King Con (2 page)

S
OME PEOPLE SIMPLY AMAZED VICTORIA HART. TAKE
Carol Sesnick … she worked as a pediatric nurse at a local children’s hospital and had been taking night school courses for a year to become certified, hoping to join the profession as a C.N.P., or Certified Nurse Practitioner. What on earth would possess her to risk her life, to put herself in mortal danger, because the People of the great Garden State of New Jersey wanted to put a piece of pond scum like Joe “Dancer” Rina in the yellow brick prison at Rahway? After Carol testified, she would have to be put in the Witness Protection Program. She’d have to live in some icebox state like Minnesota. Her life would be completely changed and arguably ruined. And yet, here she was, risking it all so Victoria Hart, a New Jersey State Prosecutor, could kick some mob ass in court and convict a short, incredibly handsome little creep who walked on his toes.
The case is going to be close,
Victoria thought,
but winnable.

The indictment charged that the thirty-eight-year-old alleged Mafia Don had lost money in a card game in the back room of the Greenborough Country Club. The big winner, a man named Frank Lemay, had been beaten almost to death with a nine-iron in the parking lot as he was getting into his car. Seventy-eight thousand dollars
in winnings was stolen from him. And then, before Victoria was assigned to the case, the victim had unhooked himself from his I.V. bottles and had walked out of the hospital, never to be seen again. The wallet and credit card he had left in the hospital administrator’s office turned out to belong to a man who had been dead for two years, so the name was an alias. Frank Lemay didn’t exist. The case against Joe Rina was on the verge of being dropped when Carol Sesnick stepped forward and said she had been waiting for a friend in the country club parking lot and had seen the whole thing. She had become the State’s whole case now that the victim had disappeared.

Victoria Hart had on occasion been called “Tricky Vicky” in the Trenton press because she often employed unorthodox legal strategy to achieve courtroom success. Prosecuting Joe Rina, a frequent star of
Hard Copy,
without a complainant got her a lot of ink that she would have rather done without.

Victoria anxiously looked out the car’s rear window. “Are we clear?” she said to her State Police driver, who had a weight-lifter’s neck that widened like a cobra’s hood at the trapezius muscle.

“I’m gonna take one more precaution, but I don’t see anyone back there,” he said, then slammed down the accelerator and made an abrupt turn through a darkened gas station … shot down an unlit narrow alley, turned left onto a residential street, swung a quick U, then parked and switched off his headlights. Nobody followed. Victoria knew the precautions were necessary, but after two weeks, they were getting damned tiresome.

The car they were in had been selected moments before from a line of fifty plain-blue police sedans in the State Police Motor Pool. This was in an effort to defeat any tracking devices that might get placed if Victoria used the same vehicle more than once. She suspected
Joseph Rina would go to any lengths, including murder, to shut down the case against him. The trial was scheduled to start in two days and Victoria had been making nightly visits to her hidden witness to prepare her for testimony.

Victoria’ notes for the first day in court were scribbled in her obsessively neat handwriting on a yellow legal pad in her briefcase. She had her opening argument down pat. She was going to give the jury a tour through the graveyard of Rina Mafia tyranny. It would be a morbid history lesson, and she hoped it would redefine that handsome little shit with the perfect white teeth and wavy black hair.

Victoria had been assigned this prosecution by the District Attorney, Gil Green, because Tricky Vicky was popular with the media and had a near-perfect conviction rate, but the voir dire process had been brutal. New Jersey used the “Donahue Method” to pick jurors, which meant that the jury box was filled with candidates and the Prosecution and Defense had to question each one in front of the others. It was hazardous because you ran the risk of offending a juror you would later be forced to accept. Voir dire had already taken a week and they had gone through two complete panels. Victoria thought the composition of potential jurors was extremely unfortunate and had favored the Defense. The panels were loaded with undereducated ethnic males who, she thought, would be her least sympathetic jurors. They were already disenfranchised by the system and would see Joe Rina as a role model who disrespected City Hall and won. In the end, she had broken the cardinal rule of jury selection and used her last peremptory challenge to eliminate a twenty-five-year-old Sicilian street character who, she was almost certain, would vote for acquittal.

After six days of selection, Victoria was nervous
about her jury. Defense attorney Gerry Cohen, on the other hand, seemed pleased. All through voir dire, he had his jury selection experts spread around him like card kibitzers, whispering, pointing, and pushing pieces of paper in front of him. As each juror was questioned, Gerry would nod sagely and then decide whether to use a peremptory challenge, dismiss a juror for cause, or accept. Victoria had to rely on gut instinct. She didn’t have any background checkers with psychology degrees. She had only David Frankfurter to help her.

David was former Supreme Court Justice Frankfurter’s great-grandson. He was a tall, skinny, twenty-seven-year-old Assistant State Prosecutor known around the office as “Dodger Dog” because of his last name and because he had been raised in Los Angeles and loved the Dodgers.

Victoria and David would study the jurors in the panel, trying to pick them by type. She wanted women more than men. She preferred married, white-collar, educated people with children, people who would see Joe Dancer for what he was, instead of some charming refugee from
Hard Copy
who had looks and romance draping him like Armani clothing. She was very worried about jurors ten and twelve, both young unemployed males who didn’t fit her acceptable profile. With one alternate left to pick, and all of her peremptory challenges gone, she could be forced to accept the next candidate, whoever or whatever it was. The last alternate juror would be interviewed tomorrow, and the trial would start the following morning.

Her police driver, who she thought was named Alan, finally nodded in satisfaction, turned his headlights back on, and drove out the way he had come. A surprise thunderstorm had dropped a half-inch of rain late that afternoon, and now sheet lightning lit the horizon like flashes of distant artillery.

Ten minutes later, they arrived at the underground parking garage of Trenton Towers. They whisked by what looked like an empty gray Econoline van without paying much attention to it. They didn’t notice that the windows were fogged.

Victoria took the old Otis eight-man elevator up to the fourteenth floor. The building was mid-fifties, but she had picked it because it had several advantages from a security standpoint: The floors were small and could be easily protected; there was only one elevator bank, limiting access; and the building had low occupancy and a completely vacant fourteenth floor, which gave them much needed separation from the other tenants. The old fifteen-story residential building was adjacent to a business district so it had little night traffic, making secure meetings between herself and Carol Sesnick easier to arrange.

The elevator opened on fourteen and Victoria walked out into the “safe house,” carrying her briefcase, purse, and a garment bag. She was greeted by two plainclothes deputies whom, over the last two weeks, she had grown very fond of. Tony Corollo was the tall, silent Italian who seldom smiled but projected an easy warmth. The other was Bobby Manning. He’d been a Trenton High School football star. He had a ruddy complexion and a lock of auburn hair that hung in planned disarray on his forehead.

“Evening, Ms. Hart,” they both chirped. “Bring us anything?”

She had been religiously stopping at the mini-mart near her apartment, picking up candy and reading material for them. She dug in her purse for some tabloid magazines.

“No Nestlé’s Crunch?” Bobby Manning said, grinning his question at her.

She found a package of Butterfingers she’d missed in
the side pocket of her purse and handed it to him. “Best I could do, Bobby,” she said, and they moved off their folding chairs in the hall toward the locked door that led to Carol’s suite.

Victoria found Carol in the white tile bathroom trying a new hairstyle. She had curled it and her soft brown hair was now piled up on her head, giving her a French poodle pouf. She was in her slip, holding a hand mirror, with a disgusted frown on her ordinary but pleasant face.

“I fucked it up, V,” Carol said, still looking in the mirror, wrinkling her freckled nose. “It wasn’t exactly supposed to come out like this.” She held up a picture in
Glamour
magazine that showed a thin-faced model with the same do, only it was subtly different. On the model the piled-up curls seemed to look fresh and perky. The narrow-faced blonde in the picture had her hair pulled back on the sides, tight curls cascading down her back. On Carol Sesnick the look was less effective. “What I got goin’ here is pure Brillo pad, ain’t it?” Carol said, pouting.

Victoria grabbed a hairbrush and started to rearrange the back of the hairstyle. “Turn around a little more,” she instructed as she worked, pulling the sides back and clipping them up higher to better resemble the model in the picture.

Carol and Victoria were both in their early thirties, trim and fit, but the comparison ended there. Their reflections both glittered in the large mirror of the too-bright bathroom. They were a study in contrasts. Victoria was by far the prettier. She had classic bone structure, high cheekbones, and a sculpted face. But she was not a fashion adventurer. … She wore her hair cut very short to save time. She would roll out of bed in the morning, jump in the shower, towel her hair dry, and hit it with a dryer while she went over her legal notes propped on the sink before her. She could be out the
door in fifteen minutes. Her makeup was minimal, sometimes nonexistent. Despite this lack of primping, she had a radiant natural beauty that had earned her half-a-dozen offers to model by New York agents … sleek, well-dressed men who smelled of aftershave and slipped agency cards in her hand, suggesting she call. She dismissed these entreaties as sleazeball pickup routines, despite the fact that the cards they gave her were sometimes embossed in gold with the names of prominent agencies.

“There,” Victoria said, clipping the other side of Carol’s hair back with a barrette.

“I don’t know,” Carol said, studying her reflection dubiously. “I think I look stupid. Makes my face seem round.”

“Maybe if you don’t pile it up so high … let some of this, up here, straggle on the sides,” Victoria said, pulling a few strands down. Since she took so little interest in her own hairstyle, she felt ill equipped to give beauty tips to others. She was much better at conducting a withering cross-examination.

“You got the dress!” Carol exclaimed, finally spotting the garment bag Victoria had draped over the commode.

“Yep. Gil Green shit a brick when he saw the bill. But, if O.J. can get Rosa Lopez that ugly blue outfit, you oughta get this pretty tan one.” She pulled it out of the bag and held it up.

“Love it, love it, love it,” Carol said, as she unzipped it and stepped in, then turned to the mirror. “Whatta you think?”

“You’re gonna knock ‘em dead, girlfriend.” Victoria grinned. Under all the easy chatter she continued to marvel: Why would somebody risk everything just because it was the right thing to do? When she evaluated the
tremendous sacrifices Carol Sesnick was making, it took Victoria Hart’s breath away.

In the back of the gray Econoline van, Tommy “Two Times” Rina and Texaco Phillips were hunched over a Building Department schematic of Trenton Towers. They had computer-accessed the plans from the City Building Inspector’s office by using a Rina Family computer technician. He’d downloaded everything.

“Fucking heating ducts are tiny. … We’ll never get inside them, they’re forty fucking years old,” Tommy said angrily, looking at the plans and smelling Texaco’s horrible odor, which he knew was caused by anabolic steroids. In the front seat, behind the wheel, chewing on a toothpick, was a skinny Jamaican Rastafarian. His dreadlocks were greased and beaded; his dusky skin lacked luster.

Texaco Phillips kept flicking his gaze in the direction of the Rasta. He didn’t, for the life of him, understand why Tommy would want a wheel man who looked like a fucking jigaboo street character. Texaco had asked Tommy that question twenty minutes ago when the Rasta had gone to take a leak in the gas station can.

“‘Cause he’s a Dixie cup.” Tommy grinned and refused further comment.

Texaco didn’t know what the hell that meant, but the grin had spooked him, so he shut up. Texaco couldn’t get away from Tommy Rina fast enough. Tommy was Joe Rina’s older brother and Joe had put them together for this piece of work, so Texaco had no choice. Tommy, like his brother, Joe, was short, only five-seven, but that was all they had in common. At thirty-eight, Joe Dancer was much more handsome, and walked on the balls of his feet to gain a little height. He’d been doing it since junior high and the habit had earned him his
nickname. Joe had beautiful wavy hair and perfect teeth that glittered like a box of Chiclets.

Tommy had the same wavy hair, but it seemed to grow too far down on his forehead, giving him a simian appearance. He had the same white teeth as his brother, but they protruded, giving him a leering overbite. His eyes were blue like Joe’s, but instead of reflecting intelligence, they were pig-mean. The family resemblance was definitely there, but the recipe was off, the results skewed.

“Take us around the block. I wanna see this here fire exit,” Tommy said to the Jamaican, pointing to a door indicated on the plans.