Hundreds and Thousands (50 page)

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Authors: Emily Carr

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BOOK: Hundreds and Thousands
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I wanted to paint the house. I have money enough. The painter roughly estimated that it would cost $65–$70. Alice was furious when I said I wanted to do it. I tried to put it all the nice ways I could, so as not to let her feel that
I
was doing it and that I was getting too much hold on the house, which seems to be what she fears so terribly. Then I said, “Alice, I won’t have it painted, but I want to give you a cheque for $70 with no tabs on it, a free gift. Paint it any colour that suits you. It would improve and preserve it.”

She flew into a towering rage. “The house is not mine any more,” she said. “It was good enough for me. It is good enough for anybody.”

I said, “Alice, the old man who did your part just left patches of white, grey, or any old colour. My new boards will have to be done. Why not let me do the whole while the man has all the stuff here for the inside work?”

“Do what you like,” she flung back. “The place is mine no longer!! Be quiet, I won’t talk about it any longer.”

“Then I shall paint it,” I said and I cried a little. “I only want to do the house good.”

But she sat in a dumb rage so I got our book and read steadily for two hours. Then she went home without a goodbye, without a word. I had a bad night. I am trying to face up to it and do what is fair and right. I shall pay my rent and let the house fall down if it wants to. Today I am sending her a letter saying, “I am
not
painting your house. I shall always remember, I hope, that the house is yours and I am a tenant.”

Alice’s house is her obsession. She resents having a thing done to it by anyone else. There was a like scene when I got some extra money last spring and tried to help her with the taxes. Does she feel that I am a smarty-prig because I keep my own place up as tidily as I can and because people love my studios with clean animals about and my paintings, and say complimentary things? I seldom mention what they do say just because she acts so queer and jealous. Perhaps she felt bad yesterday. Perhaps she felt sad because she was sorting up her school things, battered desks and tables and books, to make room for me. She
acted
as though she wanted me to go there to live. I so want to live happily beside her and yet I can’t bear disorder. I’m like Father. Things about must be straight and nice, except for art litter which is unavoidable.

FEBRUARY 2ND

I have just had such a warm greeting and appreciation from a woman unknown to me. She did not even give her name. She wanted to know if she could get my books. She had heard my broadcast and loved “Sunday.” She said it made her own childhood so clear. She did not know when she had ever enjoyed anything so much. I have had several calls of appreciation. One
woman said, “What a fine man your father was to bring you up like that.” I was glad that I had shown them Father’s straightness.

Last night I did a lot of cleaning out oddments, things necessary and things unnecessary to one’s life. We clutter ourselves with a great deal of stuff, and yet when we turn that accumulation out we feel that there must have been a purpose in hoarding it. It shows us we were not quite through with it. Some of us assimilate so slowly that we have to go over and over a thing before we have got what was in it for ourselves. The half-thoughts that I wrote down bring back some memory of an experience. Maybe we have outgrown it now, but it helped establish our underpinnings. And all the odd people we meet in our lives, they too are grains of sand piling up to be mixed into life’s foundation. The patchwork of our lives is made up of very small stitches keeping the patches in place.

Has a root or bulb the power to look up through itself and see its own blossom? Or must it live always in its own dark domain, busily, patiently sucking its life from the earth and pushing it up to the flower? How terrific the forces of nature are! To see roots split stone appals one. I think that has impressed me more than anything else about the power of growth. An upheaval is good, this digging about and loosening of the earth about one’s roots. I think I shall start new growth, not the furious forcing of young growth but a more leisurely expansion, fed from maturity, like topmost boughs reflecting the blue of the sky.

FEBRUARY 7TH

I have been having a kind of general regurgitation of my work preparatory to moving. Everything has had to be cleaned and sorted in a general review of thoughts that had shaped themselves
into sketches and sketches that had shaped themselves into canvases. I’ve done an immense amount of work. In looking back I can see the puckerings of preparation for ideas that burst later and bore fruit, little brown acorns that cracked their shells and made little scrub thickets full of twists, and a few that made some fairly good oaks. Tired though I am, I want to start working again. The afterlooks at some things have made me anxious to wriggle out of that particular rut and try another. After four months lying dormant owing to moving and 1u, I itch to hold a brush and catch up with myself. I have written a lot in bed, even during the upheaval of moving preparations, for I can only put in from noon to six o’clock at manual work. But in the early morning I can write, sometimes as a sedative. I write when I can’t sleep for planning. Usually I dare not write at night or my mind is too stirred for sleep, but in this stress writing seems to calm it. I can lose myself in my story.

FEBRUARY 8TH

The last two Mondays I have been “on the air” and listened to my own thoughts coming back to me like echoes out of space. Dr. Sedgewick reads them beautifully. The first he read was “Sunday.” The public chuckled, at least Victorians who have mentioned it did. It amused them and many tell me that it brings their own childhood back to them very clearly, and others say the pictures are very vivid to them. The second time Dr. Sedgewick read three short Indian sketches that were from my account of Ucluelet. The first gave the church and the old man who came without pants and the second was a description of the village itself. The third was “Century Time.” I think I liked these better than “Sunday.”

They were not so amusing but went deeper, and were more adult in perception. Perhaps I shall never do anything beyond my Indian stuff because it struck into my vitals when I was freshly maturing into young womanhood and my senses were keenly alert. The ever-growing universe called to the fast-developing me. The wild places and primitive people claimed me.

Last Saturday the picture half of me moved. Next Saturday the rest of me moves. Today is Thursday. The little cottage looks mournful. Partial emptiness leaks out of the rooms. The “derelicts” waiting in one room to be taken to the auction room look dilapidated and forsaken. That which moves with me waits, huddling together like a lot of sheep waiting to be herded into a new pasture. Houses don’t like being empty. The corners cry out when you speak.

The creatures are suspicious of all the stir. The canaries sing harder as if they wanted to drown the lonesome echoes. The garden has grown bald spots. The old Chinaman dug the flowering shrubs gently and wrapped cloths about their roots, tipping a gentle shovel of earth into each bundle like giving to each sad child a lollipop to soothe it. Then a waggon came and I drove off with my shrubs, sitting among their roots, their leaves tickling my ears as we drove. We lowered the plants into the new-dug holes as soon as possible. I can fancy the little roots feeling their way into the new environment slowly, exploring the soft, strange earth. The leaves were a little drooped and the good new earth silently called to them, anxious to give them life when they were in heart again to tackle it.

It is a sober business this uprooting, this abandoning of a piece of space that has enclosed your own peculiarities for a while. Up
and down the street each house and lot is full of individual queernesses seamed together by fences, a complete patchwork-quilt affair, with a street running down the centre. Alice’s street will be different, more select, with no bawling youngsters, no workmen’s dinner pails, no up-and-downers to the corner shop, to return with loaves and milk. The street cleaner goes down St. Andrew’s Street but Beckley Street knew him not.

Alice is hurt so easily and I am rather clumsy, I fear. If I enthuse over the new flat, she withers up like a fern you have drawn through a hot hand, or shrugs and says, “It suited
me
before all these changes.” If I don’t enthuse, she thinks me unappreciative and hard to please. It must be dreadful groping round in perpetual twilight with blindness peeking and mowing at you from all the corners. It must be my special care to watch my clumsy steps, to leave her as much alone as she wants and yet to watch how I can help without seeming officious, never, never trespassing beyond my rights as a tenant. That house is her obsession and she craves admiration for it. I shall have the better part of it. My workmen have done a good job. The old derelict who fixed her part did a rotten job but she would not heed either Joan’s telling or mine, and only got furious with us for trying to warn her. There is no one in the world more obstinate than Alice.

FEBRUARY 23RD

Goodbye to Beckley Street. There is one load left. All else is packed. I am very tired. A new page of life is about to turn and my finger is licked to flip the corner. It is four years to the day since I took possession and cried for the awful ache of the moving forlornness. I came in alone because Lizzie was too sick and Alice was busy with her kids. Good old Willie found me crying
on a stool behind the front door. How little my sisters have entered into the important shake-ups of my life! Alice, nearly blind and so bent and decrepit, has done all she could this move, working more than she ought to have done, and Willie is again to the fore, good, dependable, fussy old Willie. Fourteen-year-old Florence has done well; she stuck at it like a Trojan.

The canaries and Joseph are already in place in the new house. I do not regret leaving any of my neighbours. They are all right. I have found them good enough neighbours but we meet so surfacely. Our interests and outlook are entirely different. I resent the unswept, dirty street littered with chocolate bar papers. Now I am going home to end my life a few yards from where I started it. How shall I paint and how write in the new environment, or are my work days done? Goodbye, little cottage.

Everyone says, “Ah, that is much better! It will be so nice for you to go back to the old place.” The insinuations are a little dig in the ribs to Beckley Street, as if to say, “That was a pretty poor part.” Well, it was not. I have had four of the calmest and best working years of my life there. I have had more distinguished visitors, sold more work, had more recognition and been more independently myself than ever before. Lizzie criticized my living. She was always watching for things that were not up to her conservative estimate of what Carr actions should be. Alice was equally indifferent to whether I was 646 Simcoe or 316 Beckley, though she did rub in the superiority of St. Andrew’s Street.

FEBRUARY 25TH — 218 ST. ANDREW’S STREET

At ten a.m. we moved. I said goodbye to Mrs. Newal and Mrs. Leckie, to Grannie and Mrs. Hobbs, and to the children who swarmed to see the last things being put into the van. The new
house was ready, in a way, with good Willie waiting to help. Florence was a little aghast at the smallness of the kitchen and the immensity of the packing cases. The dogs were patiently excited in their boxes. Their little yard was all ready for them. The birds were fretting at the small cages and rejoiced ecstatically when they were liberated into the verandah cage. The chipmunks, all newly mossed down, nervously sniffed the change. And me all mussed and pretending not to be fussed.

The verandah was one awful mess of recent rain on oily paint, indescribably mussy and dirty. The dreadful floors are still unpainted. The garbage pail was flaunting its beastliness at the front door, being as ugly as it could in its short spell of aristocratic location. The pictures were hiding their faces to the walls. The old clock was willing to tick, given an upright position, even though it was bereft of its appendages. Alice’s bush was full of sparrows, cheeping their hearts out and watching the affluent canaries and doves with their full seed hoppers. Neighbours’ eyes followed neighbours’ noses as near to the fence as their dignity permitted. Their curtains fluttered between curious fingers and peeking noses. The wind knifed in draughts round the blindless and curtainless windows. The calmest things in the house were the geraniums sitting on my bedroom window-ledge, green and scarlet and serene, chewing sunlight and air as contentedly in St. Andrew’s as in Beckley Street, growing every moment and taking their lowly sips of life from a tiny flowerpot full of earth.

FLORENCE AND I
went to the forlorn and forsaken Beckley Street and cleaned up the empty house, ravished garden and voiceless bird house. We burned the last of the bird house’s cedar boughs
and they crackled up to Heaven with parched, independent roars and a sweet smell. Then we doused water on the live ashes. We locked both doors and got into a waiting taxi with the cage of grumbling lovebirds. I ran back again to gather a goodbye handful of wallflowers from the bush by the step. I had to take a great many heart pills yesterday, more than any day; weariness and fear of a final stroke agitated my heart.

We came back to 218 St. Andrew’s to find the great glutton of a fireplace cleared out and my little old stove giving the whole place a fine heat. It was a great relief for I was anxious about the cold of the flat and how I was going to make do. The birds tried in every way to break their bonds and I have had to swathe their cages in muslin. Lovers had got parted in the three separate cage groups and there are bitter quarrels. Willie is working on the aviary but until it is finished there will be civil war in birddom.

The wild riot of furniture begins to sort itself a little. Tables are tables again and chairs prepare to accommodate people instead of a miscellany of objects. The pictures are still dumb. The geraniums alone are exultantly cheery. They like life and human society better than the colder aloofness of a cottage front room, though I used to visit them often. The big begonia sulks and has flung his leaves to the ground. His gnarled, woody stalks were pruned back and tied together to avoid breaking in transit, and he is mad.

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