Murder Must Advertise
Dorothy L Sayers
Oxford-educated Dorothy Leigh Sayers (1893-1957) was one of the most popular authors of the Golden Age era. Born in England in 1893, Dorothy Sayers received her degree at university in medieval literature. Following her graduation, besides publishing two volumes of poetry, she began to write detective stories to earn money.
Her first novel, "Whose Body?" (1923), introduced Lord Peter Wimsey, the character for which she is best known. Wimsey, with his signature monocle and somewhat foppish air, appeared in eleven novels and several short stories. Working with his friend, Inspector Parker of Scotland Yard, Wimsey solved cases usually involving relatives or close friends.
Dorothy L. Sayers was well known for "combining detective writing with expert novelistic writing," and the imaginative ways in which her victims were disposed of. Among the many causes of death seen in her novels were, among others, poisoned teeth fillings, a cat with poisoned claws, and a dagger made of ice! (The Whodunit)
Dorothy Sayers also edited several mystery anthologies collected under the heading "The Omnibus of Crime" (1929), which included a noteworthy opening essay on the history of the mystery genre.
Later on in her life, Dorothy Sayers gave up detective fiction to pursue her other interests. She spent the last years of her life working on an English translation of Dante's Divine Comedy, having always claimed that religion and medieval studies were subjects more worthy of her time than writing detective stories
A DETECTIVE STORY
BY
DOROTHY L. SAYERS
HARCOURT, BRACE
AND COMPANY
NEW YORK
DOROTHY L. SAYERS
I do not suppose that there is a more harmless and law-abiding set of people in the world than the Advertising Experts of Great Britain. The idea that any crime could possibly be perpetrated on Advertising premises is one that could only occur to the ill-regulated fancy of a detective novelist, trained to fasten the guilt upon the Most Unlikely Person. If, in the course of this fantasy, I have unintentionally used a name or slogan suggestive of any existing person, firm or commodity, it is by sheer accident, and is not intended to cast the slightest reflection upon any actual commodity, firm or person.
| I. | DEATH COMES TO PYM'S PUBLICITY |
| II. | EMBARRASSING INDISCRETION OF TWO TYPISTS |
| III. | INQUISITIVE INTERVIEWS OF A NEW COPY-WRITER |
| IV. | REMARKABLE ACROBATICS OF A HARLEQUIN |
| V. | SURPRISING METAMORPHOSIS OF MR. BREDON |
| VI. | SINGULAR SPOTLESSNESS OF A LETHAL WEAPON |
| VII. | ALARMING EXPERIENCE OF A CHIEF-INSPECTOR |
| VIII. | CONVULSIVE AGITATION OF AN ADVERTISING AGENCY |
| IX. | UNSENTIMENTAL MASQUERADE OF A HARLEQUIN |
| X. | DISTRESSING DEVELOPMENTS OF AN OFFICE ROW |
| XI. | INEXCUSABLE INVASION OF A DUCAL ENTERTAINMENT |
| XII. | SURPRISING ACQUISITION OF A JUNIOR REPORTER |
| XIII. | EMBARRASSING ENTANGLEMENT OF A GROUP-MANAGER |
| XIV. | HOPEFUL CONSPIRACY OF TWO BLACK SHEEP |
| XV. | SUDDEN DECEASE OF A MAN IN DRESS CLOTHES |
| XVI. | ECCENTRIC BEHAVIOUR OF A POST-OFFICE DEPARTMENT |
| XVII. | LACHRYMOSE OUTBURST OF A NOBLEMAN'S NEPHEW |
| XVIII. | UNEXPECTED CONCLUSION OF A CRICKET MATCH |
| XIX. | DUPLICATE APPEARANCES OF A NOTORIOUS PERSONALITY |
| XX. | APPROPRIATE EXIT OF AN UNSKILLED MURDERER |
| XXI. | DEATH DEPARTS FROM PYM'S PUBLICITY |
DEATH COMES TO PYM'S PUBLICITY
“A
nd by the way,” said Mr. Hankin, arresting Miss Rossiter as she rose to go, “there is a new copy-writer coming in today.”
“Oh, yes, Mr. Hankin?”
“His name is Bredon. I can't tell you much about him; Mr. Pym engaged him himself; but you will see that he is looked after.”
“Yes, Mr. Hankin.”
“He will have Mr. Dean's room.”
“Yes, Mr. Hankin.”
“I should think Mr. Ingleby could take him in hand and show him what to do. You might send Mr. Ingleby along if he can spare me a moment.”
“Yes, Mr. Hankin.”
“That's all. And, oh, yes! Ask Mr. Smayle to let me have the Dairyfields guard-book.”
“Yes, Mr. Hankin.”
Miss Rossiter tucked her note-book under her arm, closed the glass-panelled door noiselessly after her and tripped smartly down the corridor. Peeping through another glass-panelled door, she observed Mr. Ingleby seated on a revolving chair with his feet on the cold radiator, and talking with great animation to a young woman in green, perched on the corner of the writing-table.
“Excuse me,” said Miss Rossiter, with perfunctory civility, “but Mr. Hankin says can you spare him a moment, Mr. Ingleby?”
“If it's Tom-Boy Toffee,” replied Mr. Ingleby defensively, “it's being typed. Here! you'd better take these two bits along and make it so. That will lend an air of verisimilitude to an otherwise–”
“It isn't Tom-Boy. It's a new copy-writer.”
“What, already?” exclaimed the young woman. “Before those shoes were old! Why, they only buried little Dean on Friday.”
“Part of the modern system of push and go,” said Mr. Ingleby. “All very distressing in an old-fashioned, gentlemanly firm. Suppose I've got to put this blighter through his paces. Why am I always left with the baby?”
“Oh, rot!” said the young woman, “you've only got to warn him not to use the directors' lav., and not to tumble down the iron staircase.”
“You are the most callous woman, Miss Meteyard. Well, as long as they don't put the fellow in with me–”
“It's all right, Mr. Ingleby. He's having Mr. Dean's room.”
“Oh! What's he like?”
“Mr. Hankin said he didn't know, Mr. Pym took him on.”
“Oh, gosh! friend of the management.” Mr. Ingleby groaned.
“Then I think I've seen him,” said Miss Meteyard. “Tow-coloured, supercilious-looking blighter. I ran into him coming out of Pymmie's room yesterday. Horn-rims. Cross between Ralph Lynn and Bertie Wooster.”
“Death, where is thy sting? Well, I suppose I'd better push off and see about it.”
Mr. Ingleby lowered his feet from the radiator, prised up his slow length from the revolving chair, and prowled unhappily away.
“Oh, well, it makes a little excitement,” said Miss Meteyard.
“Oh, don't you think we've had rather too much of that lately? By the way, could I have your subscription for the wreath? You told me to remind you.”
“Yes, rather. What is it? A bob? Here's half-a-crown, and you'd better take the sweep-money out of it as well.”
“Thanks awfully, Miss Meteyard. I do hope you get a horse this time.”
“High time I did. I've been five years in this beastly office and never even been placed. I believe you wangle the draw.”
“Indeed we don't, Miss Meteyard, or we shouldn't let all the horses go to those people in the Printing. Wouldn't you like to come and draw for us this time? Miss Parton's just typing out the names.”
“All right.” Miss Meteyard scrambled down leggily and followed Miss Rossiter to the typists' room.
This was a small, inconvenient cubicle, crowded at the moment to bursting-point. A plump girl in glasses, with head tilted back and brows twisted to keep the smoke of a cigarette out of her eyes, was rattling off the names of Derby runners on her type-writer, assisted by a bosom-friend who dictated the list from the columns of the
Morning Star
. A languid youth in shirt-sleeves was cutting the names of sweep-subscribers from a typed sheet, and twisting the papers into secretive little screws. A thin, eager young man, squatting on an upturned waste-paper basket, was turning over the flimsies in Miss Rossiter's tray and making sarcastic comments upon the copy to a bulky, dark youth in spectacles, immersed in a novel by P. G. Wodehouse and filching biscuits from a large tin. Draped against the door-posts and blocking the entrance to all comers, a girl and another young man, who seemed to be visitors from another department, were smoking gaspers and discussing lawn-tennis.
“Hullo, angels!” said Miss Rossiter, brightly. “Miss Meteyard's going to draw for us. And there's a new copy-writer coming.”
The bulky young man glanced up to say “Poor devil!” and retreated again into his book.
“Bob for the wreath and sixpence for the sweep,” went on Miss Rossiter, scrabbling in a tin cash-box. “Has anybody got two shillings for a florin? Where's your list, Parton? Scratch Miss Meteyard off, will you? Have I had your money, Mr. Garrett?”
“No money till Saturday,” said the Wodehouse-reader.
“Hark at him!” cried Miss Parton, indignantly. “You'd think we were millionaires, the way we have to finance this department.”
“Pick me a winner,” replied Mr. Garrett, “and you can knock it off the prize-money. Hasn't that coffee come yet?”
“Have a look, Mr. Jones,” suggested Miss Parton, addressing the gentleman on the door-post, “and see if you can see the boy. Just check these runners over with me, duckie. Meteor Bright, Tooralooral, Pheidippides II, Roundabout–”
“Roundabout's scratched,” said Mr. Jones. “Here's the boy just coming.”
“Scratched? No, when? What a shame! I put him down in the
Morning Star
competition. Who says so?”
“
Evening Banner
lunch special. Slip in the stable.”
“Damn!” said Miss Rossiter, briefly. “There goes my thousand quid! Oh, well, that's life. Thank you, sonnie. Put it on the table. Did you remember the cucumber? Good boy. How much? One-and-five? Lend me a penny, Parton. There you are. Mind out a minute, Mr. Willis, do you mind? I want a pencil and rubber for the new bloke.”
“What's his name?”
“Bredon.”
“Where's he come from?”
“Hankie doesn't know. But Miss Meteyard's seen him. She says he's like Bertie Wooster in horn-rims.”
“Older, though,” said Miss Meteyard. “A well-preserved forty.”
“Oh, gosh! When's he coming?”
“'Smorning. If I'd been him I'd have put it off till tomorrow and gone to the Derby. Oh, here's Mr. Ingleby. He'll know. Coffee, Mr. Ingleby? Have you heard anything?”
“Star of Asia, Twinkletoes, Sainte-Nitouche, Duke Humphrey
....
”
“Forty-two,” said Mr. Ingleby. “No sugar, thanks. Never been in advertising before.
Balliol.
”
[Pg 7]
“Golly!” said Miss Meteyard.
“As you say. If there is one thing more repulsive than another it is Balliolity,” agreed Mr. Ingleby, who was a Trinity man.
“
Bredon went to Balliol
And sat at the feet of Gamaliel
,”
chanted Mr. Garrett, closing his book.
“
And just as he ought
He cared for nought
”
added Miss Meteyard. “I defy you to find another rhyme for Balliol.”
“Flittermouse, Tom Pinch, Fly-by-Night
....
”
“
And his language was sesquipedalial
.”
“It isn't sesquipedalial, it's sesquipedalian.”
“Bother!”
“Twist those papers up tight, duckie. Put them in the lid of the biscuit-tin. Damn! that's Mr. Armstrong's buzzer. Stick a saucer over my coffee. Where's my note-book?”
“
....
two double-faults running, so I said
....
”
“
....
I can't find the carbon of that Magnolia whole-treble
....
”
“
....
started at fifty to one
....
”
“Who's bagged my scissors?”
“Excuse me, Mr. Armstrong wants his Nutrax carbons
....
”
