Invasion of the Body Snatchers (22 page)

I thought about it, and she was right, very accurate, in fact, and I nodded.

She nodded, too. "And that's how they'll think: the stereotype of a woman's role in that kind of situation. And it's exactly what I
will
do - until I know they've seen and noticed me. Then I can do exactly what you did; why not?"

I was considering what she'd said, and Becky persisted, unable to wait. "Why
not,
Miles; why can't I?" She paused for an instant, then said, "I can. You'll be beaten up, you'll have a bad minute or so, but then… Miles, why couldn't it work?"

I was afraid. I didn't like this at all; this was real, genuinely and simply a matter of life or death for us, and I saw that we were going at it in a spur-of-the-moment, improvising way. We had to
think,
be certain, and make sure of what we were doing - take the time to be right, and know we were right. Yet now, like soldiers suddenly caught in enemy fire, the most important thinking of our lives had to be improvised on the spot under terrible strain, with the penalty for anything less than perfection being death or worse. There was no
time
for more careful planning! We certainly couldn't sleep on it, I thought, and smiled with no amusement at the joke.

"Miles, come
on
!" Becky whispered. She was standing, reaching across the desk, yanking at my sleeve. "You don't know how much longer we have!"

There was a light tapping at the outer door of my office, and from the hallway outside I heard Mannie's voice, very soft and quiet. "Miles?" he whispered, then paused. "Miles…?"

"I'm sorry, Mannie," I called out, "but we're still awake. I can't help that; you know we'll stay awake as long as we can. But it won't be too long; it can't be."

He didn't answer, and now there was no guessing how much longer we'd be alone. I hated what we were going to do, hated pinning hope on this one flimsy notion of Becky's, but certainly I couldn't think of anything else at all. "All right." I stood up, then walked to the little wall cabinet and took out a wide roll of adhesive tape. At the instrument cabinet I gathered up everything else we needed; then, at my desk, I unbuttoned Becky's sleeves at her wrists, pushed back my coat sleeves, and went to work.

It didn't take long, four minutes, maybe, and while I was pulling down my sleeves, Becky buttoning the sleeves of her dress, she gestured with her head - "Miles, look."

I turned to look, narrowed my eyes to make sure I was seeing it, and then I knew I was. The yellow-white bones on the floor looked - different. I can't say how, but, looking at them now, there was simply no doubt that they'd changed.

It may have been the colour, though I couldn't be sure, but it was more than that, too. The sense of sight is more subtle than we're accustomed to think; it sees more than we credit it for. We say, "I could tell by looking," and though sometimes we can't explain how that could be, it is usually true. Those bones had lost
hardness,
although I don't even quite know what I mean by that, or how we could see it. Their form hadn't changed, but - they'd lost some degree of rigidity or firmness. Like an ancient wall of loosened bricks, its form still unchanged to the eye, but the mortar crumbling, some strength had left them. Whatever was holding each bone together, giving it its form and shape, was weakening. And the eye could tell it.

Trying not to hope too much, ready for disappointment, not yet able to trust what my eyes saw, I stared. Then suddenly, in the flick of an eye, on a little inch-long segment of the ulna, one of the two bones of the forearm, in the nearest figure on the floor, a patch of grey appeared. Nothing more happened for the beat of a heart; then the patch lengthened, and continued to lengthen, extending in both directions, shooting out along the yellow-white bone. And then - it was like an animated-cartoon sequence in which a picture is sketched impossibly fast, the lines flashing out in all directions faster than the eye can follow. On both figures on the floor under our eyes the grey shot out along the bones, following their lines with enormous speed - the entire rib cage of one in the flash of an eye. Then the bone-whiteness was gone, and for a suspended instant of time the two skeletons lay there composed - in perfect completeness - of a grey weightless fluff. The instant ended, and they collapsed - a puff of air would have done it - into a formless little heap of dust and nothingness on the floor.

For an instant longer I stood staring, wild with elation; then the breath sucked into my lungs, and I yelled out, "Mannie!"

The hallway door of my office opened instantly, and they came in - hurrying - their faces utterly calm and composed. I pointed with the toe of my shoe, and they stopped, stared for a moment, then Mannie pulled the key from his pocket and unlocked the door to my reception room. He opened it, and it bumped something, something hard that clicked on the wood of the door. Mannie pushed, the door opened a little more, then jammed. Then each of us, as fast as we could, moving one at a time, sidled around that partly blocked door.

There on the brown rug, yellow-white and reproduced down to the last useless detail, lay two skeletons, red-daubed on the shoulders, a handful of dark hair filtering through their bones. Face down on the floor, they grinned liplessly and unceasingly at the joke. Beside and under them, nearly unnoticeable on the rug, lay the brittle fragments of all that remained of the two great pods.

Mannie nodded slowly several times, lips folded in, thinking to himself, and Budlong said, "That's very interesting, really very interesting. Do you know" - he turned to me conversationally, eyes friendly as ever - "that had never occurred to me, and yet of course it's perfectly possible. Interesting." He turned to look down at the floor again.

"All right, Miles" - Mannie looked musingly at me - "I guess we will, at that, have to hold you in a cell, till we can get others. Sorry, but it's what we'll have to do."

I just nodded, and we all moved out then, through the door to the building hallway. I didn't care whether we took the elevator or stairs, but Mannie said, "'Let's walk down. There's only the janitor, Saturdays; service is bad." And we walked along the hall to the metal fire-door, then began filing down the long, winding staircase.

nineteen

They had Chet Meeker and the little stout man first. Becky and I were in the middle, Mannie and Budlong directly behind us. There was no reason I could think of for waiting, and as we approached the first between-the-floors landing, I brought my hands together, arms hanging loosely before me, and the thumb and forefinger of my left hand reached into my right sleeve, thumb and forefinger of the other hand into the left sleeve. The fingers of each hand touched and pulled loose the strips of adhesive just above my cuff lines. Then - this was Becky's plan - each hand held a loaded hypodermic syringe.

Stepping onto the landing, beginning the half-circle turn to the next flight of stairs, the little stout man was on the inside, gripping the stair rail, and Chet Meeker swung out to walk beside him. I stepped suddenly forward, directly behind them, shoving Becky to one side with an elbow, flinging her into a corner of the landing; both my hands shot instantly forward, hard and fast, the needles clenched tight between my fingers, thumbs on the depressors, and I gave each man 2 cc. of morphine in the great muscles of the buttocks, and plunged the depressors home.

They yelped and swung toward me as Mannie and Budlong crashed onto my back, and I was smashed to the steel floor, gouging, kicking, and stabbing out with my needles. But four against one had me in seconds, one needle kicked out of my hand, the other ground to powder and glass fragments under a heel. They had an arm and both legs pinned tight, and I was wrenching and jerking the free arm, trying to keep them from pinning it. Becky - I saw it, and so did they - stood huddled in a corner against the white concrete-brick walls, trying to keep clear of the struggling mass of men, the flying feet and arms; and she cowered helplessly, eyes wide and frightened, both hands raised in a gesture of horror to her open mouth. Then, as I struggled, the sound of our panting and grunts loud and echoing, Becky's fingers - her hands still upraised, eyes still wide and astonished - flickered at the sleeves of her dress, and the buttons were open. She yanked both strips of adhesive loose, stepped forward suddenly, as Budlong and Mannie leaned over me grabbing at my flailing arm, and plunged both needles home. The two men straightened. I lay there motionless, staring and fascinated, and for a moment we all stood, knelt, or lay in a frozen tableau. They stared at Becky, then looked down at me. "What are you doing?" Budlong said puzzledly. "I don't understand." Then I rolled to my knees, starting to rise, and they were on me again.

It isn't easy to judge how long we struggled there. But then Chet Meeker, kneeling on my arm, sighed gently and toppled limply sideways onto the next flight of stairs and rolled, slowly bumping each step, till his feet caught in the stair rail, and he lay there stirring sluggishly and staring up at us. They stared after him, and Mannie said, "Hey." Then the little stout man, kneeling at my head, directly in back of me, hands on my jaws, let go and dropped back, slumping against the wall in a sitting position, and sat there blinking at us.

Budlong looked down at me, his mouth opened to speak, then his knees bent and he sat down hard enough to make the steel floor throb dully, then he lay down on his side, muttering something I couldn't make out. Mannie had grabbed the thin tubular steel railing with both hands, and now he bent over to lay his forehead on the backs of his clenched hands. After a few moments he slowly knelt to the floor, then his head dropped to hang for a moment between his still clinging arms; then his hands loosened their grip and, still kneeling, he lay face downward on the corrugated metal floor, like a man salaaming.

We ran, not too fast; I kept aware that it was possible, for Becky especially, in high-heeled shoes, to slip and break a bone. Then, in a minute perhaps, we were at the metal back door of the building, pushing against it.

It wouldn't open; it was locked, the building empty, and full of week-end silence. And there was simply nothing to do but turn, walk the length of the building lobby, past the big wall directory, toward the doors that opened onto Main Street. I remembered to say to Becky, "Keep your eyes a little wide and blank, not much expression on your face; but don't overdo it." Then I pushed open the doors, and we stepped onto the street, out among the people of dead and forsaken Santa Mira.

Within five steps we passed a man, my age; I'd known him in high school and, my face uninterested and uncaring, I simply nodded, letting my eyes pass over his face in dull recognition. He nodded in the same way, and then we had passed him; I felt Becky's arm, under mine, trembling. We passed a short, plump little woman, carrying a shopping bag, who didn't glance at us. Half a dozen yards ahead, a man slid out of the front seat of a parked car and stood waiting for us, a man in uniform, a policeman, Sam Pink.

I didn't let us break stride or hesitate, and we walked up to him and stopped. "Well, Sam," I said dully, "now we're with you, and it's not so bad." He nodded, but frowningly, and glanced into his car at the humming radio. "They were supposed to let us know," he said. "Kaufman was supposed to phone the station, then we'd get a call."

"I know" - I nodded. "He phoned, but the line was busy; they're calling again now." I turned to gesture with my head at my office building behind us.

Sam was no less and no more bright or quick than he ever had been, and now he stood staring at me, turning over in his mind what I'd said. I waited, uninterested; a moment passed, and then as though I took his silence for the conversation's conclusion, I nodded. "See you, Sam," I said emptily and, Becky's arm tight under mine, walked on.

We didn't look back, and we neither increased nor decreased our pace. We walked to the next corner, then turned right. As we turned, I saw Sam Pink, hurrying, turn into the office building and disappear from sight.

And now we ran - down the dead-end half block of small homes that ended in the low range of hills paralleling Main Street. Halfway there, a woman stepped out from the walk leading to one of the houses and confronted us, a little old woman who held up her hand in the abrupt, peremptory manner with which old people sometimes halt traffic in order to stroll across the street. Habit rules us, and I stopped, knowing that this little old lady - a Mrs. Worth, a widow; I recognized her now - was no little old lady at all, and that I ought to smash her to the ground with my fist, not even breaking stride. But I couldn't; she looked like a woman, old, tiny, and frail, and for a moment I just stood there, staring at her. Then, suddenly, I brushed her aside, pushed her with my outflung forearm, and she staggered back and nearly fell.

Then we were at the end of the concrete walk, our feet hitting red dirt, and an instant later we were climbing, turning onto one of the packed-dirt paths that wound up and through the Marin County hills, and we were hidden from the street by the straggling undergrowth and wild, tangled shrubbery.

Becky lost her shoes, high-heeled slippers, in the first dozen steps, and though I knew what the path, the pebbles, twigs, exposed rocks and roots were doing, and would do, to her feet, we couldn't stop.

We had no chance; the string was nearly played out, and I knew it, and didn't try to fool myself about it. I knew these paths and hills, every foot of them, but so did others, plenty of others. And between us and Highway 101 - the passing cars and humanity from outside - lay more than two miles of hills, paths, open fields, and farmland. Against any kind of search and pursuit at all, we couldn't get through, and even as I was thinking so, the town fire signal began blasting the air, sounding very close, the fire station only two blocks away in a straight line. Santa Mira uses, not a siren, but a hoarse, deep-voiced air-blast signal; in timbre and pitch it's the note of a foghorn, but the deep notes are short, emitted quickly in a rapid series of deep growls that vibrate the air for miles, penetrating everything. The unending, identical blasts of sound filled the air and our ears, building a terrible sense of panicky excitement, and I realized that it could make us lose our heads, so that we simply ran blindly and hopelessly.