No Mercy (13 page)

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Authors: Colin Forbes

Tags: #Suspense, #Fiction

BOOK: No Mercy
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'You can hear the bell throughout the house, I'd have
thought. And there are cobwebs in the hall. Don't like this
too much.'

'Neither do I. We'll move on to Champton Place. I hope her sister Anne's at home.'

'Did you tell Lucinda about the truck left stationary on the
road?' Paula asked as they threaded their way amid one
traffic jam after another.

'No, I didn't. And she didn't say anything about a vehicle
being missing.'

'That's odd. What about the strange statement Michael
made only once — "I witnessed murder"?'

'I'm not mentioning that to anyone until Michael's
amnesia clears up. If it ever does.'

Champton Place was well down the property ladder
compared with Yelland Street: blocks of small four-storey
terrace houses, the walls shabby, the curtains old, scraps of
paper floating down the street in the breeze that had blown up.

'Here we are,' Tweed said, parking outside No. 187. The next curtains on the ground floor were clean; the few steps
leading up to the front door had been washed; the metal bell
push had been polished recently. Tweed looked up and
down the street to make sure they had not been followed,
then rang the bell. The freshly painted green door was
opened swiftly. A pleasant-looking woman in her thirties
with red hair neatly brushed peered out, keeping the door on a heavy chain.

Tweed introduced himself and Paula, held his folder close
so the occupant could read it easily. The response was instantaneous: the door closed, they heard the chain being
removed, the door reopened.

'You have news about Christine? I'm Anne, her sister. Do
come in.'

All spoken in a rush. As they entered a narrow hall Paula
noticed that the cheap wall-to-wall
carpet had been
hoovered recently. A mirror on the wall carried not a speck
of dust. Anne Barton
showed them into a small sitting room,
invited them to sit down, then pulled a chair close to them
and sat down. Her expression was hopeful, tinged with doubt.

'I'm sorry to say we have no positive news,' Tweed said
quickly. 'We're endeavouring to find out where she might
have disappeared to. And have you any idea when she was
last seen - maybe by you?'

'Four months ago today. She worked from home in
Yelland Street. She bought me that beautiful Swedish glass
vase on the window ledge over there. Must have cost a
packet but she was always so generous. I haven't seen her
since.'

Anne Barton was about five foot eight tall, slimly built
with grey eyes and a pleasant face with good features. She
wore a print dress and smart high-heeled shoes. Paula suspected she had little money but splashed out on shoes.
The room's furniture, tasteful but inexpensive, bore out her theory. Anne started talking.

'I'm so glad to see you, to know that someone is doing
something. She was supposed to be back the same day after
going to see an important client. . .'

'Excuse me,' Tweed intervened, 'do you know the name of
the client?'

'No idea. Christine was always so discreet about her work.
She told me a lot of it was confidential. She was always
smarter than me. Not that this affected our close friendship.
She was a forensic accountant. Top-of-the-tree stuff. A firm
would be worried about the state of its accounts, had gone
to one of the big outfits who said everything was OK. The firm wasn't satisfied so they'd call in Christine. If anything was cleverly hidden, she'd find it.'

'Did you report she was missing to anyone?'

'Yes, I did.' Anne sat up straight and Paula sensed
indignation. 'I went to the police, was guided to a particular
department and saw a real thick-headed chap. He opened a
ledger, started asking questions. Had she a boyfriend? No, I said. What about her parents? Maybe she had run off to
them. I told him our parents were dead. I could tell he
wasn't interested. He gave me a lecture about the number of
people who disappear for various reasons and are never seen
again. He said he'd taken down the details and they'd go on
file. I was furious. By the time I got back here I was in
despair.'

'So what did you do next?' Tweed asked gently.

'You're very perceptive. I did what I should have done in
the first place. Christine left me a key so when she had to go
off on a trip I could keep an eye on her place. It looked OK
when I walked in. I went straight to her wardrobe, checked
her clothes. Nothing missing. Her two travelling cases were
there. In the bathroom I found her toilet bag. If she'd gone
for more than a day she'd never have left that. I wished I'd
done this before I visited the police. Then I realized it
wouldn't have made any difference to Thickhead.'

'We called at Yelland Street before we came here.'
explained Tweed. 'The name plate on the wall has been
polished.'

'That was me,' Anne replied. 'I couldn't stand it when it started to get mouldy.'

'You said you had a key to her place,' Tweed recalled. 'If
you'd be willing to loan it to us we'll go back to search. We
might just find something.'

'Oh, would you?' Relief flooded her pale face. Reaching
into the handbag she had perched on the back of her chair,
she produced a Chubb key, then a Banham, and handed them to him.

'When you've finished you can drop both keys back
through my letterbox in this envelope. Save you time. If you
could phone me briefly with news, I'd be so grateful.' She
handed him a card.
'There's the phone number.'

'We'll phone,' Tweed promised. He gave her his own card.
'If something occurs to you, don't hesitate for a minute to
call me at this number. However trivial. A stranger calling,
say. Note his description.'

'I can't tell you both how grateful I am,' she repeated.

They had left Champton Place, were getting into their car,
when the front door flew open and Anne came running
down the steps, clutching a small frame. Paula was back
again on the
pavement when she arrived. She smiled as she
caught her breath!

'Sorry to hold you up. Here's a photo of Christine. Should
have thought of it while we were talking.'

'No,' Tweed called out, '
I
should have thought to ask
you -I must be losing my grip.'

'I doubt that very much, Mr Tweed,' Anne replied, giving
him a glowing smile. 'I've got another. Keep it as long as you
like.'

'Return it to you as soon as we can.'

Although both were experts at searching, after two hours
checking the ground floor and the basement, which
contained the sleeping area and a bathroom, they had found
nothing. Tweed had used a pick-lock to open a batch of steel
filing cabinets in a small room obviously used as a study.

It was crammed with files of papers, and each file had the name of a firm he'd never heard of. Taking out his notebook he wrote all the names down. He didn't feel they were going
to lead him anywhere. Just evidence that Christine was a
furious worker.

When they had arrived Paula had, for the third time, used
her mobile to tell Monica at Park Crescent where they were. The team became nervous if either of them was away a long
time without being in touch. She went to find Tweed.

'Any luck?'

'Zero.'

'Me too. Oh, the kitchen. I should have started there. It's
the place where a woman might just hide something.'

Wearing latex gloves still, she tried to haul open the huge
door of the massive American fridge. No good: it was stuck.
The equipment was modern and expensive. She opened
drawers, one jammed halfway. She started on the
cupboards, then found a slim corner cupboard which had
two Banham locks. There was evidence that someone had
tried to force it open. She called out for Tweed to come, and showed him.

'They didn't try very hard,' he commented. 'It's a very
thin cupboard so there can't be much inside. I'll call for
Harry Butler to come over. He can open anything with the
minimum of damage.'

He stopped speaking as Paula's mobile began buzzing. It
was Monica. She listened, asked Monica to hold on and handed it to Tweed.

'Think you should hear this.'

'Tweed here.'

'It's Monica. I think you should know we've been invaded.
By Abel Gallagher. He shoved George aside downstairs and
went up to your office and barged in. He is now having the
mother and father of arguments with Bob Newman.'

'I'm coming. Be there in fifteen minutes - or less.'

'This drawer just won't open,' Paula said aloud while
Tweed was talking.

She tackled it once more. Again it stuck halfway. She pushed her fingers under it, pushed the drawer in a short
distance. Her fingers touched a manilla envelope, which she eased out. The flap was not sealed. She pulled out a sheaf of papers, all neatly typed with a maze of figures. Several were
circled in red ink. Including a figure '400 mil'.

'We've got to get back now,' Tweed said impatiently.

'Look at this. It was well hidden. Can't make head or tail
of it. It's hieroglyphics to me. What do you make of it?'

He took the sheaf from her, just before he'd taken off his
gloves. Frowning, he studied the mass of figures. They meant nothing to him. Paula took back the documents and
slipped them back inside the envelope. She then turned over
the envelope where Christine had started to write
something and had then changed her mind: 'Dr'.

She waited until they were in the car and Tweed was
driving back towards Park Crescent through the side streets.

When they were stopped by a light suddenly turning red, she
showed him the front of the envelope.

'Could be Drago Volkanian she was going to write.'
'Could be anything. Abel Gallagher has barged into my
office after shoving the guard aside. Newman is confronting
him. I can't wait to confront him
myself.'

While on their way back, Tweed asked Paula to phone Keith
Kent, his friend and brilliant accountant, for an urgent
favour. He was to come over to Park Crescent immediately,
then wait in the downstairs visitors' room. He would be
down to see him very quickly.

'He laughed,' she said after she'd made the call. 'Said if
ever you didn't want something yesterday he'd know it
wasn't important. He's coming straight over. Now I must
call Anne Barton.'

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