Mafia Princess
Authors: Marisa Merico
THEY’RE LAWLESS.THEY’RE CRIMINAL.
THEY’RE FAMILY.
with Douglas Thompson
FOR LARA AND FRANK
‘The family – that dear octopus from whose tentacles we never quite escape nor, in our inmost hearts, ever quite wish to.’
DODIE SMITH
,
I CAPTURE THE CASTLE
, 1948
‘But I don’t want to go among mad people,’ Alice remarked.
‘Oh, you can’t help that,’ said the Cat:
‘We’re all mad here. I’m mad. You’re mad.’
‘How do you know I’m mad?’ said Alice.
‘You must be,’ said the Cat. ‘Or you wouldn’t have come here.’
LEWIS CARROLL
,
ALICE’S ADVENTURES IN WONDERLAND
, 1865
CHAPTER SIX COUNT MARCO AND THE DAPPER DON
CHAPTER TWELVE BETTER OR WORSE
CHAPTER THIRTEEN LA SIGNORA MARISA
CHAPTER FOURTEEN RAINY DAYS IN BLACKPOOL
CHAPTER FIFTEEN WHO’LL STOP THE RAIN?
CHAPTER SEVENTEEN MEAN STREETS
‘Dream as if you’ll live for ever, live as if you’ll die today.’
JAMES DEAN
, 1954
They shot dead my godfather with a 7.63 calibre pistol as he sat in his favourite barber’s chair waiting for a wet shave.
An explosive bullet from a high-precision rifle blew the top off my dad’s cousin’s head as he left his house, in the hurried moment between his front door and his armour-plated car.
An uncle of mine was gunned down by automatic fire as he was serving wine in his café-bar one lunchtime.
Soon after, the man who issued the orders for these murders was killed while in protective custody, as he took his Sunday morning exercise in the prison yard. A marksman aiming from a building outside the prison walls put a rifled, explosive bullet in his forehead.
With nearly seven hundred combatants and innocents already dead, the violence was escalating every day and my family was suffering. Which was why, at the age of nineteen, I agreed to drive South with a consignment of military weapons packed into the secret compartments of the family’s customised Citroën, the one that was usually used to traffic heroin.
We stacked machine pistols, handguns and rifles, clips of ammunition, bullet-proof vests and jackets on top of the heavier hardware: Kalashnikovs, those awesome AK-47S which can spray out 650 rounds a minute, and bazookas that toss armour-plated vehicles into the sky.
It was like packing your sweaters and skirts first in a holiday suitcase, having all the ironed stuff lying flat, your toilet bag and shoes stashed in the corners.
I was too young to understand the complexity of everything that was happening, and too dizzily in love with the boyfriend who came with me to feel scared – even when the
carabinieri
stopped for a chat alongside our car, where we had stashed away enough weaponry to start World War Three.
We didn’t have a fear in the world. It was just like going on a family summer holiday.
After our delivery, the war became even more intense. The rival families didn’t have the contacts to get military weapons like the Yugoslav bazookas we’d brought. Hit squads operated as four-men units: a driver, a shooter with a 12-gauge automatic Benelli, renowned in the lethal mechanics of urban warfare, two men with machine pistols. Russian RPGs, the antitank grenade launchers, were around. There were also arson teams to burn out the rivals who were taken down by rifle fire as they struggled to flee the flames.
Still it wasn’t all one way. Uncle Domenico – a lovely, lovely man, full of laughter and fun, my Nan’s brother, one of my favourite uncles – was shot dead as he strolled onto his bedroom balcony to smoke a cigar.
How many people have relatives who are shot and killed? I grew up with it.
These were insane times.
It was violence against violence and even then it was clear to me that the winner is the one who has the more homicidal equipment. And intentions.
I’ve learned such things for, even before I was born, violence was vital to my life.
It got me born.
GUCCI GUCCI COO
Fidarsi è bene, non fidarsi è meglio.
[To trust is good, not to trust is better.]
ITALIAN SAYING
I was born on my Nan’s kitchen table. I emerged reluctantly, just in time for breakfast, in the middle room of her house in the Piazza Prealpi in Milan.
It was the same table on which my Nan had given birth to her twelve children, including her youngest, Angela, who’d arrived just four weeks earlier.
My mum didn’t have any contractions. She was taking her time to deliver me and Nan’s household wasn’t used to that.
‘Push! Push, push!’ Nan’s friend Francesca the midwife shouted at her.
Mum wasn’t pushing, not at all. She didn’t know what all the fuss was about. She was in a haze. She had no energy left. She’d been in labour for more than twelve hours.
‘Go on, push!’
Nan couldn’t understand the delay. When she’d given birth to Angela the month before, the production line had been as smooth as ever. This silly English girl on the kitchen table just didn’t have a clue how to have babies. Shouting wasn’t helping. The family had been up most of the night; they wandered around, yawning, trying to stay alert, but the coffee had stopped working hours before.
Now, at 8 a.m. on Thursday the 19th of February 1970, they’d had enough. Certainly my grandpa Rosario Di Giovine had. He wanted his breakfast.
‘Nothing’s happening, nothing at all,’ said Nan.
Grandpa rolled up his sleeve: ‘Right, come on! Come on, my girl…
Vai! Vai!
’
He gave Mum a real slap on the leg. Then another, harder, on the backside: ‘Come on – let’s have you.’
Mum pushed.
I arrived at 8.09 a.m.
Grandpa went off to eat, as if nothing had happened. My nan went to a cupboard at the side of the room. The midwife swaddled me in cotton cloths, and Nan returned with a purple cashmere Gucci blanket, a gift from an associate, and wrapped me up in it.
It was appropriate. I’d been born into the Mob. I was a Mafia Princess.
My mum didn’t have a lot of milk, so Nan breastfed me a few times. I loved my nan. I was always her favourite. Yet that Gucci blanket was no glass slipper. My early life was more like Cinderella’s
before
the prince came on the scene. And certainly no fairytale.
As I grew up, the family were ferociously pursuing their business, and that involved a great deal of guns and drugs and death. For my father’s family it had always been that way.
Nan was a pure bloodline Serraino, born in Reggio Calabria to one of the legendary ’Ndrangheta clans that
make up the Calabrian Mafia. Pronounced
en-drang-ay-ta,
it translates as honour or loyalty, and loyalty to the family (or ’
ndrina
) is in the blood, flowing through their veins.
Nan can’t sign her name – she uses an X on documents – but she is one of the most remarkable Mafia figures of the past few decades, known widely as
La Signora Maria,
the Lady Maria. The authorities are ever so complimentary about her. I’ve seen Italian legal paperwork that ranks her the most dangerous woman in Italy.
I was named after her – Maria Elena Marisa (Di Giovine) – but people always called me Marisa; to avoid confusion, they said. Confusion? That was a good one.
La Signora Maria
is unique.
You don’t join the ’Ndrangheta; your membership is ordained. All Nan’s children knew the laws of such an indigenous and territorial Mafia family. They saw it as kids in Calabria, where my nan learned the gospel of violence first hand. People think that men run everything in the Mafia and the little woman isn’t even allowed to stir the pasta sauce. About half an hour’s sail across the Strait of Messina in Sicily, home of the Cosa Nostra, female roles were more like those you see in the movies, but in Calabria’s ’Ndrangheta, built for more than 150 years on the blood family, women have always been heavily involved in both the kitchen and the crime. There are even sisters in
omertà
– the Mafia code of silence. There are stories of initiation ceremonies for women not born into the family to be formally accepted. Blood relations and family ceremonies such as weddings, communions,
christenings and funerals, are the core of the life. And death. There wasn’t ever a grey area with my nan. Nothing ambiguous about
La Signora Maria.
She was the boss, the ultimate law.
And Pat Riley from Blackpool’s mother-in-law.
Mum was a stunner – blonde, shapely and fun to be around – but brought up in the suburbs of north-west England to be practical and sensible. Up to a point. She’s always been determined, her own person. The Blackpool Illuminations were never going to be the only bright lights in her life.
Patricia Carol Riley is a baby boomer, born on 17 January 1946, a little more than a year after her father, Jack Riley, returned from his wartime service in the ambulance corps. He and Grandma Dorothy had two more daughters, Gillian and Sharon. Granddad worked as a greengrocer, and Grandma had two jobs, one in a grocery store and another at the local Odeon. The long hours finally allowed them to buy themselves out of a council estate and into their own home for the sum of £3,000.
A treat for the girls was salmon paste sandwiches and tea on the beach next to Blackpool Promenade. It was a good life but quiet, ordinary. There were never going to be any surprises. It’s easy to understand that it got boring for a bright teenager like my mum.
She has her artistic side, she has an ‘eye’. She’s absolutely brilliant at art. She’s got an ‘A’ level in it and could have taught it but her dad wouldn’t let her go to art college. He
thought it would be a waste of time – a degree and then she’d be off to get married and have kids. He and my grandma just wanted husbands, not complications, for their girls.
Mum was fed up. She liked her job as a window dresser for Littlewoods in Blackpool but she felt she was going down a predictable road, which she had to somehow turn off. As Monday to Friday rolled along she felt more and more trapped. She had a
nice
boyfriend: Alan, tall, good-looking and someone you could take home to fish fingers for tea. It wasn’t hot passion. When Alan started talking marriage, the alarm bells went off. There had to be something more, hadn’t there? Brenda, her best pal, had found that working as an au pair in America. Or so she said in her many gossipy blue airmail letters about the boys and the wild nights out.
‘America? Never!’ screamed Grandma Dorothy. ‘What’s wrong with life here? It’s good enough for the rest of us.’
But it wasn’t for Mum. She felt she’d been nowhere, done nothing. And, strangely, she didn’t
belong.
She was searching for something that she, never mind her mum and dad, couldn’t understand. She dismissed her parents’ predictions that she’d be bored and homesick. But she respected them enough to compromise about going to America. She read an advertisement in the
Lancashire Evening Post
placed by an Italian company that employed English au pairs. The catch was she had to get to Italy to get the job. Her mum and dad reluctantly gave their blessing – Italy was better than flying across the Atlantic – and after eleven long weeks of Saturday
night telly, spending nothing, going nowhere, she had the fare to Milan.
‘Our Gracie’, her Nan’s favourite old-time singer Gracie Fields, who’d been born over a fish ’n’ chip shop in Rochdale, Lancashire, now lived in Capri. That was Italian! It was all very well to go to America, she thought, but at least with Europe it would be easier to get back home if she hated it. She arrived at Milan’s Malpensa Airport with thirty pounds, not one word of Italian, and the astonishing high hopes and optimism of a twenty-one-year-old Lancashire lass.
She was a sensation. In 1967, blonde English girls were still something of a novelty. And she had an instant friend, Ada Omodie, who was eighteen years old and the eldest of the four children she’d been hired to look after. They were soon in a bartering relationship: Pat helped Ada with her English and Ada taught Pat Italian.
It was
La Dolce Vita.
Pat and Ada would go shopping together, and she went on holiday with the Omodie family to Rimini where they had their own villa. Guests included Giovanni ‘Gianni’ Rivera, a star of AC Milan and the Italian national soccer team. And Pat attracted as much attention as the celebrities at the swimming pool parties. It was something she was getting used to. The Omodie family lived in central Milan and there would be lots of wolf whistles as she walked the kids to school each day, even more when she wandered home on her own. She looked straight ahead, ignored everyone.
Except Alessandro.
He was the lot, the Trinity, tall, dark and handsome: he had an angelic face, like a Renaissance painting from her art books. Pat fell head over heels when she spotted him standing in the doorway of the barber’s shop where he worked. She saw him, and he watched her every school day. But they didn’t speak to each other until one day when Pat was struggling with some brown paper sacks of shopping and Alessandro offered to help her home.
The romance began, her first true love, her first lover. She spent every moment she could with Alessandro: he filled her days, her thoughts and her life. It was that unbearable first love, the one that catches your breath, that’s so intense, so overflowing with energy, it’s a surprise you don’t explode.
They talked in Italian all the time; Pat had learned her lessons. They spent days off and holidays travelling around to Rome, Naples, and most often to nearby Lake Como where they would picnic by the water and he would whisper her name and they’d make love.
When the Omodie family said they were leaving Milan she didn’t go with them but searched desperately for a job close to her man, near Alessandro’s barber’s. She rejected nanny and au pair positions all over the city until one location worked for her. The kids were a nightmare but that wasn’t going to ruin her dream. Alessandro, a young twenty-three years old, was going to do that all by himself.
They were on one of their regular Sunday afternoon trips out to the Lakes. Alessandro was quiet and thoughtful as he laid out their blankets. They’d been together for more than
a year and Pat thought he might be going to propose to her.
Instead, she shivered in the sun as he said: ‘Patti, I love you, but I can’t ever marry you. My family have arranged for me to marry someone else. I have no choice, no choice at all.’
Pat couldn’t believe it. It was absurd. Alessandro was from southern Italy, where the culture could be as strict as Islam, but an arranged marriage? In April 1969? She couldn’t, couldn’t understand.
Alessandro tried to explain how serious it was. His parents had discovered he was seeing an English girl. His father was so indignant he took a knife to his son’s throat and hissed, ‘You stay with this English girl over my dead body.’
Alessandro said they had to end their affair then and there. It was over, for ever.
‘I’m so sorry, Patti, but there is no other way. I have no control over it. I have to do what my father is asking me.’
She begged him to change his mind. He could run back to England with her. They could hide in Italy. Go to France. America. It did no good. They were both crying as Alessandro drove them back to Milan. He gave her one final kiss when he dropped her off. It felt cold.
Pat sobbed and sobbed for weeks. She only slept when she was utterly worn out with exhaustion because her mind was spinning, asking questions around the clock. It was really just one question: why?
The only thing keeping her sane was the hope that it was all a mistake: Alessandro would come back to her, the
arranged wedding would be abandoned and all would be well.
That was a fantasy; the reality meant more heartache. Friends told her Alessandro had met his future wife and the wedding date had been set. She snapped. The crying stopped. With no more tears left in her, she went to see Alessandro at his barber’s shop. Hysterical, she screamed for her lover to come out.
‘You’ll get me killed, Patti!’ Alessandro shouted back. ‘You’ll get me killed if you do this! Go away before someone sees us.’
He slammed the door in Pat’s face. With a loud crack he threw back the heavy bolt. It went into her heart.
She found the tears again. They flooded out as she limped off down the street. She was sobbing so much she could hardly see the two young guys asking if she was OK, if she wanted a lift home.
Love had turned into frustrated anger and Alessandro, the man she wanted so terribly, was the only one she could take it out on; cursing him, she was thinking in a mixture of English and Italian: ‘Right! I’ll show him what’s what.
Vivi il presente
.’
Without a thought about what she was doing, she got into the back of what she soon realised was a very smart car. It seemed brand new. She could smell the leather.
The driver, who introduced himself as Luca, said: ‘Momento!’ They had to wait for another friend, just a couple of minutes and they would be on their way. They
would look after her, take her home. She mustn’t worry, must stop crying. The other guy, Franco, got in the back of the car with her.
Pat didn’t care as the moments ticked on. She sat silently all wrapped up in her aching upset. It was the end of her world, of her life. She was traumatised. She felt dead inside.
Suddenly, the driver was talking to someone. There was a clunk and a pull at the front passenger door. A short, wiry young man with a flowing flop of black hair climbed in beside the driver.
He twisted, whirled around, and stared at Pat with a naughty grin:
‘Ciao, bella! Ciao, tesora.’
[‘Hi, lovely! Hi, beautiful!]
His name was Emilio. Emilio Di Giovine.
