In the Shadows of Paris (The Predator Of Batignolles) (26 page)

Joseph was thoroughly enjoying playing the role of teacher to Monsieur Legris’s humble pupil.

‘The next number is fifteen, isn’t it, Boss?’

‘Fifteen.’

‘Fifteen, fifteen…Only the letters count – no apostrophes or other punctuation. The first letter is
t.
Next?’

‘Next we have 0405. Oh, this is a fine kettle of fish!’

‘Be patient!
Yet what a curious crime!
Fourth line. The fifth letter is
h.
’

An hour later, they were poring over the following sentence:

The leopard is innocent.

‘The madman chose this poem intentionally.’

‘Of course he did, Boss. Victor Legris, Victor Hugo. He lived at Faubourg Saint-Jacques, had two brothers, one called Abel and the other Eugène, who died insane.’

‘I’m more interested in the verses. Listen. The author of the message jumps from line 8 to line 54, but this is what the poem says if it’s read in the correct order:

‘1 Have you just burnt down the library?

2 “Yes.

3 “I set fire to it.”

4 Yet what a monstrous crime!

5 A crime against yourself, you wretch!

6 For you have put out the fire in your own soul!

7 It is your own flame that you have extinguished!

[…]

55 Books are your riches! They are knowledge.

56 Justice, truth, virtue, duty,

57 Progress and reason that banishes all folly.

58 And you would destroy all this!

59 “
I cannot read.”’

‘I don’t see what you’re getting at, Boss!’

‘How did Pierre Andrésy die?’

‘He was burnt alive.’

‘What did his shop contain?’

‘Books. Ah! Then the text confirms our suspicions! Arson!’

‘And the person who, according to the messages printed in the newspapers, is implicated in this and all the other murders is trying to convince us of his innocence and wants to meet us.’

‘Provided he really is the author of this letter.’

‘The only way we can find out, Joseph, is by keeping the appointment tomorrow.’

‘The two of us this time, Boss?’

Victor tore the page out of the order book and folded it in four.

‘The two of us, I promise.’

‘Blast, Boss!’

‘What now?’

‘It doesn’t work. Remember what Mariette Trinquet said. She was eleven or twelve at the time and Sacrovir was in his twenties.’

‘So?’

‘Do the sums. What year is it now?’

‘It’s 1893. And?’

‘Think about it, Boss, the 1870–71 war, the siege of Paris, the Commune…’

‘Heavens, Joseph! It was twenty-two years ago…Twenty-two plus twenty is forty-two, and Pierre Andrésy was nearly sixty, then Sacrovir…’

‘If it wasn’t Monsieur Andrésy, who was it?’

Chapter Eleven

Tuesday 25 July

H
IDING
in an empty shed, Frédéric Daglan had waited until the middle of the night for Inspector Corcol to leave. His surveillance had been all the more unpleasant because he was dressed as a woman and in order to look the part had squeezed into a corset. He wondered how the fair sex could bear to have their bodies compressed into such armour day in day out. He’d studied his figure with a critical eye in Mother Chickweed’s pier glass and seen the attractive image of a slender seductress with an ample bosom, whose moustache was hidden under a fine white linen scarf. And so when Corcol had gone and he knocked at the door of 108, Rue des Dames, he was delighted when the concierge held his candle aloft, stared at him through his window and said, ‘Fine time of night to be going up to Monsieur Daglan’s! You shameless hussy!’

He bounded up the stairs of the old town house divided into flats, and shut himself in his first-floor apartment on the left, frantic to get out of his tart’s clothes. He took a deep breath then lay down on the settee, which he used as a bed. Three hours later he awoke with a start feeling refreshed; he was used to making do with brief snatches of sleep. He felt thirsty, but the water in the jug was stale and so he wet his face with it and took a swig of claret instead.

The room was lined with books and magazines, most of them devoted to the libertarian cause. Works by Mikhail Bakunin,
⁵⁸
Élisée Reclus
⁵⁹
and Jean Grave
⁶⁰
had pride of place. In addition, Frédéric Daglan was the proud owner of ninety-one editions of
L’Endehors
, published between February 1891 and May 1893, for he was a great admirer of its founding editor, Zo d’Axa,
⁶¹
who described himself as an anarchist beyond anarchy. The furnishings were completed by two chairs, an oil lamp on a pedestal table and a military trunk, from which he now removed the locks and unfolded a gold-buttoned uniform.

Half an hour later, a park keeper, his face lined with age, a battered old army cap over his snow-white hair, slipped out of a window and onto the roof of the lodge at the front of the building. He leapt cat-like into the street, and after a few paces assumed the stumbling gait of an old man.

Dawn was lighting up the façades of the houses. The neighbourhood had changed beyond all recognition. It was no longer every Parisian tradesman’s dream to retire there and live off his savings. You could still see those dubious characters lounging about in cafés from dawn till dusk, their fat bellies splayed out in front of newspapers such as
Le Constitutionnel
or
La Patrie
, or playing dominoes with others like them, the enemies of progress, freedom, socialism and Victor Hugo!

The developers, attracted by the cheap land, had gradually pulled down the modest dwellings with their kitchen gardens to make way for blocks of flats. Another breed of people had invaded the sleepy provincial haven that was still protected from the demands of the toll office. Paris had spilt over into this neighbourhood, too, invading its quiet streets with noise and pollution.

Frédéric Daglan almost preferred the potbellied pensioners he’d once reviled. He despised the new breed even more – the civil servants with their briefcases bulging with files, the shop girls and book-keepers flocking like sheep into the city centre, filling the cafés and bakeries at dawn. He had always refused to sell his labour to the employers, and he despised these wage slaves.

But he was careful not to let his contempt show, and people took him for a sophisticated chap. As for the park keeper he had become this Tuesday morning, he trotted along the pavement, head nodding slightly, watching the city come alive and respecting the order of things. In Rue Darcet, he politely greeted a washerwoman, and on the Boulevard he smiled at a tailor who was airing out his shop.

His back to Montmartre, where the basilica was still under construction and framed by scaffolding, he caught the omnibus that was turning onto Rue des Batignolles and would drop him opposite the public garden where, as arranged with Brigadier Clément, he would be on duty until evening. He had the whole morning to get into character before facing the bookseller whom he was certain would keep the appointment. But would the bookseller be willing to believe him? That was another matter.

‘That Alphonse Allais
⁶²
is too amusing! His jokes have me in stitches. Impossible to have the hump with him around, if you’ll pardon the pun, Monsieur Pignot, and you see we’re really in the same business, so I absolutely must get hold of a copy of
The Regimental Umbrella
recently published by Ollendorf.’

‘We haven’t received any copies yet,’ Joseph replied coldly. ‘Try again next week.’

Kenji noticed that his assistant was busy with Monsieur Chaudrey from the dispensing chemist on Rue Jacob, and muttered some garbled explanation before hurrying out of the shop.

There goes the boss dressed up to the nines. He must be in love, deduced Jojo, whose reignited passion had made him a little more indulgent. However, he didn’t realise the full implications of Kenji’s sudden departure until the pharmacist left and Victor appeared to inform him that they couldn’t both go to Batignolles. Joseph felt the ground tremble beneath his feet.

‘All right, you don’t have to spell it out, I’m the mug who has to stay behind!’

‘Why don’t we toss a coin? Tails I win, heads you lose,’ Victor suggested.

That old trick, he must take me for an idiot, Joseph thought, and retorted, ‘Did you know that in London blind people are able to see in the fog…?’

‘Do I take it that means yes? Here goes, then.’

He tossed a coin into the air and slapped it down on his wrist.

‘Tails. I win. Sorry, you watch the shop.’

‘Very clever, Boss.’

Victor put up no defence; he had already left.

‘I should have guessed last night when he gave me his word. False promises!’

Joseph leant on the counter and gazed mournfully at the notebook containing his ideas for his new novel. He hadn’t the energy to get down to any work, and anyway he was stuck on the epilogue. Should he hurl Frida von Glockenspiel into the arms of the cruel but virile Otto von Munk after they dug up the famous chalice, or give her a more passionate future with Sublieutenant Wilkinson – a kindly protector of widows and orphans? He buried the unfinished work under a pile of newspapers and quoted one of Kenji’s favourite proverbs: ‘Lucky is the mole who can only see as far as its nose.’

A figure swathed in cream organdie and lace danced around him.

‘How do you like my Empress Eugénie bodice and my printed straw hat? They’re all the rage this year!’

‘You look ravishing,’ whispered Joseph, catching hold of Iris as she twirled, and drawing her close to him for a moment.

She struggled free, laughing.

‘You’re no longer afraid someone will walk in on us?’

‘On the contrary, I’m proud of you – I want everybody to admire you. For instance the battle-axe, I mean, Madame de Flavignol, she’ll be here any minute with her friends Madame de Gouveline and Madame de Cambrésis to pick up some books. I’d love to slip off and leave you four to discuss the latest fashions and advise each other on the best shops.’

‘You think I don’t know what you’re all up to? Where are you going? To snoop around Rue Monsieur-le-Prince?’

‘I’m going to watch over your brother.’

‘A fine bunch! You, Victor and my father smelling of lavender water a mile off! Men…! Well, run along, since Victor’s safety is at stake. It’s lucky I’m here to look after the shop.’

Scarcely had she uttered the words before Joseph was pelting towards Boulevard Saint-Germain to catch the Odéon–Clichy–Batignolles omnibus.

As he walked past the tiny covered market at Batignolles, Victor mused over the sad fate of Hippolyte Bayard
⁶³
who had photographed it forty years earlier. He paused as he remembered the self-portrait of the artist, which he’d seen at the French Society of Photography. In it, Hippolyte Bayard depicted himself as a drowned man slumped in an armchair, with a caption below, written in 1840:

The corpse you see here is that of Monsieur Bayard, inventor of the technique whose marvellous results you have just witnessed. The government, having given far too much to Monsieur Daguerre, claimed it could give nothing to Monsieur Bayard, and the wretched man drowned himself.

Victor continued on his way. Life could be so cruel. Would anybody remember the lowly civil servant from the Treasury, a lover of art and the first person to successfully print positive photographs directly onto paper, whose discovery was attributed to Daguerre?

A crowd drew his attention away from his reflections. He slipped through to the front of the circle of onlookers. A strongman in hose was haranguing the spectators.

‘Ladies and gentlemen, your attention please. You are about to witness an unparalleled display of strength. Your humble servant, the Parisian Rock, will lift half a hundredweight as easily as if it were a set of juggling balls.’

Victor was amused by how credulous people were. The strongman lined up six or seven weights at his feet then picked out the middle one, which weighed no more than ten or twelve pounds. He lifted it confidently above his head before stretching his arms out straight. Then, to prove that there was no cheating involved, he invited the onlookers to pick up one of the other weights, which really were heavy. Coins fell thick and fast onto his mat.

Fraud really is the mother of wealth and fame, Victor reflected as he walked away.

A sudden downpour cooled the air. Victor took shelter in Église Sainte-Marie behind a crescent of tall houses. He sat down near a confessional and heard murmurings from within. A woman nearby counted the stitches on her knitting needles while another was praying. He closed his eyes and was transported back to Rome where he’d spent two weeks in the summer of 1887 and where, fleeing from the insufferable heat, he’d studied the paintings and frescoes in every sanctuary along the way. The heat and the paintings had become fused in his memory. A vision of Tasha half naked in front of her easel came unbidden to his mind. The loud clickety-click of knitting needles shattered the image and forced him to leave the church.