Mr. Britling Sees It Through (38 page)

“Now that I am a sergeant, Parks talks to me again about all these things, and we have a first lieutenant too keen to resist such technical details. They are purely technical details. You must take them as that. One does not think of the dead body as a man recently deceased, who had perhaps a wife and business connections and a weakness for oysters or pale brandy. Or as something that laughed and cried and didn't like getting hurt. That would spoil everything. One thinks of him merely as a uniform with marks upon it that will tell us what
kind of stuff we have against us, and possibly with papers that will give us a hint of how far he and his lot are getting sick of the whole affair. …

“There's a kind of hardening not only of the body but of the mind through all this life out here. One is living on a different level. You know just before I came away—you talked of Dower-House-land—and outside. This is outside. It's different. Our men here are kind enough still to little things—kittens or birds or flowers. Behind the front, for example, everywhere there are Tommy gardens. Some are quite bright little patches. But it's just nonsense to suppose we are tender to the wounded up here— and, putting it plainly, there isn't a scrap of pity left for the enemy. Not a scrap. Not a trace of such feeling. They were tender about the wounded in the early days—men tell me—and reverent about the dead. It's all gone now. There have been atrocities, gas, unforgettable things. Everything is harder. Our people are inclined now to laugh at a man who gets hit, and to be annoyed at a man with a troublesome wound. The other day, they say, there was a big dead German outside the Essex trenches. He became a nuisance, and he was dragged in and taken behind the line and buried. After he was buried, a kindly soul was putting a board over him with ‘Somebody's Fritz' on it, when a shell burst close by. It blew the man with the board a dozen yards and wounded him, and it restored Fritz to the open air. He was lifted clean out. He flew head over heels like a windmill. This was regarded as a tremendous joke against the men who had been at the pains of burying him. For a time nobody else would touch Fritz, who was now some yards behind his original grave. Then as he got worse and worse he was buried again by some devoted sanitarians, and this time the inscription was ‘Somebody's Fritz. R.I.P.' And as luck would have it, he was spun up again. In pieces. The trench
howled with laughter and cries of ‘Good old Fritz!' ‘This isn't the Resurrection, Fritz.' …

“Another thing that appeals to the sunny humour of the trenches as a really delicious practical joke is the trick of the fuses. We have two kinds of fuse, a slow-burning fuse such as is used for hand-grenades and suchlike things, a sort of yarda-minute fuse, and a rapid fuse that goes a hundred yards a second—for firing mines and so on. The latter is carefully distinguished from the former by a conspicuous red thread. Also, as you know, it is the habit of the enemy and ourselves when the trenches are near enough, to enliven each other by the casting of homely but effective hand-grenades made out of tins. When a grenade drops in a British trench somebody seizes it instantly and throws it back. To hoist the German with his own petard is particularly sweet to the British mind. When a grenade drops into a German trench everybody runs. (At least that is what I am told happens by the men from our trenches; though possibly each side has its exceptions.) If the bomb explodes, it explodes. If it doesn't, Hans and Fritz presently come creeping back to see what has happened. Sometimes the fuse hasn't caught properly, it has been thrown by a nervous man; or it hasn't burned properly. Then Hans or Fritz puts in a new fuse and sends it back with loving care. To hoist the Briton with his own petard is particularly sweet to the German mind. … But here it is that military genius comes in. Some gifted spirit on our side procured (probably by larceny) a length of mine fuse, the rapid sort, and spent a laborious day removing the red thread and making it into the likeness of its slow brother. Then bits of it were attached to tin-bombs and shied—unlit of course— into the German trenches. A long but happy pause followed. I can see the chaps holding themselves in. Hans and Fritz were
understood to be creeping back, to be examining the unlit fuse, to be applying a light thereunto, in order to restore it to its maker after their custom. …

“A loud bang in the German trenches indicated the moment of lighting, and the exit of Hans and Fritz to worlds less humorous.

“The genius in the British trenches went on with the preparation of the next surprise bomb—against the arrival of Kurt and Karl. …

“Hans, Fritz, Kurt, Karl, Michael and Wilhelm; it went for quite a long time before they grew suspicious. …

“You once wrote that all fighting ought to be done nowadays by metal soldiers. I perceive, my dear Daddy, that all real fighting is. …”

§ 11

Not all Hugh's letters were concerned with these grim technicalities. It was not always that news and gossip came along; it was rare that a young man with a commission would condescend to talk shop to two young men without one; there were few newspapers and fewer maps, and even in France and within sound of guns, Hugh could presently find warfare almost as much a bore as it had been at times in England. But his criticism of military methods died away. “Things are done better out here,” he remarked, and “We're nearer reality here. I begin to respect my Captain. Who is developing a sense of locality. Happily for our prospects.” And in another place he speculated in an oddly characteristic manner whether he was getting used to the army way, whether he was beginning to see the sense of the army way, or whether it really was that that
army way braced up nearer and nearer to efficiency as it got nearer to the enemy. “And here one hasn't the haunting feeling that war is after all an hallucination. It's already common sense and the business of life. …

“In England I always had a sneaking idea that I had ‘dressed up' in my uniform. …

“I never dreamt before I came here how much war is a business of waiting about and going through duties and exercises that were only too obviously a means of preventing our discovering just how much waiting about we were doing. I suppose there is no great harm in describing the place I am in here; it's a kind of scenery that is somehow all of a piece with the life we lead day by day. It is a village that has been only partly smashed up; it has never been fought through, indeed the Germans were never within two miles of it, but it was shelled intermittently for months before we made our advance. Almost all the houses are still standing, but there is not a window left with a square foot of glass in the place. One or two houses have been burned out, and one or two are just as though they had been kicked to pieces by a lunatic giant. We sleep in batches of four or five on the floors of the rooms; there are very few inhabitants about, but the village inn still goes on. It has one poor weary billiard-table, very small with very big balls, and the cues are without tops; it is The Amusement of the place. Ortheris does miracles at it. When he leaves the army he says he's going to be a marker, ‘a b——y marker.' The country about us is flat—featureless—desolate. How I long for hills, even for Essex mud hills. Then the road runs on towards the front, a brick road frightfully worn, lined with poplars. Just at the end of the village mechanical transport ends and there is a kind of depot from which all the stuff goes up by mules or men or bicycles to the
trenches. It is the only movement in the place, and I have spent hours watching men shift grub or ammunition or lending them a hand. All day one hears guns, a kind of thud at the stomach, and now and then one sees an aeroplane, very high and small. Just beyond this point there is a group of poplars which have been punished by a German shell. They are broken off and splintered in the most astonishing way; all split and ravelled out like the end of a cane that has been broken and twisted to get the ends apart. The choice of one's leisure is to watch the A.S.C. or play football, twenty a side, or sit about indoors, or stand in the doorway, or walk down to the Estaminet and wait five or six deep for the billiard-table. Ultimately one sits. And so you get these unconscionable letters.”

“Unconscionable!” said Mr. Britling. “Of course—he will grow out of that sort of thing.”

“And he'll write some day, sure enough. He'll write.”

He went on reading the letter.

“We read, of course. But there never could be a library here big enough to keep us going. We can do with all sorts of books, but I don't think the ordinary sensational novel is quite the catch it was for a lot of them in peace-time. Some break towards serious reading in the oddest fashion. Old Park, for example, says he wants books you can chew; he is reading a cheap edition of ‘The Origin of Species.' He used to regard Florence Warden and William le Queux as the supreme delights of print. I wish you could send him Metchnikoff's ‘Nature of Man' or Pearson's ‘Ethic of Free-thought.' I feel I am building up his tender mind. Not for me though, Daddy. Nothing of that sort for me. These things take people differently. What I want here is literary opium. I want something about fauns and nymphs in broad low glades. I would like to read
Spenser's ‘Faerie Queen.' I don't think I have read it, and yet I have a very distinct impression of knights and dragons and sorcerers and wicked magic ladies moving through a sort of Pre-Raphaelite tapestry scenery—only with a light on them. I could do with some Hewlett of the ‘Forest Lovers' kind. Or with Joseph Conrad in his Kew Palm-house mood. And there is a book, I once looked into at a man's rooms in London; I don't know the title, but it was by Richard Garnett, and it was all about gods who were in reduced circumstances but amidst sunny picturesque scenery. Scenery without steel or poles or wire. A thing after the manner of Heine's ‘Florentine Nights.' Any book about Greek gods would be welcome, anything about temples of ivory-coloured stone and purple seas, red caps, chests of jewels, and lizards in the sun. I wish there was another ‘Thais.' The men here are getting a kind of newspaper sheet of literature scraps called
The Times
Broadsheets. Snippets, but mostly from good stuff. They're small enough to stir the appetite, but not to satisfy it. Rather an irritant—and one wants no irritant. … I used to imagine reading was meant to be a stimulant. Out here it has to be an anodyne. …

“Have you heard of a book called ‘Tom Cringle's Log'?

“War is an exciting game—that I never wanted to play. It excites once in a couple of months. And the rest of it is dirt and muddle and boredom, and smashed houses and spoiled roads and muddy scenery and boredom, and the lumbering along of supplies and the lumbering back of the wounded and weary— and boredom, and continual vague guessing of how it will end and boredom and boredom and boredom, and thinking of the work you were going to do and the travel you were going to have, and the waste of life and the waste of days and boredom, and splintered poplars and stink, everywhere stink and dirt and
boredom. … And all because these accursed Prussians were too stupid to understand what a boredom they were getting ready when they pranced and stuck their chests out and earned the praises of Mr. Thomas Carlyle. …
Gott strafe Deutschland
. … So send me some books, books of dreams, books about China and the willow-pattern plate and the golden age and fairyland. And send them soon and address them very carefully. …”

§ 12

Teddy's misadventure happened while figs were still ripening on Mr. Britling's big tree. It was Cissie brought the news to Mr. Britling. She came up to the Dower House with a white, scared face.

“I've come up for the letters,” she said. “There's bad news of Teddy, and Letty's rather in a state.”

“He's not——?” Mr. Britling left the word unsaid.

“He's wounded and missing,” said Cissie.

“A prisoner!” said Mr. Britling.

“And wounded.
How
, we don't know.”

She added: “Letty has gone to telegraph.”

“Telegraph to whom?”

“To the War Office, to know what sort of wound he has. They tell nothing. It's disgraceful.”

“It doesn't say
severely?
”

“It says just nothing. Wounded and missing! Surely they ought to give us particulars.”

Mr. Britling thought. His first thought was that now news might come at any time that Hugh was wounded and missing. Then he set himself to persuade Cissie that the absence of “seriously” meant that Teddy was only quite bearably wounded,
and that if he was also “missing” it might be difficult for the War Office to ascertain at once just exactly what she wanted to know. But Cissie said merely that “Letty was in an awful state,” and after Mr. Britling had given her a few instructions for his typing, he went down to the cottage to repeat these mitigatory considerations to Letty. He found her much whiter than her sister, and in a state of cold indignation with the War Office. It was clear she thought that organisation ought to have taken better care of Teddy. She had a curious effect of feeling that something was being kept back from her. It was manifest too that she was disposed to regard Mr. Britling as biased in favour of the authorities.

“At any rate.” she said, “they could have answered my telegram promptly. I sent it at eight. Two hours of scornful silence.”

This fierce, strained, unjust Letty was a new aspect to Mr. Britling. Her treatment of his proffered consolations made him feel slightly henpecked.

“And just fancy!” she said. “They have no means of knowing if he has arrived safely on the German side. How can they know he is a prisoner without knowing that?”

“But the word is ‘missing.' ”

“That
means
a prisoner,” said Letty uncivilly. …

§ 13

Mr. Britling returned to the Dower House perplexed and profoundly disturbed. He had a distressful sense that things were far more serious with Teddy than he had tried to persuade Letty they were; that “wounded and missing” meant indeed a man abandoned to very sinister probabilities. He was distressed
for Teddy, and still more acutely distressed for Mrs. Teddy, whose every note and gesture betrayed suppositions even more sinister than his own. And that preposterous sense of liability, because he had helped Teddy to get his commission, was more distressful than it had ever been. He was surprised that Letty had not assailed him with railing accusations.