I Think Therefore I Play

 

Contents

Introduction

By Cesare Prandelli, Italy manager

Andrea Pirlo is a player who belongs to everyone. Guys like him should be a protected species. Every ground is Andrea’s ground – fans look at him and see a universal champion, capable of taking them beyond the concept of supporting a single team. They see Italy.

Truth be told, it wouldn’t surprise me if Andrea went to bed at night wearing blue pyjamas, the same colour as the
Azzurri
jersey. His love for that shirt is immense; absolutely boundless.

Before speaking about the Andrea of today (and tomorrow, and forever), we need to go back to the days when I coached the Atalanta youth teams. My responsibility was the
Allievi
,
¹
and during the week there was always a lot of chat about the toughest opponents and most exciting young talents we’d come up against over the season. Naturally we’d reference Milan and Inter, but most of all we’d talk about Brescia. That rivalry was all about local pride.

As we prepared for training one day, one of my assistants burst into the changing room completely out of breath.

“Cesare, I’ve seen a really talented kid. Insanely good. Trouble is, he plays for the Brescia
Giovanissimi
.”
²

What struck me wasn’t so much what he’d said, rather the incredulous look on his face. This was a guy who’d watched hundreds of games in his time. As luck would have it, the following week Atalanta
Giovanissimi
were down to play that self-same Brescia team. A side where a slight little kid two or three years younger than his team-mates was bobbing and weaving his way round the pitch. That kid’s name was Pirlo.

He left me speechless. I’d never seen anything like it. I got the distinct impression that everyone was watching him and him alone, thinking the exact same thing: “This is the one. This is
the
new talent.” In the eyes of others, he’s never been a child.

Pirlo brings people together because he
is
football. He’s the most skilful type of player, someone who’s never done anything horribly wrong – he’s the essence of the game. For that reason, he’s recognised as a global talent, a player who sends out a positive message with every touch he takes. The message is that sometimes even normal guys can be truly exceptional.

Those of us lucky enough to be in Bergamo that day bore witness to his ability. On the pitch, he goes about his business with a disarming nonchalance. Few and far between are the players even capable of conceiving of some of the things he does. It’s no surprise that at the end of every Italy game, there’s a queue of opposition players outside our dressing room wanting to swap shirts with him. They like him, too.

The really extraordinary thing is that Andrea is a silent leader – something that’s not easy to find in the world of football. Back in my playing days, before I became a coach, I got to know a fantastic man, Gaetano Scirea.
³
It’s uncanny how closely Andrea resembles him. Their way of conducting themselves is identical. On the rare occasions when these silent leaders choose to say something, the rest of the dressing room shuts up and listens.

I’ve witnessed this first-hand on a couple of memorable occasions. The first was as a team-mate of Gaetano’s, the second with Andrea as coach of the Italian national team. I’ll never forget those experiences. In the first instance I was full of awe; in the second, admiration. The lesson was pretty clear: people who keep their voices down reap the rewards later on. And those rewards include the unconditional respect of the people round about them.

In this book Andrea says, and I quote: “After the 2014 World Cup in Brazil, I’m going to retire from international football. I’ll be hanging up my heart. Until that day, nobody must dare ask me to stop, apart from Cesare Prandelli, should he have tactical reasons.”

I can say for definite that I won’t. The most difficult thing for a coach is to say “enough” to a real talent. A choice like that ideally should be made in tandem with the player. But, really, it’s not even worth discussing: I can’t think of a single reason why I’d leave Andrea out between now and the World Cup.

People like him and Gigi Buffon embody the true spirit of Italy. If everyone had the same respect for that shirt, our world would be a better place. After so many battles, their motivation remains exactly the same as it was the first day they stepped into the environment.

Andrea was born dreaming, and to allow us to dream. Thinking about it, he’s still the kid I saw all those years ago, pulling on a Brescia strip that was somewhat bigger than him. There was a time when Atalanta Youths could have signed him, but it would have been a real insult to Brescia. We actually called a meeting to discuss the possibility of bringing him in, but our president Percassi, an enlightened man, understood that we’d have caused a diplomatic incident.

I’ll never forget his words: “Pirlo stays where he is. People like him should be left in peace. He needs to keep enjoying himself and playing with happiness. I don’t want him to feel any kind of pressure. He must remain a player who belongs to everyone.”

Percassi had understood perfectly. Percassi had understood Pirlo.

 

1.
Literally: “the pupils”

2.
Literally: “the very young ones”

3.
Having started out with Atalanta, Scirea, a sweeper, was at the heart of Juventus and Italy success in the late 1970s and 1980s, including the 1982 World Cup

Chapter 1

A pen. Beautiful, granted, but still just a pen. A Cartier: shiny, a little bit heavier than a biro and emblazoned with the Milan club crest. But still just a pen.

The ink cartridge was blue. Plain old blue. I looked at the pen, spun it round in my hand like an infant examining its first soft toy. I studied the thing from a few different angles, seeking out hidden depths and meanings. Trying to understand. Trying so hard that I felt a headache coming on and a few drops of sweat slide down my face.

Finally, the flash of inspiration arrived. Mystery solved: it was, indeed, just a pen. No added extras. Its inventor had left it at that. Deliberately? Who knows.

Suddenly I heard a voice. “For goodness’ sake, don’t use it to sign for Juventus.”

Adriano Galliani had at least managed to come up with a decent line. As a leaving present, I’d have expected something a little more than his perfect comic timing. Ten years at Milan, finished, just like that. Still, I raised a smile, because I know how to laugh, loud and long.

As the club vice president and chief executive spoke, sat safely behind his desk, I had a look around. I knew his office like the back of my hand. It was a vault in the heart of Milan’s old administrative base on the Via Turati. I had happy memories of that room: other contracts, other pens. And yet I’d never noticed some of the photos on the walls, or had only done so distractedly. Those photos had a weighty history, but the prestige was subtly understated.

There was every type of photo on display. Memories of glory days and once-in-a-lifetime occasions. Trophies lifted into the air; clouds always being pushed just that little bit out of shot. My picture was being taken down from the frame, but not by force. Getting bored of Milan was a risk I didn’t want to run. That’s why at that last meeting I was sorry, but just the right amount. Galliani and Tullio Tinti, my agent, both felt the same way.

We said our goodbyes without regret. In the space of half an hour (probably not even that), I was out of there. When you’re in love, it’s time you need. When the feeling’s gone, having an excuse can help.

One small detail: I still thought I could give of my best playing in front of the defence. If the sea’s deep, a fish can breathe. If you put him just under the surface, he’ll get by, but it’s not quite the same thing.

Another small detail: I’ve never felt old, not even at that very moment. Only indirectly did I get the impression that people were trying to make out I was finished. Even now, I struggle to get my head round their reasoning.

“Thanks, but I really can’t accept. There’s a three-year deal on the table at Juventus.”

It was a polite ‘no’ for Milan, without money even entering the conversation that spring afternoon in 2011. Not once in those 30 minutes was it ever mentioned. I wanted to be thought of as important, a key player in the club’s plans, not someone about to be thrown on the scrapheap.

It was, it seemed, the end of an era and I felt in need of something new. Alarm bells had been ringing ever since the middle of what turned out to be my last season at the club, one ruined by a couple of injuries. I arrived at Milanello for training and realised that I didn’t want to go into the dressing room. Didn’t want to get changed, didn’t want to work.