Authors: Greg B. Smith
Back from Disney World, Vinny Ocean has turned around his problems with Wiggles. The city inspectors had returned after he had the new walls installed and tightened up enforcement of the sex-police rules. It had not been easy. After the city first shut him down in July, Wiggles showed up on the cover of
Newsday.
His lawyers had gone back and forth to the courthouse in Jamaica several times in an all-out effort to convince the judge to reopen the club. They filed legal briefs; they brought in witnesses during a three-day hearing. The night before Vinny called his stockbroker son, Michael, and said, “Say a prayer for me.” During the hearing, his lawyers showed off a new, improved Wiggles, and on September 16, 1998, a Wednesday, Administrative Judge Fisher of the Supreme Court in Queens declared that Wiggles was no longer a “public nuisance.” Within hours, the doors were open and the dancers were back onstage.
Within two days, Palermo was on the phone talking with his lawyer, John Daniels, as if Wiggles had never shut its doors. In fact, it was clear he had embraced the saying that no publicity is bad publicity because he was now talking about how high profile the Wiggles name was. He talked with Daniels about how he had been negotiating with Bob Guccione to open up a strip club under the
Penthouse
name in New Jersey, but now that Wiggles had picked up so much publicity, he didn’t seem to care if the
Penthouse
strip-club deal went through.
“Put a Wiggles up in Jersey,” Palermo suggested. “It’s a tremendous name. It’s got the best name in the business now.”
In the world of what is now called “traditional” organized crime, where rules allegedly exist to keep criminal activity organized, nicknames can get a little disorganized. Some have an old-world charm to them. Vincent (Chin) Gigante got his either because his Italian name is Vincenzo, or because he was a not-very-successful boxer who led with his chin. Some are easy to understand. Vinny Ocean once worked in the Fulton Fish Market, where the most felonious thing he ever did was to get caught with boxes of allegedly stolen shrimp. Tin Ear Sclafani has a bad ear. Big Ears Charlie Majuri’s nickname is easy to understand if you see him in person. Some nicknames are complex. Anthony Casso, a truly scary guy who confessed to killing thirty people, got his nickname—Gaspipe—because his father worked for the gas company. Some nicknames imply a man’s place in the food chain. John A. Gotti is called Junior because he will always be first and foremost the son of John J. Gotti, who got his nickname—the Dapper Don—strictly for sartorial reasons. Then there is Boobie Cerasani.
John Cerasani, whose nickname was Boobie, was a square man with a face like a closed fist. He wore black turtlenecks and black suit coats to court, even if his lawyer told him not to. He was also a made guy in the Bonanno crime family.
It is hard to know this Boobie. He had been a soldier with the Bonannos for nearly twenty years, according to the FBI. In 1985, he pleaded guilty to a racketeering conspiracy that included conspiring to rob a bank and possessing marijuana, cocaine, and heroin. In 1994, he pleaded guilty to criminal possession of narcotics in the fifth degree. At the time he was under investigation by the FBI, which believed he was an enforcer for the Bonanno family in a scheme to take control of a corrupt stockbrokerage house. Most important, Boobie had been involved in numerous crimes in the 1970s and early 1980s when an FBI agent named Joseph Pistone succeeded in infiltrating the Bonanno family using the name Donnie Brasco.
Donnie Brasco, it should be noted, had no nickname. During the time Donnie the FBI agent was hanging around with Boobie and his boss, Dominick (Sonny Black) Napolitano, who has black hair, Donnie described Sonny as “quiet and smart, a chess lover.” He also described Boobie as “one mean fucker.” Donnie the FBI agent recalled another gangster, Lefty Guns Ruggiero, describing how Boobie and three other gangsters were involved in shotgunning to death an enormous Mafia capo named Dominick “Big Trin” Trinchera (the origin of whose nickname is self-evident). Ruggiero did not actually say that Boobie
pulled the trigger, but he did say that after the deed was done, the assassins had difficulty disposing of Big Trin’s body because it was so, well, big. Boobie, Ruggiero claimed, somehow managed to pick the guy up.
“I was amazed,” Donnie quotes Ruggiero as saying, “Boobie could move him. They cut him up and put him in green plastic garbage bags.”
In 1982, Donnie the FBI agent left his life as an undercover associate of the Bonanno crime family and began testifying in court. Boobie and numerous others with whom Donnie had spent many loquacious hours were indicted, but Boobie was acquitted of all charges. He was never charged with murdering Big Trin, never mind moving him or cutting him up and placing him in green plastic garbage bags.
In 1987, Donnie the FBI agent wrote a book about his experiences. Presumably Boobie read it, being that he was mentioned in it fifty-five times, including the description of Big Trin’s demise. The book,
Donnie Brasco: My Undercover Life in the Mafia,
made the
New York Times
bestseller list, and Boobie made not a peep.
Ten years later times had changed in La Cosa Nostra. Gone were the days when a wiseguy said with a straight face that the Mafia did not even exist. No longer did a goodfella describe any allegation against him as mere fabrication. Gone were the days when silence was the universal response to newspaper stories, TV exposés, and even movie spectaculars portraying life in the mob. By 1997, if you were a gangster and you didn’t like what people were saying about you in a book, you didn’t whack the author. You sued.
Sometime in 1996, years after the book debuted, somebody managed to sneak a video camera into a prerelease screening of
Donnie Brasco,
starring Johnny Depp and Al Pacino. The unnamed somebody managed to get a pirated copy of this soon-to-be-released movie to Boobie Cerasani. This time he was not amused.
In the movie, the actor who portrays Boobie and several other gangsters portrayed by actors are seen kicking the owner of a Japanese restaurant in the face and smashing him in the head with a garbage can. Worse, the actor playing Boobie is seen blasting three gangsters with a shotgun, blowing off pieces of one head and a chunk out of the leg of another. The Boobie character is then seen helping other gangsters saw the bodies into pieces for disposal in garbage bags, which, unlike the description in the book, are black, not green. When Boobie saw this, he reached for the phone.
A series of letters ensued.
Boobie’s lawyer, Barry Slotnick, threatened to sue for libel and defamation of character, even though the picture had not yet been released. He argued that because enough people had seen the pirated version, the damage was already done to Boobie’s reputation. This worked, somewhat. Sony Pictures Entertainment shortened the murder scene and deep-sixed a scene in which the Boobie character reloads during the shotgun murder. They also changed the Boobie character’s name to Paulie. They did this by having actors dub the name Paulie every time they had previously said Boobie. They missed one reference, so when the picture was released in early 1997, there was still one Boobie involved. In addition, the Boobie character, now named Paulie, still helps dismember a victim with what is described by all involved as a “sawlike knife.”
On April 3, 1997, Boobie Cerasani—who was not satisfied with the Paulie version of the film—took the position of the new gangster and filed suit in Manhattan Federal Court. He sued Sony, he sued the distributor, the executive producers, the producers, the director, even the screenwriter. He alleged many things. There was “damage to his reputation in an amount exceeding $50,000.” He alleged that the film had caused him “extreme emotional distress, including fear of retaliation by organized crime seeking revenge.” This onetime “mean fucker” was now asking a federal judge to protect him from the Mafia. He did not even bother to deny the existence of the Mafia. In fact, he acknowledged its existence to collect damages. He demanded compensatory damages, punitive damages, and, of course, financial reimbursement for the cost of bringing suit.
United States District Court Judge Denny Chin got Boobie’s case. A few months later he got another case involving Boobie. This time it was a new criminal indictment that came out of the stock-fraud investigation. Boobie was charged with being an enforcer and threatening stockbrokers and promoters to do what they were told so the mob could capitalize on the booming stock market through illegal “pump and dump” schemes. These were, of course, mere allegations. Judge Chin allowed Sony Pictures to file a motion demanding that Boobie’s suit over
Donnie
be tossed out. He then took a full six months to make up his mind.
On January 15, 1998, Judge Chin issued his opinion. In thirty-four typewritten pages, double-spaced, the judge did the only responsible thing a distinguished member of the court could do. He laughed Boobie out of court.
First, Judge Chin wondered why Boobie hadn’t sued when the Donnie Brasco book came out eleven years earlier. Then Judge Chin declared that Boobie was “generally reputed to be an associate of organized crime,” and, even worse, “not a model citizen.” Finally Judge Chin declared Boobie “libel proof.” This is an extremely rare declaration that essentially says you are such a bad person no one can possibly defame you. “I hold that Cerasani’s reputation is so ‘badly tarnished,’ that, even assuming the pre-release version of the film is defamatory, he can suffer no further harm and hence no reasonable jury could award him anything more than nominal damages,” Chin wrote.
Boobie declined to appeal, and a few months later pleaded guilty before Judge Chin in the stock-fraud case. One defense lawyer pointed out privately that Judge Chin was relatively new to the bench and probably had little grounding in the history of “traditional” organized crime. This defense lawyer wondered if Judge Chin would have even been aware of Boobie’s involvement in the Donnie Brasco case if Boobie hadn’t told him.
The movie in question was
Carlito’s Way.
It was the somewhat predictable story of New York heroin dealer Carlito Brigante, who is released from prison and is determined to go straight. The prisoner, of course, finds himself slipping back into his old and larcenous ways. It stars Al Pacino, who presents a toned-down version of the psychotic Tony Montana character he played in his
Scarface
remake a decade earlier. It was the kind of performance and the kind of movie that would impress guys like Joey O Masella and Ralphie Guarino. As they cruised down Flatbush Avenue in Brooklyn looking for an electronics store called the Wiz, Ralphie was driving and Joey was explaining about
Carlito’s Way.
It was a typical Joey explanation—elliptical, filled with digressions. It started with Joey telling Ralphie about his trip the previous day to Seaside Heights on the New Jersey shore. Joey drove Vinny Ocean down to the shore to visit with Giuseppe Schifilliti, a capo in the DeCavalcante crime family. Nobody called him Giuseppe. Everybody called him Pino. Pino was a veteran gangster with a little white Vandyke beard who owned a restaurant, By The Sea Too, right on the boardwalk, next to a cigar store owned by a guy who shows up as an actor in movies a lot. This fact had impressed Joey O mightily.
Joey O told Ralphie that during the Seaside visit he stopped by Pino’s restaurant and sampled some of his homemade wine. Then Pino went next door and picked up some Mohegan cigars for everybody from the movie guy. Vinny Ocean smoked his and was not happy.
“He got sick as a fucking dog,” Joey O told Ralphie as they drove. “He said, ‘I’ll never smoke a cigar again.’ ”
“It goes right to your brains,” Ralphie said.
“I can’t smoke that cigar,” Joey O said.
“If you inhale it too much, it goes right to your fucking brains.”
Joey O the name-dropper mentioned that the guy who owned the cigar store that nearly did in Vinny Ocean was an actor in movies that guys like Joey O liked to watch.
“This guy was in the movie
Carlito’s Way.
You ever see that movie with Al Pacino? Where he sold the drugs? A Spanish guy. It was a good movie. Well, this guy”—the one with the cigar store—“was a big fat fuck. He was Colombian. He ended up shot at the end of the movie.”
Joey O was obviously very impressed. “He was in a lot of parts. He’s an actor; he opened up a cigar place right next to Pino’s down in Seaside. He’s got pictures all over the place of him and Al Pacino, Robert De Niro. He says whenever you wanna come down, you come down.”
By now Ralphie had gotten used to listening to Joey O and his stories. Mostly Joey O’s stories consisted of the many problems of Joey O. Ralphie noticed Joey was look
ing more slumped over than usual. Joey had once been a strong, wiry guy, deeply tanned, with a certain kind of rough charm. Now his belly protruded under his black silk shirt and he had to make do with a cheesy comb-over to hide his thinning hair. He smoked too much, his diabetes was killing him. Driving down Flatbush, he had trouble managing Ralph’s cell phone. “How do you use this fucking thing?” He called his doctor about something called Protac that Ralphie thought was Prozac.
“Let me ask you a question,” Ralphie said. “What’s the matter with you?”
“What do you mean?”
“What you got to do with this fucking Pro—”
“Diabetic.”
“Oh,” Ralphie said. “I thought...”
Joey O was forty-nine, headed rapidly toward fifty. “I’m driving a car with no muffler,” Joey O said. “The fucking thing is shimmying.”
Ralphie knew Joey O’s problems by heart. He also knew they were becoming legendary among the nylonjogging-suit set. He’d been talking with Joey Cars, another DeCavalcante associate, who let him know that Joey O was now stealing from his own friend and boss, Vinny Ocean. Joey O was going around telling people that Vinny Ocean was putting money out on the street at two points per week interest, which was not true. Vinny was actually putting the money out at a point and a half, and Joey O was pocketing the difference. This he was doing in violation of just about every rule of La Cosa Nostra. Joey Cars said he borrowed $4,000 from Vinny and paid back the money to Joey O. Joey O, however, neglected to give the money to Vinny, which put Joey Cars in a bad spot.
“He’s a friend of mine,” Joey Cars said, “I don’t wanna embarrass him.”
“Like my father used to say,” Ralphie offered. “When you feel sorry for sorry people, they make you sorry. And guess what? He is making everybody sorry.”
Ralphie was now in the middle. If Vinny Ocean found out that Joey O was stealing from him, that could be the end of Joey O, and Ralphie needed Joey O to get close to Vinny. The FBI was clearly interested in Vinny Ocean quite a bit and interested in Joey O Masella not at all. Therefore, it was important that Ralphie get more information on Vinny. The problem was that six months into his role as a secret informant for the FBI, Ralphie had not done so well getting Vinny Palermo to say things that could get him in trouble. He’d given him free cell phones and the FBI had plenty of hours of Vinny Palermo on tape, but Vinny was smart. He rarely talked about illegal business on the phone, and when he did, the conversation was usually too cryptic to understand.
Ralphie took another approach. He had noticed that when Vinny discussed Joey O, he had a tendency to fly into a rage. Rage implied lack of self-control. The FBI figured that during one of his tirades about Joey O, Vinny Ocean might slip up. Ralphie was instructed to take advantage of this weakness by keeping the two men in constant contact.
The two men found the Wiz, did their business, then got back in Ralphie’s FBI-wired car and cruised into Manhattan toward Canal Street and Chinatown. They needed to fence some stolen watches.
Canal Street used to mark the northern border between Chinatown and the old Mafia neighborhood of Little Italy. This was the Little Italy where John Gotti strutted down Mulberry Street, where Crazy Joey Gallo was shot inside Umberto’s Clam House, and where the Genovese crime family controlled the Feast of San Gennaro every September by charging mob tax on everything from the scungilli stands to the water guns. Now Canal Street marked the center of Chinatown, and Little Italy was a shadow of its former self. Chinese immigrants had continued pouring into this country. Italians did not. The Chinese drifted north into Little Italy. The Chinese who flooded the city year after year took over the Italian neighborhood, and most of the Italians fled to Staten Island and New Jersey. Gotti’s social club, the Ravenite, had been sold off to somebody who was planning on putting in a trendy shoe store. The old Umberto’s Clam House where Joey Gallo got shot in the head over his scungilli had shut down and moved. Most of the Italian restaurants that were left had become tourist traps. Most of Little Italy was now owned by the Chinese. Only one fact remained constant over all the years—Canal Street was still the best place in New York to buy and sell stolen goods.
As Ralphie and Joey O drove over the Manhattan Bridge and into the mess of traffic that was Chinatown, Ralphie (and the FBI) began to get a clearer picture of Vinny Ocean’s illegal behavior.
Joey was happy that Vinny picked him to shake down the owner of a Long Island bus company called Manti Transportation. The setup was good. The capo put in charge of collecting, Joe Pitts, was gone. Vinny Ocean took over and put Joey O into the company in a no-show job. This was not a legal thing to do. This was more “probable cause.” Joey O put the company in the name of Joey’s daughter. He talked like a big businessman about borrowing money from his wife so he could get a $3 million line of credit from a bank to buy more buses to drive customers to Great Adventure theme park in New Jersey. He told Ralphie that every Wednesday Joey would show up at Manti Transportation and pick up a paycheck. He would cash it and kick a percentage up to Vinny as tribute. He needed the money desperately.
“The more you want, the more you need,” Joey O said.
“The more you got, the more you want,” Ralphie said.
But Ralphie could see that the more Joey talked, the more Joey wanted to talk about himself. All of a sudden, with Joey trying to keep himself upbeat about making money scheming, he dropped the F-word into the conversation.
“The FBI,” Joey said.
This could have given Ralphie a heart attack. He could have suddenly felt extremely self-conscious about the casual mention of the people he was really working for who had planted a bug in his car. Then again Ralphie could have felt Joey O would never have mentioned the FBI so casually if he ever suspected Ralphie. And it would seem that the latter was true, because Joey just prattled on and on about some agents in a boat taking photographs of him hanging out at Vinny Ocean’s hundred-foot dock on Long Island Sound.
“There was a degenerate taking pictures of us while I had my bathing suit on,” Joey O said. “They were agents. The guy on the left would make a call, the guy on the right would pick it up. They were talking to each other, these fucking agents. Taking pictures of me while I’m taking my clothes off. Cocksuckers.”
Ralphie said nothing, and Joey went on. Other FBI agents had come to Joey’s home in Staten Island, where he lived with his ancient grandmother. “My grandmother answers. She says in Italian, ‘Who’s this?’ I say, ‘The cops.’ She says in English, ‘Get the hell outta here!’ So the cop is saying, ‘I have a subpoena for you.’ He says, ‘Here,’ and he gives me a subpoena.”
Ralphie cautiously ventured back in: “For the grand jury.”
“My lawyer told us just give your address and phone number. They ask, ‘Do you know a Vincent Palermo? How long do you associate with Vincent Palermo?’ They ask you four or five questions.”
“Then they let you go?” Ralphie asked, but Joey ignored him.
“So the Justice Department came down and they put on about seventy-eight people. They got neighbors.”
“Neighbors?”
“Everybody,” Joey O said. “You want to write a book? I can write a book.”