Authors: Charles Chaplin
30. Chaplin with Oona, Geraldine and Michael
31. Chaplin with his sons Charles and Sydney on the set of
Monsieur Verdoux
, 1947
32. With Claire Bloom in
Limelight
, 1952
33. With Dawn Addams in
A King in New York
, 1957
34. With Oona in Switzerland
35. With Michael, Josephine and Eugene
Abrams, Hiram, of United Artists,
Aldershot: ‘a week of terror to
performers’,
18
Alexandra, Queen,
90
Alexandria Hotel and Bar (Los Angeles),
144
,
147
,
155
,
183
–4,
Alexandrov, Grigor,
319
Amarillo (Texas), C.’s reception at
175
–6
American Legion and
Monsieur
Verdoux
,
445
Anderson, Andy,
376
Anderson, G. M. (Bronco Billy),
160
–72
passim
Aragon, Louis,
464
Arbuckle, Roscoe (‘Fatty’),
143
,
146
,
155
230
–31,
270
Arthur, George K.,
270
Astor, Lord.
331
Athletic Club (Los Angeles), C.’s quarters in,
158
,
218
,
224
,
226
,
234
Auriol, President Vincent,
461
Bali, C. in (‘a paradise’),
363
–6
ballet, C. and,
191
–3; in
Limelight
,
Balsan, Consuelo Vanderbilt,
350
Barrie, Sir James,
268
–9
Barry, Joan,
407
ff.
Barrymore, John,
258
Barton, Ralph (of the
New Yorker)
,
329
,
330
,
333
,
337
–41
Beach, Rex,
200
beauty, C.’s concept of,
351
–2,
448
Beaverbrook, Lord,
334
Beck, Martin,
121
Beddington-Behrens, Sir Edward,
467
Bell, Charlie (comedian),
92
Berlin, Irving,
324
Bernard, Sam,
256
–7
Bernhardt, Sarah,
194
Bernstein, Sydney,
467
Bernstorff, Count, and W. R. Hearst,
315
‘Bert Coutts’ Yankee-Doodle Girls’,
103
ff.
Beverly Hills, C.’s first impression of,
198
big-game fishing, C. and,
247
–8
Biograph Company,
129
biographies, C. on,
351
Birth of a Nation, The
,
173
birthplace, C.’s,
13
Black Dragon Society (Japan) and plot to kill C,
366
–70
Blackburn, C. in,
358
Blackmore’s Theatrical Agency,
77
–8
Bloom, Claire,
448
Boicette troupe (knockabout comedians),
92
Boissevain, Jan (Dutch industrialist),
Booth, Edwin (Amer, actor),
258
Boothby, Robert (later Lord Boothby),
334
Bouicicault, Dion,
90
–91
Boyle Heights (Los Angeles), Essanay studio at,
170
ff.
Bracken, Brendan,
334
Brady, ‘Diamond’ Jim,
155
–6
Brecht, Bertolt,
428
Breen office and
Monsieur Verdoux
,
429
ff.
Briand, Aristide,
352
Bridges, Harry (of the Longshoremen’s union),
392
–3
Broadway Melody, The
,
321
Bronco Billy:
see
Anderson,
G. M. Bulganin, C.’s meeting with,
467
–9
Burke, Thomas (Eng. writer), ‘at my best with’,
279
burlesque shows (U.S.A.),
126
Burnier, Madame Eileen, C.’s secretary,
465
Bushman, Francis X.,
165
Butte (Montana): ‘a Nick Carter town’,
127
,
134
Cadman, Charles,
225
Caine, Hall,
91
California, C.’s first impressions of,
128
reasons for film-makers’ choice,
Campbell, Mrs Pat,
257
Canterbury Music Hall (London),
C’s father performs at,
15
C. plays at,
103
Capote, Truman,
473
Carmen
, C. burlesques De Mille’s
film of,
173
–4
Carnegie Hall, C.’s ‘second Front’
speech at,
404
–7
Carpentier, Georges,
273
Carter, Mrs Leslie (Amer, actress),
Caruso, Enrico, C. and,
181
–3
Casey’s Circus, C’s impersonations
in,
94
Catholicism, C’s early leanings towards,
Catholics’ antagonism to C. in U.S.A.,
441
–2,
445
Caught in the Rain
(C’s first film as director),
152
Caulfield, of the Mutual Film Corporation,
187
–8
celebrity, ‘something bogus about it?’,
177
C’s lessons from,
267
‘it could give me no more’,
279
censorship:
see
Breen office
Chaliapin, Fyodor,
357
Chaplin, Albert (C.’s uncle),
59
Chaplin, Charles (C.’s father),
C’s early memories of,
15
–16,
20
and Louise,
33
–40
passim; C
.
sees for last time,
58
; death and
funeral of,
59
–60
Chaplin, Charles, Junr (C.’s son),
Chaplin, Mrs (C’s mother),
14
ff.
passim;
stage career,
17
–20
struggle with poverty and ill-
health,
23
ff.; admitted to mental institution;
33
,
69
,
74
–5,
81
,
88
,
Chaplin, Spencer (C’s uncle),
39
Chaplin, Sydney (C’s brother),
10
,
159
; takes over C’s business
affairs,
172
ff.; on mergers,
220
with C. in Japan,
362
ff.; success
and retirement,
348
Chaplin, Sydney (C.’s son),
283
Chaplinesque
(Hart Crane’s poem),
246
Charcoate (vaudeville hypnotist),
97
–8
Chartwell (home of Sir Winston
Churchill),
333
–5
chase, the (in comedy films),
‘I hated it’,
143
; Lehrman’s
addiction to,
148
Chekhov, Anton, and emotion in the theatre,
252
Cherrill, Virginia,
323
Chicago,
C’s first impressions of,
125
–7;
crowds greet C. at,
177
children as actors, C. on,
232
Chou En-Iai, C. and,
471
–2
Churchill, Randolph,
333
Chirchill, Sir Winston,
332
–5,
337
,
469
–70
City Lights
,
208
,
209
,
322
–9,
337
,
Clarissa
(Wm. Gillette’s play),
89
Clark, Bert,
225
Clark, William A. (railroad magnate),
185
–6
class distinctions, C.’s views on,
133
clergy, C’s opinion of the,
339
clog-dancing, as C’s first stage
work,
42
–4
close-up (film technique), C. on the,
152