Let's Explore Diabetes with Owls (15 page)

“I’m not judging, but do you ever throw litter from your cars?” I asked the men working on our house. They all told me no, and I said, “Really, you can be honest with me.”

I asked the cashier at the local shop, the owner of the tearoom, the butcher. “No,” they all told me. “Never.”

I find a half-empty box of doughnuts and imagine it flung from the dimpled hand of a dieter, wailing, “Get this away from me.” Perhaps the jumbo beer cans and empty bottles of booze are tossed for a similar reason. It’s about denial, I tell myself, or, no, it’s about anger, for isn’t every piece of litter a way of saying “fuck you”?

In trying to make sense of it all, I create a weak-willed weight watcher, an alcoholic, an antisocial teenager, but the biggest litterer I ever knew was my Greek grandmother, who died in 1976. That woman would throw anything out a car window. Her only criteria was that it fit.

“What the hell are you doing?” my father used to shout, and it would take her a moment to figure out what he was referring to.
Farting? No. Throwing a paper grocery bag out onto the highway? What was wrong with that?
The important thing to Yiayiá wasn’t a clean outside but a clean inside. A tidy station wagon reflected upon you personally, while a tidy landscape, what was that? Look at the sky, littered with clouds, or the beach trashed with shells. How was that mess any different from a hundred cans in a ditch?

My grandmother didn’t drive, but if she had, there’d be no end to the garbage trail she might have left. It doesn’t take many people to muck up a roadside. A devoted handful can do the trick. One of the things I find repeatedly is a plastic Diet Coke bottle containing a meticulously folded Mars bar wrapper. I imagine this is someone’s after-work snack and that by putting the wrapper inside the empty bottle, the person feels he’s done his bit. And though he
has
turned two pieces of trash into one, until he learns to keep it in his car, I don’t think he’s entitled to pat himself on the back.
Who are you?
I wondered the first and third and fifth time I came across one of these stuffed bottles.
Do you think about the four hundred years it will take for this to decompose, or is this as inconsequential to you as flushing a toilet?

“What the government needs to do is take a sample of everyone’s DNA,” I said. “Then, when a bottle or can is discovered on the ground, we just run a test on the spout and throw the person in jail.”

“What if they’ve poured it into a glass?” Hugh asked.

And I said, “Why do you have to make this so difficult?”

It’s pathetic, really. Here we are, recent immigrants thinking that everything will be perfect once we fundamentally change the people who were actually born and raised here. I tell myself that it’s possible sometimes, though deep down I suspect it’s just rubbish.

Seven is truly a wonderful age. For two days. That’s the length of time my friend Pam and her son, Tyler, who is in the second grade, normally visit. He’s at the stage where whatever I do, he wants to do. This includes wearing button-down shirts; singing “Galveston”—a song made popular by Glen Campbell—until everyone begs you to please, for the love of God, stop; and carrying a small Europa-brand reporter’s notebook. I gave him one the last time he came to the house in West Sussex, and, aping me, he stuck it in his pocket alongside a pen. That afternoon Hugh drove us to the nearby town of Arundel to tour its castle. There was an issue of the local paper in the backseat of the car, and leafing through it on our way there, I came upon a headline that read, “Dangerous Olives Could Be on Sale.”

“Hmm,” I said, and I copied it into my little notebook.

Tyler did the same but with less conviction. “Why are we doing this again?”

“It’s for your diary,” I explained. “You jot things down during the day, then tomorrow morning you flesh them out.”

“But why?” he asked. “What’s the point?”

That’s a question I’ve asked myself every day since September 5, 1977. I hadn’t known on September 4 that the following afternoon I would start keeping a diary, or that it would consume me for the next thirty-five years and counting. It wasn’t something I’d been putting off, but once I began, I knew that I had to keep doing it. I knew as well that what I was writing was not a journal but an old-fashioned, girlish, Keep-Out-This-Means-You diary. Often the terms are used interchangeably, though I’ve never understood why. Both have the word “day” at their root, but a journal, in my opinion, is a repository of ideas—your brain on the page. A diary, by contrast, is your heart. As for “journal
ing,
” a verb that cropped up at around the same time as “scrapbooking,” that just means you’re spooky and have way too much time on your hands.

A few things have changed since that first entry in 1977, but I’ve never wavered in my devotion, skipping, on average, maybe one or two days a year. It’s not that I think my life is important or that future generations might care to know that on June 6, 2009, a woman with a deaf, drug-addicted mother-in-law taught me to say “I need you to stop being an asshole” in sign language. Perhaps it just feeds into my compulsive nature, the need to do the exact same thing at the exact same time every morning. Some diary sessions are longer than others, but the length has more to do with my mood than with what’s been going on. I met Gene Hackman once and wrote three hundred words about it. Six weeks later I watched a centipede attack and kill a worm and filled two pages. And I really
like
Gene Hackman.

In the beginning I wrote my diary on the backs of paper place mats. My friend Ronnie and I were hitchhiking up the West Coast at the time. I was mailing regular letters and postcards to my friends back home, but because I had no fixed address, no one could answer them. And so I began writing to myself. Those first several years are hard to reread, not because they’re boring—a diary is fully licensed to be boring—but because the writing is so horribly affected. It’s poetry written by someone who’s never read any poetry but seems to think its key is

lowercase letters

and lots of

  empty

         spaces.

I’d love to know how much it cost me to do a load of laundry—something,
anything
practical—but instead it’s all gibberish. I was living in places without locks on the doors, and perhaps I worried that if someone found my diary and discovered what I was actually like, they’d dismiss me as dull and middle-class, far from the artist I was making myself out to be. So instead of recounting my first day of work at the Carolina Coffee Shop, I wrote, “I did not see
Star Wars,
” one hundred times in red pen.

After a few months of place mats, I switched to hardcover sketchbooks and began gluing things around my entries: rent receipts, ticket stubs—ephemera that ultimately tell me much more than the writing does. Then came an embarrassing drawing phase, which was followed by a slightly less embarrassing collage jag. In 1979, I began typing my diaries, jerkily, with one finger, and having the pages bound between hand-painted cardboard covers. This meant that rather than writing publicly, most often in pancake houses, sometimes with a beret atop my head, I did it at home, in a real apartment now, with a lock on the door.

Perhaps it was this—the privacy—that allowed me to relax and settle into myself. In June of that year, I wrote that gas in four states had reached a dollar a gallon—“A dollar!” I wrote that after our German shepherd, Mädchen II, peed on my parents’ bed, my mother entered a new dimension of cursing by calling the dog, who was female, a “shitty motherfucker.” Finally I was recording my world and writing down things that seemed worth remembering. Then I discovered crystal meth and took two giant steps backward. The following six diaries amount to one jittery run-on sentence, a fever dream as humorless as it is self-important. I tried rereading it recently and came away wondering,
Who is this exhausting drug addict?

I wanted to deny him, but that’s the terrible power of a diary: it not only calls forth the person you used to be but rubs your nose in him, reminding you that not all change is evolutionary. More often than not, you didn’t learn from your mistakes. You didn’t get wiser but simply older, growing from the twenty-five-year-old who got stoned and accidentally peed on his friend Katherine’s kitten to the thirty-five-year-old who got drunk and peed in the sandbox at his old elementary school. “The sandbox!” my sister Amy said at the time. “Don’t you realize that
children
have to pee in there?”

My diary regained its footing after I gave up speed. Writing-wise it was still clumsy, but at least the focus widened. I didn’t own a TV at the time but wrote a lot about the radio I was listening to. Occasionally I’d tune in to a music station, but I always preferred the sound of people talking, even if the subject was something I didn’t care about—sports, for instance, or the likelihood of Jesus returning within the next few hours.

Radio played a bigger role in my diary when I moved to Chicago in 1984 and started listening to a weekly Sunday-night program called
Getting Personal,
hosted by a woman named Phyllis Levy. It’s easy to hear a sex therapist today, but this was not a podcast or a satellite program where you could use whatever language you wanted to. Phyllis Levy was on a commercial station. Both she and her callers had to watch their mouths, thus using words like “pleasuring” and “cavity,” which somehow sound much dirtier than their more common alternatives.

I often wrote about how understanding this woman was, how accepting. The only time I recall her drawing the line was when a man wanted to have sex in his half-blind wife’s empty eye socket. Looking back, I think it must have been a joke. I mean, really, who does things like that? Phyllis, to her credit, took the call seriously, gently suggesting that with the wealth of other holes nature has provided us, perhaps this particular one was best left unexplored. Coming from North Carolina, I couldn’t believe that this was on the radio. And on a Sunday! I used to listen at the typewriter and copy down the questions and answers I found most compelling. Other people’s sex lives were great fun to write about. When it came to my own, however, I couldn’t have been more discreet. Early diaries mention that “B. came over and spent the night” or that “After dinner M. and I were romantic twice.” There are no details, much less full names. I think I worried that if someone ever read what I had written, the sex would be more embarrassing than, what, exactly? The whining about
not
having sex?

While a student in Chicago, my worst fear was realized when someone I’d been seriously dating got his hands on my diary. I was out of town at the time, and later learned that he was hurt, not by what I’d written about him but by his almost complete absence. I’d actually devoted more space to my barber than I had to him, and of course to the goings-on at school. At the start of my second year, I signed up for a creative-writing class. The instructor, a woman named Lynn, demanded that we each keep a journal and that we surrender it twice during the course of the semester. This meant that I’d be writing two diaries, one for myself and a second, heavily edited one, for her.

The entries I ultimately handed in are the sorts I read onstage sometimes, the .01 percent that might possibly qualify as entertaining: a joke I heard, a T-shirt slogan, a bit of inside information passed on by a waitress or cabdriver. To find these things, I turn to my diary index, which leaves out all the mumbly stuff and lists only items that might come in handy someday.

Over a given three-month period, there may be fifty bits worth noting, and six that, with a little work, I might consider reading out loud. Leafing through the index, which now numbers 280 pages, I note how my entries have changed over the years, becoming less reflective and more sketchlike. It’s five a.m. in the lobby of the La Valencia Hotel, and two employees are discussing parental advice. “I tell my sons they should always hold the door open for a woman,” says the desk clerk. He is a Hispanic man, portly, with a lot of silver in his mouth. A second man stands not far away, putting newspapers into bags, and he nods in agreement. “I tell them it doesn’t matter who the lady is. It could be a fat chick, but on the other side of the room, a pretty one might look over and notice, so even then it’s not wasted.”

Here is a passenger on the Eurostar from Paris to London, an American woman in a sand-colored vest hitting her teenage granddaughter with a guidebook until the girl cries. “You are a very lazy, very selfish person,” she scolds. “Nothing like your sister.”

If I sit down six months or a year or five years from now and decide to put this into an essay, I’ll no doubt berate myself for not adding more details. What sort of shoes was the granddaughter wearing? What was the name of the book the old woman was hitting her with? But if you added every detail of everything that struck you as curious or spectacular, you’d have no time for anything else. As it is, I seem to be pushing it. Hugh and I will go on a trip, and while he’s out, walking the streets of Manila or Reykjavík or wherever we happen to be, I’m back at the hotel, writing about an argument we’d overheard in the breakfast room. It’s not lost on me that I’m so busy recording life, I don’t have time to really live it. I’ve become like one of those people I hate, the sort who go to the museum and, instead of looking at the magnificent Brueghel, take a picture of it, reducing it from art to proof. It’s not “Look what Brueghel did, painted this masterpiece” but “Look what
I
did, went to Rotterdam and stood in front of a Brueghel painting!”

Were I to leave the hotel
without
writing in my diary, though, I’d feel too antsy and incomplete to enjoy myself. Even if what I’m recording is of no consequence, I’ve got to put it down on paper.

“I think that what you have is a disorder,” Hugh likes to say. But who proves invaluable when he wants the name of that restaurant in Barcelona that served the Camembert ice cream? The brand of soap his mother likes? The punch line of that joke he never thought was funny? “Oh, you remember. Something about a woman donating plasma,” he says.

Of course, the diary helps me as well. “That certainly wasn’t your position on July 7, 1991,” I’ll remind Hugh an hour after we’ve had a fight. I’d have loved to rebut him sooner, but it takes a while to look these things up.

The diary also comes in handy with my family, though there it plays the same role as a long-lost photograph. “Remember that time in Greece when I fell asleep on the bus and you coated my eyelids with toothpaste?” I’ll say to my brother, Paul.

To heavy pot smokers, reminders like these are a revelation. “Wait a minute, we went to Greece?”

As a child I assumed that when I reached adulthood, I would have grown-up thoughts. By this I meant that I would stop living in a fantasy world; that, while standing in line for a hamburger or my shot at the ATM, I would not daydream about befriending a gorilla or inventing a pill that would make hair waterproof. In this regard too, my diaries have proven me wrong. All I do is think up impossible situations: here I am milking a panda, then performing surgery, then clearing the state of Arizona with a tidal wave. In late November 2011, my most lurid fantasies involved catching the person who’d stolen my computer, the one I hadn’t backed up in almost a year. I’d printed out my diary through September 21, but the eight weeks that followed were gone forever. “Two months of my life, erased!” I said to Hugh.

He reminded me that I had actually lived those two months. “The
time
wasn’t stolen,” he said, “just your record of it.” This was a distinction that, after thirty-four years of diary keeping, I was no longer able to recognize. Fortunately I still had my notebooks, and as soon as the police left, I bought a new laptop and sat down to recover my missing eight weeks.

The first challenge was reading my handwriting, and the second was determining what the notes referred to. After making out “shaved stranger,” I thought for a while and recalled a woman in the Dallas airport. We were waiting to board a flight to San Antonio, and I overheard her talking about her cat. It was long-haired, a male, I think, and she had returned home one day the previous summer to find that he had been shaved.

“Well, in that heat it was probably for the best,” the man she was talking to said.