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Authors: Simon Mundy

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Topkapi Cat

When the revolution came,

Eight generations earlier,

Your ancestor said the guards' bright

Costumes dimmed to khaki, girls

Ambled outside the harem,

Mice multiplied and though at night

It became your silent playground

There were no cushions, no fires,

No kitchens, no fallen viziers

Seeking the comfort of a purr,

Warm fur and the sweet lament of the oud.

A Prayer for a New God-daughter

Preserve the moment

When nothing is decided:

Not name, not the pace

Or direction of childhood,

The shape or frequency of love,

The pull of money, home or duty.

Cry for the future and smile

At your new day, the few already past,

And let no-one organise your mind,

Dictate your prayers or their destination.

Let your conquests be in hearts

And your mercy boundless.

Do not blame the silence

If you cannot hear the songs,

For they are all yours to compose.

Afternoon Excuse

It seemed the perfect lie

Nonlucent, impervious, elegant.

So it remained for a day

From the first insistent message

To the fluent second, too fluent,

The embellishment, the doubt trigger

The new unnecessary place where you

Had to be for the satisfaction of the gods.

Did you decide early or only

In the morning when the dread set in?

Society Haiku

So, Mr. Prufrock,

How's the rest of your week look?

Mega exciting?

Translated Daughter

After Auden

and the art of Klara Pokrzywko

Translated daughter

Who prints a foot

Into virgin paper

Or compliant silver

Leaves a torso

To bronze in the sun,

Takes the sweat

Of spent bodies

Tainting the sheets

And hangs them

To dry in the wind.

Come down then

And blend the acid

With immortal fire

To catch a version

Of your arms and teats

Your curling lips

Against this skin

Startle this itinerant

Mortal to perform

And serenade

The natal moment

We transform

This sombre night

Into glorious dawn.

Olympic Love

You are my cauldron, my petals of flame

Consuming hope, dropping molten rings

Here, there, nowhere near enough

For even a pentathlete to reach your body.

I want you to dive from aeroplane high clouds,

Cut the water silently, touch and score gold.

When you step up to bow your head

For the medal, freshly cast, this special anthem

Will banish nations and tell how you,

My sweet youth across the world,

Have gathered at these games for me alone.

The New Senedd, Cardiff

A Poem for the Opening, St. David's Day 2006
.

Watch the words fly in their aviary of toughened

Glass, mingling with other languages,

Obfuscating in front of everybody as if it were decent

To debate without resolution, their consonants

Finished with the thud of English,

The crack of Welsh drugging meaning

Until they float from the chimney of the politics bothy

Or are netted, protesting their innocence

And captured digitally for all to read,

Shameless in the cold of history.

A Vote for Absence

That was an unusual manifesto by any standards,

A plea for anti-votes, for noughts not crosses.

The crosses were no protection

And the noughts contained no promises.

Thirteen candidates were enough to cause

Alarm but escape from the conclusions was futile,

The message from the people clear but silent.

All twelve party candidates had voted crossly for themselves,

Thirty-three thousand, three hundred and thirty-seven voters

Approved their choice with nought. Abstentions won.

The others were all equally cancelled, the noughty manifesto

Adopted – no more laws nor regulations,

Three terms results in surfeit, redundancy rules.

Lines...

Commemorating the European Commission Conference ‘Dialogue Between Peoples and Cultures: the Artists and Cultural Actors, Held for Two Days in Brussels' Palais de Beaux Arts (BOZAR) During the Brussels Bravo Festival, February 2005 under the Patronage of President Barroso of the Commission and Repeated at the Berliner Konferenz A Soul For Europe, November 2007 to Official Acclaim.

Men spoke and left

A heap of words.

Gradually the molten breath

Set hard,

Syllables married phrases

Helixed into paragraphs.

Soon we had a mountain,

A jagged unloved peak,

The accidental

Inconsequential spoils

Of Europe's thought.

Mohammed will not come

To this mountain

And no-one has the money

To move it.

Citrus

Above Manhattan the clouds were trying to snow

Paltry flakes, apologies

For America's apocalyptic weather.

We had a rendezvous for Amsterdam Avenue

On a Sunday uncomplicated in any way

The Baptists in their funeral house

Or the Jews next door would understand.

Instead you melted away like the fire trucks

After they failed to find a fire,

Like the love of the couple at the adjacent table

As babies were discussed and her

Desire became his discarded theory.

The snow came to nothing and the lemon trees

Stayed green without the bitterness of fruit.

Windows

Looking out from your twin windows

The view changes little with the hours,

A wall, some graffiti, multicoloured,

Left by small men with few words.

You wait for the scene to shift,

For true landscape to be revealed,

Then the brown curtains that shield

The inside, forbid outsiders to peer through,

Will be drawn, letting the sun

Tint the sparkling lenses green,

Granting rare permission to approach

The soul, not yet with understanding

But with a silent clue.

Collusion

Altay and Smokey Mountains,

Siberia and North Carolina

I have slept between these mountains before

And heard the river swirl perpetually

Interrupting dreams and the cries

Of excited children on the rocks.

Another continent, enemy country

Hosted me then, held me

Hostage for the weekend, secured

By ropes of hospitality, expectant smiles.

The mountains curve gently, letting trees

Creep up their skirts all the way

To the summit. Valleys are nursed

Down to the plains, easing the summer heat.

Without the people sharpening their languages

The mountains know they are cousins

Stranded like colonial lovers around the world.

Now and then they remember each other,

Sigh contentedly, and tip settlers

Skirmishing through the rapids.

Radnor Songs

I

The Buzzard

On the ridge above Radnor

Four barrows prick the skyline

Half moons for the bones of kings

Who became pointers to the stars.

Now their hunting fields are mine

For I can out-span their arms

Swoop faster than their rabble,

With a cry soar and open

Their horizon to the falling sun.

II

Four

I've lost the key, no

It's worse than that.

I've lost the lock,

The secret, the reason

For the secret

Four

Always guarded by four

Corners of a circle

Castles in the south

Forts from a time when

Iron meant victory

Not slag and unemployment,

Barrows on the crest

Stones for sun and constellations

Quarters for soldiers.

What for?

All I have

Is a list of what has been,

The feeling of missing

Fun, sport, import, point

All four.

III

Summergill

Sewing the field patchwork idly

Caring nothing for irregular sides,

Making noises that soothe the animals,

Ingratiate the birds and lure

Weekend lovers to your blooming meadows,

You are the perfect gill for summer.

Major brook, non-commissioned river,

Winter roar worth little more

Than a minor flood.

Who now can hear the ice that gave you birth

Or in your feline waters

Taste the warrior blood?

IV

Flat Out

Flat out, stretched with no more to say

After we had made the earth our altar,

Sown, reaped and threshed under the full sun,

We lay, gazed at the buzzard circling

High enough to mistake us for prey.

In this strange field we had been a sacrifice,

Content leeching into the shorn grass

Four millennia after the lost knife

Had caught the glint of a midsummer morning

In the national stadium, cathedral close

Bounded by posts the width of forty year oaks.

You sang, and round the valley

Delighted larks understudied the ghosts.

V

Radnor (New)

What ambitious streets this city has,

Broad enough for oxen, hay and castle stone,

Straight and crossed as a grid for New York

Four centuries too early.

The church would kid you it's Italian

But this is no Verona,

No room for a piazza or even a café,

No colonnades to strut among the plotting ladies,

No opera nor dancing den.

Radnor sighs and wails

For enlightened settlers

With more energy than time.

VI

Radnor (Old), Church and Harp

Caught between the placid green of hopeless farms

And the road rush, fleeing or seeking cities,

Each tree and turf flank shields an era,

The rubbish of violence, the boundaries of lost significance.

A path leads nowhere, ditch to bramble patch,

Pint to table, pub to bungalow

Instead of castle moat to thoroughfare,

Stadium to sanctuary.

There is no truculent Roman, or Conqueror's

Man-at-arms, no rebel or persecuted priest.

The chariots rot beneath unnecessary sheep,

Aristocrats have dismissed their servants,

Sold their mansions to democracy, rabbits breed

Where chieftains sacrificed

For a benign scene such as this

Ravaged by tranquillity.

Presteigne Festival/Gwaithla 25 Years On

Where I planted a slender hedge

A damson forest spreads across the field

And apple, cherry and copper beach

Have shrugged off their sapling support,

Hold their own against the storms with confidence.

The curlews have fled the breeding buzzards

And the faithful swallows have left the bats

Their stretch of roof which sags where the builder

Once said, rightly, it would last for years.

Outside, in front, the ground has risen perceptibly.

A century has changed, a quarter passed,

A generation's beauty has furrowed and eroded,

Desire crumbled into bitter flakes

Through parenthood and worse, our circumference

Grown without accomplishment to match.

Music, once so new it frightened,

Now rests easy in the catalogue of old invention

Waiting for revival, measured by fresh fingers,

Counted, like us, quite sweet, motherly

Though misshapen by neglect and time.

The plans have progressed from paper

To ash, to compost nurturing

The accidental damsons. Will there be

Hours enough, and inclination

And hope to reap their fruit?

The Island

I

The party started at three in the morning, give or take a hoot and whoop,

Became a near riot as the little road clogged with mokes

And jeeps and rattletrap trucks

Delivering fuck-you boys to the beach

And clever-clever girls to the music by the sea.

Friday night, Friday Fight Night,

When the horns are worn and sounded,

Conch against car, parish against parish.

Only the dawn brings peace to these tidy rioters

Who love and leave nothing broken in the wrack.

II

How did we know the world would never be the same again?

We had seen the rain coming towards us across the sea before,

Though mainly in the morning, out of season, with a wind basking in its wake.

Once we had seen a vast flock, an air force of boobies

Commanded, it seemed, by a lone white gull.

We had seen them break from the water, attack

A whole cruise liner of Americans, cheered on by flying fish

As the decks were bespattered and beshat,

The bright shirts ripped and stripped,

Stippled with the blood of Dakota.

It was revenge, of course, for the music and the flashing,

The awful voices and the thud of engines in good fishing time

But it was good to see the boobies bite the complacency

Off the imperial backsides out to sea.

We had even seen the water in the harbour boil, then drain

Suddenly as if the plug of hell had been pulled in a pissing rage

By Satan quenching the fire of his slovenly devils.

Then we ran as he and they cooled down, as he let off steam

And the water, superhot, rushed to swamp the houses and

Place a banana boat in the aisle of the Cathedral, parked so neatly

That Rita nearly gave it a ticket.

We had seen things go wrong and right, even occasional weddings

Before the children were born and called

Industrial non-biblical names,

But we had never seen – not even when the water

Was as crowded as a London tube at five on a Wednesday afternoon

Like a Jamaican election party – we

Had never seen the dolphins

Crash.

III

Along the wharf the schoolgirls, nearlywomen girls

Ranged, their convent skirts bluer than the harbour water,

Flapping as pointlessly, a sea of cloth concealing

Everything but the contours of the bottom.

In the crumpled streets without pavements

Crisp uniforms were everywhere,

Shifts of pink and navy nurses leaking downhill from the hospital,

Each medalled with a watch – the only record

Of island time except the baton

Beating the police band into shape behind sun-crumbled walls

And official pick-up trucks (no questions, no answers).

Where is there to hide in this ragged town

When every wall supports a lazy spy,

A business relationship, a whatever service now,

Where we all watch and play?

Every pillar of the community stops

A house of repute and ill-consideration

Slipping from the hillside

On the ash of the snoozing volcano.

IV

Can an age be right to discover, to unwrap,

Drift, to live unsupported on the slide of a mountain?

Is there an age to braid your hair with glass and gold,

Swim with the fish brushing tight fins against receptive skin

Without the let and hindrance of bashful cloth?

Can the age be right for a mother to be mistaken for a schoolgirl

Or the rampant man for an old sage,

Treasuring his sucked thoughts like a sperm whale

Hoarding air a hundred feet below the pressure of safety?

Can the age be right for loving and leaving behind?

V

The most comforting sight from an island is not the ship

With sails full and ropes thwacking against the mast

In the offshore wind dragged to sea by the sunset.

Neither do the waves flattened

To a rhythm no more troubled than breathing,

Or breezes out of the hurricane months

Carry more than cursory touches of relief.

The sight that slips hope into the soul and excites the dormant heart

Is another island, seen clearly in the morning for the first time.

From this littered shore it seems paradise,

Smaller with gentle green peaks, the turquoise of coral rich water,

Maybe a hint of an unexplored interior full of waterfalls

And humming birds and a skiff ready to transport me,

And is that – below the shallow channel – the line

Of a forgotten causeway,

Fordable only on days of auspicion?

VI

Aeneas Arrives at Mount Erycz

Is the fire on the headland more propitious than

The pyre on the continental beach we had deserted?

Looking back across the sea

There was the smoke of the dead against the sunset.

Looking forwards into the dark mountain of the island

The red glow of the holy beacon lit for love (the sailors said),

Though whether for the future or in commemoration

I could not tell then or since in the wandering years.

There was a storm of welcome

That night when we anchored, a viciousness and tenacity

In the bite of the wind on our backs

That would never let us turn, whatever the answer.

Repairs were a week's work.

I was tired of leadership, of the price of decision,

The scorn of indecision, so in the morning

I left the chandlers to their nails, commandeered

Two slaves, females not above fifteen,

Packed food, rolled cloaks

And set a road for the mountain.

There would be a night on her slopes

Whether or not we achieved the summit together.

I expected an arduous climb but easily found the path,

Well trodden, marked by the detritus of lazy pilgrims.

Still it would take all day and I

Was soon too far-gone for marching.

The girls joined hands around my waist,

Buttressed my arms and we meandered to heaven.

Was I ready for Aphrodite?

Her priestesses seemed ready for me, if unimpressed

By my sheepish arrival, the gauche servitude of my companions.

I was tolerated a night's lodging and told to return

When I had more to offer the goddess than guilt

At squandered love and the loyalty of slaves.

VII

I have circled myself with a sea of noise and anonymity,

The cliffs of my chair fortress against conversation.

Age is on my side rendering me as invisible to the firm young wayfarers,

Especially the cadet women, as a sandbank in the morning fog,

A November morning fog of unassailable stillness,

The sort that breeds disdain, caresses alienation.

I have the mass of a small continent but bottles,

Comments and salutations pass unobstructed from coast to coast.

I am forgotten geography,

Only spotted on the map at closing time.

VIII

The sad insistence of the waves

Lapping against stone foundations,

Ruffling weed to its perpetual annoyance,

Gave a solemn lilt to the ballad

Of how the island was spoiled.

There was no need for a volcano

To send earth to heaven or turn

Rain to powdered rock, no need

For such a monumental fountain.

Signals were not hard to spot

Though many daily irritations

Were invested with false significance

The noise from engines, for instance

Or the sludge that sat and stank

Along the river banks and infested bridges.

These came after the spoiling

Like the slow demise of flowers

From poison in the water,

No, each rebuttal was born a spoiler

And though they seemed easy enough to sweep away,

For years they bred and colonised with crimson

Field after field of pale green hope

Until the island's reflection in the morning

Sky was livid with their triumph.

IX

Blow the bridges, all of them,

Left to right, bank to bank,

Royalty to university, church to commerce,

Theatre to bookshop. Three of us

Have colonised this point of the tributary island,

Poet, painter, poet, no talking yet,

(We would hate each other's art)

Think, watch the light, the roofs,

The passing dullards of every nation,

So blow the bridges.

Here goes.

X

All islands are linked by the sea, Poseidon's net,

His rape of twisted water. Is it really spume or the

Great god's sperm that spots and crusts

The drying sand?

Within mountains you can trace

That ancient ejaculation

On the knickers of the land.

Will the seed respond

When we expire

Break open with birth delight?

Perhaps he will haul

A mate for my island

Through your Bosphorus

Emancipate the Blest Aegean.

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