his hands together briskly under its jet of hot air.
“And that,” Adin said to himself, “makes
you
beer snacks.”
He turned and bumped into Donte, who had come up behind
him as silently as fog and whose face didn’t seem to appear in
the mirror unless Adin was turned obliquely, and then he could
catch him out of the corner of his eye. Neat trick that, but just a trick, like all the others.
“Caro. I’ve frightened you.” Donte sighed, running a thumb
over Adin’s trembling lower lip. “I meant only to tease.
Sono
perdonato? Mi perdoni?
”
Adin brushed his hand away.
“Come have a cigar on the patio with me.”
“I don’t smoke.”
“But surely you can’t argue that it would harm me? I don’t
breathe, therefore, I’m not really
required
to inhale.”
“Cigars are foul,” said Adin, thinking of returning to the
table and paying the bill for dinner.
“I’ve paid our tab, Adin. They have already given our table
to some other young couple, who ordered an execrable wine
that they read about in a magazine.”
34 Z.A. Maxfield
“Would you just…?” Tears stung Adin’s eyes, and he
swallowed his shame.
Donte took his hand and led him through the busy bar to a
bench on the patio, where he ordered a cigar and Courvoisier
for himself and a Bushmills, neat, for Adin.
“How did you know I drink Bushmills?” Adin asked finally.
“I tasted it on your skin in the airplane bathroom,” Donte
said matter-of-factly, which drew a stare from an older man
close by. Donte waved an impatient hand and the man looked
away.
“You are still angry with me.” Donte clipped and lit his
cigar, then nodded his thanks to the waiter as he returned the
implements to him.
Adin remained stubbornly silent, yet he was taken by the
way Donte seemed so natural in this venue, an aristocrat with
his cigar and after-dinner cognac. He was stunningly attractive,
and he knew it. Adin felt his breath leave him with a terrible
moment’s fear that Donte was having him on again, and then
realized he was just intrigued by the man, who literally, and
figuratively, took his breath away.
“Caro, you make me feel like a child who has played just a
little too hard with a bird. I am all contrition. Look at me again
with brave eyes, or I shall hate myself.”
Adin didn’t know what to feel. “When you’ve finished your
cigar, I would like to return to the hotel.”
“
Più amato.
What can I do to find forgiveness in your eyes?
Would you like to tie me up and have your way with me? This
might be what you call a win-win.”
Adin stared at him.
“I see I shall have to work harder then.” He smoked in
silence while Adin worked on his whiskey. “Will you come
someplace with me on faith, Adin? Will you let me show you
something special, that perhaps only I can show you?”
“You’ve already shown me things only you can show me.”
He thought about his damp trousers. “I’m not exactly standing
for the encore.”
NOTTURNO
35
Donte processed this. “I am truly sorry, Adin.”
“I know.” Adin tossed back the rest of his drink. “
I know.
I just…wasn’t afraid until that moment.”
Donte’s dark eyes found his as he stubbed out his cigar.
“You should have been.” He got up and walked away, turning
to see if Adin followed. To Adin’s everlasting shame, he was on
his feet and right behind Donte even before he’d looked back.
Slightly worse for drink, Adin looked out the window of the
cab and checked his watch. Almost 1 a.m. Donte was silent
except for a brief phone call during which he spoke in hushed
tones. Adin paid little attention to it, preferring to give Donte
his privacy. Donte snapped his phone shut and said nothing.
After a time, Adin noticed they were staying on Santa Monica
Boulevard, and they traveled only minutes more before the cab
stopped on Santa Monica near Gower, at the Hollywood
Forever Cemetery. They exited the cab, and Donte paid the
driver handsomely to stay where he was until they returned.
A security guard was at the gate, waiting, it seemed, to greet
Donte.
“Hello, Michael,” said Donte in a warm voice. “Thank you
for this.”
“My pleasure, Mr. Fedeltà. I’m glad I could help.” He
unlocked the gate and pulled it open, allowing the men to enter.
Donte walked along, seeming to know where he was going, so
Adin followed. He comprehended that this silent,
contemplative Donte was someone he didn’t yet know. Most of
the grounds were lit by the ambient city lights, but Donte was
leading him to shadowy places, niches where the overarching
trees or monuments blocked the light.
“You, of course, can’t see this in the same way I can, Adin. I
am at home in the darkness, as you might imagine. I have the
permission of the family that owns this cemetery, and others
like it, to research some of the names that are found here, they
believe, for a nonfiction book about Los Angeles.” Adin could
almost feel his smile. “My credentials
were
impressive. At any rate, I’ve made friends with the guards.”
36 Z.A. Maxfield
“Why would you do that?” Adin asked as he followed along,
careful to step where Donte walked rather than stumble in the
darkness.
“It suits me to walk among the dead.” Donte caught Adin’s
hand and led him around a metal grid where water drained from
the landscape. “I know that’s vaguely cliché, but believe me, it’s
a delight to find a quiet place to think in a city this size.”
“You could try the botanical gardens,” Adin told him. “Far
less cliché, and they have things you can eat there.”
Donte looked at Adin pointedly. “I have
things
I can eat
here. Besides, as you can see, I have the run of the place at
night. This cemetery was opened in 1899. That is comparable to
the Dark Ages in terms of Los Angeles history. This is a city
with little or no memory. Actually, I cannot like it much, but I
like this place, this city of the dead.” He led Adin across a
footbridge to a small building that seemed to float in the center
of a lake. Donte urged Adin to sit with him on the steps. “This
is the Clark mausoleum. Frankly, I neither know nor care who
William A. Clark, Jr., was.”
“He was the founder of the Los Angeles Philharmonic,” said
Adin. “I come here mostly in the daylight when I’m in town to
visit my sister, although last year they did
Hamlet
here in the summer evenings. That was fun. You’re going to get your nice
suit all dirty, like my trousers, which will require dry cleaning.”
“I said I was sorry, caro,” Donte repeated. They stayed silent
for a few minutes, absorbing the sounds of the night. Adin
heard the city traffic against the soft music of the fountain in
the small lake before them. The air smelled like earth and grass,
and Adin shifted, leaning into the windbreak Donte provided.
Donte put an arm around him and then unexpectedly kissed his
forehead gently.
“Fraternizing with the enemy?”
“Me or you?” asked Donte.
“Both.” Adin was afraid to take his hand. “Can you do
that…thing if you’re not touching me?”
“Yes.”
NOTTURNO
37
“I see.” Adin sighed and took Donte’s hand in his, finding it
cool to the touch. He interlaced their fingers and lifted them up
in the dim light. “You have lovely hands. I was going to
mention it. Artist’s hands. Your work is wonderful.”
“I was a young man who found endless fascination in
drawing the boy he loved. What you have is the only surviving
proof that he lived. My—the woman I was married to, Renata,
destroyed the rest.
Notturno
was hidden, along with some other things of mine to which I didn’t choose to allow her access.”
“Why is it Notturno? I’ve wondered that, the musical
meaning of Notturno came later, and—” Adin felt Donte
rumble with laughter.
“That was my private joke, a kind of blasphemy. Of course I
was to make my nightly supplications to God, say my prayers
like a good boy and shun vice and temptations. Yet even then, I
often found myself reliving the time I was able to spend with
Auselmo. So the nightly vigil, the
nocturni
, became the time I used to ruminate on the boy I loved. I mouthed words by rote
and let my mind wander. Mea culpa. I gave the journal the
name to flaunt my transgression.” Donte shrugged. “I was
young.”
Adin swallowed hard. “
I’m sorry.
”
“For what?”
“For your loss. It must have been terribly painful.” Donte
said nothing. “What happened?”
“Renata had Auselmo killed. As you can see, she had a
particularly spiteful way of dealing with me.” He flicked a moth
off his jacket.
“
She
made you what you are?”
“Not personally, no. She outsourced—isn’t that what it’s
called? She hired a foreigner.” Adin shivered, whether from
cold or fear he didn’t know, but Donte gave him a squeeze.
“The joke was on her, though. I renewed our acquaintance at a
masked ball she gave some years later, and invited her out to the
garden. She went with me quietly, thinking I was someone else.
I gave her no pleasure and it was like drinking battery acid, but
38 Z.A. Maxfield
she had a nice finish, which went rather well with a quite good
Chianti they were serving that evening.”
“You are
making that up
,” said Adin, shocked.
“Only the part about the Chianti. I’m a rather-devoted
cinemaphile and always liked that line.” Adin couldn’t help his
laughter. “Now, have you forgiven me?”
“No.”
“Ah well. The reason I brought you here is to show you
something, and show you I mean to do, whether you like it or
not.”
“All right.”
“So acquiescent sometimes…so stubborn at others.” Donte
gave his hand a firm tug but didn’t rise. An eerie glow began
over the lake, as though Adin were looking through weak night-
vision goggles. He could perceive the movement of
things…insects and small animals where before he’d seen only
darkness.
“Donte…”
“Shh…wait,” said Donte, still holding his hand.
As if the dawn were breaking, Adin now saw the cemetery
itself, the lake, the fountain, the pathways… It was incredible.
He felt the grass trembling in the breeze, saw and heard a cat
moving stealthily behind some bushes. Farther away, he heard
Michael, the security guard, humming the “Macarena” in his
office where he watched the monitors. Adin smelled things like
doughnuts frying in some distant little shop and the arousal that
Donte had hidden all evening. He heard the beating of a
number of hearts, only vaguely aware that Donte’s was not one
of them. He heard birds rustling and exoskeletal insects
scuttling along. Adin turned to Donte in awe.
“Why are you doing this?” he asked, seeing Donte as if for
the first time, his newly heightened senses drowned by the
nearness of this man who attracted him so powerfully.
“Because I can. Because I thought it might please you.”
Donte kissed the palm of his hand. “Does it?”
NOTTURNO
39
“Yes,” breathed Adin. “I want…”
Adin turned in Donte’s arms and kissed him, pressing the
advantage he gained by rising to his knees and looking down at
the taller man. He cupped Donte’s face with his hands and
looked into his eyes, finding a kind of curious look, like surprise but far more subtle.
Adin used his thumbs to trace the dignified sweep of
Donte’s brow and once again touched his lips to the vampire’s,
running his tongue carefully along the teeth and finding nothing
more unusual in the act than the unfamiliar taste of cigars.
“No vampire teeth?” he murmured against Donte’s lips.
“No, not when I’m not planning to use them,” Donte
whispered back. Adin felt wrapped in a cocoon of night and
sensation with him.
“And you’re not?”
“Not now, anyway.” Donte hesitated. “I brought you here
so you could see things as I see them.”
Adin was quiet for a while, listening at what he considered
the closed door of something he could never possibly
comprehend. This was what Donte was privy to all the time, the
thrumming, vibrant exchange of air and rushing of fluids that
was life itself at its most primitive. Adin was completely
unprepared for the fear this evoked.
“It’s immense,” he said at last.
“It frightens you,” said Donte. “I can taste your fear on the
air around you.”
“Yes.” Adin pressed his face against Donte’s cheek, allowing
a shuddering sigh to escape his lips. It sounded terribly loud to
his newly keen senses.
“Caro, you must understand that while I was once a human
man, I am no longer anything of the kind. That which made me
human, and sympathy for humans themselves, that elusive
quality of empathy, has long since been eradicated by time and
experience.”
40 Z.A. Maxfield