Authors: Barbara Demick
KIM IL-SUNG’S DEATH
had, in fact, not changed much in the country. Kim Jong-il had gradually been assuming power over the decade preceding his father’s death. The economy’s inevitable collapse had been set in motion years before under the weight of its own inefficiencies. But North Korea’s Great Leader picked a convenient time to die, one that would prevent his legacy from being tarnished by the catastrophic events of the coming years. Had he lived a moment longer, North Koreans today would not be able to look back with nostalgia at the relative plenty they had enjoyed during his lifetime. His passing coincided with the last gasps of his Communist dream.
By 1995, North Korea’s economy was as stone-cold dead as the Great Leader’s body. Per capita income was plummeting, from $2,460 in 1991 to $719 in 1995. North Korea’s merchandise exports dropped from $2 billion to about $800 million. The collapse of the economy had an organic quality to it, as though a living being were slowly shutting down and dying.
In Chongjin, the hulking factories along the waterfront looked like a wall of rust, their smokestacks lined up like the bars of a prison. The smokestacks were the most reliable indicators. On most days, only a few spat out smoke from their furnaces. You could count the distinct puffs of smoke—one, two, at most three—and see that the heartbeat of the city was fading. The main gates of the factories were now coiled shut with chains and padlocks—that is, if the locks hadn’t been spirited away by the thieves who had already dismantled and removed the machinery.
Just north of the industrial district the waves lapped quietly against the empty piers of the port. The Japanese and Soviet freighters that used to make regular calls to pick up steel plates from the mills were gone. Now there was only North Korea’s fleet of rusting fishing vessels. Perched on a cliff above the port, giant letters proclaimed KIM JONG-IL, SUN OF THE 21ST CENTURY, but even they appeared to be crumbling into the landscape. The red lettering on the propaganda signs along the road hadn’t been repainted for years and had faded to a dull pink.
One of the most polluted cities in North Korea, Chongjin now took on a new beauty, stark and quiet. In autumn and winter, the dry seasons in northeast Asia, the sky was crisp and blue. The sharp odor of sulfur from the steelworks had lifted, allowing people once more to smell the sea. In summer, hollyhocks crept up the sides of concrete walls. Even the garbage was gone. Not that North Korea ever had much litter—there was never enough of anything to go to waste—but with economic life at a standstill, the detritus of civilization was disappearing. There were no plastic bags or candy wrappers wafting in the breeze, no soda cans floating in the harbor. If somebody stamped out a cigarette on the pavement, somebody else would pick it up to extract a few flecks of tobacco to roll again with newspaper.
Accordion lessons in Pyongyang, 2005
.
K
IM IL-SUNG’S DEATH CAUSED MI-RAN’S FINAL EXAM IN MUSIC
to be postponed, so she was not able to graduate until the fall of 1994. It was an inauspicious time to be launching a teaching career—or anything else, for that matter. Mi-ran was eager to move back home with her parents, as food distribution in Chongjin had stopped entirely. She requested a teaching assignment close to home and was fortunate to be sent to a kindergarten near the Saenggiryong
mines, where her father had worked. The mines were carved into hills the color of milky coffee two miles north of Kyongsong on the main road to Chongjin. Mi-ran’s parents were relieved to have her back home where they could make sure she ate properly. It was common in Korea for unmarried adults, especially girls, to live with their parents. She could help around the house and keep her father company, since he hardly went to work these days. The two rooms of their harmonica house felt empty now that her two older sisters had married, and her brother was in teachers’ college.
The kindergarten was about a forty-five-minute walk from home and looked almost identical to the one in Chongjin where she had apprenticed. It was housed in a single-story concrete building that might have looked grim if not for the iron fence with colorfully painted sunflowers that encircled it and formed an archway over the entrance with the slogan “We are happy.” In the courtyard out front were a few old pieces of playground equipment—a swing set with broken wooden seats, a slide, and monkey bars. The classrooms were standard issue with matching father-and-son portraits of Kim Il-sung and Kim Jong-il presiding above the blackboard. The squat double desks were made of worn wooden planks on metal frames. On one side of the room under the windows were folded stacks of mats to be used at nap time. The other side had a large bookcase with only a few books, now barely legible because they’d been photocopied long ago from the originals and were now in varying shades of gray. Books and paper were always scarce, and ambitious mothers had to hand-copy textbooks if they wanted their children to study at home.
The difference between the schools was evident in the pupils themselves. The village children were visibly poorer than their city counterparts. Kindergartners did not yet wear uniforms, so they came to school in a motley assortment of hand-me-downs, often swathed in many layers since there was little heating in the school. Mi-ran was surprised by how ragged the children looked. As she helped them off with their outerwear, she peeled layer after layer until the tiny body inside was revealed. When she held their hands in her own, their baby fingers squeezed into fists as tiny as walnuts. These children, five-and six-year-olds, looked to her no bigger than three-and four-year-olds. In Chongjin, her pupils had been the children
of factory workers and bureaucrats; these were the children of miners. Mi-ran realized that for all the problems with the food supply in the city, it was even worse for the miners. In the past, miners got extra rations—900 grams daily as opposed to the 700 grams for the average worker—to reward them for their hard physical labor. Now that both the kaolin and coal mines around Saenggiryong were closed most of the year, food rations for the miners had been cut. Mi-ran wondered if some of the children were coming to school mainly for the free lunch the cafeteria served, a thin soup made of salt and dry leaves like she’d had in the college dorm.
Still, Mi-ran approached her new job with enthusiasm. To be a teacher, a member of the educated and respectable class, was a big step up for the daughter of a miner, not to mention one from a family from the lowest rungs of society. She couldn’t wait to get up in the morning and put on the crisp white blouse that she kept pressed under her bed mat at night.
The school day started at 8:00
A.M.
Mi-ran put on her perkiest smile to greet the children as they filed into the classroom. As soon as she got them into their assigned seats, she brought out her accordion. All teachers were required to play the accordion—it had been her final test before graduation. It was often called the “people’s instrument” since it was portable enough to carry along on a march to a construction site or for a day of voluntary hard labor in the fields—nothing like a rousing march played on accordion to motivate workers in the field or on the construction site. In the classroom teachers often sang “We Have Nothing to Envy in the World,” which had a singsongy tune as familiar to North Korean children as “Twinkle, Twinkle, Little Star.”
Mi-ran had sung it as a schoolgirl and knew the words by heart:
Our father, we have nothing to envy in the world
.
Our house is within the embrace of the Workers’ Party
.
We are all brothers and sisters
.
Even if a sea of fire comes toward us, sweet children do not need to be afraid
,
Our father is here
.
We have nothing to envy in this world
.
Mi-ran wasn’t blessed with her sister Mi-hee’s musical talent—as smitten as Jun-sang was with her, he would wince whenever she sang. Her little students were less fussy. Their faces tilted up at her, bright with animation, when she sang. They adored her and responded to her enthusiasm in kind. Mi-ran always regretted that her brother was so close to her in age that he was a rival rather than a little brother she could instruct and boss around. She loved her job. As far as the content of what she was teaching, she didn’t pause to contemplate whether it was right or wrong. She didn’t know education could be any different.
In his 1977
Theses on Socialist Education
, Kim Il-sung wrote, “Only on the basis of sound political and ideological education will the people’s scientific and technological education and physical culture be successful.” Since Mi-ran’s pupils could not yet read from the Great Leader’s copious works (his name was affixed to more than a dozen books, Kim Jong-il’s to another dozen), she would read excerpts aloud. The children were encouraged to repeat key phrases after her in unison. A cute little girl or boy reciting the sayings of Kim Il-sung in a childish, high-pitched voice would always inspire a chuckle and a broad smile from the adults. After the ideological training, the lessons moved on to more familiar subjects, but the Great Leader was never far from the children’s minds. Whether they were studying math, science, reading, music, or art, the children were taught to revere the leadership and hate the enemy. For example, a first-grade math book contained the following questions:
“Eight boys and nine girls are singing anthems in praise of Kim Il-sung. How many children are singing in total?”
“A girl is acting as a messenger to our patriotic troops during the war against the Japanese occupation. She carries messages in a basket containing five apples, but is stopped by a Japanese soldier at a checkpoint. He steals two of her apples. How many are left?”
“Three soldiers from the Korean People’s Army killed thirty American soldiers. How many American soldiers were killed by each of them if they all killed an equal number of enemy soldiers?”
A first-grade reading primer published in 2003 included the following poem, entitled “Where Are We Going?”:
Where have we gone?
We have gone to the forest
.
Where are we going?
We are going over the hills
.
What are we going to do?
We are going to kill the Japanese soldiers
.
One of the songs taught in music class was “Shoot the Yankee Bastards”:
Our enemies are the American bastards
Who are trying to take over our beautiful fatherland
.
With guns that I make with my own hands
I will shoot them. BANG, BANG, BANG
.
Reading primers told stories of children who were beaten, bayoneted, burned, splashed with acid, or thrown into wells by villains who were invariably Christian missionaries, Japanese bastards, or American imperialist bastards. In a popular reader, a young boy was kicked to death by GIs when he refused to shine their shoes. American soldiers were drawn with beakish noses like the Jews in the anti-Semitic cartoons of Nazi Germany.
Mi-ran had heard a lot about U.S. atrocities during the Korean War, but she wasn’t sure what to believe. Her own mother remembered the American GIs who drove through her town as tall and handsome.
“We used to run after them,” her mother recalled.
“Run
after
them? You didn’t run away?”
“No, they gave us chewing gum,” her mother had told her.
“You mean they didn’t try to kill you?” Mi-ran was incredulous when she heard her mother’s story.
For history class, the children went on an excursion. All of the larger elementary schools had one room set aside for the purpose of teaching about the Great Leader, called the Kim Il-sung Research Institute. The children from the mining kindergarten walked to Kyong-song’s main elementary school to visit this special room, which was
housed in a new wing and was clean, bright, and better heated than the rest of the school. The Workers’ Party conducted periodic spot checks to make sure the school janitors were keeping the place immaculate. The room was like a shrine. Even the kindergartners knew they were not permitted to giggle, push, or whisper when in the special Kim Il-sung room. They took off their shoes and lined up quietly. They approached the portrait of Kim Il-sung, bowed deeply three times, and said, “Thank you, Father.”
The centerpiece of the room was a model of Kim Il-sung’s birthplace in Mangyongdae, a village on the outskirts of Pyongyang, in a glass-topped case. The children peered through the glass at a miniature thatched-roof cottage, and learned that this was where the Great Leader was born, in humble circumstances, and that he hailed from a family of patriots and revolutionaries. The children were told how he shouted anti-Japanese slogans during the March 1 Movement, a 1919 uprising against the occupation—no matter that Kim Il-sung was only seven years old at the time—and how he used to scold wealthy landlords, having been a Communist in spirit at an early age. They heard how he left home as a thirteen-year-old to liberate his nation. Oil paintings lining the walls of the room depicted Kim Il-sung’s exploits in the anti-Japanese struggle. From the North Korean perspective, he almost single-handedly defeated the Japanese. The official history omitted his time spent in the Soviet Union and Stalin’s role in installing him into the North Korean leadership.