Legend
Authors: Marie Lu
Tags: #Juvenile Fiction, #Dystopian, #Action & Adventure, #General, #Love & Romance, #Juvenile Nonfiction, #Social Issues, #Death & Dying, #Dating & Sex, #Science Fiction
Table of Contents
For My Mother
Published by The Penguin Group.
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Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL, England.
Penguin Group (USA) Inc., 375 Hudson Street, New York, NY 10014, U.S.A.
Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario M4P 2Y3, Canada
(a division of Pearson Penguin Canada Inc.).
Penguin Books Ltd, 80 Strand, London WC2R 0RL, England.
Penguin Ireland, 25 St. Stephen’s Green, Dublin 2, Ireland (a division of Penguin Books Ltd.).
Penguin Group (Australia), 250 Camberwell Road, Camberwell, Victoria 3124, Australia
(a division of Pearson Australia Group Pty Ltd).
Penguin Books India Pvt Ltd, 11 Community Centre, Panchsheel Park, New Delhi—110 017, India.
Penguin Group (NZ), 67 Apollo Drive, Rosedale, Auckland 0632, New Zealand
(a division of Pearson New Zealand Ltd).
Penguin Books (South Africa) (Pty) Ltd, 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa.
Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL, England.
All rights reserved. This book, or parts thereof, may not be reproduced in any form without
permission in writing from the publisher, G. P. Putnam’s Sons, a division of Penguin Young Readers Group,
345 Hudson Street, New York, NY 10014.
permission in writing from the publisher, G. P. Putnam’s Sons, a division of Penguin Young Readers Group,
345 Hudson Street, New York, NY 10014.
G. P. Putnam’s Sons, Reg. U.S. Pat. & Tm. Off. The scanning, uploading and distribution of this book via the Internet or via any other means without the permission of the publisher is illegal and punishable by law. Please purchase only authorized electronic editions, and do not participate in or encourage electronic piracy of copyrighted materials. Your support of the author’s rights is appreciated. The publisher does not have any control over and does not assume any responsibility for author or third-party websites or their content.
Library of Congress Cataloging-in-Publication Data
Lu, Marie, 1984–
Legend / Marie Lu. p. cm.
Lu, Marie, 1984–
Legend / Marie Lu. p. cm.
ISBN : 978-1-101-54595-9
LOS ANGELES, CALIFORNIA
REPUBLIC OF AMERICA
POPULATION: 20, 174, 282
PART ONE
THE BOY WHO WALKS IN THE LIGHT
MY MOTHER THINKS I’M DEAD.
Obviously I’m
not
dead, but it’s safer for her to think so.
not
dead, but it’s safer for her to think so.
At least twice a month, I see my Wanted poster flashed on the JumboTrons scattered throughout downtown Los Angeles. It looks out of place up there. Most of the pictures on the screens are of happy things: smiling children standing under a bright blue sky, tourists posing before the Golden Gate Ruins, Republic commercials in neon colors. There’s also anti-Colonies propaganda.
“The Colonies want our land,”
the ads declare.
“They want what they don’t have. Don’t let them conquer your homes! Support the cause!”
“The Colonies want our land,”
the ads declare.
“They want what they don’t have. Don’t let them conquer your homes! Support the cause!”
Then there’s my criminal report. It lights up the JumboTrons in all its multicolored glory:
WANTED BY THE REPUBLIC
FILE NO: 462178-3233 “DAY”
FILE NO: 462178-3233 “DAY”
------------------------------------–
WANTED FOR ASSAULT, ARSON, THEFT,
DESTRUCTION OF MILITARY PROPERTY,
AND HINDERING THE WAR EFFORT
200,000 REPUBLIC NOTES FOR
INFORMATION LEADING TO ARREST
WANTED FOR ASSAULT, ARSON, THEFT,
DESTRUCTION OF MILITARY PROPERTY,
AND HINDERING THE WAR EFFORT
200,000 REPUBLIC NOTES FOR
INFORMATION LEADING TO ARREST
They always have a different photo running alongside the report. One time it was a boy with glasses and a head full of thick copper curls. Another time it was a boy with black eyes and no hair at all. Sometimes I’m black, sometimes white, sometimes olive or brown or yellow or red or whatever else they can think of.
In other words, the Republic has no idea what I look like. They don’t seem to know much of
anything
about me, except that I’m young and that when they run my fingerprints they don’t find a match in their databases. That’s why they hate me, why I’m not the most
dangerous
criminal in the country, but the most
wanted
. I make them look bad.
anything
about me, except that I’m young and that when they run my fingerprints they don’t find a match in their databases. That’s why they hate me, why I’m not the most
dangerous
criminal in the country, but the most
wanted
. I make them look bad.
It’s early evening, but it’s already pitch-black outside, and the JumboTrons’ reflections are visible in the street’s puddles. I sit on a crumbling window ledge three stories up, hidden from view behind rusted steel beams. This used to be an apartment complex, but it’s fallen into disrepair. Broken lanterns and glass shards litter the floor of this room, and paint is peeling from every wall. In one corner, an old portrait of the Elector Primo lies faceup on the ground. I wonder who used to live here—no one’s cracked enough to let their portrait of the Elector sit discarded on the floor like that.
My hair, as usual, is tucked inside an old newsboy cap. My eyes are fixed on the small one-story house across the road. My hands fiddle with the pendant tied around my neck.
Tess leans against the room’s other window, watching me closely. I’m restless tonight and, as always, she can sense it.
The plague has hit the Lake sector hard. In the glow of the JumboTrons, Tess and I can see the soldiers at the end of the street as they inspect each home, their black capes shiny and worn loose in the heat. Each of them wears a gas mask. Sometimes when they emerge, they mark a house by painting a big red
X
on the front door. No one enters or leaves the home after that—at least, not when anyone’s looking.
X
on the front door. No one enters or leaves the home after that—at least, not when anyone’s looking.
“Still don’t see them?” Tess whispers. Shadows conceal her expression.
In an attempt to distract myself, I’m piecing together a makeshift slingshot out of old PVC pipes. “They haven’t eaten dinner. They haven’t sat down by the table in hours.” I shift and stretch out my bad knee.
“Maybe they’re not home?”
I shoot Tess an irritated glance. She’s trying to console me, but I’m not in the mood. “A lamp’s lit. Look at those candles. Mom would never waste candles if no one was home.”
Tess moves closer. “We should leave the city for a couple weeks, yeah?” She tries to keep her voice calm, but the fear is there. “Soon the plague will have blown through, and you can come back to visit. We have more than enough money for two train tickets.”
I shake my head. “One night a week, remember? Just let me check up on them one night a week.”
“Yeah. You’ve been coming here
every
night this week.”
every
night this week.”
“I just want to make sure they’re okay.”
“What if you get sick?”
“I’ll take my chances. And you didn’t have to come with me. You could’ve waited for me back in Alta.”
Tess shrugs. “
Somebody
has to keep an eye on you.” Two years younger than me—although sometimes she sounds old enough to be my caretaker.
Somebody
has to keep an eye on you.” Two years younger than me—although sometimes she sounds old enough to be my caretaker.
We look on in silence as the soldiers draw closer to my family’s house. Every time they stop at a home, one soldier pounds on the door while a second stands next to him with his gun drawn. If no one opens the door within ten seconds, the first soldier kicks it in. I can’t see them once they rush inside, but I know the drill: a soldier will draw a blood sample from each family member, then plug it into a handheld reader and check for the plague. The whole process takes ten minutes.
I count the houses between where the soldiers are now and where my family lives. I’ll have to wait another hour before I know their fate.
A shriek echoes from the other end of the street. My eyes dart toward the sound and my hand whips to the knife sheathed at my belt. Tess sucks in her breath.
It’s a plague victim. She must’ve been deteriorating for months, because her skin is cracked and bleeding everywhere, and I find myself wondering how the soldiers could have missed this one during previous inspections. She stumbles around for a while, disoriented, then charges forward, only to trip and fall to her knees. I glance back toward the soldiers. They see her now. The soldier with the drawn weapon approaches, while the eleven others stay where they are and look on. One plague victim isn’t much of a threat. The soldier lifts his gun and aims. A volley of sparks engulfs the infected woman.
She collapses, then goes still. The soldier rejoins his comrades.
I wish we could get our hands on one of the soldiers’ guns. A pretty weapon like that doesn’t cost much on the market—480 Notes, less than a stove. Like all guns, it has precision, guided by magnets and electric currents, and can accurately shoot a target three blocks away. It’s tech stolen from the Colonies, Dad once said, although of course the Republic would never tell you that. Tess and I could buy five of them if we wanted. . . . Over the years we’ve learned to stockpile the extra money we steal and stash it away for emergencies. But the real problem with having a gun isn’t the expense. It’s that it’s so easy to trace back to you. Each gun has a sensor on it that reports its user’s hand shape, thumbprints, and location. If that didn’t give me away, nothing would. So I’m left with my homemade weapons, PVC pipe slingshots, and other trinkets.
“They found another one,” Tess says. She squints to get a better look.
I look down and see the soldiers spill from another house. One of them shakes a can of spray paint and draws a giant red
X
on the door. I know that house. The family that lives there once had a little girl my age. My brothers and I played with her when we were younger—freeze tag and street hockey with iron pokers and crumpled paper.
X
on the door. I know that house. The family that lives there once had a little girl my age. My brothers and I played with her when we were younger—freeze tag and street hockey with iron pokers and crumpled paper.
Tess tries to distract me by nodding at the cloth bundle near my feet. “What’d you bring them?”
I smile, then reach down to untie the cloth. “Some of the stuff we saved up this week. It’ll make for a nice celebration once they pass the inspection.” I dig through the little pile of goodies inside the bundle, then hold up a used pair of goggles. I check them again to make sure there are no cracks in the glass. “For John. An early birthday gift.” My older brother turns nineteen later this week. He works fourteen-hour shifts in the neighborhood plant’s friction stoves and always comes home rubbing his eyes from the smoke. These goggles were a lucky steal from a military supply shipment.
I put them down and shuffle through the rest of the stuff. It’s mostly tins of meat and potato hash I stole from an airship’s cafeteria, and an old pair of shoes with intact soles. I wish I could be in the room with all of them when I deliver this stuff. But John’s the only one who knows I’m alive, and he’s promised not to tell Mom or Eden.
Eden turns ten in two months, which means that in two months he’ll have to take the Trial. I failed my own Trial when I was ten. That’s why I worry about Eden, because even though he’s easily the smartest of us three boys, he thinks a lot like I do. When I finished my Trial, I felt so sure of my answers that I didn’t even bother to watch them grade it. But then the admins ushered me into a corner of the Trial stadium with a bunch of other kids. They stamped something on my test and stuffed me onto a train headed downtown. I didn’t get to take anything except the pendant I wore around my neck. I didn’t even get to say good-bye.
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