Authors: John Buntin
Contreras tried. Cohen was picked up and brought in to receive a
warning: If he didn’t lay off Neales, the next warning would come in the form of a bullet to the head.
Mickey wasn’t impressed. A few nights later, he sought out Contreras’s top gunman.
“I looked him up and said to him, ‘Let me tell you something: to me you’re no cop. Being no cop I gotta right to kill you—so come prepared. The next time I see you coming to me I’m going to hit you between the eyes.’”
It was an effective warning. “He felt I was sincere,” Mickey later reported. The cops backed down. Until now.
THE FACT OF THE MATTER was, Mickey Cohen was in an uncharacteristically vulnerable position that fall. Two months earlier, on Wednesday, August 18, as Cohen was putting the final touches on his newest venture, a swank men’s clothing shop on Sunset Boulevard named Michael’s Haberdashery, three gunmen had charged into the store and opened fire, wounding two Cohen henchmen and killing his top gunman, Hooky Rothman. Mickey himself was in the back bathroom washing his hands, something the obsessive-compulsive gangster did fifty or sixty times a day. Trapped, he hid in a stall, atop a toilet, awaiting his death. But instead of checking to see that they’d gotten their man—item number one on the professional hitman’s checklist—the gunmen fled. A few minutes later the incredulous driver of the gunmen’s crash car saw Mickey scurry to safety out the front door.
Cohen had survived, but great damage had been done. As Siegel shifted his attention to Las Vegas, Mickey had taken over his old boss’s Los Angeles operations—as well as Siegel’s organized crime connections back East. The attempted hit on Cohen not only showed that Mickey was vulnerable, it suggested that Bugsy’s powerful friends had no particular commitment to his protégé’s survival. In short, Mickey looked weak, and in the underworld, weakness attracts predators. So when the head of the LAPD administrative vice squad called just weeks after the attempted rub-out to inform Cohen that they “had him down for a ten to twenty thousand dollar contribution” for the upcoming reelection campaign of incumbent mayor Fletcher Bowron, Mickey knew what was happening. This was not an opportunity for good, old-fashioned graft: Bowron had devoted his career to eradicating the underworld. Rather, this was a sign that the vice squad now viewed him as prey rather than predator.
“Power’s a funny thing,” Cohen would later muse. “Somebody calls your hole card, and [if you can’t show you aren’t bluffing] it’s like a dike—one little hole can blow the whole thing.”
Paying would only confirm his weakness. Cohen refused.
Administrative vice’s response was not long in coming. Just after midnight on the evening of January 15, 1949, five officers watched two Cadillacs depart from Michael’s Haberdashery. They set off in pursuit. At the corner of Santa Monica and Ogden Drive, two miles west of Los Angeles city limits, the police pulled over the Cadillac containing Cohen, his driver, and Harold “Happy” Meltzer, a sometime Cohen gunman who also had a jewelry shop in the same building as Cohen’s haberdashery. A firearm was conveniently found on Meltzer, who was arrested. (It later disappeared, making it impossible to determine whether or not the gun had been planted.) Several days later, Mickey received a phone call offering to settle matters for $5,000. The vice squad was sending Cohen one last message: Hand over the cash or the gloves come off.
Mickey was furious. For years he had helped cops who got injured on the job and dispensed Thanksgiving turkeys to families in need at division captains’ request. He’d given municipal judges valuable horse tips. He’d wined and dined the administrative vice squad’s commanding officers, Lt. Rudy Wellpot and Sgt. Elmer Jackson, at the Brown Derby and Dave’s Blue Room, presented their girlfriends with expensive gifts, and treated them as VIPs at his nightclub-hangout on Beverly Boulevard, Slapsie Maxie’s. The police had responded by breaking into his new house in Brentwood, stealing his address books, and swaggering around town with almost unbearable arrogance, routinely telling waiters who arrived with the check at the end of evening to “send it to Mickey Cohen.” It was time to teach the LAPD a lesson it would never forget about who was running this town. The vice squad had called his hole card; now Mickey would show them he was holding the equivalent of a pair of bullets (two aces)—in the form of a recording that tied the vice squad to a thirty-six-year-old redheaded ex-prostitute named Brenda Allen.
BRENDA ALLEN was Hollywood’s most prosperous madam, in part because she was so cautious. Rather than take on the risks that came with running a “bawdy house,” Allen relied on a telephone exchange service to communicate with her clients, clients who were vetted with the utmost care. While Allen would occasionally insert chaste ads in actors’ directories or distribute her phone number to select cabbies, bartenders, and bellhops, she prided herself on serving the creme de la creme of Los Angeles. It was rumored that she even ran a Dun & Bradstreet check on prospective customers to ensure their suitability. Those who were accepted were rewarded with Allen’s full and carefully considered attention. All of her girls were
analyzed as to their more intimate characteristics, which were then carefully noted on file cards for cross-tabulation with her clients’ preferences. The selection Allen offered was considerable. By 1948, she had 114 “pleasure girls” in her harem. She also had a most unusual partner and lover: Sergeant Jackson of the LAPD administrative vice squad, the same policeman who was trying to shake down Mickey Cohen.
Needless to say, Sergeant Jackson’s connection to Brenda Allen was not common knowledge. Even someone as well informed as Mickey Cohen might never have learned of it—but for the fact that another member of the police department had recently blackmailed Mickey with a transcription of certain sensitive conversations that Mickey had conducted at home. The shakedown tipped Mickey off to the fact that the LAPD had gotten a bug into his house. So he asked his friend Barney Ruditsky for help. Ruditsky, a former NYPD officer, was now Hollywood’s foremost private eye. He specialized in documenting the infidelities of the stars (then as now, a business that relied heavily on illegal electronic surveillance). Cohen asked Ruditsky if he could recommend someone to sweep his house in Brentwood for eavesdropping devices. Ruditsky could: an electronics whiz named Jimmy Vaus. Vaus found the bug, and Mickey hired him on the spot. Soon thereafter, Vaus let Mickey in on a little secret: He was also a wiretapper for a sergeant on the Hollywood vice squad. Vaus told Cohen he had recordings linking Sergeant Jackson to Brenda Allen. That information was Cohen’s ace in the hole. He decided to play it at henchman “Happy” Meltzer’s trial.
The trial began on May 5, 1949. In his opening statement, attorney Sam Rummel laid out Meltzer’s defense. “We will prove through testimony that the two men first sought $20,000, then $10,000, then $5,000 from Cohen in return for their promise to quit harassing him,” Rummel declared. As a defense, this was ho-hum stuff: Gangsters were always insisting they’d been framed. But when Cohen appeared with “sound expert” Jimmy Vaus and a mysterious sound-recording machine, the press took notice, especially after Cohen confidentially informed them that he had recordings that would “blow this case right out of court.”
The timing of Cohen’s accusation was potentially explosive. Incumbent mayor Fletcher Bowron was up for reelection on June 1. The mayor had based his entire reelection campaign on his record of keeping Los Angeles’s underworld “closed” and the city government clean. Now Mickey was claiming that he had evidence that would show that senior police officials were on the take. Fortunately for Mayor Bowron, most of the city’s newspapers strongly supported his reelection. So did the county grand jury impaneled every year to investigate municipal wrongdoing. A mistrial was hastily declared. Cohen’s allegations received only light coverage. Mayor
Bowron was handily reelected. Only then did the
Los Angeles Daily News
break the story:
BIG EXPOSE TELLS VICE, POLICE LINK: INSIDE STORY TELLS
BRENDA’S CLOSE RELATIONS WITH THE POLICE, BY SGT. CHARLES STOKER!
It turned out that Vaus’s contact on the Hollywood vice squad, Sgt. Charles Stoker, had gone before the criminal complaints committee of the county grand jury the day before Cohen and Vaus showed up in court with the wire recordings. There Stoker had told the committee about overhearing Brenda Allen’s conversations with Sergeant Jackson. It then emerged that Sgt. Guy Rudolph, confidential investigator for the chief of police, had gotten wind of Jackson’s connection to Allen fourteen months earlier and had asked police department technician Ray Pinker to set up another wiretap. But that investigation had mysteriously stalled, and the recordings had then disappeared.
Spurred by these revelations and by Cohen’s charges, the county grand jury opened an investigation. In mid-June it began subpoenaing police officers. Chief Clarence B. Horrall insisted that he had never been informed of the allegations swirling around the vice squad; high-ranking officers stepped forward to insist that he had been. Brenda Allen volunteered that Sergeants Stoker and Jackson had both been on the take. The head of the LAPD gangster squad abruptly retired. Every day brought a new revelation. The
Daily News
revealed that the LAPD had broken into Mickey’s house in Brentwood and installed wiretaps. Columnist Florabel Muir accused Mayor Bowron of personally authorizing the operation and implied that the transcriptions were being used for purposes of blackmail. Shamefaced, Mayor Bowron and Chief Horrall were forced to concede that they had OK’d a break-in. What was worse was that no charges against Cohen had come of it. On June 28, Chief Horrall announced his retirement. One month later, the grand jury indicted Lieutenant Wellpot, Sergeant Jackson, Asst. Chief Joseph Reed, and Chief of Police C. B. Horrall for perjury. Cohen had won his bet—if he could survive to collect.
JUST A FEW WEEKS LATER, Mickey was driving home to his house in Brentwood for dinner with his wife, LaVonne, and the actor George Raft. Mickey had outfitted his $150,000 home at 513 Moreno Avenue with the most advanced security gear of the time, including an “electronic eye” that could detect intruders and trigger floodlights. The goal was to illuminate anyone who approached the house. But of course the security system also illuminated
him
when he got home in the evening. This was a serious problem when there was a hitman hiding in the empty lot next door, as there was that night.
As Mickey started to swing into his driveway and the lights came on, the gunman opened fire, pumping slugs into Mickey’s car. Mickey dropped to the floorboard. Without looking over the dashboard, he wrenched his blue Caddy back onto the road and floored it. He made it about two blocks before beaching the car on a curb. Fortunately, the gunman was gone. So Mickey went home. Despite bleeding from cuts inflicted by the shattered glass, Mickey waved off the questions about what had happened and insisted on proceeding with dinner—New York strip and apple pie, Raft’s favorite. The actor would later say that Mickey had looked “a little mussed up.”
Cohen didn’t report the matter to the police. (Why advertise his vulnerability further?) The attack might never have come to light but for a tip from Cohen’s auto-body shop to the police… and Mickey’s decision to commission a $25,000 armored Cadillac and test it at the police academy firing range. When the press broke the story, Cohen replied nonchalantly, “Well, where else? You can’t test it [by opening fire]… on the street for Christ’s sake!” Posed before his massive new armored car, the sad-eyed, five-foot-three-inch gangster (five-foot-five in lifts) looked like nothing so much as Mickey Mouse. Gangsters in other cities marveled about Mickey’s good luck—and sniggered about L.A.’s “Mickey Mouse Mafia.”
Still, someone clearly was trying to kill him, albeit rather ineptly. It might have seemed like a good time to lie low. But that was a feat Cohen seemed constitutionally incapable of. Thanks to the tabloids, Mickey was a celebrity, one of the biggest in town, and he acted the part, courting the press, squiring “budding starlets” around town (although in private his tastes inclined more to exotic dancers), and frequenting hot nightclubs like Ciro’s, the Trocadero, and the Mocambo.
The evening of Tuesday, July 19, 1949, was a typical one for Mickey. After dining with Artie Samish, chief lobbyist for the state’s liquor interests and one of the most powerful men in Sacramento, Mickey and his party of henchmen, starlets, and reporters repaired to one of his favorite hangouts, Sherry’s, a nightclub on the Sunset Strip that was owned by his friend Barney Ruditsky. Standing watch outside was a curious addition to Mickey’s crew: Special Agent Harry Cooper, from the state attorney general’s office. After the attempted hit at Michael’s Haberdashery, the L.A. County Sheriff’s Department had insisted—somewhat counterintuitively—on disarming Cohen’s men and checking them frequently for weapons, to make sure they stayed unarmed. As a result, Mickey was essentially unprotected. Samish had arranged to provide a little extra protection in the form of Special Agent Cooper.
By 3:30 a.m., Mickey was ready to call it a night. Ruditsky went outside and did a quick sweep of the parking lot. Everything looked clear. Two of
Cohen’s men went to bring around his Cadillac (one of the regular ones, Mickey being embroiled in a dispute with the California Highway Patrol about the excessive weight of his armored car). A valet went to get Cohen pal Frankie Niccoli’s Chrysler, and at 3:50 a.m., Mickey and his party stepped outside. Almost immediately a shotgun and a high-powered .30-06 rifle opened up from an empty lot across the street, and members of Mickey’s party started to drop.
One of them was newspaper columnist Florabel Muir, who had been lingering inside over the morning paper as Mickey’s party exited. Muir (who frankly admitted to hanging around Mickey in hopes that some shooting would start) now charged outside, into the gunfire. One of Cohen’s top thugs, Neddie Herbert, had been hit and was lying wounded on the ground. Special Agent Cooper was staggering about, clutching his stomach with one hand and waving his pistol with the other. Then Muir saw Mickey, “right arm hung limp, and blood spreading on his coat near the shoulder” running toward Cooper. With his one good arm Cohen grabbed the sagging six-foot-tall lawman and stuffed him into Niccoli’s Chrysler. Cohen piled in as well, and the Chrysler zoomed off—to the Hollywood Receiving Hospital. Thanks to Mickey’s quick reaction, Cooper lived. The more seriously wounded Herbert wasn’t so fortunate; he died four days later. Mickey himself escaped with only a shoulder wound. Florabel Muir got her exclusive, along with a sprinkling of buckshot in her bottom.