Lockwood & Co.: The Creeping Shadow (30 page)

BOOK: Lockwood & Co.: The Creeping Shadow
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L
ockwood’s sudden enthusiasm for the Aldbury Castle case was startling, not to mention suspicious, but he was evasive when we interrogated him. “It’s clearly a fascinating cluster,” he said. “All sorts of interesting features. That weird Creeping Shadow story, for a start—didn’t you think that was worth investigating?” He gave us one of his widest smiles. “At the very least, it’ll get us away from London for a bit. We know the Winkmans were looking for Lucy a few days ago, and they’re bound to be after us all now that we’ve raided their night-market. It’ll get us out of harm’s way until the heat dies down.”

“I don’t
feel
particularly threatened,” I said.

“Ooh, anything could happen, Luce. Anything. Bit of safe country air will do us a world of good….” He tapped his fingers on the desk. “Will there be anything else?”

“So the fact that there’s an outpost of the Rotwell Institute a couple of miles up the road from the village doesn’t have any bearing on it, then?” George said. That had been my thought, too.

“Oh, you remember that?” Lockwood wore his blandest expression. He scratched the side of his nose.

“Of course we do. Danny Skinner mentioned it, didn’t he? He said they’d paid no attention to the problems of the village. Is it one of the research facilities on Holly’s list?”

“Well, as a matter of fact it
is
,” Lockwood said. “One of several, mind you, so there’s no guarantee it’s going to be relevant at all….” He shrugged. “Okay, look, I wouldn’t say the presence of that base has put me
off
, exactly. We might take a squint at it while we’re down there, assuming all the ghosts tramping around the place give us any peace. But the village is our primary concern. That’s what we’re being hired to sort out, and if we’re going to head down there tomorrow, we’d better get ready.”

The rest of the day passed swiftly. Lockwood sent George off to the Archives to research anything to do with the village and its history; he sent Holly to Mullet’s to order fresh salt and iron and arrange for them to be delivered to Waterloo Station. And he himself departed on a couple of errands, about which he was uncharacteristically silent. The results of one of these trips was dramatically revealed the following morning when we arrived at the station and saw a gaunt figure in black waiting on the platform beside the sacks of supplies.

“Hardly recognized you there, Kipps,” George said, “without your swanky jacket and sword. I thought if you took them off, you’d fall apart into separate wriggling pieces.”

It was true that Kipps looked different. Perhaps more than any other operative, he had been defined by his connection to the Fittes Agency. His jeweled rapier, the unnecessary tightness of his trousers, the cocksure spring in his step—everything had always trumpeted his excessive pride in being a member of the organization. Today he wore black jeans, a turtleneck, and a black zip-up jacket. Perhaps his jeans were a trifle tight, his boots a trifle pointy, but it was fairly sensible attire, assembled almost without vanity. Fortunately he hadn’t entirely changed. He still possessed his air of ineffable gloom.

“I just had a realization,” he said when we were on the train and rocking slowly through the south London suburbs. “After the Guppy job. I mean, there we were—in a house possessed by a wicked and powerful entity, and you all were running around like madmen—fighting, screaming, being fools—but
dealing
with it…and I was just a fifth wheel. I couldn’t see it, I couldn’t hear it…I was too old to do anything useful. And that’s what being a supervisor is: it’s a life of sending others out to fight and die. I’ve known that for a while, but it took you to make me realize I couldn’t bear to continue with it. I couldn’t stay at the Fittes Agency. I’d rather do something else.”

“Like what?” George said. “Art critic? Train buff? With that turtleneck, you could be almost anything.”

“It was probably another dumb decision,” Kipps said. “Like agreeing to come along with you today. Lockwood says he wants my expertise, but I’m not sure what I can contribute aside from standing around like a fence post. Maybe I can make the tea.”

“Actually, I think it’s admirable,” I said. “Your decision. It’s about being true to yourself.”

He grunted. “You’re good at that, certainly. That’s why you’ve come back to Lockwood and Company, I suppose.”

“As it happens, I’m only temporarily—” But the train was rattling over a particularly loud section of track, and then Lockwood and George were arguing over who would carry the salt bags, and Holly was handing biscuits around, and I couldn’t get a word in edgewise. I sat in a corner of the compartment by the window, staring at the reflection of myself that ran like a ghost over the vista of gray roofs.

How had it come to this, tagging along with Lockwood once again? Was I truly like Kipps, rudderless and cast adrift from purposes of my own? A subtle shift had come over me in the last few days; a realization that I had allowed myself to change direction. After the loss of the skull, after Harold Mailer’s murder and the pursuit through Clerkenwell, I’d needed help badly—and Lockwood had offered it. There’d been no one else to turn to. It had been a good decision. But after that—how one thing led to another!—it had seemed only natural to stay on at Portland Row, only natural to let Lockwood help me retrieve the skull, only natural to help him hunt for it in the night-market….And now—was it natural to accompany him to Aldbury Castle, too? Sure, I could invent plenty of excuses to justify it. I was keeping myself safe from the Winkmans. I was (perhaps) pursuing the Rotwell Institute and the missing skull. I was giving Lockwood & Co. the support they deserved….All that might well have been true. But it boiled down to the same thing in the end. I was simply happy to have the chance to be with them again.

It was with inconclusive thoughts like these that I occupied myself as the train left London and dawdled its way into the countryside. By ten o’clock, without danger or alarm, we had reached our destination.

For those wanting a detailed record of the horrors that subsequently unfolded, the village of Aldbury Castle occupied a pleasant rural location fifty miles southwest of London. It was set in chalk uplands, with wooded rolling hills on three sides, and a leisurely river winding on the other. The site was remote, reached only by a meandering road, and by a train stop (it would be a stretch to call it a station) on the main Southampton line, three quarters of a mile away to the west. There was no station office or building of any kind, just a white and winding path running off into the forest, to join the road on its way to the village.

If there ever
had
been a castle in the area, it had long vanished. The road crossed the river on a stone bridge, and then bisected the village green—a broad expanse of long dark grass, surrounded by cottages. Sheep grazed here. Three great horse chestnut trees dominated the center of the green, casting into shadow the fourteenth-century market cross and the trough rotting beside it.

On the other side of the green, the road forked outside the door of the one surviving pub—the Old Sun Inn, which our client, Danny Skinner, called home. All the other main buildings of Aldbury Castle were visible from here, too—the village stores, The Run (a row of terrace houses), and the church of St. Nestor, on a rise above the rest of the village. Outside the church, an ancient ghost-lamp, rusty and broken, stood on a low mound. A lane beyond the church led off through the woods to fields and hills.

Those hills were bathed in sunshine when we walked over the bridge and entered the village for the first time, but the green was wet and frosted with cobwebs. Shadows of the eastern woods stretched like fingers across the grass. There was a smell of smoke in the air. It was a beautiful spring day.

“Seems much too pretty to be a hot spot for ghosts,” Holly said.

“You say that.” I pointed to a great circle of blackened ground in a prominent spot by the road. “They’ve been busy setting fire to something.”

“Or some
one
,” Kipps said.

Holly wrinkled her nose. “Oh, yuck.”

“Well, I don’t see any charred legs sticking out of it,” George said. “More likely to be objects that they think might be Sources. They’re panic burning. But first things first. That cross is the one the kid mentioned. I want to have a look at its sinister carving.”

He led the way through the long wet grass, which whispered and spattered against our legs. When we got near the trees, we flung down the bags of salt and iron; we were hot despite the cool air.

The base of the cross was stepped, and had been repaired, not very well, with modern bricks. The rest was ancient, weathered by the wind and frost of countless years. The stone had a grainy softness to it; pale green lichen extended over it in patches, like the map of an unknown world. You could see that the whole thing had once been intricately decorated—patterns of interlocking vines wound their way up the sides of the cross, with obscure objects cradled in their fronds.

George seemed to know precisely where to look. Halfway up one face, the lichen had been picked away, revealing the traces of an image. In its bottom left-hand corner, a set of tiny figures clustered. They were no more than stick people, lined up like bowling pins ready to be felled. To the right was a pile of skulls and bones. Towering over the lot, crammed into the center of the available space, rose a huge misshapen figure with sturdy legs and arms and a squat, almost squared body. The head was indistinct. Whatever the creature was, it dominated the scene.

“There he is,” Lockwood said. “The dreaded Creeping Shadow. The kid told me on the phone that it had been seen again the other night.”

George grunted skeptically; he was tracing its shape with a chubby finger.

“What do
you
think it is, George?” I asked.

He adjusted his glasses. “At the Archives yesterday,” he said, “I found a mention of the cross in an old Hampshire guidebook. They describe this as a fairly common depiction of the Last Judgment, when the dead rise up from their graves at the end of time. Here are the bones, look; and here are the saved souls rising.”

“And the chunky guy in the middle?” Lockwood said.

“An angel, presiding over it all.” George pointed. “Yeah, see these marks here? I reckon he once had wings.” He shook his head. “It’s no graveyard ghoul, no matter what Danny Skinner says. Whatever’s hanging around the village is something else.”

“So maybe he
is
making most of it up…” I said. “Speak of the devil—there he is.” A figure had come out of the Old Sun Inn and was waving to us across the road.

“He was right about the battle, though,” George said, as we walked toward the inn. “There
was
a ninth-century dustup between the Saxons and the Vikings in the fields east of the modern village. At one time, before the Problem, it was a popular spot for antiquaries to go digging—a couple of centuries ago they turned up quite a few shields, swords, and skeletons. Farmers would find bones caught in their plows, that sort of thing. Must have been quite a skirmish. But like you said, Lockwood, it’s not a massive battle by national standards—there are other, more recent sites that haven’t caused nearly as much trouble as this one appears to be doing.”

“Our job is to find out why,” Lockwood said. “Assuming we don’t end up strangling our client first, which is a distinct possibility.”

The Old Sun Inn was a timber-framed building, half swaddled with marauding ivy. Much of it seemed to be in a state of disrepair. The main entrance, in what appeared to be the oldest part of the house, faced toward the church; another door led to the pub garden and the green. On a post hung a dilapidated painted sign showing a massive bloodred sun, hovering like a beating heart above a darkened landscape. Our client was swinging on the garden gate below this, waving as we approached. In broad daylight his protruding ears had a pinkly see-through quality. He was grinning at us with a kind of fierce pleasure that contained both delight and anger.

“At last! You took your sweet time. The Shadow was back last night, and the dead walked in Aldbury Castle, while the living cowered in our beds. And you all missed it again! You want lemonades? Pops will get you some.”

“Lemonade sounds good,” Lockwood said. “Maybe after we see our rooms.”

The kid swung manically back and forth. “Oh, you want rooms? But you’ll be out fighting Visitors all night, won’t you?”

“Only some of the time.” Lockwood put out a hand and stilled the movement of the gate. “And you
definitely
promised us somewhere to stay. Rooms
now
, please.”

“Ooh, I don’t know….I’ll ask Pops. Hold on.” He slouched away into the bar.

“Is it just me,” Kipps said, “or does that boy need punching?”

“It’s not just you.”

Presently our client re-emerged, as perky as a ferret up a trouser leg. “Okay, I got you rooms.”

“Excellent…Why are there only two keys?”

“The inn has two guest rooms. One key for each.”

We gazed at him, certain horrific permutations drifting through our minds. Lockwood spoke carefully. “Yes, but there are
five
of us, with a variety of needs, habits, and private regions that we don’t want shared. There must be other rooms.”

BOOK: Lockwood & Co.: The Creeping Shadow
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