Read My Life as a Mankiewicz Online
Authors: Tom Mankiewicz
This was the perfect time for me to have lived, both as a writer and director, aesthetically and politically. The talking movie is eighty years old. And I knew people from every generation in its history. Billy Wilder and George Stevens were directing in the thirties. My father was producing in the thirties. I saw television come into being, then cable and DVDs. I saw the biggest revolution in American history, the sixties and the seventies, when people started free love and “Hell, no, we're not going to fucking Vietnam”; unbelievable tragedies with Martin Luther King and others saying, “No, we're not going to put up with this racial shit anymore.” The whole country was in revolt. My generation changed this entire country, the landscape of movies, of social mores. I saw rock ân' roll come in. People smoking grass. People saying thank-you by screwing each other after a date. It was a whole different mentality. Films became very different. There were wonderful filmmakers like the Hal Ashbys, the Sydney Pollacks, and Mike Nichols in his way. They were so observant about what was happening to the country and what was happening to the world.
I think now everything has been debased a little, communication's been cheapened a little. You think about when you were driving and you didn't have a cell phone on which to tweet or text, and you actually had to think about things. I would not want to be twelve years old today. Even if there's never another world war, I don't envy what's going to be happening to the world. There's too much communication now. When Antonioni was making all of his films, there was a wonderful comedian named Tom Lehrer who was a mathematics professor at MIT and played little, wonderful, satirical songs. At one point, he said, “This man keeps making films about how there's such a lack of communication in the world. I feel if you're obsessed with that, the least you could do is shut up once in a while.” There's too much communication. Stop communicating!
The best advice I ever received, life-wise, was what Cubby Broccoli said to me: “First, you've got to be a gent.” The people I dislike the most are people who are rude, who put people down to their face, who humiliate or marginalize people. There's plenty of time to do that when you're alone or with your friend in another room. But first, you've got to be a gent. The best professional advice was Dick Donner saying to me, “If you're over budget and over length and it's a good picture, all they'll remember is it's a good picture. And if you're under budget, under schedule, and it stinks, they'll never remember you were under budget; they'll just remember the film stinks. So don't worry about that. It's really difficult to fire a director unless he's making a fool of himself or spending money like water. So figure out the movies that you want to make, and if you're a few days over, you're a few days over.”
Leonard Goldberg said the same thing, having done thousands of hours of television. Most hour-long series, in those days, were on a seven-day shoot. He said, “If a guy comes in in five days and it's a lousy show but we saved a lot of money, I don't mind. If a guy comes in at eight and a half days and it's the best episode of the season, I don't mind. The only thing I mind is somebody comes in at eight and a half days and it's a lousy show.” If you throw yourself into the project and you're true to the project, that's all they remember. Nobody remembers the dramas and crises in
Superman
that Dick and I went through. They only see what's on the screen.
We were shooting
Hart to Hart
and it was about to rain. I said, “Let's just do this all in one because it's going to rain.”
R.J. Wagner said, “It's not going to look very good, is it?”
I said, “No.”
He said, “See, it won't say on the bottom of the screen the reason this looks so shitty is it was about to rain. They don't get to see that. So why don't we shoot it properly and hope the rain holds off?”
Good advice very early on. All the audience knows is what they see.
Acknowledgments
Pat McGilligan, Anne Dean Watkins, Liz Smith (copyeditor), Bailey Johnson, David Cobb, Mack McCormick, the staff of the University Press of Kentucky, Grace Kono-Wells and Vernon Wells of Keystrokes, Ashley Zastrow, Dan Leonard, Andy Erish, Chapman University.
Bob Stevens, Ann Moss, Russell J. Frackman and Abe Somer of Mitchell, Silberberg & Knupp, Gail and Jerry Oppenheimer, Stefanie Powers, Jill and R.J. Wagner, Richard and Lauren Donner, Alex Mankiewicz, Sandra Moss, Cedric Castro, the Palm West Hollywood, Connie Morgan, Genie Vasels.
Desly Movius, David Arnoff, Kathy Holt, D.J. Hall, Toby Watson, Judy Diamond, Deborah Hildebrand, Richard Harris, Barbara Margulies, Leslie Bockian, Jerry Henderson, Istvan and Rosa Toth, John Cerney, Bret Gallagher, Jane and Doug Poole, Kel O'Connell, Marilyn Bagley, Dr. Joe and Liz Ruiz, Susan and Joe Coyle, Jonne-Marie and Paul, Steve and Pete.
Leslie Bertram Crane, Meagan Hufnail, Chloe Crane, Anne and Charles Sloan, Deborah Agar, Eric Agar, Ian and Kim Agar, Steve and Karen Wilson, Bill and Marlene Bertram, Michael Bertram, David Bertram, Bob Page.
Christopher Fryer, David Diamond, Suzy Friendly, Niki Dantine, Drs. Tom and Jeri Munn.
Filmography
Writer
Superman II: aka The Richard Donner Cut
(2006; Video; Warner Brothers)
Richard Lester, Richard Donner (uncredited)âdirector
Jerry Siegel, Joe Shusterâcreators
Mario Puzoâstory
Mario Puzo, David Newman, Leslie Newman, Tom Mankiewicz (uncredited)âscreenplay
Tom Mankiewiczâcreative consultant
Ilya Salkind, Pierre Spenglerâproducers
Gene Hackman, Christopher Reeve, Margot Kidder, Valerie Perrine, Marlon Brando, Jackie Cooper, Terence Stamp, Susannah York, Ned Beattyâcast
Dragnet
(1987; Universal Pictures)
Tom Mankiewiczâdirector
Dan Aykroyd, Alan Zweibel, Tom Mankiewiczâscreenplay
Bernie Brillstein, David Permut, Robert K. Weissâproducers
Dan Aykroyd, Tom Hanks, Christopher Plummer, Harry Morgan, Elizabeth Ashley, Dabney Colemanâcast
Ladyhawke
(1985; 20th Century Fox/Warner Brothers)
Richard Donnerâdirector
Edward Khmaraâstory
Edward Khmara, Michael Thomas, Tom Mankiewicz, David Peoples âscreenplay
Tom Mankiewiczâcreative consultant
Harvey Bernhard, Richard Donner, Lauren Shuler Donnerâproducers
Matthew Broderick, Rutger Hauer, Michelle Pfeiffer, Leo McKern, Alfred Molinaâcast
Gavilan
(1982; MGM Television/NBC)
Tom Mankiewiczâcreator
Leonard Goldbergâexecutive producer
Robert Urich, Patrick Macnee, Kate Reidâcast
Superman II
(1980; Warner Brothers)
(creditsâsee
Superman II: aka The Richard Donner Cut
, above.)
Hart to Hart
, “Hit Jennifer Hart” (1979; ABC/Columbia Pictures Television, Rona II, Spelling-Goldberg)
Tom Mankiewiczâdirector
Tom Mankiewiczâteleplay, creative consultant
Rogers Turrentineâstory, teleplay
Sidney Sheldonâcreator
Leonard Goldberg, Aaron Spelling, David Levinsonâproducers
Robert Wagner, Stefanie Powers, Lionel Standerâcast
Hart to Hart
, “Pilot” (1979; ABC/Columbia Pictures Television, Rona II, Spelling-Goldberg)
Tom Mankiewiczâdirector
Tom Mankiewiczâteleplay, creative consultant
Sidney Sheldonâcreator
Leonard Goldberg, Aaron Spellingâproducers
Robert Wagner, Stefanie Powers, Lionel Standerâcast
Superman
(1978; Warner Brothers)
Richard Donnerâdirector
Jerry Siegel, Joe Shusterâcreators
Mario Puzoâstory
Mario Puzo, David Newman, Leslie Newman, Robert Benton, Tom Mankiewicz (uncredited)âscreenplay
Tom Mankiewiczâcreative consultant
Alexander Salkind, Ilya Salkind, Pierre Spenglerâproducers
Marlon Brando, Gene Hackman, Christopher Reeve, Margot Kidder, Jackie Cooper, Susannah York, Terence Stampâcast
Mother, Jugs & Speed
(1978; 20th Century Fox Television)
John Richâdirector
Tom Mankiewiczâteleplay
Bruce Gellerâproducer
Ray Vitte, Joanne Nail, Joe Pennyâcast
The Eagle Has Landed
(1976; Columbia Pictures)
John Sturgesâdirector
Tom Mankiewiczâscreenplay
Jack Higginsânovel
David Niven Jr., Jack Wienerâproducers
Michael Caine, Donald Sutherland, Robert Duvall, Jenny Agutter, Donald Pleasenceâcast
The Cassandra Crossing
(1976; Avco Embassy Pictures)
George P. Cosmatosâdirector
Robert Katz, George P. Cosmatosâstory
Tom Mankiewicz, Robert Katz, George P. Cosmatosâscreenplay
Giancarlo Pettini, Carlo Pontiâproducers
Sophia Loren, Richard Harris, Martin Sheen, O.J. Simpson, Lionel Stander, Ava Gardner, Burt Lancasterâcast
Mother, Jugs & Speed
(1976; 20th Century Fox)
Peter Yatesâdirector
Stephen Manes, Tom Mankiewiczâstory
Tom Mankiewiczâscreenplay
Joseph Barbera, Tom Mankiewicz, Peter Yatesâproducers
Bill Cosby, Raquel Welch, Harvey Keitel, Allen Garfield, Larry Hagman, Bruce Davisonâcast
The Man with the Golden Gun
(1974; United Artists)
Guy Hamiltonâdirector
Richard Maibaum, Tom Mankiewiczâscreenplay
Ian Flemingânovel
Albert R. Broccoli, Harry Saltzmanâproducers
Roger Moore, Christopher Lee, Britt Ekland, Maud Adams, Herve Villechaize, Clifton James, Bernard Leeâcast
Live and Let Die
(1973; United Artists)
Guy Hamiltonâdirector
Tom Mankiewiczâscreenplay
Ian Flemingânovel
Cubby R. Broccoli, Harry Saltzmanâproducers
Roger Moore, Yaphet Kotto, Jane Seymour, Clifton James, Bernard Leeâcast
Diamonds Are Forever
(1971; United Artists)
Guy Hamiltonâdirector
Richard Maibaum, Tom Mankiewiczâscreenplay
Ian Flemingânovel
Cubby R. Broccoli, Harry Saltzmanâproducers
Sean Connery, Jill St. John, Charles Gray, Lana Wood, Jimmy Dean, Bernard Leeâcast
Georgy!
(1970; Broadway)
Peter H. Huntâdirector
Tom Mankiewiczâbook
Carole Bayerâlyrics
George Fischoffâmusic
Dilys Watling, John Castle, Melissa Hart, Stephen Elliottâcast
The Sweet Ride
(1968; 20th Century Fox)
Harvey Hartâdirector
Tom Mankiewiczâscreenplay
William Murrayânovel
Joe Pasternakâproducer
Michael Sarrazin, Jacqueline Bisset, Anthony Franciosa, Bob Denverâcast
The Beat of the Brass
(1968; CBS)
Jack Haley Jr.âdirector
Tom Mankiewiczâteleplay
Jack Haley Jr.âproducer
Herb Alpert and the Tijuana Brassâcast
Movin'with Nancy
(1967; NBC)
Jack Haley Jr.âdirector
Tom Mankiewiczâteleplay
Jack Haley Jr., Nancy Sinatraâproducers
Nancy Sinatra, Dean Martin, Sammy Davis Jr., Frank Sinatraâcast
Bob Hope Presents the Chrysler Theatre
, “Runaway Boy” (1966; NBC)
Ben Masselinkâstory
Ben Masselink, Tom Mankiewiczâteleplay
Dick Bergâproducer
Lola Albright, Carol Lynley, Robert Wagnerâcast
Director
Hart to Hart:Till Death Do Us Hart
(1996; Columbia TriStar Television)
Tom Mankiewiczâdirector
Bill Froehlich, Mark Lissonâteleplay
Sidney Sheldonâcreator
Stefanie Powers, Robert Wagner, James Veres, Uwe Schottâproducers
Robert Wagner, Stefanie Powers, George Hamiltonâcast
Taking the Heat
(1993; Showtime)
Tom Mankiewiczâdirector
Gary Hoffmanâstory
Dan Gordonâteleplay
Gary Hoffman, Neal Israelâproducers
Tony Goldwyn, Lynn Whitfield, George Segal, Peter Boyle, Alan Arkinâcast
Delirious
(1991; MGM)
Tom Mankiewiczâdirector
Lawrence J. Cohen, Fred Freemanâscreenplay
Doug Claybourne, Richard Donnerâproducers
John Candy, Mariel Hemingway, Emma Samms, Raymond Burr, Dylan Baker, Charles Rocket, Jerry Orbach, Robert Wagnerâcast
Tales from the Crypt
, “Loved to Death” (1991; HBO)
Tom Mankiewiczâdirector
Joe Minion, John Mankiewiczâteleplay
Richard Donner, David Giler, Walter Hill, Joel Silver, Robert Zemeckisâproducers
Andrew McCarthy, Mariel Hemingway, David Hemmings, Kathleen Freemanâcast
Dragnet
(1987; Universal Pictures)
Tom Mankiewiczâdirector
(additional creditsâsee Writer section)
Hart to Hart
(1979â1982; ABC)
“Harts and Palms” (1982)
“From the Depths of my Hart” (1982)
“Murder Up Their Sleeves” (1981)
“The Latest in High Fashion Murder” (1981)
“Homemade Murder” (1981)
“Murder in Paradise” (1981)
“Murder Is a Man's Best Friend” (1980)
“Murder, Murder on the Wall” (1980)
“Death Set” (1980)
“Downhill to Death” (1980)
“The Man with the Jade Eyes” (1979)
“Hit Jennifer Hart” (1979)
“Pilot” (1979)
Tom Mankiewiczâdirector
(additional creditsâsee Writer section)
Producer
Hot Pursuit
(1987; Paramount Pictures)
Steven Lisbergerâdirector
Steven Lisbergerâstory
Steven Lisberger, Steven Carabatsosâscreenplay
Pierre David, Tom Mankiewicz, Jerry Offsayâproducers
John Cusack, Robert Loggia, Jerry Stiller, Ben Stillerâcast
Mother, Jugs & Speed
(1976; 20th Century Fox)
Joseph Barbera, Tom Mankiewicz, Peter Yatesâproducers
(additional creditsâsee Writer section)