Murder Abroad (27 page)

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Authors: E.R. Punshon

BOOK: Murder Abroad
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Monsieur Clauzel paused to let this sink in, and Bobby understood how serious it was, for he knew that while sometimes it is possible to live without money, no one can exist for long in France without papers. It is of course possible to obtain false ones, but it is not easy; it requires time and knowledge. It was not very probable that a young countryman in Volny's position would have had much opportunity of getting hold of such forgeries. Nor was there, as Clauzel pointed out, any reason to suppose that Volny had been contemplating flight for any length of time.

“He may, of course,” Clauzel admitted, “have found shelter with friends. It is a possible explanation, though we have made inquiries in every known direction without success. Comprehensible then that his family are very seriously alarmed. They have indeed,” added Clauzel somewhat resentfully, “communicated direct with Monsieur the Deputy, as though we needed such pressure to carry out our duties.”

“One must allow for the anxiety of a father,” Bobby remarked. “Natural for parents to worry about their youngsters. Boys and girls generally turn up again, I know, when they get tired of playing around, but sometimes they don't. One's got to remember that.”

Monsieur Clauzel agreed. He was happy indeed that Monsieur Owen understood so well, and then Bobby cut short further polite preliminaries by dropping his own little bombshell.

“I was in fact,” he said, “about to ask for an interview. I thought you might perhaps find these worth attention.” As he spoke he put on the commissaire's table the fingerprint photographs Olive had sent him, and the good man fairly goggled—an ugly word, perhaps, but expressive.

“But these, these are finger-prints,” he stuttered. “I do not understand. Where do they come from? Whose are they?”

“As for whose they are, I do not know,” Bobby answered. “They come from wineglasses taken from the studio of Monsieur Basil Shields, of whom you have heard. You will remember he was a friend of Mademoiselle Polthwaite's. He used to give her lessons in painting.”

The commissaire continued to goggle. Never in all his official career had he been quite so utterly taken aback. He stared at the photographs, at Bobby, from one to the other and back again. He said finally:

“Yes. Of course, one remembers well. There were hints, there were suspicions. I considered them. There was no evidence. There was a strong alibi.”

“You were not, however, fully satisfied?”

“One is never satisfied till justice has been done,” answered Clauzel gravely. “But there was proof against no one and in the end a ‘non-lieu' was returned.” He was silent a moment and then said: “None the less we have continued to watch. It was said Mademoiselle Polthwaite had invested her funds in diamonds and other jewels. None were found after her death. If one of those concerned begins to show signs of possessing money not accounted for, or if we hear of attempts by such a one to sell unset or uncut diamonds, then there will be questions to be answered. We understand, for example, that Monsieur Shields will be visiting New York soon. We shall see that his baggage is examined with special care and in New York they will be warned of his arrival.”

“Very wise,” Bobby agreed, “but somehow if Shields is guilty and if he has the diamonds, I don't think he will be quite so simple as to carry them about with him.”

“The most cunning criminal makes his mistakes, especially when he has begun to think himself safe,” answered Clauzel, “but what has this to do with the Volny case? It is that we are concerned with at the moment. These photographs of finger-prints, whose are they?”

“I have no means of knowing,” Bobby answered quietly. “I was hoping you might be able to identify them. I have told you where they come from.”

Monsieur Clauzel set himself to examine them under a powerful magnifying glass he produced. With a muttered word of apology he left the room for a moment or two and when he came back he consulted with his clerk. Their heads were bent together over some papers Bobby could not see. Presently Clauzel turned to Bobby and said: “It cannot be considered fully established without a more complete technical examination. But there appears to be correspondence, as to one set of prints, with those Monsieur Shields was good enough to allow to be taken at the time of the inquiry into Mademoiselle Polthwaite's death. The second set appears to agree with those found in the bedroom occupied by the missing Volny. You expected that?”

“Yes,” said Bobby. “It tends to confirm certain ideas of mine.”

The commissaire was looking at him with a puzzled and, Bobby felt, slightly suspicious air. He said:

“Monsieur, will you perhaps be good enough to explain more fully?”

“It is quite simple,” Bobby said. “You are aware that I knew there had been a quarrel, and even talk of a duel, between the two youngsters, Volny and Camion, and you heard how Père Trouché, the old blind beggar who seems a bit of an institution round here, hauled me out of bed to try to stop it. It was partly something I said that helped to start the row. Also he wanted it all kept as quiet as possible and I suppose he thought that as a stranger I should be less likely to gossip.”

“I understand you yourself had been involved with Volny in a dispute of a serious nature?” Clauzel said.

“Well, hardly serious, but we did have a row. He seemed to think I had been spying on him and threatened me with a pistol. I managed to trip him up and got the pistol away.”

“What did you do with it?”

“Threw it away, down a bit of a ravine near by,” Bobby answered. He added after a moment's hesitation: “Perhaps I ought to say I saw it, or one like it, later on, together with a cap with bloodstains on it, in a drawer in the presbytery.”

“Ah, it was you who saw it,” murmured Clauzel, and Bobby knew very well he was thinking that perhaps Bobby had seen it there because it was he who had placed it there. “Unusual, perhaps, to find a pistol in a presbytery. Have you any theory to account for its presence?”

Bobby felt much inclined to retort that the curé was the person to question on that point. But he thought it more prudent to try to explain:

“It is only a theory,” he said, “but Volny was friendly with the Abbé Taylour. I believe that he had even made his confession to him once or twice, and I don't think the curé here liked that one little bit. Poaching on his preserves. I expect he spoke to Volny père, and Volny fils had to promise to make his confession in the proper quarter for the future. If that was it, then the curé may have got out of him about his having threatened me with a pistol and may have insisted on the thing being handed over to him. As for the bloodstained cap—well,” said Bobby, trying to keep every trace of satisfaction out of his voice, “I believe the chap's nose did bleed a bit.”

“It is very plausible, it is very well thought out,” agreed Clauzel with doubt in every syllable he uttered. “Proceed, monsieur.”

Bobby felt his story was being accorded a somewhat sceptical reception. He had a vision of himself on trial for his life in a French court, and he made up his mind hurriedly that if he managed to get out of this business safely, never again would he undertake any kind of private mission. He knew very well that even an arrest, even though it never came to a trial, would put a very complete end to his career. After such a contretemps, the utmost he could hope for would be a transfer to the uniform branch, at the very best with permission to keep his rank as sergeant, but with all hope of further promotion for ever gone. However, he let nothing of that appear and continued quietly:

“Naturally, I heard, like every one else, that Volny had disappeared. At first I thought it was probably that he had thought the duel business rather silly and had decided to end it by going away for a time.”

“I understand when you were out that morning you heard a single shot fired?”

“That is true,” Bobby agreed.

“You attached no importance to it?”

“I could see no reason to.”

“Camion's explanation is that he fired one shot to make sure his pistol was in working order.”

“I may point out,” Bobby said, “that if that pistol shot we heard, meant he had murdered Volny, the body must have been lying somewhere very near. There was no sign of it.”

“The point has not been overlooked,” observed Clauzel drily. “It might have been concealed and removed later. Proceed, monsieur.”

“It seemed strange,” Bobby continued, “that Volny did not let his friends know where he was. I knew there was a general feeling of uneasiness and I began to think there might be some ground for it. Monsieur Eudes told me he believed Volny had gone to visit the Abbé Taylour in that solitary hut up on the hill. But Eudes said he had gone off on his bicycle, and you don't use a bicycle to climb steep hills with no roads up them. I concluded Volny had meant to go somewhere else, and somewhere not far away, since it was within bicycle ride. I knew he was interesting himself in the Polthwaite tragedy. I knew he had been trying to get the Williamses away from the Pépin Mill. I supposed that was because he wanted a chance to visit it himself. That meant that either he hoped to find something to show who was guilty or that he had heard of the diamonds Miss Polthwaite was supposed to have had by her, and wanted to have a try himself to find them. I knew, too, for Eudes told me, that he was talking about the Polthwaite affair the night of his disappearance. I guessed the duel business might have made him keener on discovering something. Probably he believed Camion was the murderer—it seems the general idea in the village—and if he could find out anything to prove it, he would have got rid of a rival, since both he and Camion are trying to win Mademoiselle Simone's favour, and also any idea of a duel would have been put an end to. So I thought he might for both those reasons be specially anxious just now to do a bit of investigating on his own. But the only person in bicycle-ride distance, who could tell him anything about the Polthwaite affair, was Shields. It seemed a fair guess that Volny had intended to ride over to Barsac to see Shields with the idea of questioning him further.”

“Volny is known in Barsac, there are relatives of his there,” Clauzel interrupted. “We have made inquiries. He has not been seen.”

“I wondered about that, too,” Bobby said. “I took it for granted you had made such inquiries. I thought he might have slipped in without being seen, but not that he could be staying there without its getting known. That also I found disquieting. Shields had asked me to pay him a visit to see his work. I thought it would be a good time to accept his invitation. At Barsac I found Shields was out. I determined to wait and I got chatting to a man named Ducane who seems to work in the garden.”

“He has been questioned,” Clauzel remarked. “He spoke of your visit. You did his portrait, didn't you? An admirable piece of work, if I may say so.”

“You are most kind,” said Bobby, very pleased, though he knew quite well the portrait had been admirable only in a very special sense. “Of course, I pretend to be no more than a highly incompetent amateur. Ducane told me a few things I thought interesting. For example, that Shields was always reluctant to spend money. Therefore he was either miserly or hard up. He didn't strike me as the miserly type, so I concluded he was hard up. Yet the first time I saw him he boasted of his prosperity. I wondered why he wished to give that impression. I noticed there was a bicycle pushed out of sight behind some sacks of artificial manure in a shed where I sat for shelter out of the sun while I was waiting for Shields's return. Ducane's story was that Shields had blundered in giving an order for garden stuff over the 'phone, and had in consequence had delivered to him enough artificial manure for half a dozen farms and a whole bale of binder twine, instead of the raffia he wanted. Curious mistakes to make, I thought, but curious mistakes can be made over the 'phone, especially when one is talking a foreign language. I was interested though, and interested to see that the mistakes hadn't been put right. Instead the bale of binder twine had fairly well been used up so apparently some use had been made of it. I noticed, too, that the bicycle was not new and that the identification plaque was missing. Ducane mentioned that Shields had had his bicycle smashed up in an accident about the time of the Polthwaite affair and afterwards had bought a new one. He said, too, that Shields had gone into Clermont that morning on his bicycle. I concluded therefore that the bicycle pushed almost out of sight I had noticed in one of the outhouses was not his. For one thing, it was not new, and I did not think a man so careful of his money as Shields seemed to be would have bought two.”

“Monsieur,” said Clauzel, and still there was some suspicion in his voice, “you notice many things. I ask myself how that is, for so few people notice anything at all.”

Bobby did not answer this question. He went on: “When Shields got back he asked me to come in and look at his work. I noticed in the studio a tray with two empty wine glasses on it. As I was leaving to catch my train, with no time to spare, I knocked over the tray and glasses. The glasses broke. I picked up the pieces, told Shields I would get him others that matched them, so as not to spoil his set, and rushed off to catch my train as fast as I could, leaving him no chance to object. It happens that the woman who generally cooks and cleans for him had been away for a few days, which is why the place was not over tidy and why the wine glasses had not been washed and put away.”

Monsieur Clauzel had been listening to all this with great attention and the greffier had been writing at his best speed. Clauzel put the tips of his fingers together and said slowly:

“All that you have told me is of the greatest interest. I am sure the juge d'instruction will be of the same opinion. I will not ask you for the present, monsieur, why you have taken so keen an interest in these happenings. Without offence, you will permit me to observe that your story rests entirely on your own statements.”

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