Even the crudest bodily functions took on a kind of sublime meaning. The Widow would have been disgusted. ‘I worship you,’ he whispered in her ear and she rolled over and gave her strange laugh, burying her head in the crook of his arm. Gordon wondered if he sounded ridiculous. She was sublime, transcendent, not an earth-bound creature at all. ‘You can’t put your wife on a pedestal, Gordon,’ the Widow warned, chopping cabbage with her enormous knife. ‘There’s more to marriage than the physical side,’ and Gordon blushed at the idea that his mother could even begin to imagine the things he did with Eliza.
Mothers and their sons,
Eliza laughed (rather spitefully),
how they want them.
‘I don’t know what you mean.’
Don’t you? No, I don’t suppose you do.
And in her room the Widow took off her layers of strict underwear and viewed her saggy, baggy wrinkled body with her ancient dugs and her chicken neck and cursed Eliza.
Eventually, inevitably everything that was once new and precious became everyday and familiar. ‘No honey in that hive any more,’ Vinny wrote, ‘only a nest of hornets.’ Why couldn’t Eliza settle for the ordinary and the familiar, for the daily round of meals and work, the comfort of children? Gordon craved ordinariness now. He wanted her to be normal, like everyone else. He didn’t want other men looking at her because he knew every man that looked at her was thinking about what she would be like in the bedroom and he knew what she was like and that made it worse.
Not that she was like that any more, not with Gordon at any rate.
Gordon remembered some things – he remembered putting his hands round her thin neck, he remembered her ridiculous laugh, gurgling and bubbling in her throat, he remembered how he felt when he hit her head against the tree, shaking the life out of her – exultant, triumphant at his victory over her. He wanted to say, ‘See? See – you can’t win every fight, you can’t always have your own way, you can’t drive me to madness and get away with it.’ But it was no good because she couldn’t hear him. His triumph melted into nothingness, without her there was nothing. And then – nothing. He had no idea what he’d done all night, he must have wandered round the wood, everything forgotten, even his children. In the cold light of day it was beyond belief.
‘I have to go to the police,’ he said as soon as the Widow had given the children breakfast (‘First things first’) and got them to bed. ‘Stuff and nonsense,’ the Widow said. ‘You’re not going to hang over
her.’
But Gordon didn’t care. They could have erected the gibbet right there in the kitchen of Arden and he would have mounted the scaffold. ‘No, Gordon,’ the Widow said grimly, ‘absolutely, definitely not.’
‘The best thing’, the Widow said (for she was completely in charge now), ‘would be for you to go away for a bit. Maybe abroad.’
‘Abroad?’ said Vinny, who’d never been further than Bradford, of course.
‘Abroad,’ the Widow said firmly.
‘My baby!’ the Widow thought out loud. She always knew Eliza was trouble, would drag him down into the mire with her. She was better off dead. Poor Gordon, under the spell of a slut. Who was going to miss her? (
They’re all dead, darling.
) Nobody, that was who. Gordon could go abroad and they would say he’d died – dreadful accident or something. Asthma. Something. And the Widow would never see him again, but at least he would be safe. Anything was better than the noose. ‘My baby!’
Vinny was more annoyed than she’d ever been in her life. She’d spent most of the night wandering in the wood, having taken the wrong path after going off to do you-know-what and, all in all, had probably had the worst time of her life, even counting her wedding-night.
The wood had been so much more than a wood for Vinny, it had been an ordeal by twig and bramble, spectre and will-o’-the-wisp and for this she entirely blamed Eliza. If she hadn’t finally stumbled into Gordon after hours of wandering and weeping she would have undoubtedly gone mad. Although, of course, what happened then was almost as bad.
Vinny was glad she was dead. That’s what she said to herself anyway, but she couldn’t forget the sight of Eliza’s rag-doll body under that tree. Vinny had touched the blood on her hair, felt the ice on her skin. Vinny had done something she never thought she would do – she’d felt sorry for Eliza.
Vinny would very much like to forget these things. She would like to forget Gordon clutching her arm as if she was a life-belt, dragging her over to the tree, tears streaming down his face and sobbing, ‘What am I going to do, Vin? What am I going to do?’ I never wanted to go on a bloody picnic anyway, Vinny thought crossly.
Eliza had been trouble, right from the beginning. Trouble with her big eyes and her thin ankles and her stupid voice,
Oh Vinny, darling, could you possibly …
always laughing at poor Vinny as if she was stupid. But that didn’t matter now, they must all save themselves as best they could.
And Gordon went. Walked out, left everything behind, even the murder of his wife. And he put it all away in some dark place that he never threw light on and he’d gone on and worked hard and grown weather-beaten and become a different person, had met Debbie at a dance, courted her, quickly married her – she couldn’t have been more willing even though ‘Mum and Dad’ didn’t really approve – after all he was a divorced man. That’s what he told them, that’s what he told everyone, ‘divorced’ with such a sadness in his eyes that no-one wanted to probe further, except for Debbie, of course, for whom Eliza was a dark and unknown rival, the first Mrs Fairfax.
And then suddenly he had to go back. He had to see his children. His mother. He had to go back to England and find the old Gordon. He didn’t realize that none of these things were the same any more.
He’d got what he’d so stupidly wished for. He’d got an ordinary life. He didn’t need to go to prison for murder, didn’t need to hang for killing Eliza, he had his punishment every day. He’d lost his treasure, greater than a king’s ransom. He’d lost Eliza.
PRESENT
EXPERIMENTS WITH ALIENS (Contd.)
‘You killed my mother?’ I repeat in disbelief. This isn’t how it’s supposed to go at all.
Gordon sits slumped on my bed with his head in his hands.
‘You killed my mother?’ I prompt him. He looks up at me. In the dark his eyes are like black holes. When he opens his mouth – another black hole. He shakes himself like a dog, pulls himself together. ‘Well, what I mean …’ He stumbles then visibly pulls himself together. ‘What I mean is I killed her spirit.’ He shrugs. ‘I wanted her for what she was, but when I got her I wanted her to change.’
That’s an old familiar tale, but it’s all I’m going to get. Gordon pats my leg under the eiderdown – ‘Sorry if I woke you, old thing,’ – and disappears back into the night. The Dog follows him as far as the doorway, and then flops down on the threshold with a sigh of exquisite misery.
THE ART OF SUCCESSFUL ENTERTAINING
On Christmas Eve I wake up slowly from a bizarre Ovidian dream in which Eunice had been in the act of turning into a cow – a real one as opposed to a pantomime one, lowing mournfully at me for help. Her lower half (gymslip and white ankle socks) was still recognizably Eunice but her head was completely bovine. The metamorphosis had just reached her arms and she already had hooves where her hands had been, but (thankfully) no udders yet. I was just thinking that Eunice gave a whole new meaning to the word ‘cowgirl’ when I wake up.
It’s a cold, sunny morning. I can hear the baby gurning and carols being sung on a radio somewhere in the house. Charles bursts into my room without knocking and asks irritably if I’ve got any wrapping-paper, ‘I’ve only got one present left to wrap and I’ve run out.’ I mutter something negative and put my head back under the covers. It’s the middle of the afternoon when I wake up again and outside it’s already growing dark. Blink and you miss the daylight at this time of the year. So much for saving it.
I struggle out of bed, feeling exhausted, it’s as if I haven’t slept at all. My party dress is hanging on the wardrobe door but it’s too early to put it on, that would be like asking an accident to happen. Despite what Hilary said about not bringing a present I have bought her a boxed set of Bronnley lemon soaps which are sitting gift-wrapped ready on my bedside table. I think it is best to smooth my passage into this sophisticated milieu of the Walshes. Although, of course, the only reason I want to be at this party is to steal away Malcolm Lovat from under Hilary’s little nose.
I come downstairs still in my dressing-gown. Debbie and Gordon are both in the kitchen, Gordon at the sink wrestling with tomorrow’s turkey, a small frozen butterball, lethal enough to fling from a catapult and destroy an entire castle and its occupants. The relation of dead poultry to male genitalia is still something of a puzzle to me but it’s hardly something I can discuss with Gordon, heroically delivering the turkey of a bloody plastic bag of giblets. We would be better off with a roasted suckling baby at our festive table, at least then there might be enough white meat to go round.
Gordon sees me and smiles. He seems to be completely ignoring his mad wife who appears to have turned into a mince pie factory – there must be a hundred of them piled on the kitchen table. I hope she’s not planning some kind of Christmas party. ‘You’re not planning a party, are you?’
‘No. Should I be?’ she asks, attacking a helpless rectangle of pastry with a fluted cutter like a little hollow crown. I decide to leave her to it.
In the hall Vinny is wheeling the baby up and down in its pram. The baby regards Vinny with a glum expression as if it had been expecting something better from life. Who can blame it? Vinny seems to be disappearing before my eyes, so thin and insubstantial that she’s more like a cloud of dense ectoplasm than a human being. She’s drying up, desiccating like a dead beetle and she’s developing a strange aura, a cross-hatching of cobwebs around her outline as if she’s fraying at the edges (it could be her nerves). Perhaps the baby’s sucking the life out of her.
The baby has a name at last, I suppose if it had been left much longer Vinny, the Keeper of Cat Names, would have ended up christening it Tibbles or something. Although Tibbles might suit it better than the new-fashioned name it’s been given – Jodi.
‘I’ll do that,’ I offer reluctantly, taking over the pram handle from Vinny who staggers off gratefully to her room, followed by several Cats who have been prowling around jealously.
Perhaps we could take the baby and leave it on someone else’s doorstep, they might be fooled into thinking it was an anonymous Christmas present. They might even think it’s a manifestation of the second coming – Jesus come back to earth as a girl. (Now that would be something.) But the baby doesn’t look like it wants to save the world, it looks as if it would settle for what we all crave in Arden – a good night’s sleep.
It’s quite a peaceful activity walking up and down the hall with the pram, rocking up and down on the handle occasionally. There’s no hurry anyway – ‘Don’t go too early,’ is Mrs Baxter’s advice, ‘there’s nothing worse than being first at a party,’ well, except perhaps for never being at parties at all.
‘I thought you had a party to go to?’ Debbie says, breaking into my reverie. I look at my watch in amazement – it’s several hours later than I thought it was. How can that be? I must have completely lost track of time. Again.
‘Time playing tricks, eh?’ Gordon laughs (almost) as I pass him on the stairs.
So. I have the shoes (white stilettos that I can hardly walk in) and the frock, of course, but what about the rest of me? I need my mother, I need my mother to turn me into a real woman, but in her absence I do the best I can, damping down the frizzled snakes of my hair with Vitapointe so that I end up smelling well basted, like Christmas dinner. Not to mind, I think, putting on the fur tippet which curls comfortably round my neck.
I am going to walk into the party and Malcolm Lovat will catch a glimpse of me, walk towards me in a dream, we’ll melt (yes, melt) into each other’s arms, he’ll peel the pink dress off me and inflamed by so much naked flesh we’ll swoon into – why don’t I have a mother advising me against such a rash course of action? (I’m sixteen, for heaven’s sake, I’m a
child.)
Why isn’t my father asking me where I’m going as I fly so eagerly down the stairs?
‘Where are you going?’ Gordon asks.
‘Just out,’ I say airily and a little frown pinches his brow. ‘I’d give you a lift,’ he says, ‘but – ’and he indicates the kitchen at his back, now so full of mince pies that they’re rolling out of the door. ‘It’s OK, I’ll get the bus,’ I reassure him hastily.
He reaches out and straightens my coat collar. But I have no time now for such
tendresse,
I am away to forgo my virtue and the clock’s upbraiding me with the waste of time. ‘How are you going to get back?’ Gordon shouts after me. ‘There’ll only be a skeleton bus service tonight.’
‘It’s OK. I’m getting a lift off Malcolm Lovat,’ (there’s nothing like being optimistic). Although the idea of a skeleton bus service has a certain novel – if somewhat ghoulish – attraction.
The Walshes’ house turns out to be a gracious Georgian affair with pillars and a portico. My chest is tight with party anticipation. I pause for a second at the gate to savour the air of excitement, all the lights are on in the rooms and a tree in the garden has been strung, not with the garish coloured lights of the seaside prom, but with tasteful white globes like bright little moons. The wrought-iron gates at the foot of the driveway are wide open and on one of them is hung a large holly wreath, embellished with a red ribbon bow, a badge of cheer and festivity to welcome us partygoers. I walk up the path, dress rustling, take a deep breath, and ring the doorbell.