Little, Big (25 page)

He certainly didn't want, George said, to stay indoors; he'd come up for fresh air and stuff, even if he hadn't picked the best day for it; so Smoky put on a hat and galoshes, took a stick, and went with him to walk up the Hill.

Drinkwater had tamed the Hill with a footpath, and stone steps where it was steepest, and rustic seats at lookout places, and a stone table at the top where views and lunch could be taken together. "No lunch," George said. The fine rain had stopped—had halted, it seemed, in mid-fall, and hung, stationary, in the air. They went up the path which circled the tops of trees that grew in the ravines below, George admiring the pattern of silver drops on leaf and twig and Smoky pointing out the odd bird (he had learned the names of many, particularly odd ones).

"No but really," George said. "How's it going?"

"Slate junco," Smoky said. "Good. Good." He sighed. "It's just hard when winter comes."

"God, yes."

"No, but harder here. I don't know. I wouldn't have it any different. . . . You just can't bear the melancholy, some evenings." Indeed it seemed to George that Smoky's eyes might brim with tears. George breathed deeply, glorying in the wetness and the wood. "Yes, it's bad," he said happily.

"You're indoors so much," Smoky said. "You draw together. And there's so many people there. You seem to get wound around each other more."

"In that house? You could lose yourself for days in there. For days." He remembered an afternoon like this one when he was a kid, when he had come up here for Christmas with the family. While searching for the stash he knew must be somewhere awaiting the great morning, he got lost on the third floor. He went down a strange staircase narrow as a chute, found himself Elsewhere amid strange rooms; draughts made a dusty tapestry in a sitting room breathe with spooky life, his own feet sounded like other's feet coming toward him. He began to shout after a while, having lost the staircase; found another; lost all restraint when he heard far off Mom Drinkwater calling to him, and ran around shouting and throwing open doors until at last he opened the arched door of what looked like a church, where his two cousins were taking a bath.

They sat on one of Drinkwater's seats of bent and knobby wood. Through the screen of naked trees they could see across the land a great gray distance. They could just make out the gray back of the Interstate lying coiled and smooth in the next county; they could even hear, at moments, carried on the thick air, the far hum of trucks: the monster breathed. Smoky pointed out a finger or Hydra's head of it which reached out tentatively through the hills this way, then stopped abruptly. Those bits of yellow, sole brightness on the scene, were sleeping caterpillars—the man-made kind, earth-movers and -shakers. They wouldn't come any closer; the surveyors and purveyors, contractors and engineers were stalled there, mired, bogged in indecision, and that vestigial limb would never grow bone and muscle to punch through the pentacle of five towns around Edgewood. Smoky knew it. "Don't ask me how," he said.

But George Mouse had been thinking of a scheme whereby all the buildings, mostly empty, on the block his family owned in the City might be combined and sealed up to make an enormous, impenetrable curtain-wall—like the hollow wall of a castle—around the center of the block, where the gardens were. The outbuildings and stuff inside the block could be torn down then and all the garden-space transformed into a single pasture or farm. They could grow things there, and keep cows. No, goats. Goats were smaller and less fussy about their food. They gave milk and there would be the odd kid to eat. George had never killed anything larger than a cockroach, but he had eaten kid in a 'Rican diner and his mouth watered. He hadn't heard what Smoky said, though he had heard Smoky talking. He said, "But what's the story? What's the real story?"

"Well, we're Protected, you know," Smoky said vaguely, digging the black ground with his stick. "But there's always something that's got to be given in return fur protection, isn't there?" He hadn't understood any of that in the beginning; he didn't suppose he understood it any better now. Though he knew some payment had to be made, he wasn't sure whether it had been made, or was to be made, or had been deferred; whether the vague sense he had in winter of something being wrung from him, of being dunned and desiccated and having sacrificed much (he couldn't say what exactly) meant that the Creditors had been satisfied, or that the goblins he sensed peeking in the windows and calling down the chimneys, clustering under the eaves and scrabbling through the disused upper rooms were reminding him and all of them of a debt unpaid, tribute unexacted, goblin principal earning some horrid interest he couldn't calculate.

But George had been thinking of a plan to represent the basic notions of Act Theory (that he had read of in a popular magazine and which seemed to him just then to make sense, a lot of sense) by means of a
display of fireworks
: how the various parts of an Act as the theory explained them could be expressed in the initiation, rising whistle, culminating starburst and crackling expiration of a colored bomb; and how in combination fireworks could represent "entrained" Acts, multiple Acts of all kinds, the grand Act that is Life's rhythm and Time's. The notion faded in sparks. He shook Smoky's shoulder and said, "But how goes it? How are you getting on?"

"Jesus, George," Smoky said standing. "I've told you all I can. I'm freezing. I bet it freezes over tonight. There might be snow for Christmas." He knew in fact there would be; it had been promised. "Let's go get some cocoa."

It was brown and hot, with chocolate bubbles winking at the brim. A marshmallow Cloud had plopped in it turned and bubbled as though dissolving in joy. Daily Alice instructed Tacey and Lily in the arts of blowing gently on it, picking it up by the handle, and laughing at the brown moustaches it made. The way Cloud watched over it it grew no skin, though George didn't mind a skin; his mother's had always had a skin, and so had that they served from urns in the basement of the Church of All Streets, a nondenominational church she had used to take him and Franz to, always, it seemed, on days like this.

"Have another bun," Cloud said to Alice. "Eating for two," she said to George.

"You don't mean it," George said.

"I think so," Alice said. She bit the bun. "I'm a good bearer."

"Wow. A boy this time."

"No," she said confidently. "Another girl. So Cloud says.

"Not I," Cloud said. "The cards."

"We'll name her Lucy," Tacey said. "Lucy Ann and Anndy Ann de Barn Barn Barnable. George has
two
moustaches."

"Who'll take this up to Sophie?" Cloud said, setting a cup and a bun on a black japanned tray of great age that showed a silver-haired, star-spangled sprite drinking Coke.

"Let me," George said. "Hey, Aunt Cloud. Can you do the cards for me?"

"Sure, George. I think you're included."

"Now if I can find her room," he said giggling. He took up the tray carefully, noting that his hands had begun to shake.

Sophie was asleep when he came into her room by pushing the door open with his knee. He stood unmoving in the room, feeling the steam rise from the cocoa and hoping she would never wake. So strange to feel again those adolescent peeping-tom emotions—mostly a trembling weakness at the knees and a dry thickness in the throat—caused now by conjunction of the mad capsule and Sophie deshabille on the messy bed. One long leg was uncovered and the toes pointed toward the floor, as though indicating the appropriate one of two Chinese slippers that peeped from beneath a discarded kimono; her breasts soft with sleeping had come out of her ruffled 'jammies and rose and fell slightly with her breathing, flushed (he thought tenderly) with fever. Even as he devoured her though she seemed to feel his gaze, and without waking she pulled her clothes together and rolled over so her cheek lay on her closed fist. It made him want to laugh, or cry, so prettily she did it, but he restrained himself and did neither, only set down the tray on her table cluttered with pill bottles and crushed tissues. He moved onto the bed a big album or scrapbook to do it, and at that she woke.

"George," she said calmly, stretching, not surprised, thinking perhaps she was still asleep. He laid his swarthy hand to her brow gently. "Hi, cutie," he said. She lay back amid the pillows; her eyes closed, and for a moment she wandered back to dreamland. Then she said
Oh
arid struggled up to kneel on the bed and come full awake. "George!"

"Feeling better?"

"I don't know. I was dreaming. Cocoa for me?"

"For you. What were you dreaming?'

"Mm. Good. Sleeping makes me hungry. Does it you?" She wiped away her moustache with a pink tissue she plucked from a box of them; another took its place pertly. "Oh, dreams about years ago. I guess because of that album. No you can't." She took his hand from it. "Dirty pictures."

"Dirty."

"Pictures of me, years ago." She smiled, ducking her head Drinkwater-style, and peeked at him over her cocoa cup with eyes still crinkled with sleep. "What are you doing here?"

"Came to see you," George said; once he had seen her, he knew it to be true. She didn't respond to his gallantry; she seemed to have forgotten him, or remembered suddenly something else entirely; the cocoa cup stopped halfway to her lips. She put it down slowly, her eyes looking at something he couldn't see, something within. Then she seemed to wrest herself from it, laughed a quick, frightened laugh and took George's wrist in a sudden grip as though to stay herself. "Some dreams," she said, searching his face. "It's the fever."

She had always lived her best life in dreams. She knew no greater pleasure than that moment of passage into the other place, when her limbs grew warm and heavy and the sparkling darkness behind her lids became ordered and doors opened; when conscious thought grew owl's wings and talons and became other than conscious.

Starting from the simple pleasure of it, she had become practiced in all its nameless arts. The first thing was to learn to hear the small voice: that fragment of conscious self which like a guardian angel walks with the eidolons of self with which we replace ourselves in Dreamland, the voice that whispers
you are dreaming
. The trick was to hear it, but not attend to it, or else you wake. She learned to hear it; and it told her that she could not be hurt by dream wounds, no matter how terrible; she woke from them always whole and safe—most safe because warm in bed. Since then she had feared no bad dreams; the dream Dante of her leaned on the dreaming Virgil and passed through horrors delightful and instructive.

Next she found she was one of those who can awake, leap the gap of consciousness, and arrive back in the same dream she had awakened from. She could build also many-storied houses of dream; she could dream that she woke, and then dream that she woke from that dream, each time dreaming that she said
Oh! It was all a dream!
until at last and most wonderful she woke to wakefulness, home from her journey, and breakfast cooking downstairs.

But soon she began to linger on her journeys, go farther, return later and more reluctantly. She worried, at first, that if she spent half the day as well as all the night in Dreamland, she would eventually run out of matter to transmute into dreams, that her dreams would grow thin, unconvincing, repetitious. The opposite happened. The deeper she journeyed—the farther the waking world fell behind—the grander and more inventive became the fictive landscapes, the more complete and epical the adventures. How could that be? Where if not from waking life, books and pictures, loves and longings, real roads and rocks and real toes stubbed on them, could she manufacture dreams? And where then did these fabulous isles, gloomy vast sheds, intricate cities, cruel governments, insoluble problems, comical supporting players with convincing manners, come from? She didn't know; gradually she came not to care.

She knew that the real ones, loved ones, in her life worried about her. Their concern followed her into dreams, but became transformed into exquisite persecutions and triumphal reunions, so that was how she chose to deal with them and their concern.

And now she had learned the last art, which squared the power of her secret life and at the same time hushed the real ones' questions. She had Somehow learned to raise at will a fever, and with it the lurid, compelling, white-hot dreams a fever brings. Flushed with the victory of it, she hadn't at first seen the danger of this double dose, as it were; too hastily she tossed away most of her waking life—it had lately grown complex and promiseiess any- how—and retired to her sickbed secretly, guiltily exulting.

Only on waking was she sometimes—as now when George Mouse saw her look within—seized by the terrible understanding of the addict: the understanding that she was doomed, had lost her way in this realm, had, not meaning to, gone too far in to find a way out—that the only way out was to go in, give in, fly further in—that the only way to ameliorate the horror of her addiction was to indulge it.

She grasped George's wrist as though his real flesh could wake her truly. "Some dreams," she said. "It's the fever."

"Sure," George said. "Fever dreams."

"I ache," she said, hugging herself. "Too much sleep. Too long in one position. Something."

"You need a massage." Did his voice betray him?

She bent her long torso side to side. "Would you?"

"You bet."

She turned her back to him, pointing out on the figured bed-jacket where it hurt. "No no no honey," he said as though to a child. "Look. Lie down here. Put the pillow under your chin—right. Now I sit here—just move a little—let me take my shoes off. Comfy?" He began, feeling her fever-heat through the thin jacket. "That album," he said, not having for a moment forgotten it.

"Oh," she said, her voice low and gruff as he pressed the bellows of her lungs. "Auberon's pictures." Her hand reached out and rested on the cover. "When we were kids. Art pictures."