Jane Boleyn: The True Story of the Infamous Lady Rochford (58 page)

APPENDIX

For general details on Holbein’s life and work, see Foister (1981, 2004, 2006). The drawing of Lady Parker is from Parker (1983, no. 73). Discussion of her identity relies on p. 56. The identification of the woman as Grace Parker is not disputed by Susan Foister (Parker, 1983, p. 158). G. S. Davies is the one dissenting voice, maintaining that Lady Parker is indeed Jane Rochford, a woman for whom he has no sympathy whatsoever. See Davies (1903, p. 182). He also states that the drawing is on white, not pink-primed, paper, but in this also he is alone in his view. For information on Holbein identifications in general, and Cheke’s role in particular, see Foister (2004, pp. 24–29). Of the many references to Holbein’s use of white and pink-primed paper, see Parker (1983, pp. 24–28) and Foister (2004, pp. 51–52). While it is true that Holbein produced no definitely authenticated likenesses of Anne Boleyn, two of his drawings have been alleged to depict her. For an interesting analysis, see Rowlands and Starkey (1983, pp. 88, 90–92). A discussion of the costume drawing appears in Foister (2004, p. 56; 2006, p. 110). For further information on the table fountain designed for Anne as a present for Henry, see Foister (2006, p. 86, no. 93).

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