Murder in the Marais (10 page)

Friday Evening

T
HE GRAVELLY VOICE DIDN'T
sound happy.

"Consider this an order, Hartmuth. The chancellor is very set on this item of the trade agenda."

Hartmuth kept his voice level. "
Jawohl.
I've said I'll review the adjunct waiver proposal before I decide."

He clicked off. Briefly he wondered about Bonn's reaction if he didn't sign the agreement.

Hartmuth wearily set his briefcase down on the Aubusson carpet, collapsing into the recamier's brocade. All the rooms were furnished in authentic antiques, yet they were so comfortable, he thought. This silver-and-silk-threaded pillow was familiar, like the kind his mother embroidered on winter evenings long ago.

But that world had been shattered out of existence. Setting his stockinged feet upon the pillow, he lay back exhausted and closed his eyes.

Yet he couldn't sleep. He relived the journey, the one in which he returned to his father's home on the outskirts of Hamburg. Of ninety-one thousand taken at the defeat of Stalingrad he'd been one of the five thousand Germans limping back after the Siberian work camps.

At the end of the muddy road, rutted with bomb craters, he'd recognized the blistered paint and blown-out windows. Entering the doorless shell, now empty and deserted, he'd seen that even the fireplace bricks had been taken. He shuffled to the back, looking for his fiancee, Grete. His family had arranged their betrothal while they were in the Gymnasium, before the war.

A steady chopping and then a sound of splintering wood came from a dilapidated outbuilding in the crisp, bitter air. Red-faced, her breath frosty on a chill March afternoon, Grete was chopping down the back garden shed for firewood, using a rusty ax. She clapped a cracked and bleeding hand over her mouth, stifling her cries, and hugged him.

"You're alive!" she'd finally managed to say, her voice breaking with emotion. "Katia, Papi is here. Your Papi!" Grete said, shivering in the icy wind.

A child, wrapped in sewn-together burlap sacks, sat in a nearby wheelbarrow. Oddly, he felt no affection for this hollow-cheeked, runny-nosed creature with yellow ooze dripping out of her eyes. The baby had been playing with a warped photo album and his father's violin bow, all that remained of his family. Grete assured him proudly that Katia was his, born of their coupling on his last furlough in 1942. Yes, he remembered that. He'd been so anxious, after his fiancee's doughlike legs and desperate embrace, to return to Paris and Sarah.

He knew Katia was his and he resented her. He wished he didn't. Guilt flooded through him for not wanting his own child.

Because of Katia he knew he'd have to stay and take care of them, marry Grete, and keep his promise. She deserved it, for bearing his child, protecting the house. She told him herself what had happened to his parents.

"Helmut, the snow hadn't melted by April and Muti and Papi couldn't stand to see Katia shiver so badly. They decided to investigate a rumor about black-market blankets in Hamburg. Only one tram was left running, painted white and red to resemble medical transport," she said. "I'm sorry." Grete put her head down. "I'm sure they didn't feel a thing, Helmut. We saw yellow-white light." She pointed beyond the muddy, rutted road. "After the explosion, smoke billowed into the sky and a rain of little red slivers fell on the snowy field."

He wondered if she was telling the truth or was the truth too painful to tell? It sounded like the explosions in the Siberian oil field where he'd been a POW. Working at the camp in the frozen tundra, men had been burnt by eruptions of fire on ice into charred cinders before his eyes. He wore gloves to cover the skin grafts crisscrossing the old burns on his hands.

He sat up in a cold sweat. Loyal and steadfast Grete, she hadn't deserved his gift of an empty heart. But he couldn't very well go back to France then—he, an ex-Nazi just out of a POW camp, to search for a Jewish girl, a collaborator.

Postwar Germany had no services, no food. Grete cooked the roots and tubers he found by clawing under the snow. Scavenging in the forest, he dreamed of Sarah, seeing her face in the catacombs as they shared tins of black-market pâte.

But all around him, people boiled and ate their shoe leather if they had any. He sold his mother's pearls for a sack of half-rotten potatoes that kept their hunger at bay. Gangs of children ran after the few running trains, fighting over burned pieces of coal that fell onto the tracks, hoping to find some only half-burned. They weren't allowed back into the basements under the rubble until they brought something to eat or burn.

Hollow and numb most of the time, he survived by his wits and by scavenging. At night, spooned between Grete and Katia for warmth, he'd see Sarah's curved white thighs, feel her velvety skin, and imagine her blue eyes.

Grete knew right away he didn't love her, that he loved someone else. But they married with no regrets. No one had time for regrets in postwar Germany, and he and Grete worked well together. They were a team of two dragging Katia along. Her eyes never seemed to heal. One eye stayed closed and continually dripped. There was no penicillin to be had and no money for the black market.

Grete appeared one day with tubes and packets stuffed in the pockets of her too-small winter coat. She pulled out a fat tube of metallic-smelling ointment.

"Helmut, hold her, please. This will help her eyes," Grete said. Firmly she rubbed it around and inside Katia's lids as much as she could, while he held his squirming child. Then Grete pulled some huge yellow-and-black pellets out of a paper packet. "Good girl, Katia, now just swallow these. Here's some cold tea to help them go down," Grete said soothingly.

Katia made a face and spit them out. Grete stuffed them back in her mouth.

"Grete, Grete, what are you doing?" He thought Grete had gone crazy and was giving Katia dead bees to eat because she was so hungry.

Her eyes flashed angrily, "It's medicine! She has to take them or she'll be blind,
Gott im Himmel,
help me!"

And he did. He never forgot what those huge penicillin tablets looked like and how Grete's face had looked as they got them down Katia. Only the GIs had them. Katia's eyes got better and he never asked Grete how she had got the penicillin.

S
ATURDAY

Saturday Morning

A
IMÉE, IN BROWN
wool jacket and pants, strode through the narrow passage behind the rue des Rosiers. She rested her gloved hand in her lined pocket, keeping it warm. Fog crept through the Marais, almost to Place des Vosges. Centuries-old stone, worn smooth by countless footsteps, lined the alley. Above her, red geraniums spilled from window boxes.

A broken street lamp buzzed and blinked randomly. Nearby, on rue Pavee, stood a fancy
charcuterie
selling imported meats, Javel's cobbler shop, and a small dry cleaner's. She held the partial receipt copy she'd made at Homicide and hoped she'd find the other half.

First she checked the
charcuterie
. The owner busily informed her that all his customer receipts were yellow copies, unlike the scrap of paper in her hand. Try next door, he suggested.

Aimee opened the spotlessly clean door of Madame Tallard's dry cleaning establishment. Warm air redolent of laundry starch drifted from behind the chipped formica counter.

"Bonjour,"
said a white-haired woman from behind a steamy laundry press.

"Bonjour, Madame."
Aimee held up her copy of the paper. "Would you recognize this?"

The woman emerged from behind the press, feeling her way along the counter. She grinned sightlessly. "Put it in my hand. There's a lot I can tell from touch."

The woman was blind. Aimee couldn't believe her bad luck. "I wondered if this was a cleaning receipt from your shop," she said.

One of Madame Tallard's eyes was milky white, veiled by a cataract, the other crossed. "I'm minding the shop for my daughter. The baby's sick." She reached for something on the counter. "Here, check yourself." She thrust a receipt book in Aimee's direction.

"Thank you." Aimee flipped through a standard receipt book with smudged carbon copies.

No numbers matched, but the forms did.

"Hmm, don't see it," she said. "But the receipt looks like one of yours.

"I help my daughter if the items don't have spots or touch-up areas." Madame Tallard cleared her throat. "My good eye gets tired easily. We do a very careful job and pay attention to detail. Nothing's too important, I always tell my daughter, for a customer with couture wear."

Aimee tried being hopeful. Madame Tallard might recall something. "A Chanel! Maybe you remember it?"

"My daughter mentioned one. . .hot pink?"

"Why, yes," Aimee said. "With big knobby buttons."

"Like these?" She pulled a box of buttons from a drawer under the counter. Her fingers moved over them until she handed Aimee a pearl button with raised interlocking C's. "I keep buttons in case a customer needs one."

"Exactly. Only pink," Aimee said, recognizing the type of Chanel button from Morbier's evidence bag.

"The suit was picked up Wednesday night." Madame Tallard slapped her palm on the counter. "But it's not yours. . ."

"I apologize." Aimee automatically took out her ID. "I'm a private investigator with Leduc Detective. Who picked up the hot pink Chanel suit?"

Madame Tallard bristled. "My clientele is private. This is intrusion!"

"Murder is more intrusive, Madame Tallard," said Aimee. "Especially when it's around the corner. Your corner."

"You mean the woman with the swastika?" Old Madame Tallard's hands trembled.

"I'd like your cooperation, Madame."

Madame Tallard shook her head. "My daughter told me about it."

"And what did she say?"

"That being old in the Marais is getting dangerous these days." She felt her way and perched on a three-legged stool. Aimee leaned over the counter.

"I'm working on behalf of the victim," she said.

"Did any of those
imbeciles
see you enter?"

Aimee paused. "Who exactly do you mean?"

"
Imbeciles
who paint swastikas on my windows!"

Madame Tallard was afraid, she realized.

"The street was deserted when I came in." Aimee peered out the window. Nobody. "Still deserted."

Madame sighed. "The suit belongs to Albertine Clouzot. She lives on Impasse de la Poissonnerie."

Aimee nodded. Impasse de la Poissonnerie, a passage with a neo-classical fountain of the kind noted by Voltaire, led to private cobbled courtyards. Very exclusive.

"Madame Clouzot always sends her dry cleaning here," Madame Tallard said. "Tells me we're the only ones who clean the pockets. That's true. What would it have to do with her?"

Aimee felt excited. Maybe Madame Clouzot had been an eyewitness. "What time did she pick up the suit on Wednesday?"

"Not Madame. Her housekeeper," Madame Tallard said primly. "I have nothing to hide."

"The housekeeper?"

"She came just before I closed. Said that Madame Clouzot needed her suit for a late supper party. And that's all I know."

"When you closed up the shop did you hear a radio playing loudly?"

Madame Tallard rubbed her lined forehead. "I didn't linger, I went home."

She asked more questions but Madame Tallard assured her that she hadn't heard anything unusual. Aimee's heart raced excitedly. Now she could question the owner of the Chanel suit and her housekeeper.

But how would a neo-Nazi from Les Blancs Nationaux following Lili Stein fit with the Chanel suit picked up by the housekeeper? She filed that in her memory and continued down the narrow street.

Her goal, the cobbler shop Chaussures Javel, stood several doors down from the dry cleaner's. She'd been wanting to talk with Javel ever since Rachel Blum mentioned the long-ago concierge's murder the night they met at Lili Stein's.

Bells jingled on the door as she entered. The purr of a cat, industrial strength, came from the window ledge under dingy lace curtains.

"
Bonjour.
Monsieur Javel?"

"Oui."
He pronounced it
"Wae"
as Parisians did. A shriveled brown walnut of a man with thick white hair, he was working on a pair of black lizard pumps. His once blue apron, smudged by shoe polish, was tied behind his back.

After being surprised by Madame Tallard, Aimee decided to be up-front with Javel. That didn't mean she couldn't get her boots reheeled at the same time.

"Can you fix this heel?" she asked.

Javel's face matched the leather he worked on. "
Un moment,
sit down." He indicated a gouged wooden stool with his hand.

The water-stained walls were lined with a yellowish dado border. The dark veneer wooden floor sagged as she stepped on some loose slats near a modest showcase of arch supports and heels. In the corner, a heater emitted dribbles of heat with kerosene fumes. A sense of neglect pervaded his shop.

As Javel stood, reaching for a tool above him, she saw his legs. They were so extremely bowed, they resembled parentheses. He hobbled as he took a step and it was almost painful to watch.

He motioned to her to take off her boot. "I'll try." He began to root through his work tray. "Safer to reheel them before they wear down this far," he said.

"Did you know Lili Stein?" she said, watching for his reaction.

He didn't look up and kept on working. "One who had the shop on rue des Rosiers?"

Aimee nodded.

"People told me about it." His eyes remained neutral as he attached a new heel to her boot. "Brutal. What's the world coming to?"

Too neutral, she thought. "Didn't you know her a long time ago?" she said.

"Are you a
flic
?" He still didn't look up.

"I'm a private detective," she said. "Rachel Blum told me you would know about the concierge bludgeoned in Lili's building."

He handed the boot back to her. She reached in her bag as he pointed to the sign that said 15
FRANCS NEW HEEL
.

He looked stonily at her. "What's it to you?"

"Lili Stein boarded up her window so she wouldn't have to be reminded of the scene," she said. "Did you know her then?"

He snorted. "Expect me to remember what some Yid schoolgirl did fifty years ago?"

She knew he was hiding something. Only someone who'd known Lili as a schoolgirl would reply like that.

"What do you remember?" she said calmly.

"Cooking up some crazy theory, aren't you?" He shook his head. "About Arlette and that swastika carving. Then listen up, Arlette wasn't Jewish or with the Nazis. Go bother those skin-heads who kick in my window for fun!"

"Tell me about Arlette," she said. "Was she the concierge?"

He slammed down his hammer, spattering nails and metal grommets that pinged off the walls. "She was my fiancee, Arlette Mazenc. Why the sudden interest? The
flics
beat me up. Never investigated. . .why now? Just because some old Jew is killed by punks, someone pays attention, eh?"

She felt sorry for this angry little man.

"Monsieur Javel, I feel a connection. Something threading these murders. If I could be more concrete, I would," she said.

"When you do find something, look me up. Not before."

"G
UESS WHO
?"
said Aimee, her hands clapped over the eyes of an older woman who stood in front of rows of aluminum spindles, sorting buttons. The scent of rosemary and roasted garlic wafted through the factory air.

Small and wiry, Leah stood in wool socks and clogs, wearing a sweater buttoned over her work smock. She grabbed Aimee's hands with her rough ones. "Don't be such a stranger, Aimee," she said, twisting herself around and grinning. "You think you can surprise me?"

"I try, Leah." Aimee laughed and gave her a hug. "Something smells wonderful."

Leah, an old friend of her mother's, lived with her family above their button factory, Mon Bouton. She cooked the midday meal for her workers in a kitchen by the melting presses and button die forms.

"You don't have to be domestic to cook, Aimee," Leah said, referring to their ongoing argument about Aimee's lack of culinary skills. "I only see you when you're hungry. Cooking is a creative expression, let me teach you."

"Right now, teach me about Chanel buttons. I want to learn from an expert," she said.

"A case?" Leah's eyes lit up. She read a new spy thriller every week and loved to hear about Aimee's work.

"Leah, you know I can't talk about ongoing cases." Aimee pulled out a rough sketch of the Chanel button she'd made after seeing it. "Just give me an idea about this button."

"Color and material?" Leah said, wiping her hands on the worn smock.

"Hot pink, and the interlocking C's were kind of brassy, shiny metal."

Leah, shortsighted, pushed her glasses onto her forehead and peered intently. "I'd say the button came from a suit in the spring collection. A mohair suit. We made a prototype but the head honcho shipped it out to Malaysia for production. Couture used to mean couture made in France—thread, ribbon, zippers, lining, and buttons. Not anymore."

"Care to generalize about the owner of the suit?"

"Twenties or thirties. Rich and bored. With good legs."

"Why good legs?"

"All the mohair suits were minis."