Louise Allen Historical Collection

BOOK: Louise Allen Historical Collection
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Louise Allen Historical Collection
Louise Allen

Practical Widow To Passionate Mistress

Desperate to reunite with her sisters, Meg finds passage home with injured soldier, Major Ross Brandon. When the troubled soldier with dark, searching eyes offers her a job as housekeeper, she can't refuse. Soon Meg is scandalously tempted to move from servants quarters to the master's bedroom!

Vicar's Daughter To Viscount's Lady

Seduced, abandoned and pregnant, Arabella Shelley is horrified to discover her baby's father has died. Then further shocked when his brother, the handsome Viscount Hadleigh, insists she must marry him instead!

As Bella struggles with her new life, and her scandalous desire for her stranger-husband, will she find a love that matches the passion of their marriage bed? 

Innocent Courtesan To Adventurer's Bride

Wrongly accused of theft, Celina Shelley is cast out of the brothel she calls home. She runs to Lord Quinn Dreycott for safety, but Quinn's twinkling eyes tell Celina that the danger is just...

tantalising period romances

Louise Allen

Practical Widow To Passionate Mistress

Vicar’s Daughter To Viscount’s Lady

Innocent Courtesan To Adventurer’s Bride

DID YOU PURCHASE THIS BOOK WITHOUT A COVER?
If you did, you should be aware it is
stolen property
as it was reported ‘unsold and destroyed’ by a retailer.
Neither the author nor the publisher has received any payment for this book.

First Published 2010

First Australian Paperback Edition 2011

ISBN 978 1 742 55714 4

eISBN 978 1 742 90157 2

PRACTICAL WIDOW TO PASSIONATE MISTRESS © 2010 by Melanie Hilton VICAR’S DAUGHTER TO VISCOUNT’S LADY © 2010 by Melanie Hilton INNOCENT COURTESAN TO ADVENTURER’S BRIDE © 2010 by Melanie Hilton

Philippine Copyright 2010

Australian Copyright 2010

New Zealand Copyright 2010

Except for use in any review, the reproduction or utilisation of this work in whole or in part in any form by any electronic, mechanical or other means, now known or hereafter invented, including xerography, photocopying and recording, or in any information storage or retrieval system, is forbidden without the permission of the publisher, Harlequin Mills & Boon
®
, Locked Bag 7002, Chatswood D.C. N.S.W., Australia 2067.

This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out or otherwise circulated without the prior consent of the publisher in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser.

All rights reserved including the right of reproduction in whole or in part in any form. This edition is published in arrangement with Harlequin Books S.A..

This is a work of fiction. Names, characters, places, and incidents are either the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.

Published by

Harlequin Mills & Boon
®

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AUSTRALIA

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Cover art used by arrangement with Harlequin Books S.A.. All rights reserved.

Printed and bound in Australia by

McPherson’s Printing Group

Practical Widow To Passionate Mistress

Louise Allen

Louise Allen
has been immersing herself in history, real and fictional, for as long as she can remember, and finds landscapes and places evoke powerful images of the past. Louise lives in Bedfordshire, and works as a property manager, but spends as much time as possible with her husband at the cottage they are renovating on the north Norfolk coast, or travelling abroad. Venice, Burgundy and the Greek islands are favourite atmospheric destinations. Please visit Louise’s website—
www.louiseallenregency.co.uk
—for the latest news!

Author Note

Welcome to the world of Margaret, Arabella and Celina Shelley. Brought up by a harsh and repressive father, all the sisters wanted from life was love—and by looking for it they found themselves branded as sinners and parted from each other.

Early nineteenth-century England was an unforgiving place for fallen women. Dreamy Meg, practical Bella and innocent Lina fought back against Society, and their own fears, to rebuild their lives and find their true loves, transforming themselves in the process.

This is the story of Meg, the middle sister. Dreamily romantic, she eloped with her childhood soldier sweetheart and found herself learning to be practical and realistic in the brutal world of the war-torn Iberian Peninsula. Now, alone and virtually penniless, she must find her way back to England—and her only hope is dark and brooding Ross Brandon, a man wounded in body and soul.

I hope you enjoy Meg and Ross’s journey as much as I enjoyed discovering it, and that you will rejoin the Shelley sisters to meet Bella in the next book in the trilogy.

Prologue

July 1808

‘N
orth Wales?’ Celina repeated blankly as Meg finished pouring out her news. ‘But that’s hundreds of miles away. We will never see you.’

‘That wouldn’t be so bad if we knew you were happy,’ Arabella ventured, ‘But Great-Aunt Caroline? She’s a recluse—’

‘She is mad as a hatter,’ Meg Shelley retorted, biting back the tears. ‘You only have to listen to those horrible letters she sends Papa. She is worse than he is.’ She reached out and took her sisters’ hands, wincing and letting go as the grip tightened on the livid weals across her palms. ‘I would rather be here with you both and be whipped every day, than go there.’

‘Perhaps if you promised Papa you would not read novels again?’ Arabella suggested, picking up the worn shirt she was darning for the poor box and then dropping it back into the basket with a sigh. Meg felt the affection surge through her; at nineteen, her elder sister tried so hard to be dutiful, to do what was expected, despite constant carping and coldness from their father. How did she manage it? Meg wondered. Could she ever be as good, as submissive?

‘Or anything else but the Bible?’ she demanded. ‘If it is not books, it is going for walks, or trying to grow flowers, or talking to people or singing—I cannot do it. I cannot promise to stop thinking, stop doing
everything
that gives me any pleasure. I will go as mad as Great-Aunt Caroline. I don’t mind the housework and the laundry and the mending and the praying. I don’t mind working hard, but to be punished for wanting joy and beauty…’

‘And I don’t understand what he said about Mama,’ Celina said with a frown. ‘How can he say we all carry her bad, sinful, blood? Mama wasn’t a sinner.’

‘He has not been right since she died.’ Arabella glanced towards the door, as though expecting the Reverend Shelley, switch in hand, to stalk in at any moment. Meg shook her head impatiently. They had discussed this so many times, and still could not fathom what, beyond natural grief, had turned a naturally serious and strict father into an embittered and suspicious domestic tyrant.

‘He says Great-Aunt Caroline’s health is deteriorating and I must go and nurse her and be a companion. She could perfectly well hire a dozen nurses and companions, she is wealthy enough,’ Meg said. ‘It is just an excuse to punish me. We would all be better off in a nunnery.

‘You, Bella, are to look after him in his old age, you, Celina, will marry the curate—if he ever finds one dour and puritanical enough to suit him—but I am just a nuisance and, this way, he will be rid of me.’

‘But what can we do?’ Celina whispered. Meg shook her head. Celina was too sweet and too pretty for coldness and drudgery, but her seventeen-year-old sister always seemed unable to rebel.

All three glanced at the sampler hanging over the cold grate. Arabella had worked the first line, Margaret had stitched the second and Celina had managed the plain cross-stitch border. It was a favourite saying of the Reverend Shelley, one he fervently believed to be true.

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