Murder in the Marais (22 page)

"I-I only saw her once," he said.

Aimee froze. So it was true. The idea she'd thrown into the frying pan was the right one.

"In 1943. I followed her to her apartment," he said. His eyes glazed over.

"Tell me what happened," Aimee said.

"I was afraid if Lili informed," he said, "they would t-trace the food to me. But I found the concierge, beaten to a bloody pulp."

Aimee shivered. "Those were your bloody fingerprints under the sink," she said. She pointed to his hands. "Those gloves hide your prints, preventing anyone from discovering who you are. You're the Gestapo lackey who couldn't get them to the ovens fast enough for Eichmann!"

Hartmuth slowly peeled off his kidskin gloves and thrust his scarred hands in the cold air. Rippled flesh whorled in strange patterns over his shriveled palms. The last two fingers of his left hands were stumps. "These are courtesy of the Siberian oil fields, Mademoiselle."

Unable to disguise her feelings Aimee turned away. Her own seared palm was small compared to his deformity.

"But those were your boot prints!" she persisted. "You washed your boots at the sink, didn't you?"

A brief silence. He looked down. "After the fact, yes. I went back."

"You went back?" she said.

"I knew the concierge would be easy to bribe. But it was too late."

"Who murdered her?" Aimee asked.

"I saw Lili climb out the window, over the rooftop, and escape. That's it, I just protected Sarah."

"Protected Sarah. . .like the way you crossed her name out in the convoy sheets, then added the A to make it appear she had been sent to Auschwitz?" she said.

"Who are you?" Hartmuth demanded.

Thierry sat forward, studying this man, his eyes never leaving Hartmuth's face.

She ignored his question.

"Sarah is in danger." His voice shook. "I don't know how to help her."

"She knew Lili Stein."

A sigh. "Yes."

"Did she kill Lili in revenge because she'd been disfigured at Liberation?"

"N-no," he shouted.

"Isn't she still sympathetic to Germany after being a collaborator, sleeping with you?"

"N-no, it's n-not like that. You have to find her again. Before they do." Hartmuth raised his voice.

Aimee was surprised. "Who?"

"People in the German government. . .." He put his head down.

"Why should I believe you? You were in the Gestapo. I'll never have enough proof to prosecute you for war crimes. The Werewolves erased your past, resurrected a new identity from a dead man. They were masters at that. But deep down I know rats like you live in holes all over Germany."

He rubbed his arm and spoke tonelessly. "I supervised the local French police. They rounded up the Jews from businesses and apartments in every building around here. I worked with the
Direktor
of the
Antijudische Polizei
at the
Kommandantur
. We ticked off sheets when the convoys were loaded. As for shipping them out. . ." He paused, and lowered his voice. "I didn't know what an Auschwitz or Treblinka meant. I found out later. Sarah hid from me but I found her and saved her. All the rest. . .I was one man in a wave that crushed generations. I didn't kill Lili. The only time I ever killed was in hand-to-hand combat at Stalingrad. A little Russian boy aimed a p-pitchfork at me and I sh-shot him. I see that every night when I try to sleep. Other things, too."

"Thierry is your son, isn't he?" Aimee said.

"I don't know. This letter is in Sarah's writing b-but she said," he stopped. "Those eyes, y-yes. . .those are her eyes." He choked. "Sh-she told me we had a b-baby who died as an infant! I j-just find it hard to believe. . ."

"That I'm alive?" Thierry stood in front of him.

Aimee saw something inside of Hartmuth shift.

"
Gott im Himmel,
I never knew, n-never knew," he said. His head started shaking. "Are you my s-son?"

"Lies! Everyone lied to me," said Thierry. His face contorted in hate. "I had a right to know."

Aimee saw the confusion in Hartmuth's eyes. He wondered if this really was his son. His and Sarah's, conceived in the catacombs fifty years ago.

"Sarah told me the b-baby died!" Hartmuth said.

Thierry, a stream of tears running down his own face, tentatively reached over.

"May I touch you, Father?" he asked in a whisper.

"Look at his blue eyes," Aimee said to Hartmuth. "Claude Rambuteau said Thierry had the same eyes as Sarah."

Hartmuth slowly reached out his trembling fingers, and grasped Thierry's. They held hands tightly. Aimee watched as Hartmuth's hand started to explore Thierry's face. His fingers traced Thierry's cheekbones, how his forehead curved, where his ears brushed his black hair.

Fog curled into the courtyard, dimming the spotlights highlighting Picasso's sculptures. The temperature had dropped but the two men were oblivious. As they spoke, clouds of frost in the afternoon air punctuated their words.

Softly Hartmuth spoke. "Your chin is like my grandmother's, jutting out just a little here." He sighed wistfully as he ran his fingers over Thierry's jawline. "Of course your eyes, coloring, and hair are hers," he said.

"Hers?" Thierry asked, letting the question trail in the air.

"She'll come to me, to us. . ." A fierce longing shone in Hartmuth's eyes. "That's why she's doing this, now I understand. Nothing matters anymore but that we're together. Some crazy coincidence and we've all found each other. I always hoped. But never in my fantasies did I dream we—"

"That we'd be reunited, like some happy family?" Thierry laughed sarcastically.

"No. I never knew you existed. But we are meant to be together," Hartmuth said.

"Father, don't forget what you lived by," Thierry said. He flashed his hand in the light so Hartmuth could see the tattoos circling his hand. "The SS motto—'My honor's name is loyalty.' Those ideals have never died."

"Where do you get this old propaganda?" Hartmuth asked, amazed.

Thierry's eyes welled with tears. "My life is a sacrifice for the Aryan way of life."

Hartmuth shook his head. "She's in danger." His voice had become urgent.

"It's good to know some things never change," Thierry said. For the first time he smiled.

"What do you mean? She's your mother," Hartmuth said.

Aimee moved closer to Hartmuth. "What does she look like?"

"Her eyes are incredibly blue," he said. "She wears a black wig. You have to find her."

"She's a Jewish sow, a defiled receptacle for Aryan seed, that's all." Thierry's eyes flashed with hate.

Aimee was alarmed. "Let's go, Thierry."

Hartmuth looked incredulous. "How can you say that? That's old talk, it never mattered."

Thierry bowed abjectly. "Can you accept me as your son, defiled as I am?"

Hartmuth slapped him. "Your brain is defiled!"

Thierry nodded. "True." He knelt down. "I will purify myself, cleanse her presence from me," he begged. "I will find the Jewish sow. Purge our line for the master race."

Aimee pulled him up, grabbing his arm. She had to get him out of the dank, chill courtyard before he did anything else. She shoved him past the Minotaur, almost tripping over the bench.

"You warped, sick. . .!" Hartmuth yelled.

"I will prove myself," Thierry said as Aimee dragged him towards the back door of the museum.

"Wait. . ." Hartmuth cried but they were gone.

T
HIERRY JERKED
Aimee against the wall outside the Picasso Museum.

"Find her!" he said and was gone.

Cold and tired, she trudged over the Seine to her apartment. Miles Davis sprung on her as she entered her unheated flat. She jiggled the light switch until the chandelier shone dimly, then kicked the hall radiator, which sputtered to life and died.

Chilled to the bone, she went to the bathroom and turned on the chrome faucets full blast in her black porcelain tub. Her father's old Turkish robe, frayed and blue, hung over the heated towel rack. When her apartment's heat failed, she'd warm up in her claw-footed tub; there, her thoughts were released and she could order the compartments of her mind. Put ideas together, make sense of what she knew. She sank into the welcome warmth as her mirror fogged with steam and the sweet aroma of lavender Provencal soap filled the room.

She'd proved Thierry was Hartmuth's and Sarah's son. After Hartmuth accepted that, he'd revealed Sarah had survived and was in danger. Not only did Hartmuth want to find her, a crazed Thierry did, too. Thierry's anger frightened her and she still wasn't any closer to knowing who killed Lili. On top of that, Rene hadn't gotten back to her and she was worried about him.

She heard the click of her answering machine.

"Leduc, answer, I know you're there," came Morbier's voice on her machine.

She got out of the now lukewarm tub, intending not to answer. As she dried her hair, she heard the insistence in his voice. Finally she picked up the phone in her bedroom.

"You don't have to yell, I just got out of the bath," she said.

"Meet me in the Place des Vosges, at Ma Bourgoyne, the cafe with the good apple tarte tatin," he growled.

"Give me one good reason, Morbier," Aimee said in a tired voice.

"Intuition, gut feeling, whatever you want to call it, just that feeling I get that's kept me in this business this long. Get dressed, I'll be waiting." He hung up.

She whistled to Miles Davis who scampered off her bed. "Time for you to stay with Uncle Maurice. I want you safe."

Thursday Afternoon

A
IMÉE WALKED THROUGH THE
long shadows cast across the courtyard of Hôtel Sully. Dark green hedgerows manicured thinly into fleur-de-lys shapes broke up the wide gravel expanse. This tall mansion, another restored
hôtel particulier
, gave access to Place des Vosges via a narrow passageway.

She'd left Rene a message telling him where she was meeting Morbier. Rene's cautionary tone pulsed in her brain and she felt open to attack. Threatening faxes, graffitied threats, and hostile cars forcing her off her moped hadn't disturbed her as much as the virus attack on their computer system. Computers were their meal ticket. Her Glock, loaded and ready in her jeans pocket, was molded to her hip.

A buttery caramel aroma drifted across the courtyard. Her mind darted to the warm, upside-down apple tart for which Ma Bourgoyne was famous. The restaurant lay past this narrow passage, under the shadowy arcade of Place des Vosges. She pulled out her cell phone and punched in Rene's number again. No answer.

As she turned to open her backpack, a hot burning stung her ear. Powdery plaster spit from the stone arch as a neat row of bullets peppered the wall.

She dove over the damp cobblestones and hugged a thick pillar, quickly grabbing the Glock from her pocket. If she hadn't turned, her brains would be splashed on the cobblestones right now.

She touched her ear, grazed by a bullet. Her shaking fingers came back sticky red and metallic-smelling. It hadn't even hurt. She was scared and didn't know where to go. Bullets that seemed to be coming from above her systematically blasted the pillar's edges. She was an easy target. Already the column had been shaved to a quarter of its size.

She gripped her pistol with two hands to steady her aim, took a deep breath, and fired a round at the roof. Counting her shots before she finished them, she sprang and somersaulted, still firing. Her left arm banged into the arched passage entrance and sharp pain shot through her back. She prayed her shoulder wouldn't go out on her now.

It had to be Morbier!
He'd called to meet her at the cafe around the corner. Consistently he'd warned her off Lili Stein's investigation. He'd set her up. Rene was the only person, if he'd gotten her message, who'd know she'd be here.

Ahead, the dark passage lay deserted. Keeping under cover behind the crumbling colonnade, she reloaded the Glock. Was he shooting at her himself or had he gotten a B.R.I. marksman? Crouched in the shadow, she took aim at the courtyard in front of her. Her hand shook. She didn't know why he would betray her.

He'd strung her along and she hadn't even suspected him. What a
traître
! She'd trusted him, felt sorry for him. A colleague of her father's!

A puff of air whizzed by her cheek and plaster fell into her eyes. The sand and pebbly grit blinded her. She squirmed over the gravel towards the exit, trying not to go in a straight line. At least towards where she thought it was. Her tearing eyes finally blinked the sandy granules out. She realized she'd crawled to the opposite side of the wormholed doors that led to the Place des Vosges. Further from escape. A short figure pushing a baby stroller appeared near the door, about to enter the passage. Someone innocent was about to be killed; she had to warn them.

"Get out!" Aimee screamed at the figure with the stroller as she scooted backwards, propelling herself against the limestone wall. "Go! Run!"

She twisted back on her stomach and aimed below a dark-paned window. More puffs of ivory dust splattered in a row as her shots hit the colonnade. No thud, grunt, or low-lying shuffle. Nothing. Where were the shots coming from?

And almost too late, she looked up. To her left on another roof, a glinting barrel of a ground-sensor rifle poked over a gargoyle's ugly snout. Pointing at her.

Suddenly, the baby stroller reappeared, sliding into the courtyard. The stroller's wheels popped and hissed, deflating from rifle shots as it sagged into the courtyard hedge. The short figure in the shadow opened a coat revealing a semiautomatic, shooting at the roof.

She gritted her teeth, rolled over, and fired more rounds at the roof. She heard a scraping noise above her as a black-clad body thumped over the gargoyle's pointed ears, then the crunch of breaking bones as the body landed. Some vital organ burst, splattering matter over cobblestones and gravel.

"Aimee, get the hell out of here," Rene's muffled voice came from inside the coat. "Now!"

She ran over to him, trying to ignore the bloody mess in front of them. She looked long enough to see that it wasn't Morbier. Had her phone been tapped?

"Rene, my God what's happening?"

His arm was soaked dark red and he gasped, "They're following you." His hand covered his arm but she tried to pull it off to see. "Don't. Pressure to stop the bleeding." He smiled thinly and his green eyes closed. He opened them again with effort. "Don't go back." He moaned, then whispered, "Don't trust anyone, it's too big."

"Rene, I'll get you to the hospital. Sssh, be quiet until—"

"No, a bullet just grazed my arm." He tried to sit up. "Go quickly before they come. Take my keys, hide." The wailing drone of a siren came from rue St. Antoine. He pulled keys out of his vest pocket. Panic flashed in his eyes.

"Why the paranoia? Morbier will—"

"It's a setup; don't"—Rene gulped—"go."

She hesitated. "But, Rene. . ."

"Goddamn it, got to stop them." His eyes closed as he passed out.

Aimee backed slowly out of the courtyard as she heard the ambulance screech to a halt. From behind a moldy pillar she heard attendants running with a stretcher crunching over gravel. How did they know so quickly, she wondered. She peered from behind the fluted pillars and saw a Kevlar-suited swat team striding up to the huddled corpse. They leaned into their collars and she realized they were talking into small radios. She heard the static crackle as one of them stopped in front of her pillar and responded in a low voice.

"Negative. No sign of her."

She recognized the dead shooter sprawled in his own bloody entrails; the swastikas tattooed across his knuckles looked familiar. She flashed on Mr. Lederhosen, Leif, as Thierry had identified him. The one who'd almost knifed her in the van, had chased her through the Marais, and was in the crowd when Cazaux appeared.

Turning towards the back exit, she broke into a run just beyond the last pillar and stopped abruptly, ready to sprint down the arched Place des Vosges through strolling passersby. A police riot van swayed out of narrow rue Birague and careened to a stop directly in front of her.

The burnt smell of roasted chestnuts wafted down the ancient arcade to where she stood, paralyzed. As the swat team streamed out of the van, she grabbed the elbow of a man next to her. Putting her arms around him, she burrowed into his wrinkled neck. His astounded elderly wife seemed about to bat her with a large handbag when Aimee feigned horror.

"I'm so sorry. Why, you look exactly like Grandpapa!" she exclaimed, keeping her head down.

Most of the swat team entered the Hôtel Sully courtyard but a few had fanned out along the Place des Vosges. Aimee kept pace with the old couple as the indignant wife tried to move away from her.

"You greet your grandfather in that manner, young lady?" she inquired sarcastically.

The old man's eyes twinkled as his wife pulled at him. Ahead of Aimee, an accordion wheezed something familiar, echoing off the vaulted brick. At the east corner of Place des Vosges stood an Issey Miyake shop. Aimee swerved through the stainless-steel doors into a stark white interior as the old man winked goodbye.

Bleached white walls, floors, and ceilings provided a minimalist backdrop with nowhere to hide. Black clothing hung from ropes draped from the ceiling like so many dead bodies. Unless you wore black or white you were sure to stick out here, and Aimee's dusty and gravel-pitted blue jeans definitely stuck out. Behind the deserted counter were white smocks worn by the salespeople. She grabbed one and buttoned it over her jeans and denim jacket. She heard the whir of sewing machines from the back and slipped through white metal-mesh curtains before a salesperson came out.

The row of Asian seamstresses busy at their sewing machines didn't even look up as she entered. Many of them kept up low conversations while they guided the material under the punching needles. From the shop exterior she heard voices—loud, officious ones. If she took off the smock, her dirty jeans and scruffy denim jacket would be picked out in a minute. Bins of black and white items of clothing were overflowing and the seamstresses kept adding more finished pieces. Aimee bent over and picked up the bin nearest her. A seamstress looked up questioningly at her.

"Display sent me for floor samples," Aimee smiled. "The requisition order is in my van."

"Inform the floor supervisor," the seamstress said. Her thin black eyebrows arched as she looked Aimee over. "Bring it on your way back."

"D'accord,"
Aimee agreed. She grunted, hefting the heavy bin into her arms. Slogging to the back of the busy work area, she kept her face hidden and set it down with all the others. Piled high, they made an odd-shaped mound.

Aimee slid a few black pieces out before she closed up the bin and stepped behind the pile. She took off her jean jacket, slipped on a tailored, well-cut black wool jacket, then stepped out of her jeans into a form-fitting tight black skirt. She rifled through a hosiery bin and grabbed thin black-ribbed tights. Sample shoes and boots in assorted sizes were strewn helter-skelter on shelves. She tried several pairs of boots on but the only pair that remotely fit her were sexy suede high-heeled pumps. Not exactly what she'd pick for a great escape. She looked like this season's fashion victim but she'd blend in more than she ever had before. The challenge would be, could she run in such a tight skirt and heels?

She bunched her jeans into a ball. The workers' backpacks and handbags hung from hooks behind her. Quickly she emptied the contents of a stylish black leather bag onto the floor and scooped her cell phone, wallet, cards, tube of mascara and Glock, with one remaining bullet cartridge, into the bag. Next to the contents of the bag on the floor she slipped some hundred-franc notes with a scribbled "Sorry, hope this covers it" in red lipstick on one of them. She unlatched the back workers' entrance as she heard a loud voice above the clicking sewing machines.

"Please give your attention to this officer. Have any of you seen. . ."

Not waiting to hear more, she slipped out into the night and the darkened Places des Vosges.

A
IMÉE'S HEEL S
tapped a rhythm on the cobblestones as she searched for Rene's Citroën. Finally she found it on the rue du Pas de la Mule, which meant "in the donkey's footsteps." She and Rene always joked about that, but no smile came to her lips as she saw two policemen examining his vehicle. They weren't just giving it a ticket either.

Going to her office or flat would be stupid, she realized, and hiding at Rene's would be idiotic. Where could she find a place to hide that contained a computer? She ducked into the patisserie on the corner, bought a bag of warm chocolate croissants, and exited out the rear back to the Place des Vosges. She walked in her Issey Miyake designer suit, munching and looking in boutique windows, slowly working her way under the arcade towards the busy rue St. Antoine. In the children's playground, plainclothes police blocked her way by the side of the square, talking to the mothers, nannies, and assorted caregivers. Where could she go?

A group of tourists clustered in the doorway of the Victor Hugo Museum, which, Aimee noticed, the security forces ignored. All French national museums contained state-of-the-art computers, hooked on-line with government and educational ministries. This would be perfect—that is, if she could play tourist and sneak in the door.

She slipped among a trio of elderly ladies, greeting them like old acquaintances. She smiled and immediately began chitchat about the weather.

"Of course, being from Rouen," Aimee said, "I savor these ancient parts of the Marais."

"But the Cathedral of Rouen," one of the trio exclaimed, "is such a gem! A perfect example of the best in medieval architecture! How could one compare this Bourbon king's imitation to that!" The old woman spoke passionately. She pointed at the seventeenth-century colonnades above them. Aimee knew little about architecture and nothing of Rouen. She wished she'd kept her mouth shut.

"Are you just joining the architectural tour then, dear?" an almost hunchbacked old woman asked. "You've missed significant parts of the Marais, the
hôtel particuliers
on rue de Sevigne especially."

"I'll catch them next time," Aimee said.

She edged closer to the old lady, who smelled of musty violets. Two policemen walked by and she pressed herself against the rose-colored bricks of the building.

They filed into the foyer and she realized she was the youngest member of this group. The tour leader, a round-faced young man with circular tortoiseshell glasses, spread his arms as if enjoining the spirit of Victor Hugo himself to guide them, and began in a sonorous, droning voice.

"From 1832 to 1848 perhaps the greatest of all men of letters lived on the second floor of this building." He nodded officiously to several older men leaning on walkers. "Those unable to navigate the stairs may follow our journey through the museum on our computer access."

Despite her predicament, she almost laughed out loud as she saw the look of amusement the old men gave their guide. Most eighty-year-olds ignored computers and these didn't seem any different.

The museum, laid out as it had been in his time, showed the daily life of Victor Hugo. Hugo's bedroom, taken up with a canopied bed, overlooked Place des Vosges through leaded bubbled glass. Worn dark wood paneling covered the walls. A showcase held various colored locks of his hair tied with ribbon, labeled and dated. In the study was his
escritoire
and a sheet of half-written yellowed foolscap with a quill pen in a crystal inkwell beside it. Almost as if Hugo had paused to take a pee, which she herself desperately needed to do. Aimee stared longingly at a porcelain eighteenth-century bidet with exquisite floral rosettes. Lining the dining-room walls were portraits of his wife, mistresses, and other prominent writers of his day. The room captured his essence, dark and narcissistic. The only touch that could be called socialist was the heavy peasant glassware on a mahogany sideboard.