Jack Daniels Six Pack (129 page)

Munchel puts his face against the cheek pad. Aims. Fires. Another head shot. He rubs his shoulder—it’s getting sore, even with the built-in recoil damper—then he uses the marker to draw the tenth kill line on the stock.

“We’re going after perverts, not cops!”

Munchel looks down, sees he’s dropped the cell phone. Swanson is still bitching. He picks it up.

“You say something, Swanson?”

“You’re going to ruin it for us!”

“Relax,” Munchel purrs. “I’ll make sure I kill all the witnesses.”

“You dumb son of—”

Munchel hangs up. He doesn’t need Swanson, or anyone else, telling him what to do. James Michael Munchel
knows
what to do. No matter what anyone else thinks. No matter who they are.

The memory comes, unbidden, and Munchel frowns.

“Military bastards,” he says to himself.

He doesn’t like to dwell on his rejection by the armed forces, but he dwells on it every day. All those stupid tests he had to fill out, being told by the recruiter that there were no wrong answers. A bald-faced lie. Obviously there were wrong answers, or else he’d be in a foxhole in Baghdad right now, killing insurgents.

Munchel chambers another round, imagines it’s Osama in the crosshairs, not some stupid pig.

BANG!

That makes eleven, plus the original target. He doubts any marine sniper could do better. Another hash mark on the rifle. Pessolano will probably have a shit-fit when he sees how he marked up his precious
gun. Maybe Munchel can buy the rifle from him. He respects Pessolano, because Pessolano actually toured, saw combat in Desert Storm. Pessolano always wears yellow shooting glasses, those high-contrast ones that block out blue light. Pessolano is hard-core, but he needs to lighten up. Him and Swanson both.

Munchel looks in the suitcase, finds the pair of yellow glasses he bought from that late-night infomercial. He slips them on, but they make everything too bright and give him an eyestrain headache. He takes them off again. Real snipers don’t need fancy sunglasses.

Another glance through the scope, and Munchel grins.

Fat Boy is back. And it looks like the cop found a rifle. Some dinky little model, but a rifle nonetheless.

This might be interesting.

Munchel works the bolt, takes aims, and squeezes the trigger.

6:49 P.M.
JACK

M
Y PARTNER’S LEG
crumples beneath him when the bullet hits. He cries out, pitching forward, the rifle slipping from his grasp and taking flight.

Herb tumbles to the floor. The gun remains airborne, spinning like a Frisbee, the barrel aiming my way.

I bunch up my shoulders and cover my face—not much protection against a dropped weapon, but a reflex action.

The rifle bounces onto the floor without going off. But it’s ten feet away from me, directly in the line of fire.

So is Herb.

I tug out my .38, aim where I’d seen the muzzle flash over a hundred yards away, and fire twice.

My bullets won’t hit the mark. A snub-nose revolver isn’t accurate beyond twenty feet. But Herb needs time to crawl back into hiding, assuming he can still move.

I press my back against the wall again, not wanting to leave my head exposed longer than necessary, and see Herb dashing across the carpet on all fours like a coked-up squirrel. Maybe those power bars have something to them after all. He makes it back through the doorway, leaving a spotty trail of blood.

“How bad?” I call to him.

“Calf! I’ll be okay! Did you get the rifle?”

I stare at the weapon. Ten feet away might as well be a hundred.

“I’m working on it!”

I survey the room. Other than the injured techie, who is rapidly bleeding out, only four people are still alive: two uniforms, two plainclothes. I’m ranking officer, but I’m not about to order any of them to go after the rifle. Especially since I’m the closest one to it.

I imagine the sniper. Probably crouching in a bush, as the other had. Peering through a scope, his sites locked onto the fallen rifle, waiting for someone to try for it.

I’ve used scopes before. At distances longer than fifty yards, the slightest movement by the shooter throws them off target. If I distract him, then move quickly, I’ll have two or three seconds before he finds me again.

Theoretically at least.

Or I can sit tight and wait for the cavalry to arrive. But I don’t know if the injured cop can last that long. And I’ve had enough of people dying on my watch.

I look to my left, see a small end table. Metal, solid, manageable. I kick off my heels and holster my gun. Then I lift the table above my head, aim at the window where the last bullet went through, and heave it hard as I can.

Before it hits the glass I’m in motion…bending down for the rifle…hearing the window shatter…grabbing the barrel and hugging it to my chest…digging my bare heels into the carpet to change direction in case the sniper was tracking me…skidding…

Falling onto my ass.

The pain travels from my coccyx straight up to my neck like a lightning bolt, prompting instant tears and an immediate surge of panic.

I’m sitting directly in the sniper’s sights. And he has an even clearer view of me now, because the window sports a large hole where the table broke though.

Though I don’t remain still for longer than a second, it feels like a week, and my ears burn and my forehead gets hot where I imagine a bull’s-eye to be, where the shot is going to hit.

The shot doesn’t come.

I pull the gun closer to my body, drop my right shoulder, and quickly roll back to my original hiding spot alongside the window.

Herb says, “I had seven heart attacks watching you do that.”

I look down the hallway, lock eyes with Herb in the mirror reflection of a music CD he’s holding out the doorway. He’s using it like I’d used the lipstick, to see around the corner.

Rather than respond, I do a quick inspection of the weapon. A Dakota rifle. Fixed sights. A twenty-four-inch barrel. Bolt action. I check the magazine. Three .458 rounds, plus one already chambered. I tuck the butt into my armpit and sight through the scope, aiming at the ceiling.

The lens is cracked, and bent to the left side.

“Scope’s dead,” I call to Herb. “Any more back there?”

A pause. Then, “No.”

“Bullets?”

“I didn’t see—”

The
crack
of the shot makes me flinch, and the CD disintegrates in Herb’s hand. I look around the room at my men. They’re hunkered down, terrified. I need to get them out of here. But I can’t if they’re too scared to move.

“Looks like our sniper isn’t a music fan,” I say. The joke sounds forced, mostly because it is.

“I can’t blame him,” Herb says. “I don’t like John Denver either.”

I unscrew the scope from its mount and toss it aside. Then I swing the barrel around, toward the street.

“Hold up another one.”

“I could only find his greatest hits album.”

I suck in air, blow it out hard, my cheeks billowing.

“How about Neil Diamond?” I yell.

I rest the tip of the barrel on the windowsill, an inch away from the glass. Not the best way to steady a rifle, but all I can manage given the situation.

“No Neil. Is Jim Croce okay?”

“That’s fine.”

“
Time in a Bottle
, or
You Don’t Mess Around With Jim
?”

I’m about to tell Herb I don’t care, but I reconsider. “
Time in a Bottle,
” I yell.

I was never a fan of sappy love songs.

I stare down the street, waiting for it. The sniper’s muzzle flashes before I hear the shot. The CD explodes.

“I couldn’t save
Time in a Bottle
,” Herb says.

I line up the sights, fixing them slightly above my target, knowing the bullet will travel in a parabolic arc.

“I’m going to fire four shots, four seconds apart,” I tell the room. “So you have between twelve and sixteen seconds to get the injured, and yourselves, out of the house. There’s an ambulance on the corner of Leavitt and Leland. You can get there using parked cars for cover. Understood?”

I count five
yeses
, including a weak moan from the injured techie. One voice is conspicuous in its absence.

“You too Herb.”

“No way. I’m liking this CD collection too much. When was the last time you heard the Kingston Trio?”

“That’s an order, Herb.”

“I’m not leaving.”

Goddammit. If Herb died his wife would kill me.

“Fine. Hold up the other Croce CD, then stay hidden. We go after I fire my first round. Everyone get ready.”

I hold the rifle tight against my armpit and rest my chin on the stock, sighting down the barrel. I test the trigger pull, apply enough
pressure to barely move it. Then I wait, breathing slow and easy so it doesn’t throw off my aim.

It doesn’t take long. The killer can’t resist showing off his marksman skills, and he blows away the second Croce CD.

“Go!” I tell the room.

Then I squeeze the trigger.

6:53 P.M.
MUNCHEL

M
UNCHEL GRUNTS
in satisfaction after the CD shatters, and then he moves the scope ever so slightly to watch the split-tail. He’s ready for her to fire back. Hell, he
wants
her to fire back. That’s why he didn’t kill her when she went for the rifle, even though he had a bead on it. Confirmed kills are great, but real snipers must also contend with return fire. The cops in the street, they’re all too far away, their guns not powerful enough to reach him. There’s no threat or danger.

He wants a little danger. And the ultimate danger is when you go up against another sniper. An anti-sniper.

Munchel doesn’t expect her to come close to him. Her rifle is a toy compared to his, and she doesn’t even have a scope. But this will be a much better story to tell Swanson and Pessolano if the cops send a few rounds his way.

“Show me what you got, baby,” Munchel says, baring his yellow teeth in a grin.

When her first bullet connects with the concrete planter he’s resting his gun on, Munchel jerks like he’s had acid thrown in his face. He drops the TPG-1 and ducks down.

How the hell did she make that shot?

“Lucky,” he says aloud, his voice cracking.

As the word leaves his lips, another shot blasts into the planter, tossing up stone chips, burrowing a hole into it.

Munchel backs the hell away. He checks his clothing. Why isn’t the camouflage working? Is she using night vision?

A bullet zips over his head, its wind practically parting his hair before burying itself into the building behind him. He hunkers down even lower, thinking he should be returning fire,
knowing
he should, but too scared to move.

One more shot, and the planter shatters, large chunks falling to the ground, a puff of dirt forming a cloud that settles in his eyes and on his lips.

Munchel holds his breath, waiting. His bladder feels like a water balloon being squeezed in a vise. Sweat pops out of his body in places he didn’t even know he had pores. He doesn’t dare move, convinced that she can see him.

A full minute passes.

He wonders if she’s out of bullets, or simply toying with him. Maybe she has the shot, has him all lined up, and is enjoying watching him squirm.

Sirens, in the distance. Munchel knows that must be SWAT. He needs to break camp, get the hell out of here. His heart is thumping. His mouth is dry. His palms feel like he just soaked them in water. He’s more scared than he’s ever been in his life.

But he’s also exhilarated.

This is what combat is like,
he thinks.

The feeling is intoxicating.

Munchel knows the news cameras are rolling, knows that the split-tail can see him, knows that what he has in mind might be suicidal. But he decides to go for it anyway.

No one expects a pinned down man to charge. So Munchel charges.

The suitcase in one hand, the TPG-1 in the other, he sprints across the sidewalk, across the street, daring the woman cop to shoot him. He
knows to zigzag, to make himself a harder target. He maybe even yells a little, an animalistic war cry, the sound of a hero facing certain death.

No bullets hit him. No one even shoots at him. Munchel pauses behind a car to catch his breath, marveling at his own bravery. It’s dark, and the streetlight he shot out earlier helps him hide in the shadows. But if the cop has some sort of optical enhancer, it’s possible she can still see him.

The sirens are getting closer. He needs some kind of distraction, something that will confuse the night-vision goggles the woman cop must be using.

He unzips the suitcase, removes one of two whiskey bottles. Inside is kerosene mixed with laundry detergent. Poor man’s napalm. Munchel would have preferred real napalm, or a grenade, but he couldn’t get those. He tried to order some, on the Internet, and the prick took his money and didn’t send him shit. Hopefully the homemade stuff will be good enough.

Munchel unscrews the bottle cap and shoves in a braided wick from a camping lantern. He uses a Zippo to light the wick and then shouts, “Semper fi!” as he throws the flaming bottle at a parked SUV. It bounces off the hood and shatters on the sidewalk, soaking someone’s lawn with liquid fire.

He doesn’t stop to acknowledge his handiwork. He’s on the move again, tugging the suitcase behind him in a crouch, changing direction several times, making it to the Chevy Nova parked in the center of the street.

The split-tail’s car. He considers using his second Molotov cocktail to set it ablaze, to teach her a lesson, but changes his mind and reaches for something else instead. Something electronic, that Pessolano let him borrow.

This woman is a worthy opponent. It isn’t enough just to destroy her car. Munchel wants to best her. To beat her. And he’s already formulating a plan on how to do just that.