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Authors: Emily Carr

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BOOK: Klee Wyck
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When I opened the schoolhouse door in the morning the village dogs were in the bracken watching. They went frantic over the biscuits I threw to them. A black one came crouching. She let me pull the
porcupine
quills out of her face. When the others saw her fear dry up, they came closer too. It was people they wanted even more than food. Wherever I went about the village they followed me.

I
N THE SWAMPY PLACES
and ditches of Greenville skunk cabbages grew—gold and brimming with rank smell—hypocrites of loveliness peeping from the lush green of their great leaves. The smell of them was sickening.

I looked through the blindless windows of the Indian houses. Half-eaten meals littered the tables. Because the tide had been right to go, bedding had been stripped from the springs, food left about, water left unemptied to rust the kettles. Indians slip in and out of their places like animals. Tides and seasons are the things that rule their lives: domestic arrangements are mere incidentals.

The houses looked as if they had been shaken out of a dice box on to the land and stayed just where they lit. The elements dominated them from the start. As soon as a few boards were put together the family moved in, and the house went on building around them until some new interest came along. Then the Indian dropped his tools. If you asked when he was going to finish building his house he said, “Nodder day—me too busy now,” and after a long pull on his pipe he would probably lie round in the sun for days doing nothing.

I
WENT OFTEN
to the last house in the village to gossip with the woman. She was not as old as you thought at first, but very weatherbeaten. She was a friendly soul, but she spoke no English. We conversed like this,—one would point at something, the other clap her hands and laugh, or moan and shake her head as was right. Our eyebrows worked too and our shoulders and heads. A great deal of fun and information passed back and forth between us.

Ginger Pop, my griffon, was a joy to Grannie. With a chuckle that wobbled the fat all over her, she would plant her finger on the snub of her own broad nose and wrinkle it back towards her forehead in imitation of the dog’s snub, and laugh till the tears poured out of her eyes. All the while the black eyes of her solemn grandchild stared.

Grannie also enjoyed my duck “
pantalettes
” that came below my skirts to the soles of my shoes, my duplicate pairs of gloves, and the
cheese-cloth
veil with a glass window in front. This was my mosquito armour. Hers consisted of pair upon pair of heavy wool stockings handknitted, and worn layer upon layer till they were deeper than the probes of the mosquitoes, and her legs looked like barrels.

The old man and I had a few Chinook words in common. I went sometimes to the darkened shed where he was building a boat. He kept a smudge and the air was stifling. Tears and sweat ran down our faces. He wiped his face with the bandana floating under his hat brim to protect his neck and blew at the mosquitoes and rubbed his lumbago. Suddenly his eye would catch the comic face of Ginger Pop and he too would throw down his tools and give himself up to mirth at the pup’s expense. When he laughed, that was the time to ask him things.

“I am sorry that there are no totem poles in Greenville. I like totem poles,” I said.

“Halo totem stick kopa Greenville.”

“Old village with totem poles stop up the Naas?”

“Uh huh.”

“I would like to see them.”

“Uh huh.”

“Will you take me in your boat?”

“Uh huh, Halo tillicum kopet.”

“I want to see the poles, not people. You take me tomorrow?”

“Uh huh.”

So we went to Gittex and Angedar, two old village-sites on the Naas river. His old boat crept through the side-wash meanderings of the Naas. Suddenly we came out onto its turbulent waters and shot across them: and there, tipping drunkenly over the top of dense growth, were the totem poles of Gittex. They looked like mere sticks in the vast sea of green that had swallowed the old village. Once they, too, had been forest trees, till the Indian mutilated and turned them into bare poles. Then he enriched the shorn things with carvings. He wanted some way of showing people things that were in his mind, things about the creatures and about himself and their relation to each other. He cut forms to fit the thoughts that the birds and animals and fish suggested to him, and to these he added something of himself. When they were all linked together they made very strong talk for the people. He grafted this new language on to the great cedar trunks and called them Totem poles and stuck them up in the villages with great ceremony. Then the cedar and the creatures and the man all talked together through the totem poles to the people. The carver did even more—he let his imaginings rise above the objects that he saw and pictured supernatural beings too.

The creatures that had flesh and blood like themselves the Indians understood. They accepted them as their ancestors but the supernatural things they feared and tried to propitiate.

Every clan took a creature for its particular crest. Individuals had private crests too, which they earned for themselves often by privation and torture and fasting. These totem creatures were believed to help specially those who were of their crest.
When you looked at a man’s pole, his crests told you who he was, whom he might marry and whom he might not marry—for people of the same crest were forbidden to marry each other.

You knew also by the totem what sort of man he was or at least what he should be because men tried to be like the creature of their crest, fierce, or brave, or wise, or strong.

Then the missionaries came and told the Indians this was all foolish and heathenish. They took the Indians away from their old villages and the totem poles and put them into new places where life was easier, where they bought things from a store instead of taking them from nature.

Greenville, which the Indians called “Lakalzap,” was one of these new villages. They took no totem poles with them to hamper their progress in new ways; the poles were left standing in the old places. But now there was no one to listen to their talk any more. By and by they would rot and topple to the earth, unless white men came and carried them away to museums. There they would be labelled as exhibits, dumb before the crowds who gaped and laughed and said, “This is the distorted foolishness of an uncivilized people.” And the poor poles could not talk back because the white man did not understand their language.

At Gittex there was a wooden bear on top of such a high pole he was able still to look over the top of the woods. He was a joke of a bear—every bit of him was merry. He had one paw up against his face, he bent forward and his feet clung to the pole. I tried to circle about so that I could see his face but the monstrous tangle was impossible to break through.

I did beat my way to the base of another pole only to find myself drowned under an avalanche of growth sweeping down the valley. The dog and I were alone in it—just nothings in the overwhelming immensity.

My Indian had gone out to mid-river. It seemed an awful thing to shatter that silence with a shout, but I was hungry and I dared not raise my veil till I got far out on the Naas. Mosquitoes would have filled my mouth.

A
FTER SEVEN DAYS
the Indians came back with their boat and took me down the Naas again.

I left the old man and the woman leisurely busy, the woman at her wash-tub and the man in his stifling boathouse. Each gave me a passing grin and a nod when I said goodbye: comings and goings are as ordinary to Indians as breathing.

I let the clock run down. Flapped the leaves of the calendar back, and shut the Greenville schoolhouse tight.

The dogs followed to the edge of the water, their stomachs and hearts sore at seeing us go. Perhaps in a way dogs are more domestic and more responsive than Indians.

T
WO
B
ITS AND A
W
HEEL
-B
ARROW

The smallest coin we had in Canada in early days was a dime, worth ten cents. The Indians called this coin “a Bit.” Our next coin, double in buying power and in size, was a twenty-five-cent piece and this the Indians called “Two Bits.”

Two bits was the top price that Old Jenny knew. She asked two bits for everything she had to sell, were it canoe-bailer, eagle’s wing, cedar-bark basket or woven mat. She priced each at “two bits” and if I had said, “How much for your husband or your cat?” she would have answered “two bits” just the same.

Her old husband did not look worth two bits. He was blind and very moth-eaten. All day he lay upon a heap of rags in the corner of their hut. He was quite blind but he had some strength still. Jenny made him lie there except when he was led, because he fell into the fire or into the big iron cook-pot and burned himself if he went alone. There was such a litter over the floor that he could not help tripping on something if he took even a step. So Jenny-Two-Bits ordered her old blind Tom to stay in his corner till she was ready. Jenny was getting feeble. She was lame in the hip and walked with a crooked stick that she had pulled from the sea.

Tommy knew that day had come when he felt Jenny-Two-Bits’ stick jab him. The stick stayed in the jab until Tom took hold. Then still holding the stick Jenny steered him across to where she lay. When he came close she pulled herself up by hanging onto his clothes. When bits of his old rags tore off in her hands she scolded Tom bitterly for having such poor, weak clothes.

Tom could tell by the cold clammy feel how very new the morning was when Jenny pushed him out of the door and told him to stand by the wall and not move while she went for the wheel-barrow. It screeched down the alley. Jenny backed Tom between the handles and he took hold of them. Then she tied a rope to each of his arms above the elbow. She used the ropes for reins and hobbled along, slapping the barrow with her stick to make Tom go and poking her stick into his back to make him stop. At that early hour the village was empty. They always tried to be the first on the beach so that they could have the pick of what the sea had thrown up.

They went slowly to the far end of the village street where the bank was low and here they left the barrow.

Jenny-Two-Bits led Tom along the quiet shore. She peered this way and that to see what the waves had brought in. Sometimes the sea gave them good things, sometimes nothing at all, but there were always bits of firewood and bark to be had if they got there before anyone else.

The old woman’s eyes were very sharp and the wheel-barrow hardly ever came back empty. When Jenny found anything worthwhile, first she peered, then she beat it with
her stick and took Tom’s hand and laid it on the wet cast-up thing. Tom would lift it and carry it to the barrow. Then they came back to their shanty and sat down in the sun outside the door to rest.

Sometimes Jenny and Tom went in a canoe to fish out in the bay. Tom held the lines, Jenny paddled.

When they caught a fish or when Jenny sold something for two bits or when they sat together baking themselves in the sunshine, they were happy enough.

S
LEEP

When I was a child I was staying at one of Victoria’s beaches.

I was down on the point watching a school of porpoises at play off Trial Island when a canoe came round the headland. She was steering straight for our beach.

The Government allowed the Indians to use the beaches when they were travelling, so they made camp and slept wherever the night happened to fall.

In the canoe were a man and woman, half a dozen children, a dog, a cat and a coop of fowls, besides all the Indians’ things. She was a West Coast canoe—dug out of a great red cedar tree. She was long and slim, with a high prow shaped like a wolf’s head. She was painted black with a line of blue running round the top of the inside. Her stern went straight down into the water. The Indian mother sat in the stern and steered the canoe with a paddle.

When the canoe was near the shore, the man and the woman drove their paddles strong and hard, and the canoe shot high up on to the pebbles with a growling sound. The barefoot children swarmed over her side and waded ashore.

The man and the woman got out and dragged the canoe high on to the beach. There was a baby tucked into the woman’s shawl; the shawl bound the child close to her body. She waddled slowly across the beach, her bare feet settling in the sand with every step, her fleshy body squared down on to her feet. All the movements of the man and the woman were slow and steady; their springless feet padded flatly; their backs and shoulders were straight. The few words they said to each other were guttural and low-pitched.

The Indian children did not race up and down the beach, astonished at strange new things, as we always were. These children belonged to the beach, and were as much a part of it as the drift-logs and the stones.

The man gathered a handful of sticks and lit a fire. They took a big iron pot and their food out of the canoe, and set them by the fire. The woman sat among the things with her baby—she managed the shawl and the baby so that she had her arms free, and her hands moved among the kettles and food.

The man and a boy, about as big as I was, came up the path on the bank with tin pails. When they saw me, the boy hung back and stared. The man grinned and pointed to our well. He had coarse hair hanging to his shoulders; it was unbrushed and his head was bound with a red band. He had wrinkles everywhere, face, hands and clothing. His coat and pants were in tatters. He was brown and dirty all over, but his face was gentle and kind.

Soon I heard the pad-pad of their naked feet on the clay of the path. The water from the boy’s pail slopped in the dust while he stared back at me.

They made tea and ate stuff out of the iron pot; it was fish, I could smell it. The man and the woman sat beside the pot, but the children took pieces and ran up and down eating them.

They had hung a tent from the limb of the old willow tree that lolled over the sand from the bank. The bundles and blankets had been tossed into the tent; the flaps were open and I could see everything lying higgledy-piggledy inside.

BOOK: Klee Wyck
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