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Authors: Emily Carr

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BOOK: Klee Wyck
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The Lesser Missionary went to school first and lit the fire. If the tide were high she had to go over the trail at the forest’s edge. It was full of holes where high seas had undermined the big tree roots. Huge upturned stumps necessitated detours through hard-leafed sallal bushes and
skunk cabbage bogs
. The Lesser Missionary fussed her way jumpily. She hated putting her feet on ground which she could not see, because it was so covered with growing green. She was glad when she came out of the dark forest and saw the unpainted school house. The Greater Missionary had no nerves and a long, slow stride. As she came over the trail she blew blasts on a cow’s horn. She had an amazing wind, the blasts were stunning, but they failed to call the children to school, because no voice had ever suggested time or obligation to these
Indian children
. Then the Greater Missionary went to the village and hand-picked her scholars from the huts.

On my first morning in Ucluelet there was a full attendance at school because visitors were rare. After the Lord’s Prayer the Missionaries duetted a hymn while the children stared at me.

When the Missionary put A, B, C on the board the
children
began squirming out of their desks and pattering down to the drinking bucket. The dipper registered each drink with a clank when they threw it back.

The door squeaked open and shut all the time, with a second’s pause between opening and closing. Spitting on the floor was forbidden, so the children went out and spat off the porch. They had not yet mastered the use of the pocket-handkerchief, so not a second elapsed between sniffs. The Lesser Missionary twitched as each sniff hit her ear.

Education being well under way, I slipped out to see the village.

When I did not return after the second’s time permitted for spitting, the children began to wriggle from the desks to the drinking bucket, then to the spitting step, looking for me. Once outside, their little bare feet never stopped till they had caught me up. In the empty schoolroom the eyes of the Lesser Missionary waited upon those of the Greater as the shepherd’s dog watches for the signal to dash.

“That is all for today,” the older woman said quietly and they went home.

After that I was shut up tight at Toxis until school was well started; then I went to the village, careful to creep low when passing under the school windows.

On the point at either end of the bay crouched a huddle of houses—large, squat houses made of thick, hand-hewn cedar planks, pegged and slotted together. They had flat, square fronts. The side walls were made of driftwood. Bark and shakes, weighted with stones against the wind, were used for roofs. Every house stood separate from the next. Wind roared through narrow spaces between.

Houses and people were alike. Wind, rain, forest and sea had done the same things to both—both were soaked through and through with sunshine, too.

I was shy of the Indians at first. When I knocked at their doors and received no answer I entered their houses timidly, but I found that a grunt of welcome was always waiting inside and that Indians did not knock before entering. Usually some old crone was squatted on the earth floor, weaving cedar fibre or tatters of old cloth into a mat, her claw-like fingers twining in and out, in and out, among the strands that were fastened to a crude frame of sticks. Papooses tumbled round her on the floor for she was papoose-minder as well as mat-maker.

Each of the large houses was the home of several families. The door and the smoke-hole were common to all, but each family had its own fire with its own things round it. That was their own home.

The interiors of the great houses were dim. Smoke teased your eyes and throat. The earth floors were not clean.

It amused the Indians to see me unfold my camp stool, and my sketch sack made them curious. When boats, trees, houses appeared on the paper, jabbering interest closed me about. I could not understand their talk. One day, by grin and gesture, I got permission to sketch an old mat-maker. She nodded and I set to work. Suddenly a cat jumped in through the smokehole and leaped down from a rafter on to a pile of loose boxes. As the clatter of the topple ceased there was a bestial roar, a pile of mats and blankets burst upwards, and a man’s head came out of them. He shouted and his black eyes snapped at me and the old woman’s smile dried out.

“Klatawa” (Chinook for “Go”) she shouted, and I went. Later, the old wife called to me across the bay, but I would not heed her call.

“Why did you not reply when old Mrs. Wynook called you?” the Missionary asked.

“She was angry and drove me away.”

“She was calling, ‘Klee Wyck, come back, come back,’ when I heard her.”

“What does ‘Klee Wyck’ mean?”

“I do not know.”

The mission house door creaked open and something looking like a bundle of tired rags tumbled onto the floor and groaned.

“Why, Mrs. Wynook,” exclaimed the Missionary, “I thought you could not walk!”

The tired old woman leaned forward and began to stroke my skirt.

“What does Klee Wyck mean, Mrs. Wynook?” asked the Missionary.

Mrs. Wynook put her thumbs into the corners of her mouth and stretched them upwards. She pointed at me; there was a long, guttural jabber in Chinook between her and the

Missionary. Finally the Missionary said, “Klee Wyck is the Indians’ name for you. It means ‘Laughing One.’”

The old woman tried to make the Missionary believe that her husband thought it was I, not the cat, who had toppled the boxes and woke him, but the Missionary, scenting a lie, asked for “straight talk.” Then Mrs. Wynook told how the old Indians thought the spirit of a person got caught in a picture of him, trapped there so that, after the person died, it had to stay in the picture.

“They have such silly notions,” said the Missionary.

“Tell her that I will not make any more pictures of the old people,” I said. It must have hurt the Indians dreadfully to have the things they had always believed trampled on and torn from their hugging. Down deep we all hug something. The great forest hugs its silence. The sea and the air hug the spilled cries of sea-birds. The forest hugs only silence; its birds and even its beasts are mute.

W
HEN NIGHT CAME DOWN
upon Ucluelet the Indian people folded themselves into their houses and slept.

At the mission house candles were lit. After eating fish, and praying aloud, the Missionaries creaked up the bare stair, each carrying her own tin candlestick. I had a cot at the foot of their wide wooden bed and scrambled quickly into it. Blindless and carpetless, it was a bleak bedroom even in summer.

The Missionaries folded their clothes, paired their shoes, and put on stout nightgowns. Then, one on each side of the bed, they sank to their knees on the splintery floor and prayed some more, this time silent, private prayers. The buns now dangled in long plaits down their backs and each bowed head was silhouetted against a sputtering candle that sat on an upturned apple-box, one on either side of the bed, apple-boxes heaped with devotional books.

The room was deathly still. Outside, the black forest was still, too, but with a vibrant stillness tense with life. From my bed I could look one storey higher into the balsam pine. Because of his closeness to me, the pine towered above his fellows, his top tapering to heaven like the hands of the praying Missionaries.

E
VERY DAY
might have been a Sunday in the Indian village. At Toxis only the seventh day was the Sabbath. Then the Missionaries changed their “undies” and put
lace jabots
across the fronts of their “ovies,” took an hour longer in bed in the morning, doubled their doses of coffee and prayers, and conducted service in the school house which had shifted its job to church as the cow’s horn turned itself into a church bell for the day.

The Indian women with handkerchiefs on their heads, plaid shawls round their shoulders and full skirts billowing about their legs, waddled leisurely towards church. It was very hard for them to squeeze their bodies into the children’s desks. They took two whole seats each, and even then the squeezing must have hurt.

Women sat on one side of the church. The very few men who came sat on the other. The Missionaries insisted that men come to church wearing trousers, and that their shirt tails must be tucked inside the trousers. So the Indian men stayed away.

“Our trespasses” had been dealt with and the hymn, which was generally pitched too high or too low, had at last hit square, when the door was swung violently back, slopping the drinking bucket. In the outside sunlight stood old Tanook, shirt tails flapping and legs bare. He entered, strode up the middle of the room and took the front seat.

Quick intakes of horror caught the breath of the women; the Greater Missionary held onto her note, the Lesser jumped an
octave
.

A woman in the back seat took off her shawl. From hand to hand it travelled under the desks to the top of the room, crossed the aisle and passed into the hand of Jimmy John, old Tanook’s nephew, sitting with the men. Jimmy John squeezed from his seat and laid the shawl across his uncle’s bare knees.

The Missionary’s address rolled on in choppy Chinook, undertoned by a gentle voice from the back of the room which told Tanook in pure Indian words what he was to do. The Lesser Missionary’s eyes popped with indignation. The Greater Missionary’s voice went straight on.

With a defiant shake of his wild hair old Tanook got up; twisting the shawl about his middle he marched down the aisles, paused at the pail to take a loud drink, dashed back the dipper with a clank, and strode out.

The service was over, the people had gone, but a pink print figure sat on in the back seat. Her face was sunk down on her chest. She was waiting till all were away before she slunk home. It is considered more indecent for an Indian woman to go shawl-less than for an Indian man to go barelegged. The woman’s heroic gesture had saved her husband’s dignity before the Missionaries but had shamed her before her own people.

The Greater Missionary patted the pink print shoulder as she passed.

“Disgusting old man!” muttered the Lesser Missionary.

“Brave woman!” said the Greater Missionary, smiling.

O
NE DAY
I walked upon a strip of land that belonged to nothing.

The sea soaked it often enough to make it unpalatable to the forest. Roots of trees refused to thrive in its saltiness.

In this place belonging neither to sea nor to land I came upon an old man dressed in nothing but a brief shirt. He was sawing the limbs from a fallen tree. The swish of the sea tried to drown the purr of his saw. The purr of the saw tried to sneak back into the forest, but the forest threw it out again into the sea. Sea and forest were always at this game of toss with noises.

The fallen tree lay crosswise in this “nothing’s place”; it blocked my way. I sat down beside the sawing Indian and we had dumb talk, pointing to the sun and to the sea, the eagles in the air and the crows on the beach. Nodding and laughing together I sat and he sawed. The old man sawed as if aeons of time were before him, and as if all the years behind him had been leisurely and all the years in front of him would be equally so. There was strength still in his back and limbs but his teeth were all worn to the gums. The shock of hair that fell to his shoulders was grizzled. Life had sweetened the old man. He was luscious with time like the end berries of the strawberry season.

With a final grin, I got up and patted his arm—“Goodbye!” He patted my hand. When he saw me turn to break through the forest so that I could round his great fallen tree, he ran and pulled me back, shaking his head and scolding me.

“Swaawa! Hyiu swaawa!” Swaawa were cougar: the forest was full of these great cats. The Indians forbade their children to go into the forest, not even into its edge. I was to them a child, ignorant about the wild things which they knew so well. In these things the Indian could speak with authority to white people.

N
O ONE DISTURBED
the Indian dead. Their place was a small, half-cleared spot, a little off from the village and at the edge of the forest. When an Indian died no time was lost in hurrying the body away. While death was approaching a box was got ready. Sometimes, if they owned one, a trunk was used. The body did not lie straight and stark in the box. It was folded up; often it was placed in the box before it really was a corpse. When life had quite gone, the box was closed, some boards were broken from the side wall of the house, and it was taken away through the hole which was later mended so that the spirit should not remember how it got out and come bothering back.

The people never went to the dead’s place except to carry another dead body there and then they would hurry back to make dreadful mourning howls in the village.

One day I went to the place of the dead to sketch. It was creepy. At first I did not know whether I could bear it or not. Bones lay about—human bones—skulls, staring from their eye hollows, stuck out from under the
bracken
, ribs and thigh bones lay among the roots of the trees where coffin boxes had split. Many “dead-boxes” were bound to the high branches of the pines. The lower limbs of the trees were chopped away. Sometimes a Hudson’s Bay blanket would be bound around the box, and flapped in the wind as the tree rocked the box. Up there in the keen air the body disintegrated quickly. The sun and the rain rotted the ropes that bound the box to the tree. They broke and the bones were flung to earth where greenery soon hid them.

It was beautiful how the sea air and sun hurried to help the corpses through their horror. The poor, frail boxes could not keep the elements out; they were quick to make the bones clean and white.

Sometimes Indians used the hollow boles of ancient cedar trees as grave holes, though life was still racing through the cedar’s outer shell.

In one of these hollow trees the Indians had lately buried a young woman. They had put her in a trunk. There was a scarlet blanket over the top. Scattered upon that were some beads and bracelets. There was a brass lamp and her clothes too. The sun streamed in through the split in the side of the tree and sparkled on her dear things. This young dead woman lay in the very heart of the living cedar tree. As I stood looking, suddenly twigs crackled and bracken shivered behind me. My throat went dry and my forehead wet—but it was only Indian dogs.

BOOK: Klee Wyck
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