Infinite Jest (170 page)

It doesn't even register on Gately that it's spitting a little goopy sleet outside until he's made himself avert his head from the window and R.N. The ceiling's throbbing a little, like a dog when it's hot. The R.N. had told him, from behind, her name was Cathy or Kathy, but Gately wants to think of her as just the R.N. He can smell himself, a smell like sandwich-meat left in the sun, and feel greasy sweat purling all over his scalp, and his unshaved chin against his throat, and the tube taped into his mouth is tacky with the scum of sleep. The thin pillow is hot and he has no way to flip it over to the cool side of the pillow. It's like his shoulder's grown its own testicles and every time his heart beats some very small guy kicked him in them, the testicles. The M.D. sees Gately's open eyes and tells the nurse the gunshot patient is semiconscious again and is he Q'd for any kind of P.M. med. The sleetfall is slight; it sounds like somebody's throwing little fistfuls of sand at the window from real far away. The deadly R.N., helping the M.D. clamp some kind of weird steel back-braceish thing with what looks like a metal halo they'd put together from parts out of the big case, clamping the thing to the head of the bed and to little steel plates under the bed's heart monitor — it looks sort of like the upper part of an electric chair, he thinks — the R.N. looks down in mid-stretch and says Hi Mr. Gately and says Mr. Gately is allergic and doesn't get any meds except antipyretics and Toradol in a drip Dr. Pressburger do you Mr. Gately you poor brave allergic thing. Her voice is like you can just imagine what she'd sound like getting X'd and really liking it. Gately's repelled at himself for having taken a dump in front of this kind of R.N. The M.D.'s name had sounded just like 'Pressburger' or 'Priss-burger,' and Gately's now sure the poor yutz'd taken daily ass-kickings from sinister future drug addicts, as a kid. The M.D.'s perspiring in the ambient sexuality of the R.N. He says (the M.D. does) So what's he intu-bated for if he's conscious and self-ventilating and on a drip. This is while the M.D.'s trying to screw the metal halo itself to the top of the back-braceish thing with bolt-head screws, one knee up on the bed and stretching so part of the red soft upper part of his ass is showing over his belt, not being able to get the thing screwed on, shaking the metal halo like it's its stubborn fault, and even lying there Gately can tell the guy's turning the bolt-head screws the wrong way. The R.N. comes over and puts a cool soft hand on Gately's forehead in a way that makes the forehead want to die with shame. What Gately can get from what she says to Dr. Pressburger is that there'd been concern that Gately might have got a fragment of whatever projectile he got invaded with in, through, or near his lower-something Trachea, since there'd been trauma to his Something-with-six-syllables-that-started-with-Sterno, she said the radiology results were indefinite but suspicious, and somebody called Pendleton had wanted a 16 mm. siphuncular nebulizer dispensing 4 ml. of 20% Mucomyst
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q. 2 h. on the off-chance of hemorrhage or mucoidal flux, like just in case. The parts of this Gately can follow he doesn't care for one bit. He doesn't want to know his body even fucking has something with six syllables in it. The horrifying R.N. wipes Gately's face off as best she can with her hand and says she'll try to fit him in for a sponge bath before she goes off-shift at 1600h., at which Gately goes rigid with dread. The R.N.'s hand smells of Kiss My Face-brand Organic Hand and Body Lotion, which Pat Montesian also uses. She tells the poor M.D. to let her have a try at the cranial brace, those things are always a bear to screw in. Her shoes are those subaudible nurses' shoes that make no sound, so it seems like she glides away from Gately's bed instead of walks away. Her legs aren't visible until she gets a certain ways away. The M.D.'s own shoes have a wet squeak to the left one. The M.D. looks like he hasn't slept well in about a year. There's a faint vibe of prescription 'drines about the guy, on Gately's view. He paces squeakily at the foot of the bed watching the R.N. turn the screws the right way and pushes his owlish glasses up and says that Clifford Pendleton, scratch golfer or no, is a post-traumatic maroon, that nebulized Mucomyst is for (and here his voice makes it clear he's reciting from memory, like to show off) abnormal, viscid, or inspissated post-traumatic mucus, not potential hemorrhaging or edema, and that 16 mm. siphuncular intubation itself had been specifically discreditated as an intratracheal-edema prophylaxis in the second-to-latest issue of Morbid Trauma Quarterly as so diametrically invasive that it was more apt to exacerbate than to alleviate hemoptysis, according to somebody he calls 'Laird' or 'Layered.' Gately's listening in with the uncomprehending close attention of like a child whose parents are discussing something adultly complex about child-care in its presence. The condescension with which Prissburger inserts that hemoptysis means something called 'pertussive hemorrhage,' like Kathy the R.N. wasn't enough of a pro not to have to insert little technical explanations for, makes Gately sad for the guy — it's obvious the guy pathetically thinks this kind of limp condescending shit will impress her. Gately's got to admit he would have tried to impress her, too, though, if she hadn't met him by holding a kidney-shaped pan under his working anus. The R.N.'s finishing packing up the parts of the brace thing the M.D. couldn't seem to attach, meanwhile. She was saying the M.D. seemed awful well-up on methodology for something called a 2R, as they left, and Gately could tell the M.D. couldn't tell she was being a little sarcastic. The M.D. was struggling to try to carry the thing's case, which Gately judges weighs at most 30 kg. It occurs to him head-on for the first time that the real reason Stavros L. hired shelter-cleaning guys out of halfway houses was that he could get away with paying them like bupkis, and that he (Don G.) must surely on some level have known this all along but been in some kind of Denial about confronting it head-on that he was getting fucked over by Stavros the shoe-freak, and that the word embrasure had been surely another invasive-wraith ghostword, and then now also that nobody seems to exactly be falling all over themself to bring the paper and pen it had sure seemed like Joelle van D. had understood Gately's mimed request for, and that thus maybe Joelle's visit and show-and-tell with the snapshots had been just as much a febrile hallucination as the figuranted wraith, and that it has stopped spitting sleet but the clouds out there still look like they mean serious business out there over Brighton-Allston, and that if Joelle v.D.'s intimate visit with the photo album was a hallucination that at least meant it was also a hallucination she was wearing fucking college-kid Ken Erdedy's sweatpants, and that the low-angled sadness of the cloudy P.M. light meant it had to be pretty near 1600h. EST so that maybe There By The Grace he could avoid maybe getting an uncontrolled woodie getting sponged naked by the horrifyingly attractive K/Cathy and but still could get sponged by her linebacker of a replacement, because the sour meaty smell of himself was grim, only maybe miss the woodie-hazard and get sponged by the big hairy-moled 1600-2400h. nurse in support-hose to who Gately's anus was a stranger. Plus that 1600h. EST was Spontaneous-Dissemination time for Mr. Bouncety-Bounce, the mentally ill kiddy-show host Gately's always loved and used to try his best with Kite and poor old Fackelmann to be home and largely alert for, and that nobody's once offered to click on the HD viewer that hangs next to a myopic fake-Turner fog-and-boat print on the wall opposite Gately's and the former kid's beds, and that he had no remote with which to either activate the TP at 1600 or ask somebody else to activate it. That without some kind of notebook and pencil he couldn't communicate even the basícest question or like concept to anybody — it was like he was a vegetated hemorrhagic-stroke-victim. Without a pencil and notebook he couldn't even seem to get across a request for a notebook and pencil; it was like he was trapped inside his huge chattering head. Unless, his head then points out, Joelle van Dyne's visit had been real and her understanding of the pen-and-notebook gesture had been real, and but somebody out there in the hallway with a hat or at the Hospital President's office or at the nurses' station with his innerdicted M.-Hanley-brownies had also innerdicted the request for writing supplies, at the Finest's request, so he couldn't get his story straight with anybody before they came for him, that it was like a pre-interrogation softening-up thing, they were leaving him trapped in himself, a figurant, mute and unmoving and blank like the House's catatonic lady slumped moist and pale in her chair or the Advanced Basics Group's adopted girl's vegetable-kingdom sister, or the whole catatonic gang over at E.M.P.H.H.'s #5 Shed, silent and dead-faced even when touching a tree or propped up amid exploding front-lawn firecrackers. Or the wraith's nonexistent kid. It's got to be past 1600h., light-wise, unless it's the lowering clouds. There's roughly 0% or less visibility now outside the sleet-crusted window. The room's windowlight is darkening to that Kaopec-tate shade that has always marked the just-pre-sunset time of day that Gately (like most drug addicts) has always most dreaded, and had always either lowered his helmet and charged extra-murderous at somebody to block it out (the late-day dread) or else dropped QuoVadis or oral narcotics or turned on Mr. Bouncety-Bounce extra loud or busied himself in his silly chef's hat in the Ennet House kitchen or made sure he was at a Meeting sitting way up close in nose-pore range, to block it out (the late-day dread), the gray-light late-afternoon dread, always worse in winter, the dread, in winter's watered-down light — just like the secret dread he's always felt whenever everybody happened to ever leave the room and left him alone in a room, a terrible stomach-sinking dread that probably dates all the way back to being alone in his XXL Dentons and crib below Herman the Ceiling That Breathed.

It occurs to Gately that right now's just like when he was a toddler and his Mom and her companion were both passed out or worse: no matter how frightened or scared he might become he now again cannot get anybody to come or to hear or even know about it; the discredited tube to prevent vicious or inspired bleeding in his suspicious Trachea has left him completely Alone, worse off than a toddler that could at least bellow and yowl, rattling the bars of its playpen in terror that nobody tall was in any shape to hear him. Plus this dreadful time of weak gray late-day light is the time, was the time when the sad and nerdily dressed wraith appeared yesterday. Assuming that was yesterday. Assuming it was a real wraith. But the wraith, with its chinky Coke and theories of post-mortem speed, had been able to interface with Gately without aid of speech or gesture or Bic, was why even out of his mind Gately had had to admit to himself it must have been a delusion, a fever-dream. But he has to admit he'd kind of liked it. The dialogue. The give-and-take. The way the wraith could seem to get inside him. The way he said Gately's best thoughts were really communiques from the patient and Abiding dead. Gately wonders if his organic father the ironworker is not now maybe dead and dropping in and standing very still from time to time for a communique. He felt slightly better. The room's ceiling was not breathing. It lay flat as a stucco sheet, rippling only slightly with the petroleum-fumes of fever and Gately's own smell. Then bubbling up out of nowhere again he suddenly confronts deep-focus memories of Gene Fackelmann's final demise and Gately and Pamela Hoffman-Jeep's involvement in Fackelmann's demise.

Gately, for several months before he did his State assault-bit, was disastrously involved with one Pamela Hoffman-Jeep, his first girl ever with a hyphen, a sort of upscale but directionless and not very healthy and pale and incredibly passive Danvers girl that worked in Purchasing for a hospital-supply co. in Swampscott and was pretty definitely an alcoholic and drank bright drinks with umbrellas in Rte. 1 clubs in the late P.M. until she swooned and passed out with a loud clunk. That's what she called it — 'swooned.' The swooning and passing out with a loud clunk as her head hit the table was more or less a nightly thing, and Pamela Hoffman-Jeep fell automatically in love with any man she termed 'chivalrous'
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enough to carry her out to the parking lot and drive her home without raping her, which rape of an unconscious head-lolling girl she termed 'Taking Advantage. ' Gately got introduced to her by Fackelmann, who one time as he came up through a sports bar called the Pourhouse's parking lot to dialogue with a Sorkin-debtor Gately saw Fackelmann staggering along carrying this unconscious girl to his ride, one big hand quite a bit farther up her prom-looking taffeta gown than it really needed to be to carry her, and Fackelmann told Gately if Don'd give this gash a ride home he'd stay and do the collection, which Gately's heart wasn't in collections anymore and he jumped at the trade, as long as Fackelmann could promise him she could hold her various fluids in the 4x4 he was driving. So it was Fackelmann who told him, as he put the tiny and limp but still continent body in his arms in the parking lot of the Pourhouse, to watch his personal six, Gately, and be sure and violate her a little, because this gash here was like one of those South Sea-culture gashes in that if Gately took her home and she woke up nonviolated she'd be Gately's for life. But Gately obviously had no intention of raping an unconscious person, much less even putting his hand up the gown of a girl that might lose her fluids any second, and this locked him into the involvement. Pamela Hoffman-Jeep called Gately her 'Night-Errand' and fell passively in love with his refusal to Take Advantage. Gene Fackelmann, she confided, was not the gentleman Gately was.

What helped make the involvement disastrous was that Pamela Hoffman-Jeep was always either so leglessly drunk or so passively hungover all the time that any sort of sex any time at all with her would have classified as Taking Advantage.