Authors: John O'Farrell
Molly stared at me and I attempted the tiniest imperceptible shake of the head at her, hoping the intensity of my glare might warn her off saying anything more.
âA straight one hundred per cent in all three papers. We don't get many of those. I hope you are not going to let your standards slip from there, Molly?'
I looked expectantly at my daughter, willing her to perform as she managed a nervy shake of the head. After that I think the rest of the interview went very well.
âDo you have any hobbies, Molly?'
âOh yes, she has lots of hobbies, don't you, darling, she plays the violin, and she likes drawing and swimming and she goes to ballet and she loves to read; Molly and her friends even have their own book group.'
âHave you travelled much, Molly?'
âOh yes, she's been all over the world, haven't you, darling? France, Italy, America, Kenya, um, Center Parcs â¦'
I had desperately wanted to like Miss Reynolds and I was not disappointed. Her warmth and interest in my daughter filled me with excitement and optimism; she was more liberal, friendly and unstuffy than I had dared to hope. At the interview for Spencer House, the head always wandered back to the
car park with potential parents to see what sort of car they drove. Here there was no sense that we were being judged or pigeonholed â it was the child that interested her, she said, not the bank balance or social standing of her family. Miss Reynolds would never send a snotty letter home asking that mothers refrain from picking up their children wearing jeans. Not that I had taken any notice of that letter from Spencer House. Those jeans were a bit unflattering anyway.
It was raining when we got outside, so we postponed our planned walk round the site. As Molly skipped over the puddles in the car park, I asked her how she felt about going to her new school.
âMmm,' she said nodding, doing her best to provide the answer I was hoping for. But as she waited for me to unlock the car I could sense there was something troubling her.
âMum, you know I got this scholarship? Well, how can I have got one hundred per cent in all three papers if I didn't answer every single question?'
I struggled to find the right key.
âOh, I think they probably must allow for leaving one or two questions unanswered, don't you? Or maybe they rounded it up, yes, that'll be it I should think, they rounded it up,' I stammered, finally realizing that the house key was never going to unlock the car. âThough, as I said, it's important that you don't talk about the exam any more. We don't want some jealous person trying to question your result, do we?' At that moment I managed to set the car alarm off. The siren wailed and the lights flashed and I suddenly felt panicky and stupid.
The rain turned into a downpour as we climbed into the sanctuary of the 4x4. I switched the hot air up to maximum and the windscreen wipers began their eternal rhythmic game of tag: âGot you, got you back; got you, got you back.' I
steered my urban tractor out of the school and turned down the road. The rain was so heavy that the street lights had blinked awake, confused at the sudden darkness in the middle of the day. In the distance I could see two figures standing by the side of the road, sharing a damaged foldaway umbrella. As I got closer I could see through my half-misted windows that it was Ruby and her grandmother, still waiting for a bus. They must have been there twenty minutes. I steered the car out away from the kerb as I passed them, not wanting to send any spray too close, but my eyes stayed firmly locked ahead. I didn't see if they looked directly at me or not. I turned the wipers up to double speed. Then I glanced in my rear-view mirror: the two figures standing in the rain began to shrink into the blurred distance. I wondered where that little girl would end up going to school, what she would do with the rest of her life, where the bus would take her now. And then I stopped the car.
âMum, what are you doing?'
I slowly reversed the 4x4 back up the road, pulled up beside them, lowered the electric window and said, âHello there. Er, I'm sort of going in the same direction as the bus route. Can I offer you a lift?'
Â
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Read by Yogi Shree Deva Prem (with an introduction by Carol Vorderman)
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.
Erratum: It has been pointed out that on Tape Three, the Yogi Shree instructs us to close our eyes and focus on
being fully present in the moment. If you are listening to the tape while driving, we ask that you keep your eyes open for this part of the exercise
.
It turned out that Ruby and her grandmother lived about five hundred yards away from the end of our road.
âOh, we live in Clapham as well, don't we, Molly,' I'd said brightly, when she told me where they were headed.
âReally! Well, you know the Wilberforce Estate?'
âYes â¦' I lied. I had vaguely heard of the Wilberforce Estate, but I'd never have been able to place it. Those roads didn't feature in my mental AâZ; there were just a few invented hills with the legend âHere be monsters'.
âWe live in Gisbourne House.'
âOh right. Lovely.' And then not knowing what else to say I heard myself ask, âDo you have a nice view from up there?'
A little voice in my head was saying, âAlice â shut up!' but this was drowned out by the louder voice of my daughter saying, âMum â shut up!'
âNo, our block is only three storeys high. We look out onto Thornton House.'
âOh yes â¦' I said, as if that had helped me place it.
âWhat about you? Where do you live?'
âWe live in Oaken Avenue?'
âOh, that's a very nice road. So she can hop on a 137 and that'll take her all the way to Chelsea College!'
âMmm, although the school lay on a special bus, don't they? It picks them up from the Old Town.'
âYes, I read about that in the prospectus!' Ruby's grandmother hooted with laughter. âWhy would anyone pay seven hundred pounds a year for a private bus when the 137 goes from door to door for only 40p?'
âWell, quite!' I laughed, tutting at the madness of some people. Because it felt safer ⦠I thought. Because we are frightened of the idea of letting our precious children travel alone on the white-knuckle ride of a public transport bus. Of course, even using the private bus is still a worrying prospect â one mother I knew let her son travel on it, but then manically cycled alongside every day to make sure he got there safely.
âI expect Molly will just get the 137 â¦' I mumbled.
There was a minute's silence in memory of my honesty as we waited for the lights to change at Chelsea Bridge.
âYou have a very nice car.'
âThank you. Do you, um, have a car?'
âNo.'
âGood for you. I mean, well, they're very bad for the environment, aren't they?'
âRuby's mother used to have a Metro but it died.'
âOh, I'm so sorry â¦'
I was shocked by how self-conscious I felt, by my nervousness at making small talk with an elderly black lady. Despite the fact that I lived in south London I didn't know any black people at all. Obviously there are occasions when one finds
oneself in conversation with smartly dressed elderly black women, but since Ruby's grandmother was not offering me a copy of
Watchtower
I didn't know quite how to react to her.
âSo, er, did you grow up in south London?' I finally enquired, having decided that this sounded better than: âSo where are you from?'
âNo, I'm from Accra.'
âRight â¦' I nodded. I'd heard the name but couldn't place it. âMy husband and I went to St Lucia for our honeymoon.'
âOh really? Accra is the capital of Ghana. In West Africa.'
âYes, of course, but you just reminded me of St Lucia because, well, it was quite sunny there. Um, like Africa is â¦'
My face changed to red, the lights changed to amber. I switched on the cassette player, hoping some pop music might puncture the embarrassing silence.
âOnly through sharmatha can you enter into the truth of Zen â¦' said an eastern-sounding man as wind chimes tinkled mysteriously in the background.
âOh not that one, let's see what other tapes we have here ⦠Avril Lavigne, Dido ⦠Ah, perfect,
Motown's Greatest Hits
. ⦠Oooh baby love! My baby love â¦'
âMum, why are you singing along? Just shut up!' said Molly.
âOoh miss kissing you â¦' I crooned. âWe love Motown, don't we, Molly? And soul music. I've got some James Brown somewhere ⦠I like all black music, actually: Motown, soul, reggae ⦠Except rap, I don't like rap, but not because it's black because I don't like Eminem either and he's white, isn't he?'
âMum, which bit of
shut up
don't you understand?'
In the rear-view mirror I saw Ruby's face register shock at my daughter's rudeness and for a moment I was embarrassed by Molly's privately purchased overconfidence.
As we approached Clapham I wished I hadn't casually claimed to be familiar with their estate. âSo what's the best route to your block exactly?'
âIf you just take the main entrance into the estate, it's on the left,' she said unhelpfully.
âRight, OK ⦠so just remind me, which road is the Wilberforce Estate off again?'
âWilberforce Road.'
âOf course, Wilberforce Road ⦠which is ⦠up here on the left, isn't it?'
âThird right.'
âThird right. That's it, yes.'
The council estate might as well have been on another planet. Except I imagined if Captain Kirk beamed down into this estate, the moment he flipped open his communicator he'd probably be mugged for it by some fifteen-year-old hoodie. âWicked mobile! You can text, send pictures and be transported through antimatter.' We pulled up outside their block, a utilitarian postwar build combining concrete and Lego, where the architects had decided the first thing you would want to see were a couple of huge steel sani-bins. The patches of grass were all worn and there was the stripped skeleton of an old bike pointlessly locked to the railings. Kids who had wanted to make a name for themselves had graffitied the doorway, though their names were completely illegible, which seemed to me to rather defeat the object. The rain had eased up but I still made an effort to get as close to their doorway as possible.
âWell, thank you very much for the lift.'
âYes, thank you for stopping,' said Ruby.
She fumbled for the door handle, but I hadn't released the child lock yet.
I pulled on the handbrake. âSo, where will Ruby go to school now, do you think?'
âI don't know, she's got one more exam to try and get a scholarship for Barnes Girls. They do their exam later, isn't it?' Mrs Osafo didn't say âinnit?' at the end of each sentence like most of the indigenous population of south London. She was far too well spoken. She said, âIsn't it?'
âOh good, yes, there's one or two girls from your school hoping to go to Barnes Girls, aren't there, Molly?' Molly gave an affirmative surly nod, which would have been undetectable in the back seats. âBut what if she doesn't get in there, what will you do then?'
âWell, tell me, what do you think of Battersea Comprehensive?' said Mrs Osafo.
âOh goodness no!' I blurted out. âI mean, none of Molly's friends would have been going there, so it would have been completely unsuitable for us â¦'
âI like the headmaster. And the new art block, isn't it?'
âWell, I've not actually been there as such, myself, but you know, one hears about various schools and it was just never a place we even considered â¦'
âHer mother says Ruby will probably go to Battersea Comprehensive. We can't afford private school without a scholarship. But Chelsea and Barnes get more children into Cambridge University, where Ruby is going, isn't it?'
âAre you going to Cambridge then, Ruby?' I said with a smile.
âYes,' she said flatly.
âAnd what are you going to study?' I chuckled.
âPure Maths.'
âOh. All right.'
She was deadly serious. Eleven years old.
My
daughter wanted to be a pop star.
It was now that a sense of gloom descended over me about the chances of Ruby's obvious potential ever being realized. She was never going to get a scholarship without intensive one-to-one coaching from one of the handful of private tutors who specialized in getting children through those exams. I had been there, I'd learnt what was required, I knew the hoops that the children had to jump through. I turned off my engine.
âThose private tutors are very expensive, aren't they â has Ruby had any one-to-one sessions or anything?' I asked tentatively.
âI sit with her while she does her homework ⦠She always does extra.'
âRight, and what about practice papers? Has she done any of those?'
âWhat do you mean, practice papers?'
âTo practise doing a test so you can see where she needs help before the exam proper?'