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Authors: Kurt Vonnegut

Jailbird

BOOK: Jailbird
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AMERICA’S GREATEST SATIRIST
KURT VONNEGUT IS …

 

“UNIQUE … one of the writers who map our landscapes for us, who give names to the places we know best.”

—D
ORIS
L
ESSING
The New York Times Book Review

“OUR FINEST BLACK HUMORIST.

…. We laugh in self-defense.”

—The Atlantic Monthly

“AN UNIMITATIVE AND INIMITABLE SOCIAL SATIRIST.”

—Harper’s Magazine

“A CAUSE FOR CELEBRATION.”

—Chicago Sun-Times

“A LAUGHING PROPHET OF DOOM.”

—The New York Times

“A PROFOUNDLY HUMANE COMEDY …

Jailbird
definitely mounts up on angelic wings—in its speed, in its sparkle, and in its high-flying intent.”

—Chicago Tribune Book World

“JOYOUSLY INVENTIVE … gleams with the loony magic Vonnegut alone can achieve.”

—Cosmopolitan

“VONNEGUT IS OUR GREAT APOCALYPTIC WRITER, the closest thing we’ve had to a prophet since … Lenny Bruce.”

—Chicago Sun-Times

“VONNEGUT AT HIS IMPRESSIVE BEST….

His imaginative leaps alone … are worth the price of admission…. His far-reaching metaphysical and cultural concerns … are ultimately serious and worth our contemplation.”

—The Washington Post

“HE HAS NEVER BEEN MORE SATIRICALLY ON-TARGET…. NOTHING IS SPARED.”

—People

“VINTAGE VONNEGUT!”

—Time

“IS IT ENTERTAINING? EVERY PAGE OF IT….

Easily his best work of fiction since
Slaughterhouse-Five.”

—New York
Daily News

“THE WRITING … IS IMMEASURABLY STRONGER, FUNNIER, AND MORE CONFIDENT…. Life, in Vonnegut’s eyes, is as chaotic as ever … but
Jailbird
emanates serene control.”

—The Atlantic Monthly

“AT HIS BEST … Vonnegut in very good form, tart, wry, often very funny.”

—New York Post

“WONDROUS…. A MAGICAL WRITER who can turn laughter into tears, absurdity into reality….
Jailbird
is a novel of power, humor, and beauty set to the tempo of laughter, a dazzling and virtuoso achievement by one of our finest literary natural resources.”

—W
ILLIAM
D
IEHL
,
author of
Sharky’s Machine

BOOKS BY KURT VONNEGUT

Bluebeard
Breakfast of Champions
Cat’s Cradle
Deadeye Dick
Galápagos
God Bless You, Mr. Rosewater
Jailbird
Mother Night
Palm Sunday
Player Piano
The Sirens of Titan
Slapstick
Slaughterhouse-Five
Wampeters, Foma & Granfalloons
Welcome to the Monkey House

For Benjamin D. Hitz
,
Close friend of my youth
,
Best man at my wedding
.
Ben, you used to tell me about
Wonderful books you had just read
,
And then I would imagine that I
Had read them, too
.
You read nothing but the best, Ben
,
While I studied chemistry
.
Long time no see
.

      
PROLOGUE

Y
ES
—K
ILGORE
T
ROUT
is back again. He could not make it on the outside. That is no disgrace. A lot of good people can’t make it on the outside.

•   •  •

I received a letter this morning (November 16, 1978) from a young stranger named John Figler, of Crown Point, Indiana. Crown Point is notorious for a jailbreak there by the bank robber John Dillinger, during the depths of the Great Depression. Dillinger escaped by threatening his jailor with a pistol made of soap and shoe polish. His jailor was a woman. God rest his soul, and her soul, too. Dillinger was the Robin Hood of my early youth. He is buried near my parents—and near my sister Alice, who admired him even more than I did—in Crown Hill Cemetery in Indianapolis. Also in there, on the top of Crown Hill, the highest point in the city, is James Whitcomb Riley, “The Hoosier Poet.” When my mother was little, she knew Riley well.

Dillinger was summarily executed by agents of the Federal Bureau of Investigation. He was shot down in a public place, although he was not trying to escape or resist
arrest. So there is nothing recent in my lack of respect for the F.B.I.

John Figler is a law-abiding high-school student. He says in his letter that he has read almost everything of mine and is now prepared to state the single idea that lies at the core of my life’s work so far. The words are his: “Love may fail, but courtesy will prevail.”

This seems true to me—and complete. So I am now in the abashed condition, five days after my fifty-sixth birthday, of realizing that I needn’t have bothered to write several books. A seven-word telegram would have done the job.

Seriously.

But young Figler’s insight reached me too late. I had nearly finished another book—this one.

•   •  •

In it is a minor character, “Kenneth Whistler,” inspired by an Indianapolis man of my father’s generation. The inspirer’s name was Powers Hapgood (1900—1949). He is sometimes mentioned in histories of American labor for his deeds of derring-do in strikes and at the protests about the executions of Sacco and Vanzetti, and so on.

I met him only once. I had lunch with him and Father and my Uncle Alex, my father’s younger brother, in Stegemeier’s Restaurant in downtown Indianapolis after I came home from the European part of World War Two. That was in July of 1945. The first atomic bomb had not yet
been dropped on Japan. That would happen in about a month. Imagine that.

I was twenty-two and still in uniform—a private first class who had flunked out of Cornell University as a student of chemistry before going to war. My prospects did not look good. There was no family business to go into. My father’s architecture firm was defunct. He was broke. I had just gotten engaged to be married anyway, thinking, “Who but a wife would sleep with me?”

My mother, as I have said
ad nauseam
in other books, had declined to go on living, since she could no longer be what she had been at the time of her marriage—one of the richest women in town.

•   •  •

It was Uncle Alex who had arranged the lunch. He and Powers Hapgood had been at Harvard together. Harvard is all through this book, although I myself never went there. I have since taught there, briefly and without distinction—while my own home was going to pieces.

I confided that to one of my students—that my home was going to pieces.

To which he made this reply: “It
shows.”

Uncle Alex was so conservative politically that I do not think he would have eaten lunch with Hapgood gladly if Hapgood had not been a fellow Harvard man. Hapgood was then a labor union officer, a vice-president of the local CIO. His wife Mary had been the Socialist Party’s candidate for vice-president of the United States again and again.

In fact, the first time I voted in a national election I voted for Norman Thomas and Mary Hapgood, not even knowing that she was an Indianapolis person. Franklin D. Roosevelt and Harry S Truman won. I imagined that I was a socialist. I believed that socialism would be good for the common man. As a private first class in the infantry, I was surely a common man.

•   •  •

The meeting with Hapgood came about because I had told Uncle Alex that I might try to get a job with a labor union after the Army let me go. Unions were admirable instruments for extorting something like economic justice from employers then.

Uncle Alex must have thought something like this: “God help us. Against stupidity even the gods contend in vain. Well—at least there is a Harvard man with whom he can discuss this ridiculous dream.”

(It was Schiller who first said that about stupidity and the gods. This was Nietzsche’s reply: “Against
boredom
even the gods contend in vain.”)

So Uncle Alex and I sat down at a front table in Stegemeier’s and ordered beers and waited for Father and Hapgood to arrive. They would be coming separately. If they had come together, they would have had nothing to say to each other on the way. Father by then had lost all interest in politics and history and economics and such things. He had taken to saying that people talked too much. Sensations meant more to him than ideas—especially the
feel of natural materials at his fingertips. When he was dying about twenty years later, he would say that he wished he had been a potter, making mud pies all day long.

To me that was sad—because he was so well-educated. It seemed to me that he was throwing his knowledge and intelligence away, just as a retreating soldier might throw away his rifle and pack.

Other people found it beautiful. He was a much-beloved man in the city, with wonderfully talented hands. He was invariably courteous and innocent. To him all craftsmen were saints, no matter how mean or stupid they might really be.

Uncle Alex, by the way, could do nothing with his hands. Neither could my mother. She could not even cook a breakfast or sew on a button.

Powers Hapgood could mine coal. That’s what he did after he graduated from Harvard, when his classmates were taking jobs in family businesses and brokerages and banks and so on: He mined coal. He believed that a true friend of the working people should be a worker himself—and a good one, too.

So I have to say that my father, when I got to know him, when I myself was something like an adult, was a good man in full retreat from life. My mother had already surrendered and vanished from our table of organization. So an air of defeat has always been a companion of mine. So I have always been enchanted by brave veterans like Powers Hapgood, and some others, who were still eager for information of what was really going on, who were still full of
ideas of how victory might yet be snatched from the jaws of defeat. “If I am going to go on living,” I have thought, “I had better follow them.”

•   •  •

I tried to write a story about a reunion between my father and myself in heaven one time. An early draft of this book in fact began that way. I hoped in the story to become a really good friend of his. But the story turned out perversely, as stories about real people we have known often do. It seemed that in heaven people could be any age they liked, just so long as they had experienced that age on Earth. Thus, John D. Rockefeller, for example, the founder of Standard Oil, could be any age up to ninety-eight. King Tut could be any age up to nineteen, and so on. As author of the story, I was dismayed that my father in heaven chose to be only nine years old.

I myself had chosen to be forty-four—respectable, but still quite sexy, too. My dismay with Father turned to embarrassment and anger. He was lemur-like as a nine-year-old, all eyes and hands. He had an endless supply of pencils and pads, and was forever tagging after me, drawing pictures of simply everything and insisting that I admire them when they were done. New acquaintances would sometimes ask me who that strange little boy was, and I would have to reply truthfully, since it was impossible to lie in heaven, “It’s my father.”

Bullies liked to torment him, since he was not like other children. He did not enjoy children’s talk and children’s
games. Bullies would chase him and catch him and take off his pants and underpants and throw them down the mouth of hell. The mouth of hell looked like a sort of wishing well, but without a bucket and windlass. You could lean over its rim and hear ever so faintly the screams of Hitler and Nero and Salome and Judas and people like that far, far below. I could imagine Hitler, already experiencing maximum agony, periodically finding his head draped with my father’s underpants.

BOOK: Jailbird
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