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Authors: Sarah Shaber

Louise's War

BOOK: Louise's War
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A Selection of Titles from Sarah R. Shaber
The Professor Simon Shaw series
SIMON SAYS
SNIPE HUNT
THE FUGITIVE KING
THE BUG FUNERAL
SHELL GAME
LOUISE’S WAR
A World War II novel of suspense
Sarah R. Shaber
This ebook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorised distribution or use of this text may be a direct infringement of the author's and publisher's rights and those responsible may be liable in law accordingly.
 
First world edition published 2011
in Great Britain and in the USA by
SEVERN HOUSE PUBLISHERS LTD of
9–15 High Street, Sutton, Surrey, England, SM1 1DF.
Copyright © 2011 by Sarah Shaber.
All rights reserved.
The moral right of the author has been asserted.
British Library Cataloguing in Publication Data
Shaber, Sarah R.
Louise’s war.
1. United States. Office of Strategic Services–
Employees–Fiction. 2. World War, 1939-1945–Washington
(D.C.)–Fiction. 3. World War, 1939-1945–Jews–France–
Fiction. 4. France–History–German occupation,
1940-1945–Fiction. 5. Suspense fiction.
I. Title
813.5′4-dc22
ISBN-13: 978-1-78010-075-3   (ePub)
ISBN-13: 978-0-7278-8040-6   (cased)
Except where actual historical events and characters are being described for the storyline of this novel, all situations in this publication are fictitious and any resemblance to living persons is purely coincidental.
This ebook produced by
Palimpsest Book Production Limited,
Falkirk, Stirlingshire, Scotland.
For my precious grandsons
,
Brandon and Nathan Lindsay
Acknowledgements
I couldn’t begin to thank everyone who supported and helped me while I wrote LOUISE’S WAR, but I will do my best!
First I must thank my family, especially my husband Steve, and my children, Katie and Sam.
I owe so much to my writing buddies, Margaret Maron, Kathy Trocheck, Brenda Witchger, Diane Chamberlain, Katy Munger and Alex Sokoloff. Without our writing retreats and brainstorming sessions I never would have begun or finished writing this book. Our friend and bookseller without peer, Nancy Olsen of Quail Ridge Books, is our rock.
My agent and friend, Vicky Bijur, must be the most patient person on the planet!
I am fortunate to have among my fans and friends Christine Ghafoor, gifted English/French translator, who proofread the smidgen of French in this book and saved me from embarrassment.
My heartfelt thanks go to Severn House Publishers, who took a chance on my new series despite challenging times in the publishing industry.
And I remember with affection the late Ruth Cavin, of St Martin’s Press, who bought and edited my first five books. I was privileged to know her.
A Note Concerning Language
Some readers of this book may question my use of the word ‘colored’ to describe African Americans, believing it to be disrespectful and derogatory.
I understand that it’s uncomfortable for us to come face to face with the racial prejudice of pre-Civil Rights America.
But I also believe that this book wouldn’t be honest literature if I didn’t do my best to write about the 1940s as truthfully and accurately as I can.
Giving my characters modern sensibilities, putting words that didn’t exist then into their conversations, would rob real people who were members of minority groups, who struggled and suffered, of the dignity and respect they have earned from their history.
Besides, as Carla Sims, communications director for the National Association of Colored People in Washington, D.C., has said, ‘the term “colored” is not derogatory . . . it was the most positive description commonly used at that time. It’s outdated and antiquated but not offensive.’
‘Colored’, and Negro, were the words used by both races to describe African Americans during the time this novel is set, and so my characters use those words.
Prologue
June 1942
Marseille, Vichy France
R
achel grabbed Pierre’s wrist before he poured the scoopful of lentils into her basket.
‘That’s not three hundred grams,’ she said.
‘Close enough,’ he muttered.
‘I paid for three hundred grams of lentils,’ she said, ‘and I expect to get no less than three hundred grams of lentils.’
‘That little bit of gold doesn’t buy what it used to,’ he said.
‘We had an agreement.’
‘All right, I’ll measure again.’
‘And this loaf of bread, it has mold on it.’
‘Cut it off.’
‘I want another loaf, no mold.’
He didn’t answer her, but replaced the bread. She knew what he was thinking. These Jews, they would bargain until their last breaths.
For one link of a gold bracelet she’d bought four eggs, a wedge of cheese, lentils, and potatoes. Her basket was not even half full. Two years ago she would have come home from market with fresh duck, wine, asparagus, butter, and a bouquet of fragrant roses for the dinner table. After dinner she and Gerald would sit out on the terrace that overlooked the Old Port, sip a
digestif
, and watch the sun set over the Château d’If. And Pierre, he was once just a farmer who drove a dogcart and tipped his hat to her. Now he was draining her dry of everything she owned.
‘Is there any soap?’ Rachel asked Pierre.
‘No soap today,’ he said.
Little Claude dragged on her arm, whining.
‘Don’t,’ she said, ‘you know how that hurts Maman.’ She arched back to relieve the ache in her back. The baby had settled low, right into the bowl of her pelvis. She felt like she was walking with a melon between her legs.
‘Help Maman with the basket,’ she said to Claude.
The little boy grabbed one handle of the basket with both hands and together they struggled home in the midday summer sun. Sweat soaked Rachel’s body by the time they’d walked two blocks. Her threadbare cotton dress clung to her bare legs and outlined her bulging belly. Stringy damp hair plastered her head. And there was no soap at home.
At last she turned the last corner before entering her street, where the boarded-up
patisserie
once offered the most mouth-watering
pain au chocolat
in Marseille. The baker and his family fled to Switzerland weeks ago. Rachel’s doorway beckoned to her, a short block away from where she stood resting, breathing hard, before taking her final few steps toward home. But then she spotted two policemen, leaning up against a lamppost, between her and her doorway. One of them noticed her, dropped his cigarette on the ground and crushed it with his boot. He pointed her out to his partner, and they both moved toward her. They would want to inspect her papers.
She set the basket down and clutched Claude’s hand. Then she remembered, and fear filled her heart. Before she’d left home she’d forgotten to pin the yellow star to her breast.
ONE
June 26, 1942

Two Trees’, a boarding house
Washington, DC
I
slept naked last night, like everyone else in this city. But despite lying flat out on my bed in my birthday suit with the fan blowing straight on me, I couldn’t cool off enough to fall asleep.
The heat wasn’t the only thing keeping me from my rest. The Top Secret document I’d locked in the office safe before I’d left work worried me to the point that I’d been fretting about it all evening and into the night. Before I’d slid the document onto the shelf inside the safe, I’d noticed the surname on the memorandum subject line: Bloch. My stomach seized and a shiver of apprehension scurried down my spine. It couldn’t be Rachel’s family, could it? Bloch was a common French surname, there must be thousands of families named Bloch trapped in France.
I managed to banish my worries for Rachel until morning, telling myself I could do nothing until I got to work. But around two in the morning I realized that without relief from the smothering heat I might well be awake all night.
Finally I got out of the bed, slipped a cotton housecoat over my sticky body, pulled the top sheet off the bed, went into the bathroom, opened the bathtub tap, and soaked the sheet in the tub. I wrung out the sheet until it stopped dripping, carried it back to my bedroom, and stretched it between the tall bedposts at the foot of my bed, tying the corners to the bedpost caps so that the sheet hung its full wet length down to the floor. I turned the fan on high, trained it directly on the sheet and stretched out on my bed. Cool air brushed my body, drying my skin. For a few minutes I listened to fat June bugs popping and buzzing against my window screens and the rhythmic clicking of a loose fan blade, until, blessedly, I fell asleep.
The morning queue at the bus stop was so long I figured I had no hope of catching a bus anytime soon. So I walked the ten blocks from my boarding house on ‘I’ Street to the agency’s headquarters in Foggy Bottom. I shaded my eyes from the harsh glare with a straw fedora and my first pair of prescription sunglasses, and soaked three handkerchiefs sopping up perspiration from my neck and any other part of my body I could reach without exposing myself.
The security officer at the front entrance to my building stopped me at the door. He was an army private who compulsively shrugged every few minutes to resettle his rifle on his shoulder, as if he wasn’t comortable with it yet. Private Cooper knew me well by now, but he still squinted at my ID badge. Satisfied that I was the same person I’d always been, the soldier opened the door to the anonymous building, a converted apartment house at the corner of 23rd and ‘E’ Street without a sign or a street number, and nodded at me to enter.
‘Good morning, Mrs Pearlie,’ he said. As he did nearly every day, he looked down at my feet, sensibly shod in cotton anklets and canvas shoes, and said, ‘I know it’s hot, but I wish you girls would start wearing stockings and heels again.’
I didn’t respond. I’d decided a long time ago that it was best not to say out loud much of what crossed my mind. I could think what I liked, though, and I thought the guard would wait a long time before he’d catch me wearing stockings in one-hundred-degree heat ever again.
I was here to work, not be whistlebait for teenaged GIs.
The heavy wood doors that opened off the hall of the old apartment building weren’t identified or even numbered. The first one on the right led to my office, which I’d worked in alone for the last few days, since the three girls who clerked for me got food poisoning at a USO picnic last Sunday. Doing their jobs as well as my own was exhausting, though it was a relief to have some respite from the incessant clatter of typewriters and mimeographs.
I switched both floor fans on low, to keep the breeze from blowing papers everywhere, and raised the shades in what was once the living room of a two-bedroom apartment, now crowded with four desks, banks of index-card file cabinets, and a massive Yale floor safe.
I went straight to the safe, entered the combination, twirled the dial and used both hands to haul open the heavy door. Top Secret files and papers crowded it. I extracted a thin file off one shelf and shut the safe door behind me. The lock engaged with a solid click.
As the only clerk in the Research and Analysis branch of the Office of Strategic Services with a Top Secret clearance, all documents referred from General Donovan’s office came directly to me, stamped ‘your eyes only’ in red. Oh so secret, and oh so silly, as the pundits editorializing in the Republican newspapers often described our infant spy agency. I wished I could put those jerks to work in my office. I’d make them file index cards until their fingers bled!
BOOK: Louise's War
13.94Mb size Format: txt, pdf, ePub
ads

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