Mean Streets

Table of Contents

 

 

 

 

 

“Think
Buffy the Vampire Slayer
starring Philip Marlowe.”

 

“What would you get if you crossed Spenser with Merlin? Probably you would come up with someone very like Harry Dresden.”

 

 

 

“Sam Spade meets Sirius Black . . . inventively gruesome.”

 

“Fast-paced and amusing, as well as packed with inventive details.”

 

 

 

“A great heroine.”—Charlaine Harris

 

“A creepy and original addition to the urban-fantasy landscape.”

—Tanya Huff

 

 

 

“Tightly focused and deftly handled. . . . Fans of urban fantasy and classic detective stories will enjoy this smart and playful story.”

 

“The most inventive novel you’ll buy this year . . . a hard-boiled noir fantasy by turns funny, unsettling, and heartbreaking.”

—Christopher Golden

ROC

Published by New American Library, a division of
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Penguin Books Ltd., Registered Offices:
80 Strand, London WC2R 0RL, England

 

First published by Roc, an imprint of New American Library,
a division of Penguin Group (USA) Inc.

 

First Printing, January 2009

“The Warrior” copyright © Jim Butcher, 2009 “The Difference a Day Makes” copyright © Simon R. Green, 2009 “The Third Death of the Little Clay Dog” copyright © Kathleen Richardson, 2009 “Noah’s Orphans” copyright © Thomas E. Sniegoski, 2009 All rights reserved

REGISTERED TRADEMARK—MARCA REGISTRADA

 

Library of Congress Cataloging-in-Publication Data
Mean streets / Jim Butcher . . . [et al].
p. cm.

eISBN : 978-1-440-69994-8

1. Occult fiction, American. 2. Private investigators—Fiction. I. Butcher, Jim, 1971-
PS648.O33M43 2009
813’.0876608—dc22 2008044845

 

 

 

Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise), without the prior written permission of both the copyright owner and the above publisher of this book.

 

PUBLISHER’S NOTE

These are works of fiction. Names, characters, places, and incidents either are the product of the authors’ imaginations or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.

The publisher does not have any control over and does not assume any responsibility for author or third-party Web sites or their content.

 

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JIM BUTCHER

I
sat down next to Michael and said, “I think you’re in danger.”

 

 

Michael Carpenter was a large, brawny man, though he was leaner now than in all the time I’d known him. Months in bed and more months in therapy had left him a shadow of himself, and he had never added all the muscle back on. Even so, he looked larger and more fit than most, his salt-and-pepper hair and short beard going heavier on the salt these days.

He smiled at me. That hadn’t changed. If anything, the smile had gotten deeper and more steady.

“Danger?” he said. “Heavens.”

I leaned back on the old wooden bleachers at the park and scowled at him. “I’m serious.”

Michael paused to shout a word of encouragement at the second baseman (or was that baseperson?) on his daughter Alicia’s softball team. He settled back onto the bleachers. They were covered in old, peeling green paint, and it clashed with his powder-blue-and-white shirt, which matched the uniform T-shirts of the girls below. It said “COACH” in big blue letters.

“I brought your sword. It’s in the car.”

“Harry,” he said, unruffled, “I’m retired. You know that.”

“Sure,” I said, reaching into my coat. “I know that. But the bad guys apparently don’t.” I drew out an envelope and passed it to him.

Michael opened it and studied its contents. Then he replaced them, put the envelope back on the bench beside me, and rose. He started down onto the field, leaning heavily on the wooden cane that went everywhere with him now. Nerve damage had left one of his legs pretty near perfectly rigid, and his hip had been damaged as well. It gave him a rolling gait. I knew he couldn’t see out of one of his clear, honest eyes very well anymore, either.

He took charge of the practice in the quiet, confident way he did everything, drawing smiles and laughter from his daughter and her teammates. They were obviously having fun.

It looked good on him.

I looked down at the envelope and wished I couldn’t imagine the photos contained inside it quite so clearly. They were all professional, clear—Michael, walking up the handicap access ramp to his church. Michael, opening a door for his wife, Charity. Michael, loading a big bucket of softballs into the back of the Carpenter family van. Michael at work, wearing a yellow hard hat, pointing up at a half-finished building as he spoke to a man beside him.

The pictures had come in the mail to my office, with no note, and no explanation. But their implications were ugly and clear.

My friend, the former Knight of the Cross, was in danger.

It took half an hour for the softball practice to end, and then Michael rolled back over to me. He stood staring up at me for a moment before he said, “The sword has passed out of my hands. I can’t take it up again—especially not for the wrong reason. I won’t live in fear, Harry.”

“Could you maybe settle for living in caution?” I asked. “At least until I know more about what’s going on?”

“I don’t think His plan is for me to die now,” he replied calmly. It was never hard to tell when Michael was talking about the Almighty. He could insert capital letters into spoken words. I’m not sure how.

“What happened to ‘No man knows the day or the hour’?” I asked.

He gave me a wry smile. “You’re taking that out of context.”

I shrugged. “Michael. I’d like to believe in a loving, just God who looks out for everyone. But I see a lot of people get hurt who don’t seem to deserve it. I don’t want you to become one of them.”

“I’m not afraid, Harry.”

I grimaced. I’d figured he might react like this, and I’d come prepared to play dirty. “What about your kids, man? What about Charity? If someone comes for you, they aren’t going to be particular about what happens to the people around you.”

I’d seen him display less expression while being shot. His face turned pale and he looked away from me.

“What do you have in mind?” he asked after a moment.

“I’m going to lurk and hover,” I told him. “Maybe catch our photographer before things go any further.”

“Whether or not I want you to do it,” he said.

“Well. Yes.”

He shook his head at me and gave me a tight smile. “Thank you, Harry. But no thank you. I’ll manage.”

Michael’s home was an anomaly so close to the city proper—a fairly large old colonial house, complete with a white picket fence and a yard with trees in it. It had a quiet, solid sort of beauty. It was surrounded by other homes, but they never seemed quite as pleasant, homey, or clean as Michael’s house. I knew he did a lot of work to keep it looking nice. Maybe it was that simple. Maybe it was a side effect of being visited by archangels and the like.

Or maybe it was all in the eye of the beholder.

I’m pretty sure there won’t ever be a place like that for me.

Michael had given a couple of the girls—young women, I suppose—a ride home in his white pickup, so it had taken us a while to get there, and twilight was heavy on the city. I wasn’t making any particular secret about tailing them, but I wasn’t riding his back bumper, either, and I don’t think either of them had noticed my beat-up old VW.

Michael and Alicia got out of the car and went into the house, while I drove a slow lap around their block, keeping my eyes peeled. When I didn’t spot any imminent maniacs or anticipatory fiends about to pounce, I parked a bit down the street and walked toward Michael’s place.