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Authors: Marcel Proust

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– Don't you remember Swann's telling us yesterday that his wife and daughter were going off to Rheims and that he would take the opportunity to spend a day in Paris? We could go along by the park, since the ladies aren't there; it would make the walk that much shorter for us.

We stopped for a moment in front of the gate. Lilac-time was nearly over; a few, still, poured forth in tall mauve chandeliers the delicate bubbles of their flowers, but in many places among the leaves where only a week before they had still been breaking in waves of fragrant foam, a hollow scum now withered, shrunken and dark, dry and without perfume. My grandfather pointed out to my father in what respects the look of the place had remained the same, and in what respects it had changed, since the walk he had taken with M. Swann the day of his wife's death, and he used the occasion to tell the story of that walk one more time.

In front of us, a path bordered with nasturtiums climbed in full sun towards the house. To the right, the park extended over level ground. Darkened by the shade of the tall trees that surrounded it, an ornamental pond had been dug by Swann's parents; but even in his most artificial creations, man is still working upon nature; certain places will always impose their own particular empire on their surroundings, sport their immemorial insignia in the middle of a park just as they would have done far from any human intervention, in a solitude which returns to surround them wherever they are, arising from the exigencies of the position they occupy and superimposed on the work of human hands. So it was that, at the foot of the path that overlooked the artificial pond, there might be seen in its two rows woven of forget-me-nots and periwinkles, a natural crown, delicate and blue, encircling the chiaroscuro brow of water, and so it was that the sword-lily, bending its blades with a regal abandon, extended over the eupatorium and
wet-footed frogbit the ragged fleurs-de-lis, violet and yellow, of its lacustrine sceptre.

Mlle Swann's departure, which – by taking from me the terrible chance that I might see her appear on a path, that I might be recognized and scorned by the privileged little girl who had Bergotte for a friend and went to visit cathedrals with him – made the contemplation of Tansonville a matter of indifference to me the first time it was allowed me, seemed on the contrary to add to that estate, in the eyes of my grandfather and my father, certain accommodations, a transitory charm, and, as does for an excursion into mountain country the absence of any cloud, to make that day exceptionally favourable for a walk in that direction; I would have liked their calculations to be foiled, a miracle to make Mlle Swann appear with her father, so close to us that we would not have time to avoid her and would be obliged to make her acquaintance. And so, when suddenly I saw on the grass, like a sign of her possible presence, a creel sitting forgotten next to a line whose bob was floating on the water, I hastened to turn my father's and grandfather's eyes away in another direction. In any case, since Swann had told us it was bad of him to go off because he had family at the house just now, the line could belong to one of his guests. We heard no sound of steps on the paths. Dividing the height of an unknown tree, an invisible bird, contriving to make the day seem short, explored the surrounding solitude with one prolonged note, but received from it a retort so unanimous, a repercussion so redoubled by silence and immobility, that one felt it had arrested for ever that moment which it had been trying to make pass more quickly. The light fell so implacably from the now still sky that one would have wanted to elude its attention, and the dormant water itself, whose sleep was perpetually irritated by insects, dreaming no doubt of some imaginary Maelstrom, increased the disturbance into which I had been plunged by the sight of the cork float, by appearing to draw it at full speed over the silent reaches of the reflected sky; almost vertical, it seemed about to dive and I was already wondering if, quite apart from my desire to know her and fear of knowing her, I did not have a duty to warn Mlle Swann that the fish was biting – when I had to run to rejoin my father and grandfather, who were calling me, surprised that
I had not followed them along the little lane they had already entered which leads up to the fields. I found it all humming with the smell of the hawthorns. The hedge formed a sort of series of chapels that disappeared under the litter of their flowers, heaped into wayside altars; below them, the sun was laying down a grid of brightness on the ground as if it had just passed through a stained-glass window; their perfume spread as unctuous, as delimited in its form as if I were standing before the altar of the Virgin, and the flowers, themselves adorned also, each held out with a distracted air its sparkling bunch of stamens, delicate radiating ribs in the flamboyant style like those which, in the church, perforated the balustrade of the rood screen or the mullions of the window and blossomed out into the white flesh of a strawberry flower. How naïve and folksy by comparison the wild roses would seem which, in a few weeks, would also clamber up in full sun the same country lane, in the smooth silk of their blushing bodices undone by a breath.

But though I remained there in front of the hawthorns breathing in their invisible, unchanging smell, bringing it into the presence of my thoughts, which did not know what to do with it, then losing it, and then finding it again, absorbing myself in the rhythm that tossed their flowers here and there with youthful high spirits and at unexpected intervals like certain intervals in music, they offered me the same charm endlessly and with an inexhaustible profusion, but without letting me study it more deeply, like the melodies you replay a hundred times in succession without descending farther into their secrets. I turned away from them for a moment, to accost them again with renewed strength. I pursued, all the way on to the embankment behind the hedge that rose steeply towards the fields, some lost poppy, a few cornflowers which had lazily stayed behind, which decorated it here and there with their flowerheads like the border of a tapestry on which appears, thinly scattered, the rustic motif that will dominate the panel; infrequent still, spaced out like the isolated houses that announce the approach of a village, they announced to me the immense expanse where the wheat breaks in waves, where the clouds fleece, and the sight of a single poppy hoisting its red flame to the top of its ropes and whipping it in the wind above its greasy black buoy made my heart
pound like the heart of a traveller who spies on a lowland a first beached boat being repaired by a caulker and, before catching sight of it, cries out: ‘The Sea!'

Then I came back to stand in front of the hawthorns as you do in front of those masterpieces which, you think, you will be able to see more clearly when you have stopped looking at them for a moment, but although I formed a screen for myself with my hands so that I would have only them before my eyes, the feeling they awakened in me remained obscure and vague, seeking in vain to detach itself, to come and adhere to their flowers. They did not help me to clarify it, and I could not ask other flowers to satisfy it. Then, filling me with the joy we feel when we see a work by our favourite painter that is different from the ones we knew, or if someone takes us up to a painting of which we had until then seen only a pencil sketch, if a piece heard only on the piano appears to us later clothed in the colours of the orchestra, my grandfather, calling me and pointing to the Tansonville hedge, said to me: ‘You love hawthorns – just look at this pink one. Isn't it lovely!' Indeed it was a hawthorn, but a pink hawthorn, even more beautiful than the white ones. It, too, wore finery for a holiday – for the only true holidays, which are the religious holidays, since they are not assigned by some fortuitous whim, as are the secular holidays, to an ordinary day that is not especially intended for them, that has nothing essentially festal about it – but their finery was even more opulent, for the flowers, attached to the branch one above another, in such a way as to leave no spot that was not decorated, like pompoms garlanding a rococo shepherd's crook, were ‘in colour', and consequently of a superior quality according to the aesthetics of Combray, if one judged it by the scale of prices in ‘the store' in the Square, or at Camus', where the more expensive biscuits were the pink ones. Even I preferred cream cheese when it was pink, when I had been allowed to crush strawberries in it. And these flowers had chosen precisely the colour of an edible thing, or of a delicate embellishment to an outfit for an important holiday, one of those colours which, because they offer children the reason for their superiority, seem most obviously beautiful to the eyes of children, and for that reason will always seem more vivid and more natural to them than the other tints,
even after the children have learned that they did not promise anything for the appetite and had not been chosen by the dressmaker. And certainly, I had felt at once, as I had felt in front of the white hawthorns but with more wonder, that it was in no artificial manner, by no device of human fabrication that the festive intention of the flowers was expressed, but that nature had spontaneously expressed it with the naïvety of a village shop-keeper labouring over her wayside altar, by overloading the shrub with these rosettes which were too delicate in their colour and provincially pompadour in their style. At the tops of the branches, like those little rosebushes, their pots hidden in lace paper, whose thin spindles radiated from the altar on the major feast-days, teemed a thousand little buds of a paler tint which revealed, when they began to open, as though at the bottom of a cup of pink marble, reds of a bloody tinge, and expressed even more than the flowers the particular, irresistible essence of the hawthorn which, wherever it budded, wherever it was about to flower, could do so only in pink. Inserted into the hedge, but as different from it as a young girl in a party dress among people in everyday clothes who are staying at home, the shrub was all ready for Mary's month, and seemed to form a part of it already, shining there, smiling in its fresh pink outfit, catholic and delicious.

Through the hedge we could see within the park a path edged with jasmines, pansies and verbenas between which stocks opened their fresh purses, of a pink as fragrant and faded as an old piece of Cordovan leather, while a long green-painted watering hose, uncoiling its loops over the gravel, sent up at each of the points where it was punctured, over the flowers whose fragrances it imbibed, the prismatic vertical fan of its multicoloured droplets. Suddenly I stopped, I could not move, as happens when something we see does not merely address our eyes, but requires a deeper kind of perception and possesses our entire being. A little girl with reddish blonde hair, who appeared to be coming back from a walk and held a gardening spade in her hand, was looking at us, lifting towards us a face scattered with pink freckles. Her dark eyes shone, and since I did not know then, nor have I learned since, how to reduce a strong impression to its objective elements, since I did not have enough ‘power of observation', as they say, to
isolate the notion of their colour, for a long time afterwards, whenever I thought of her again, the memory of their brilliance would immediately present itself to me as that of a vivid azure, since she was blonde: so that, perhaps if she had not had such dark eyes – which struck one so the first time one saw her – I would not have been, as I was, in love most particularly with her blue eyes.

I looked at her, at first with the sort of gaze that is not merely the messenger of the eyes, but a window at which all the senses lean out, anxious and petrified, a gaze that would like to touch the body it is looking at, capture it, take it away and the soul along with it; then, so afraid was I that at any second my grandfather and my father, noticing the girl, would send me off, telling me to run on a little ahead of them, with a second sort of gaze, one that was unconsciously supplicating, that tried to force her to pay attention to me, to know me! She cast her eyes forwards and sideways in order to take stock of my grandfather and father, and no doubt the impression she formed of them was that we were absurd, for she turned away and with an indifferent and disdainful look, placed herself at an angle to spare her face from being in their field of vision; and while they, continuing to walk on without noticing her, passed beyond me, she allowed her glances to stream out at full length in my direction, without any particular expression, without appearing to see me, but with a concentration and a secret smile that I could only interpret, according to the notions of good breeding instilled in me, as a sign of insulting contempt; and at the same time her hand sketched an indecent gesture for which, when it was directed in public at a person one did not know, the little dictionary of manners I carried inside me supplied only one meaning, that of intentional insolence.

– Gilberte, come here! What are you doing? came the piercing, authoritarian cry of a lady in white whom I had not seen, while, at some distance from her, a gentleman dressed in twill whom I did not know stared at me with eyes that started from his head; the girl abruptly stopped smiling, took her spade and went away without turning back towards me, with an air that was docile, inscrutable and sly.

So it was that this name Gilberte passed by close to me, given to
me like a talisman that might one day enable me to find her again, this girl whom it had just turned into a person and who, a moment before, had been merely an uncertain image. So it passed, spoken over the jasmines and the stocks, as sour and as cool as the drops from the green watering hose; impregnating, colouring the portion of pure air that it had crossed – and that it isolated – with the mystery of the life of the girl it designated for the happy creatures who lived, who travelled in her company; deploying under the pink thicket, at the height of my shoulder, the quintessence of their familiarity, for me so painful, with her and with the unknown territory of her life which I would never be able to enter.

For a moment (as we moved away, my grandfather murmuring: ‘Poor Swann, what a role they make him play: they make him leave so that she can stay there alone with her Charlus – because it was him, I recognized him! And the little girl, mixed up in that disgraceful business!') the impression left in me by the despotic tone with which Gilberte's mother had spoken to her without her answering back, by presenting her to me as someone obliged to obey another person, as not being superior to everything in the world, calmed my suffering a little, restored some of my hope and diminished my love. But very soon that love welled up in me again like a reaction by which my humiliated heart was trying to put itself on the same level as Gilberte or bring her down to its own. I loved her, I was sorry I had not had the time or the inspiration to insult her, hurt her, and force her to remember me. I thought her so beautiful that I wished I could retrace my steps and shout at her with a shrug of my shoulders: ‘I think you're ugly, I think you're grotesque, I loathe you!' But I went away, carrying with me for ever, as the first example of a type of happiness inaccessible to children of my kind because of certain laws of nature impossible to transgress, the image of a little girl with red hair, her skin scattered with pink freckles, holding a spade and smiling as she cast at me long, cunning and inexpressive glances. And already the charm with which the incense of her name had imbued that place under the pink hawthorns where it had been heard by her and by me together, was beginning to reach, to overlay, to perfume everything that came near it, her grandparents, whom my own had had the ineffable happiness of
knowing, the sublime profession of stockbroker, the harrowing neighbourhood of the Champs-Élysées where she lived in Paris.

BOOK: In Search of Lost Time
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