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Authors: Kurt Vonnegut

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BOOK: Jailbird
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My own poor degree was in the liberal arts, with some emphasis on history and economics. It was my plan when I entered Harvard to become a public servant, an employee rather than an elected official. I believed that there could be no higher calling in a democracy than to a lifetime in government.
Since I did not know what branch of government might take me on, whether the State Department or the Bureau of Indian Affairs or whatever, I would make my wisdom as widely applicable as possible. For this reason did I take a liberal arts degree.

And I speak now of
my
plans and
my
beliefs—but, being so new to the planet in those days, I had been glad to adopt as my own the plans and beliefs of a much older man. He was a Cleveland multimillionaire named Alexander Hamilton McCone, a member of the Harvard class of Eighteen-hundred and Ninety-four. He was the reclusive, stammering son of Daniel McCone. Daniel McCone was a brilliant and brutal Scottish engineer and metallurgist, who founded the Cuyahoga Bridge and Iron Company, the largest single employer in Cleveland when I was born. Imagine being born as long ago as Nineteen-hundred and Thirteen! Will young people of today doubt me if I aver with a straight face that the Ohio skies back then were often darkened by flocks of hooting pterodactyls, and that forty-ton brontosaurs basked and crooned in the Cuyahoga River’s ooze? No.

Alexander Hamilton McCone was forty-one years old when I was born into his mansion on Euclid Avenue. He was married to the former Alice Rockefeller, who was even richer than he was, and who spent most of her time in Europe with their one child, a daughter named Clara. Mother and daughter, no doubt embarrassed by Mr. McCone’s terrible speech impediment, and even more dismayed, perhaps, by his wanting to do nothing with his life
but read books all day long, were seldom home. Divorce was unthinkable back then.

Clara—are you still alive? She hated me. Some people did and do.

That’s life.

And what was I to Mr. McCone, that I should have been born into the unhappy stillness of his mansion? My mother, born Anna Kairys in Russian Lithuania, was his cook. My father, born Stanislaus Stankiewicz in Russian Poland, was his bodyguard and chauffeur. They genuinely loved him.

Mr. McCone built a handsome apartment for them, and for me, too, on the second floor of his carriage house. And, as I grew older, I became his playmate, always indoors. He taught me hearts and old maid, checkers and dominoes—and chess. Soon we were playing only chess. He did not play well. I won almost all of the games, and it is possible that he was secretly drunk. He never tried hard to win, I thought. In any event, and very early on, he began to tell me and my parents that I was a genius, which I surely was not, and that he would send me to Harvard. He must have said to my father and mother a thousand times over the years, “You are going to find yourselves the proud parents of a perfect Harvard gentleman someday.”

To that end, and when I was about ten years old, he had us change our family name from Stankiewicz to Starbuck. I would be better received at Harvard, he said, if I had an Anglo-Saxon name. Thus did Walter F. Starbuck become my name.

He himself had done badly at Harvard, had scarcely squeaked through. He had also been scorned socially, not only for his stammer but for his being the obscenely rich son of an immigrant. There was every reason for him to hate Harvard—but I watched him over the years so sentimentalize and romanticize, and finally so worship the place that, by the time I was in high school, he believed that Harvard professors were the wisest men in the history of the world. America could be paradise, if only all high posts in government were filled by Harvard men.

And, as things turned out: When I went to work for the government as a bright young man in Franklin Delano Roosevelt’s Department of Agriculture, more and more posts were being filled by Harvard men. That seemed only right to me back then. It seems mildly comical to me now. Not even in prison as I say, is there anything special about Harvard men.

While I was a student, I sometimes caught the whiff of a promise that, after I graduated, I would be better than average at explaining important matters to people who were slow at catching on. Things did not work out that way.

So there I sat in prison in Nineteen-hundred and Seventy-seven, waiting for the guard to come. I wasn’t annoyed at his being an hour late so far. I was in no hurry to go anyplace, had no place in particular to go. The guard’s name was Clyde Carter. He was one of the few friends I had made in prison. Our chief bond was that we had taken the same correspondence course in bartending from a diploma mill in Chicago, The Illinois Institute of Instruction, a division
of The RAMJAC Corporation. On the same day and in the same mail each of us had received his Doctor of Mixology degree. Clyde had then surpassed me by taking the school’s course in air conditioning, as well. Clyde was a third cousin to the President of the United States, Jimmy Carter. He was about five years younger than the President, but was otherwise his perfect spit and image. He had the same nice manners, the same bright smile.

A degree in bartending was enough for me. That was all I intended to do with the rest of my life: tend a quiet bar somewhere, ideally in a club for gentlemen.

And I lifted my old hands from the folded bedding and I clapped three times.

Another fighter plane leaped up from the tip of a nearby runway, tore the sky to shreds. I thought this: “At least I don’t smoke anymore.” It was true. I, who used to smoke four packages of unfiltered Pall Malls a day, was no longer a slave to King Nicotine. I would soon be reminded of how much I used to smoke, for the gray, pinstripe, three-piece Brooks Brothers suit awaiting me over in the supply room would be riddled with cigarette burns. There was a hole the size of a dime in the crotch, I remembered. A newspaper photograph was taken of me as I sat in the back of the federal marshal’s green sedan, right after I was sentenced to prison. It was widely interpreted as showing how ashamed I was, haggard, horrified, unable to look anyone in the eye. It was in fact a photograph of a man who had just set his pants on fire.

I thought now about Sacco and Vanzetti. When I was
young, I believed that the story of their martyrdom would cause an irresistible mania for justice to the common people to spread throughout the world. Does anybody know or care who they were anymore?

No.

I thought about the Cuyahoga Massacre, which was the bloodiest single encounter between strikers and an employer in the history of American labor. It happened in Cleveland, in front of the main gate of Cuyahoga Bridge and Iron, on Christmas morning in Eighteen-hundred and Ninety-four. That was long before I was born. My parents were still children in the Russian Empire when it happened. But the man who sent me to Harvard, Alexander Hamilton McCone, watched it from the factory clock tower in the company of his father and his older brother John. That was when he ceased to be a slight stammerer and became, when the least bit anxious about anything, a bubbling booby of totally blocked language instead.

Cuyahoga Bridge and Iron, incidentally, lost its identity, save in labor history, long ago. It was absorbed by Youngstown Steel shortly after the Second World War, and Youngstown Steel itself has now become a mere division of The RAMJAC Corporation.

Peace.

Yes, and I lifted my old hands from the folded bedding, and I clapped three times. Here was what that was all about, as silly as it was: Those three claps completed a rowdy song I had never liked, and which I had not thought about for thirty years or more. I was making my mind as
blank as possible, you see, since the past was so embarrassing and the future so terrifying. I had made so many enemies over the years that I doubted that I could even get a job as a bartender somewhere. I would simply get dirtier and raggedier, I thought, since I would have no money coming in from anywhere. I would wind up on Skid Row and learn to keep the cold out by drinking wine, I thought, although I had never liked alcohol.

The worst thing, I thought, was that I would be asleep in an alley in the Bowery, say, and juvenile delinquents who loathed dirty old men would come along with a can of gasoline. They would soak me in it, and they would touch me off. And the worst thing about that, I thought, would be having my eyeballs lapped by flames.

No wonder I craved an empty mind!

But I could achieve mental vacancy only intermittently. Most of the time, as I sat there on the cot, I settled for an only slightly less perfect peace, which was filled with thoughts that need not scare me—about Sacco and Vanzetti, as I say, and about the Cuyahoga Massacre, about playing chess with old Alexander Hamilton McCone, and on and on.

Perfect blankness, when I achieved it, lasted only ten seconds or so—and then it would be wrecked by the song, sung loudly and clearly in my head by an alien voice, which required for its completion that I clap three times. The words were highly offensive to me when I first heard them, which was at a drunken stag party at Harvard during my freshman year. It was a song to be kept secret from women.
It may be that no woman has ever heard it, even at this late date. The intent of the lyricist, obviously, was to so coarsen the feelings of males who sang the song that the singers could never believe again what most of us believed with all our hearts back then: that women were more spiritual, more sacred than men.

I still believe that about women. Is that, too, comical? I have loved only four women in my life—my mother, my late wife, a woman to whom I was once affianced, and one other. I will describe them all by and by. Let it be said now, though, that all four seemed more virtuous, braver about life, and closer to the secrets of the universe than I could ever be.

Be that as it may, I will now set down the words to the frightful song. And even though I have been technically responsible, because of my high position in a corporate structure in recent years, for the publication of some of the most scurrilous books about women ever written, I still find myself shrinking from setting on paper, where they have perhaps never been before, the words to the song. The tune to which they were sung, incidentally, was an old one, a tune that I call “Ruben, Ruben.” It no doubt has many other names.

Readers of the words should realize, too, that I heard them sung not by middle-aged roughnecks, but by college boys, by children, really, who, with a Great Depression going on and with a Second World War coming, and with most of them mocked by their own virginity, had reason to
be petrified of all the things that women of that time would expect of them. Women would expect them to earn good money after they graduated, and they did not see how they could do that, with all the businesses shutting down. Women would expect them to be brave soldiers, and there seemed every chance that they would go to pieces when the shrapnel and bullets flew. Who could be absolutely responsible for his own reactions when the shrapnel and bullets flew? There would be flame throwers and poison gas. There would be terrific bangs. The man standing beside you could have his head blown off—and his throat would be a fountain.

And women, when they became their wives, would expect them to be perfect lovers even on the wedding night—subtle, tender, raffish, respectful, titillatingly debauched, and knowing as much about the reproductive organs of both sexes as Harvard Medical School.

I recall a discussion of a daring magazine article that appeared at that time. It told of the frequency of sexual intercourse by American males in various professions and trades. Firemen were the most ardent, making love ten times a week. College professors were the least ardent, making love once a month. And a classmate of mine, who, as it happened, would actually be killed in the Second World War, shook his head mournfully and said, “Gee—I’d give anything to be a college professor.”

The shocking song, then, may really have been a way of honoring the powers of women, of dealing with the fears
they inspired. It might properly be compared with a song making fun of lions, sung by lion hunters on a night before a hunt.

The words were these:

Sally in the garden
,
Sifting cinders
,
Lifted up her leg
And farted like a man
.
The bursting of her bloomers
Broke sixteen winders
.
The cheeks of her ass went—

Here the singers, in order to complete the stanza, were required to clap three times.

      
2

M
Y OFFICIAL TITLE
in the Nixon White House, the job I was holding when I was arrested for embezzlement, perjury, and obstruction of justice, was this: the President’s special advisor on youth affairs. I was paid thirty-six thousand dollars a year. I had an office, but no secretary, in the subbasement of the Executive Office Building, directly underneath, as it happened, the office where burglaries and other crimes on behalf of President Nixon were planned. I could hear people walking overhead and raising their voices sometimes. On my own level in the subbasement my only companions were heating and air-conditioning equipment and a Coca-Cola machine that only I knew about, I think. I was the only person to patronize that machine.

Yes, and I read college and high-school newspapers and magazines, and
Rolling Stone
and
Crawdaddy
, and anything else that claimed to speak for youth. I catalogued political statements in the words of popular songs. My chief qualification for the job, I thought, was that I myself had been a radical at Harvard, starting in my junior year. Nor had I been cochairman of the Harvard chapter of the Young Communist League. I had been cochairman of a radical
weekly paper,
The Bay State Progressive
. I was in fact, openly and proudly, a card-carrying communist until Hitler and Stalin signed a nonaggression pact in Nineteen-hundred and Thirty-nine. Hell and heaven, as I saw it, were making common cause against weakly defended peoples everywhere. After that I became a cautious believer in capitalistic democracy again.

BOOK: Jailbird
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