JF05 - The Valkyrie Song (34 page)

‘As you know, not my strong point. But hey, never mind – you’ll have me issuing parking tickets soon.’

‘That’s enough, Anna,’ said Fabel, but without anger. He could see she was in a state. ‘You head back to the Commission and go through what Thomas has got before he heads home. Werner – you go with her. I’m going to have a look upstairs at the victim’s apartment.’

On the way out of the apartment Fabel dumped his forensic suit and mask at the door, but he retained the gloves and overshoes. He had just gone out onto the landing when he saw Karin Vestergaard coming up the stairwell with Dirk Hechtner and Henk Hermann.

‘Your colleagues told me this might have something to do with Jens’s death,’ she said without preliminaries. Fabel saw the grim determination on her face and was reminded that Jespersen had been more than a colleague to her.

‘Truth is I don’t know yet, Karin. The killer called it in herself and we’ve got her down at the Presidium. She definitely could be our St Pauli killer. But the thing that is most interesting is the tale she’s been spinning. We’ve got a male victim, sixty-three years old, a retired teacher from Flensburg called Robert Gerdes. But – and wait for this – the woman who tortured and killed him says that he is really a former high-ranking Stasi officer and that his name is Georg Drescher.’

For a moment, Vestergaard looked stunned. ‘Can I see this victim?’

‘Trust me, it’s best not to. She really did a number on him and anyway you’d have to get all suited up. I sent for you because I’m going to have a look through the victim’s apartment. He lived upstairs. I thought you might like to help. Maybe you’ll pick up on something relevant to Jespersen.’ Fabel turned to Hechtner and Hermann. ‘I want you two to go through the killer’s apartment – everything except the
murder scene in the kitchen. Bag everything.’ He turned back to Vestergaard. ‘After we’re through upstairs, I’d like you to listen in on my questioning of the suspect.’

‘Lead on …’ said Vestergaard grimly.

The penthouse had been finished to the same quality and in the same style as the apartment below. It was slightly larger and better use had been made of the space available, but the main difference was the furnishings. Like its downstairs neighbour, the flat was ultra-modern and bright, but much of the furniture was traditional. Some looked like genuine antiques. Fabel thought of the man who had occupied this space and somehow couldn’t connect it with the mass of bloody tissue lying on the kitchen counter downstairs.

‘He’s got some nice furniture,’ said Vestergaard in an unusually conversational tone. ‘Walnut, most of it. Some maple. I’ve seen this kind of stuff before. It’s Hungarian art deco, a lot of it. Made in the nineteen-thirties. Some of the other pieces are French.’

Fabel looked at her questioningly.

‘Hobby …’ she said and he nodded. They walked slowly through the apartment. There was a lounge, a study, a bedroom and an open-plan kitchen and dining room. They stopped for a moment in the study.

‘No sign of a struggle,’ said Fabel. ‘It doesn’t look like he even had company recently. The whole party must have taken place downstairs. But I’ll have Holger’s forensics boys give the place a thorough going-over.’

Vestergaard picked up a sketch pad that had been lying on the desk. Fabel noticed that it was the same brand and size as the ones he used for laying out his thoughts during an investigation. Vestergaard flipped through it and gave a couple
of small laughs. In response to Fabel’s questioning look, she turned the open pad towards him.

‘Whatever else he did,’ said Vestergaard, ‘he had a talent for caricatures. That’s meant to be your illustrious Chancellor, Angela Merkel, isn’t it?’

‘Yes – you’re right, he wasn’t half bad.’ Fabel grinned. ‘I know Frau Merkel is keen to promote good international relationships, but I really don’t think she would do
that
with Monsieur Sarkozy. And I don’t think he’s really quite that small.’

‘I have to say he had expensive tastes …’ Vestergaard put the drawing pad back down and examined a deco bronze on the desk: a stylised eagle perched on a walnut base. ‘For a retired school teacher from Flensburg.’

‘Exactly what I was thinking,’ said Fabel. ‘I think we should start here in the study. You take the desk, I’ll go through the filing cabinets and the bookshelves.’

Three-quarters of an hour later they had examined every piece of correspondence, every bill, the victim’s notebook and his desk diary.

‘Either he had a very limited social life or a very secret one,’ said Vestergaard. ‘Even with official and household correspondence – there’s nothing here other than the barest minimum of paperwork. No personal computer. This is either a life only half lived, or a cover. And from the look of the furniture and the quality of the selection in his wine rack, he was not a man of an ascetic disposition.’

Fabel wandered through to the lounge and looked around. ‘So, Major Drescher, this is where you hid yourself.’ He turned back to Vestergaard. ‘I got on to the Federal Commissioner’s office in Berlin to dig up his files. Nothing. Only the odd mention here and there. He did a good job of hiding himself and I thought we’d never find him. Now he’s dropped right into our laps.’

‘He’s still hiding from us, Jan,’ said Vestergaard, looking around the study.

Before heading back to the Presidium, Fabel asked Holger Brauner if his team could seal off the penthouse apartment and give it a good going-over once they were finished with the primary locus.

As he and Karin Vestergaard headed out of the apartment building and towards his BMW, Fabel noticed that the street had a completely different look to it in the daylight, even the winter daylight. He took a few deep breaths of the cold air. Over the years Fabel had found that after visiting a murder scene there was one aspect, one image, that haunted you for weeks afterwards. This time, every time he closed his eyes, it was the lidless stare of Drescher’s corpse.

‘You okay?’ asked Vestergaard.

‘Yeah … I’m fine.’ Fabel sighed. ‘Just another day in the meat factory.’

When they arrived at the Presidium, Fabel fetched coffee for them both and they sat in his office drinking it.

‘We should take a break before questioning Cranz,’ said Fabel. ‘It’s going to be a long haul.’

There was a knock on the door and Werner came in. Something about his face told Fabel that relaxation time was over.

‘This is all seriously messed up, Jan,’ he said, not bothering to switch to English for Vestergaard’s sake.

‘What is?’

‘The woman we’ve got in custody rented the apartment under the name of Ute Cranz. But she claims her real name is Ute Paulus, and that she is the sister of Margarethe Paulus—’

‘Hold on,’ said Fabel, the weariness swept from his expression. ‘The woman who escaped from the secure hospital in Mecklenburg?’

‘The very same.’

‘So Ute Paulus has taken up her sister’s trade of knackering male victims? It would certainly explain why Margarethe has been able to stay out of sight, if she has had outside help.’

‘Ah, well … that’s where it all gets very complicated.’ Werner gave a wry smile and rubbed the stubble on his scalp. ‘I’ve been in touch with the state hospital in Mecklenburg and I spoke to the chief psychiatrist there who’s responsible for Margarethe Paulus’s case. It’s a Dr Köpke. According to Köpke, there is no Ute Paulus. No sister. Just Margarethe.’

Werner placed a printout of a file photograph on Fabel’s desk. ‘That is Margarethe Paulus, taken a year before her escape. I’ve had a look at the woman in custody. The hair colour is different, but apart from that, if she’s a sister she would have to be a twin.’

‘
Shit
.’ Fabel turned to Vestergaard and explained everything that Werner had just said. ‘What else did Köpke say?’ he asked, turning back to Werner.

‘Two things. First, he needs to talk to you urgently. He needs to know the identity of the victim and how he died. Dr Köpke says that he might have information that will be indispensable to us. He would also like to talk to any criminal psychiatrist or psychologist who sits in on or monitors the interview – which he strongly recommends we do.’

‘And the second?’

‘That we use maximum security when dealing with Margarethe Paulus. He said that she is probably the most dangerous individual that he has ever dealt with.’

On the way down to the interview room, Karin Vestergaard took a call on her cellphone. After a brief exchange in Danish she paused to make a few notes in her notebook. Fabel waited for her.

‘That was my office in Copenhagen,’ she said as they
continued along the corridor. ‘The NCID in Norway have been doing some more digging into Jørgen Halvorsen’s affairs. They have found a contact he had here in Hamburg. We can talk about it after you’ve interviewed this woman. Do you think she’s the one who killed Jens?’

‘I don’t know. There seems to be a hell of a lot of coincidences going on and she fits perfectly as someone we should be looking at for all these killings, if it weren’t for the simple fact that we know absolutely for certain that she was locked up in an asylum. There’s no way she can be either our
Angel
or our
Valkyrie
.’

‘But she was out when Jens was killed,’ said Vestergaard.

‘True. She’s well worth a look for it. I’ll establish her whereabouts at the time – if I can.’ Fabel stopped their progress along the corridor by turning to her. ‘Listen, Karin, this will just be our initial interview to establish basics. It won’t take long. I’d like us to talk the whole thing through afterwards. There’s another couple of deaths that have cropped up that are not, strictly speaking, being treated as murder. I just think there’s so much going on that there’s a chance we’ll miss something.’

The woman who waited for them in the interview room looked nothing like a killer. Professional or serial. The forensics department had taken all her clothes for examination and she was now dressed in a shapeless disposable white overall. She was of slim build and was, Fabel couldn’t help noticing, very attractive. She looked up at him with empty disinterest as he entered, as if she had no stake in what was happening and his presence had nothing to do with her. Fabel recognised her from the photograph sent from the Mecklenburg hospital. He went into the interview without Vestergaard, leaving her to join Werner and Anna in the adjoining room from where they could watch the interview on the monitor.

Fabel nodded to the uniformed officer who had been
watching over the prisoner, sat down opposite Paulus, laid his papers out on the metal desk and informed her of her rights.

‘I want you to understand something, Margarethe,’ he said. ‘I will be interviewing you again later, with another officer, and we will have a psychologist in the room as well as a lawyer to represent your interests. We can talk about things in more detail then. In the meantime, I want you to simply confirm your name for me.’

‘I am Ute Paulus. You called me Margarethe; I am not Margarethe Paulus. She is my sister.’

‘But that’s simply not true, Margarethe. There is no Ute Paulus. You have no sister. It’s a matter of record.’

She laughed coldly. ‘Records are falsified all the time. In the East people’s records were changed or falsified all of the time. I am not Margarethe. I am Ute.’

‘Who is this?’ Fabel asked and slid a copy of the hospital photograph across the table to her.

‘That is Margarethe.’

‘That is you. Listen, there’s no point in denying it. We have samples of your fingerprints and they match those of this patient.’ He jabbed a forefinger at the picture on the table. ‘Margarethe Paulus, thirty-eight years old, born in Zarrentin, north-west Mecklenburg. You have no sister, no brother and both your parents are dead. This is you. And you were committed to the Mecklenburg state secure hospital in May nineteen ninety-four.’

Paulus said nothing. Fabel drew a long breath.

‘Why did you do what you did to Robert Gerdes?’

‘His name wasn’t Gerdes.’ There was no anger in her voice. There was nothing in her voice. Or in her eyes as she spoke. ‘His name was Georg Drescher and he was a major in the Stasi.’

‘Why did you do what you did to him?’

‘I thought you said we would only talk about this later,’
she said. She placed her hands on the metal surface. Her fingers were long and slim. He noticed how clean her fingernails were, and then remembered that Brauner’s forensics team would have scraped beneath them for trace evidence. Fabel found it difficult to imagine those fingers committing the horrors he had witnessed in her flat.

‘I want to go back,’ she said.

‘Go back where? To the apartment?’

‘To the hospital.’

‘How can you go back to the hospital if you’re not a patient there?’ asked Fabel. He pointed again to the photograph. ‘This is the patient. Margarethe is the patient. You say you’re not Margarethe.’

‘That’s where I see my sister. Where I talk to her. I visit her. Now I can visit her all the time.’

Fabel sighed and gathered up the papers. ‘I think we really should wait until later.’

‘I want to go back now,’ she repeated, but there was no insistence in her voice. ‘To the hospital.’

‘I’m afraid you won’t be going back for some time. You’re going to have to stay with us for a while.’ Fabel stood up.