On the Road (6 page)

I woke up with a big headache. Slim was gone—to Montana, I guess. I went outside. And there in the blue air I saw for the first time, far off, the great snowy tops of the Rocky Mountains. I took a deep breath. I had to get to Denver at once. First I ate a breakfast, a modest one of toast and coffee and one egg, and then I cut out of town to the highway. The Wild West festival was still going on; there was a rodeo, and the whooping and jumping were about to start all over again. I left it behind me. I wanted to see my gang in Denver. I crossed a railroad overpass and reached a bunch of shacks where two highways forked off, both for Denver. I took the one nearest the mountains so I could look at them, and pointed myself that way. I got a ride right off from a young fellow from Connecticut who was driving around the country in his jalopy, painting; he was the son of an editor in the East. He talked and talked; I was sick from drinking and from the altitude. At one point I almost had to stick my head out the window. But by the time he let me off at Longmont, Colorado, I was feeling normal again and had even started telling him about the state of my own travels. He wished me luck.

It was beautiful in Longmont. Under a tremendous old tree was a bed of green lawn-grass belonging to a gas station. I asked the attendant if I could sleep there, and he said sure; so I stretched out a wool shirt, laid my face flat on it, with an elbow but, and with one eye cocked at the snowy Rockies in the hot sun for just a moment. I fell asleep for two delicious hours, the only discomfort being an occasional Colorado ant. And here I am in Colorado! I kept thinking gleefully. Damn! damn! damn! I’m making it! And after a refreshing sleep filled with cobwebby dreams of my past life in the East I got up, washed in the station men’s room, and strode off, fit and slick as a fiddle, and got me a rich thick milkshake at the roadhouse to put some freeze in my hot, tormented stomach.

Incidentally, a very beautiful Colorado gal shook me that cream; she was all smiles too; I was grateful, it made up for last night. I said to myself, Wow! What’ll
Denver
be like! I got on that hot road, and off I went in a brand-new car driven by a Denver businessman of about thirty-five. He went seventy. I tingled all over; I counted minutes and subtracted miles. Just ahead, over the rolling wheatfields all golden beneath the distant snows of Estes, I’d be seeing old Denver at last. I pictured myself in a Denver bar that night, with all the gang, and in their eyes I would be strange and ragged and like the Prophet who has walked across the land to bring the dark Word, and the only Word I had was “Wow!” The man and I had a long, warm conversation about our respective schemes in life, and before I knew it we were going over the wholesale fruitmarkets outside Denver; there were smokestacks, smoke, railyards, red-brick buildings, and the distant downtown graystone buildings, and here I was in Denver. He let me off at Larimer Street. I stumbled along with the most wicked grin of joy in the world, among the old bums and beat cowboys of Larimer Street.

In those days
I didn’t know Dean as well as I do now, and the first thing I wanted to do was look up Chad King, which I, did. I called up his house, talked to his mother—she said, “Why, Sal, what are you doing in Denver?” Chad is a slim blond boy with a strange witch-doctor face that goes with his interest in anthropology and prehistory Indians, His nose beaks softly and almost creamily under a golden flare of hair; he has the beauty and grace of a Western hotshot who’s danced in roadhouses and played a little football. A quavering twang comes out when he speaks. “The thing I always liked, Sal, about the Plains Indians was the way they always got s‘danged embarrassed after they boasted the number of scalps they got. In Ruxton’s
Life in the Far West
there’s an Indian who gets red all over blushing because he got so many scalps and he runs like hell into the plains to glory over his deeds in hiding. Damn, that tickled
me!”

Chad’s mother located him, in the drowsy Denver afternoon, working over his Indian basket-making at the. local museum. I called him there; he came and picked me up in his old Ford coupe that he used to take trips in the mountains, to dig for Indian objects. He came into the bus station wearing jeans and a big smile. I was sitting on my bag on the floor talking to the very same sailor who’d been in the Cheyenne bus station with me, asking him what happened to the blonde. He was so bored he didn’t answer. Chad and I got in his little coupe and the first thing he had to do was get maps at the State building. Then he had to see an old schoolteacher, and so on, and all I wanted to do was drink beer. And in the back of my mind was the wild thought, Where is Dean and what is he doing right now? Chad had decided not to be Dean’s friend any more, for some odd reason, and he didn’t even know where he lived.

“Is Carlo Marx in town?”

“Yes.” But he wasn’t talking to him any more either. This was the beginning of Chad King’s withdrawal from our general gang. I was to take a nap in his house that afternoon. The word was that Tim Gray had an apartment waiting for me up Colfax Avenue, that Roland Major was already living in it and was waiting for me to join him. I sensed some kind of conspiracy in the air, and this conspiracy lined up two groups in the gang: it was Chad King and Tim Gray and Roland Major, together with the Rawlinses, generally agreeing to ignore Dean Moriarty and Carlo Marx. I was smack in the middle of this interesting war.

It was a war with social overtones. Dean was the son of a wino, one of the most tottering bums of Larimer Street, and Dean had in fact been brought up generally on Larimer Street and thereabouts. He used to plead in court at the age of six to have his father set free. He used to beg in front of Larimer alleys and sneak the money back to his father, who waited among the broken bottles with an old buddy. Then when Dean grew up he began hanging around the Glenarm poolhalls; he set a Denver record for stealing cars and went to the reformatory. From the age of eleven to seventeen he was usually in reform school. His specialty was stealing cars, gunning for girls coming out of high school in the afternoon, driving them out to the mountains, making them, and coming back to sleep in any available hotel bathtub in town. His father, once a respectable and hardworking tinsmith, had become a wine alcoholic, which is worse than a whisky alcoholic, and was reduced to riding freights to Texas in the winter and back to Denver in the summer. Dean had brothers on his dead mother’s side—she died when he was small—but they disliked him. Dean’s only buddies were the poolhall boys. Dean, who had the tremendous energy of a new kind of American saint, and Carlo were the underground monsters of that season in Denver, together with the poolhall gang, and, symbolizing this most beautifully, Carlo had a basement apartment on Grant Street and we all met there many a night that went to dawn—Carlo, Dean, myself, Tom Snark, Ed Dunkel, and Roy Johnson. More of these others later.

My first afternoon in Denver I slept in Chad King’s room while his mother went on with her housework downstairs and Chad worked at the library. It was a hot high-plains afternoon in July. I would not have slept if it hadn’t been for Chad King’s father’s invention. Chad King’s father, a fine kind man, was in his seven-ties, old and feeble, thin and drawn-out, and telling stories with a slow, slow relish; good stories, too, about his boyhood on the North Dakota plains in the eighties, when for diversion he rode ponies bareback and chased after coyotes with a club. Later he became a country schoolteacher in the Oklahoma panhandle, and finally a businessman of many devices in Denver. He still had his old office over a garage down the street—the rolltop desk was still there, together with countless dusty papers of past excitement and moneymaking. He had invented a special air-conditioner. He put an ordinary fan in a window frame and somehow conducted cool water through coils in front of the whirring blades. The result was perfect—within four feet of the fan—and then the water apparently turned into steam in the hot day and the downstairs part of the house was just as hot as usual. But I was sleeping right under the fan on Chad’s bed, with a big bust of Goethe staring at me, and I comfortably went to sleep, only to wake up in twenty minutes freezing to death. I put a blanket on and still I was cold. Finally it was so cold I couldn’t sleep, and I went downstairs. The old man asked me how his invention worked. I said it worked damned good, and I meant it within bounds. I liked the man. He was lean with memories. “I once made a spot remover that has since been copied by big firms in the East. I’ve been trying to collect on that for some years now. If I only had enough money to raise a decent lawyer ...” But it was too late to raise a decent lawyer; and he sat in his house deject- edly. In the evening we had a wonderful dinner his mother cooked, venison steak that Chad’s uncle had shot in the mountains. But where was Dean?

The following ten days were,
as W. C. Fields said, “fraught with eminent peril”—and mad. I moved in with Roland Major in the really swank apartment that belonged to Tim Gray’s folks. We each had a bedroom, and there was a kitchenette with food in the icebox, and a huge living room where Major sat in his silk dressing gown composing his latest Hemingwayan short story—a choleric, red-faced, pudgy hater of everything, who could turn on the warmest and most charming smile in the world when real life confronted him sweetly in the night. He sat like that at his desk, and I jumped around over the thick soft rug, wearing only my chino pants. He’d just written a story about a guy who comes to Denver for the first time. His name is Phil. His traveling companion is a mysterious and quiet fellow called Sam. Phil goes out to dig Denver and gets hung-up with arty types. He comes back to the hotel room. Lugubriously he says, “Sam, they’re here too.” And Sam is just looking out the window sadly. “Yes,” says Sam, “I know.” And the point was that Sam didn’t have to go and look to know this. The arty types were all over America, sucking up its blood. Major and I were great pals; he thought I was the farthest thing from an arty type. Major liked good wines, just like Hemingway. He reminisced about his recent trip to France. “Ah, Sal, if you could sit with me high in the Basque country with a cool bottle of Poignon Dix-neuf, then you’d know there are other things besides boxcars.”

“I know that. It’s just that I love boxcars and I love to read the names on them like Missouri Pacific, Great Northern, Rock Island Line. By Gad, Major, if I could tell you everything that happened to me hitching here.”

The Rawlinses lived a few blocks away. This was a delightful family—a youngish mother, part owner of a decrepit, ghost-town hotel, with five sons and two daughters. The wild son was Ray Rawlins, Tim Gray’s boyhood buddy. Ray came roaring in to get me and we took to each other right away. We went off and drank in the Colfax bars. One of Ray’s sisters was a beautiful blonde called Babe—a tennis-playing, surf-riding doll of the West. She was Tim Gray’s girl. And Major, who was only passing through Denver and doing so in real style in the apartment, was going out with Tim Gray’s sister Betty. I was the only guy without a girl. I asked everybody, “Where’s Dean?” They made smiling negative answers.

Then finally it happened. The phone rang, and it was Carlo Marx. He gave me the address of his basement apartment. I said, “What are you doing in Denver? I mean what are you
doing?
What’s going on?”

“Oh, wait till I tell you.”

I rushed over to meet him. He was working in May’s department store nights; crazy Ray Rawlins called him up there from a bar, getting janitors to run after Carlo with a story that somebody had died. Carlo immediately thought it was me who had died. And Rawlins said over the phone, “Sal’s in Denver,” and gave him my address and phone.

“And where is Dean?”

“Dean is in Denver. Let me tell you.” And he told me that Dean was making love to two girls at the same time, they being Marylou, his first wife, who waited for him in a hotel room, and Camille, a new girl, who waited for him in a hotel room. “Between the two of them he rushes to me for our own unfinished business.”

“And what business is that?”

“Dean and I are embarked on a tremendous season together. We’re trying to communicate with absolute honesty and absolute completeness everything on our minds. We’ve had to take benzedrine. We sit on the bed, crosslegged, facing each other. I have finally taught Dean that he can do anything he wants, become mayor of Denver, marry a millionairess, or become the greatest poet since Rimbaud. But he keeps rushing out to see the midget auto races. I go with him. He jumps and yells, excited. You know, Sal, Dean is really hung-up on things like that.” Marx said “Hmm” in his soul and thought about this..

“What’s the schedule?” I said. There was always a schedule in Dean’s life.

“The schedule is this: I came off work a half-hour ago. In that time Dean is balling Marylou at the hotel and gives me time to change and dress. At one sharp he rushes from Marylou to Camitle—of course neither one of them knows what’s going on—and bangs her once, giving me time to arrive at one-thirty. Then he comes out with me—first he has to beg with Camille, who’s already started hating me—and we come here to talk till six in the morning. We usually spend more time than that, but it’s getting awfully complicated and he’s pressed for time. Then at six he goes back to Marylou—and he’s going to spend all day tomorrow running around to get the necessary papers for their divorce. Marylou’s all for it, but she insists on banging in the interim. She says she loves him—so does Camille.”

Then he told me how Dean had met Camille. Roy Johnson, the poolhall boy, had found her in a bar and took her to a hotel; pride taking over his sense, he invited the whole gang to come up and see her. Everybody sat around talking with Camille. Dean did nothing but look out the window. Then when everybody left, Dean merely looked at Camille, pointed at his wrist, made the sign “four” (meaning he’d be back at four), and went out. At three the door was locked to Roy Johnson. At four it was opened to Dean. I wanted to go right out and see the madman. Also he had promised to fix me up; he knew all the girls in Denver.