. Couple of spades, big canvas body bag, couple of spare bags.’ He’s finishing with a shrug of the shoulders. Calum’s meticulous about these things. Demanding, to the point of annoyance. George has done this sort of job with him before, though. No surprises here.

‘Let’s go,’ Calum’s saying. It’s after half past midnight now; by the time he gets into the house it’ll be after one. He wants this done quickly. Someone could be watching the front of the house, so it has to be quiet and has to be quick. Who’s likely to be watching? Another organization. Maybe Shug’s. Could be police. They could be killing someone else’s target. Forget all that. He has to put it out of his mind, focus on his own job. Never mind what other people are doing. This is going to be hard enough.

George is driving. They’re nearly there. It’s a wet night, which is bad news. Soft ground means footprints, and no doubt George hasn’t brought plastic bags to put over their shoes at the burial. Boot prints can be one more clue you don’t want to give away. They won’t drive along Frank’s street to check for watchers. Frank’s back garden looks onto the garden of the house in the next street, an alleyway in between. That’s the entry point. George has parked the van on the street at the bottom of the alley. If anyone’s watching Frank’s house, they’ll be close. Calum’s looking at George. George is usually the talkative one, yet he’s had nothing to say. It’s that kind of job, Calum supposes.

‘Give me ten minutes, then come in soft,’ he’s saying.

‘Aye,’ George is nodding. ‘Good luck, pal.’

A little nod. Calum’s pulling on his balaclava, opening the van door.

Trying to make as little sound as possible. Walking as close to the wall at the bottom of the row of gardens as possible. Not a great place for a job. A group of occupied houses close together. Too many bedroom windows looking down on the alleyway. Going to be hard to move the body without some nosy bastard twitching the curtains. Especially if they hear a bang beforehand. The silencer will keep it quiet, but there’s still the flash to think about. Closed curtains, hopefully. The victim can make a noise. Hell, even a silenced piece makes a sound. Better to use a knife for silence, but that would be messy. Blood everywhere. Could never hide what happened there. He’s halfway to Frank’s back garden. Counting the houses as he passes, making sure he gets the right one. Dodging bins and a lone bicycle optimistically chained to a rotting wooden gate. Silent so far, but now he’s reached Frank’s gate.

He’s pressing down the latch slowly, not making so much as a scrape. Pushing it open, peering inside before he makes a step. There aren’t likely to be any obstacles yet. They’ll come when he gets inside. The only fear would be Frank standing there, waiting for him. Not a realistic fear, but this is no realistic target. He’s stepped inside the gate and shut it behind him. Looking at the windows. Not for light – Frank would never be so sloppy. Checking for movement. Frank lining up a shot from an open window. No, he wouldn’t kill a man in his own garden. Frank knows better. He can explain a bang from within his house, but not a body lying flat out on the grass with an extra hole in it. Put yourself in Frank’s shoes. What would you be doing right now? He must have set up some sort of alarm. He can’t be lying asleep in there, thinking there’s no threat to him. Not Frank. He must recognize the danger, and he must be ready for it. That’s what Calum’s looking out for as he walks slowly towards the back door. He’s taking the key from his pocket, placing it silently in the lock. Taking his gun from his inside pocket before he turns the key. This is where he starts looking out for traps.

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