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Authors: K. L. Going

Pieces of Why

BOOK: Pieces of Why
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Published by the Penguin Group

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Copyright © 2015 by K. L. Going

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Library of Congress Cataloging-in-Publication Data

Going, K. L. (Kelly L.), author.

Pieces of why / by K.L. Going.

pages cm

Summary: Twelve-year-old Tia lives in a white slum in New Orleans with her mother, and her whole world revolves around singing in the gospel choir with her best friend, Keisha—but when practice is interrupted by a shooting outside the church, and a baby is killed, Tia finds that she cannot sing, and she is forced to confront her feelings about her incarcerated father, who killed a girl in a failed robbery years before.

ISBN 978-0-14-750987-1

1. Gospel singers—Juvenile fiction. 2. Children's choirs—Juvenile fiction. 3. Children of prisoners—Juvenile fiction. 4. Traumatic neuroses—Juvenile fiction. 5. Fathers and daughters—Juvenile fiction. 6. Mothers and daughters—Juvenile fiction. 7. New Orleans (La.)—Juvenile fiction. [1. Gospel singers—Fiction. 2. Choirs—Fiction. 3. Traumatic neuroses—Fiction. 4. Fathers and daughters—Fiction. 5. Mothers and daughters—Fiction. 6. New Orleans (La.)—Fiction.] I. Title.

PZ7.G559118Pi 2015 813.6—dc23 [Fic] 2014040314

The publisher does not have any control over and does not assume any responsibility for author or third-party websites or their content.

Cover Designed by Danielle Calotta
Cover Image © Thomas Vela/







































For the 2.7 million children in the United States with parents incarcerated, and for the


ought to come with warning notices.
WARNING: This day will be haza
rdous to your health
Instead, most days start out normal. Maybe even better than normal.

Which is so much worse.

I woke up feeling good. It was Thursday, and that meant choir practice. More than anything, I wanted to be a great singer. Not a rock star, but a singer who'd change the world with my voice, like Nina Simone, Whitney Houston, Adele, or Mahalia Jackson. I wanted my music to make people stop in their tracks.

Of course, seeing as I was only twelve and poor as dirt, that was a universe away, but if my voice teacher, Ms. Marion, had taught me anything, it was that even the most unlikely person could succeed.

“Didn't the great Mahalia grow up in a house right here in New Orleans with thirteen people under one roof?” she said. “Didn't she have to leave school in the fourth grade because her family couldn't afford to send her anymore? If a black girl could rise up in the early 1900s when everything was against her, then a skinny little white girl like you hasn't got any excuse.”

So I kept one of those tear-off calendars beside my bed and the last thing I did every night was to rip off that day's page. It was a dumb calendar with facts about cars from a box of leftovers Ma hadn't been able to sell online, but that hardly mattered. All I wanted was the pleasure of crumpling up every day of the week that wasn't Thursday.

I sat up that morning and ran my fingers through my thick, tangled hair, and then I started a hum to warm up my vocal cords. Ms. Marion was a stickler about warming up properly.

Lazy singers neve
r last.

Through the security bars on my window, I could see that the sky was full of clouds, ready to burst. The ominous streaks of gray might have been a sign, except in New Orleans storms can come and go in ten minutes flat—especially in June.

I got up and made my way into the shower, turning the water up hot and letting the spray scald my skin as I belted out the lead line of the gospel song my choir was practicing.
The Rainbow Choir was a chorus of kids made up of every race, color, and creed, and we were supposed to inspire a sense of community in our audiences. At least, that was Ms. Marion's vision. Me and my best friend, Keisha, had been founding members back when we were nine, but in the past three years, I wasn't sure we'd done any inspiring.

Still gave me an excuse to sing.

Ma and I lived in a rickety old shotgun house outside the Irish Channel. Our rooms were close together, so I was thankful Ma slept like the dead. Nothing woke her up—not even my powerful alto voice—so I could sing as loud as I wanted and let the acoustics in the bathroom carry the sound up to the ceiling.

I stepped out of the shower onto the gritty bare floor. New Orleans is hot as blazes in the summer, and I already felt sticky again—not a good sign this early in the day. I wished for the thousandth time that we had air-conditioning, but I propped open the bathroom window instead, hoping a breeze might come my way.

Nothing moved, outside or in.

I dressed, brushed my teeth, then pushed past the clutter to my bedroom. Ma's main job was as a baker at the Winn-Dixie on Tchoupitoulas, but as a side job she sold people's unwanted stuff online, and that meant our house was always chock-full of empty boxes, bubble wrap, foam peanuts, and random items like angel figurines, antique toys, or prom
dresses that had gone out of style. Ma figured out how much they were worth, put them up for auction, and if they sold, she got a percentage. If the stuff didn't sell, half the time it ended up staying here.

Ma's bedroom is at the end of the house, so I had to step over a dozen puzzles and dusty Xbox games in order to peek inside. She was asleep on the oversized bed, and her uniform from the previous night's late shift had been dropped where she'd taken it off. A McDonald's hamburger wrapper and half a tub of fries lay on a chair where several small cockroaches were feasting on the remains.

Cockroaches gave me the creeps, so I set Ma's garbage pail next to the chair and took out our shoe-on-a-stick, then quickly pushed the whole mess into the bin before the cockroaches could scamper away. I tied up the garbage bag extra tight, wanting to retch, but I choked the feeling down.

For a moment, I stood watching Ma's thin frame rise and fall with sleep. Ma looked peaceful with her auburn hair spread loose across her pillow, but she'd had more than her share of troubles, and if anything else came her way, I suspected she'd crumble like the plaster on the stairs of the New Heaven Baptist Church. Those steps had looked fine, right up until two giant slabs fell off the side, revealing the twisted metal bars underneath.

I covered Ma with a blanket and kissed her cheek, then
went outside to practice my vocal exercises on the front stoop, knowing it would be a long wait for choir.

I was right. It took half of forever and a quarter of eternity.

What I didn't know was that the whole time I was waiting, trouble was creeping up, and it was the kind of trouble that would leave me and Ma swirling in its wake.


the temperature rose until the sidewalks steamed and the air was so still, I could barely breathe. I wasn't allowed to leave for choir practice until Ma woke up and we spent some time together, but that meant I waited around all day only to scrape by and barely make it to rehearsal before Ms. Marion called everyone onto the risers.

When Ma finally emerged from her bedroom dressed in her store uniform, my hair was damp against my forehead and frizzy from the humidity, and my patience had worn thin. I was sitting at the kitchen table eating a bowl of Apple Puffs with apple juice instead of milk because Ms. Marion says milk coats the vocal cords, making it difficult to sing.

“That is just plain gross,” Ma said, leaning down to plant a kiss on the top of my head.

I shrugged. Wasn't that bad—the apple juice made the cereal tart against my tongue. “I have choir tonight,” I reminded her.

She glanced at the clock. “You think I don't know that?”

“And . . . tomorrow night is June Fest,” I mumbled, studying the floor. “You said you might come hear me sing the lead.”

“I told you I'd
about it,” Ma said, “but I've got work to do, and you know we need the money.”

I didn't respond. Money was always tight, but even if she hadn't been offered that shift, Ma would've found some other excuse.

“I've got to head out,” Ma said, grabbing her pass for the streetcar. “Are you sure you'll be okay walking to choir practice by yourself?”

Ma said the same thing every week. She hated it when I went anywhere alone, but I didn't have much choice since Keisha had dance class right before choir. And I wasn't about to miss rehearsal.

“I'll be fine,” I said, same as every week.

Ma paused, hovering in the doorway. “It's not you I don't trust, it's . . .” She never finished that sentence, but she always relented. “Lock the door behind you when you leave. Don't talk to strangers, and follow the path I laid out for you.”

I nodded, piling my empty bowl on top of the other dirty dishes in the sink. Five minutes later I was dressed in blue-jean shorts and a baggy T-shirt, ready to leave. Keisha said that being twelve meant it was time to start dressing like
women instead of girls, but that was a lot easier for her since she was tall and had curves in all the right places. Me, I liked to keep things simple.

I locked the door, then hurried down the front steps, pausing for a second at the gate to glance back again. Ma said it was crazy talk, but I could swear our house was tilting. Reminded me of the houses Keisha's dad, Dwayne, built out of cards. I cocked my head to one side, willing it to stay up, then sighed and took off down the street.

Three blocks later I turned the corner and slowed a bit. My neighborhood was mostly empty—a big, boring grid of look-alike, one-story houses with no color whatsoever. The people were mostly white, the buildings were gray, and the yards were small and bare. But the area where Keisha lived was sprawling and diverse, overlapping brick apartment buildings, two-story houses painted in shades of pink, blue, and purple, with fenced-in yards, giant elephant-ear bushes, and trees with strings of Mardi Gras beads stuck in their branches.

On Keisha's street, people sat on their front steps and called their hellos to one another. Children played hopscotch and teenagers blasted music from their open car windows. I wished me and Ma could live here. How could there be such a big difference when we were only a few blocks apart?

But at least I didn't live in No-Man's-Land, where half the buildings were empty and the other half were spray-painted
by gangs marking their territory. That was where police cars lingered, trash littered the streets, and no one in their right mind ventured after dark.

But the quickest way to choir practice?

Straight through the middle.

Ma would have a fit if she knew I went this way, but it would take me twice as long to walk all the way around, so I took a deep breath and forced myself forward. The key was not to stop. Keep my eyes locked ahead and my feet moving.

I hadn't gotten more than two blocks in when I saw the usual gang of men on the opposite side of the street, hanging out on the steps of a boarded-up building drinking beer. My heart raced, but I tried to look like I wasn't hurrying. I concentrated on the beat of my footsteps, and then I made up a melody and sang it in my head. I added and embellished until my focus was complete and there wasn't any part of my brain left to worry about what might be coming.

“Hey, white girl!”

A chorus of whistles and laughter shattered my song. One of the men flicked the still-glowing stub of his cigarette in my direction.

“Why don't you come over here and hang with us?” he called. It wasn't even funny, but they all laughed, slapping their knees. I walked faster, staring ahead, pretending not to smell the garbage baking in the heat or the stink of their
beer. But then one of them, a young guy I didn't recognize, said something new.

“Your cracker daddy still rotting in prison?”

I looked up quick and tripped over my own feet.

How did he
know about that?

No one talked about my father. Ever. Only a handful of people knew that my father was behind bars for life. Keisha and her family knew, plus my school guidance counselor, and I suspected Ms. Marion, but other than that . . .

Part of me wanted to stop and find out how this complete stranger had heard about my father, but I'm not that dumb. Instead, I scanned the horizon for the steeple of the New Heaven Baptist Church. There it was, just four blocks up, rising above the rooftops.

“Why don't you and your mama take your sorry . . .”

The guy said something real bad. Too bad to repeat. The worst thing to do is react, but I flinched, and the drunk men laughed, excited that they'd gotten a rise out of me. That's when I broke into a run. The men had won and they knew it. When I was far enough away, I glanced over my shoulder and the young guy was holding out his fingers in the shape of a gun. Aiming it at me.

A shiver raced down my spine.

Finally, I reached the church. I wiped the sweat from my forehead with one bare arm. Every muscle in my body was tense, and I wanted to retch, right there on the sidewalk.

Instead, I forced my breathing to slow down and waited for my temples to stop throbbing. I thought about the people inside: our drummers setting up, Ms. Marion organizing her papers, kids milling around, getting ready to take their places on the risers. Then I thought about the music we'd make, knowing it would wash everything away.

Soon, the outside world would be muted. The laughing men would not come in, and the music could come out. I'd open my mouth and sing so loud, I'd blow this whole rotten neighborhood away.

BOOK: Pieces of Why
6.46Mb size Format: txt, pdf, ePub

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