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Authors: William Golding

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BOOK: Pincher Martin
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He paused for a moment and concentrated on the feeling in the flesh round his window. His hands and skin felt lumpy. He swivelled his eyes sideways and saw that there might indeed be a slight distortion of the semicircle of the eye-hollows.

“Heat lumps? When it rains I shall strip and have a bath. If I haven’t been rescued by then.”

He pressed with the fingers of his right hand the skin round his eyes. There were heat lumps on the side of his face, that extended down beneath the bristles. The sky pressed on them but they knew no other feeling.

“I must turn in. Go to bed. And stay awake.”

The day went grey and hot. Dreary.

“I said I should be sick. I said I must watch out for symptoms.”

He went down to the water-hole and crawled in. He drank until he could hear water washing about in his belly. He crawled out backwards and dimensions were mixed up. The surface of the rock was far too hard, far too bright, far too near. He could not gauge size at all.

There was no one else to say a word.

You’re not looking too good, old man.

“How the hell can I tell how I look?”

He saw a giant impending and flinched before he could connect the silver head with his chocolate paper. He felt that to stand up would be dangerous for a reason he was not able to formulate. He crawled to the crevice and arranged the clothing. He decided that he must wear everything. Presently he lay with his head out of the crevice on an inflated lifebelt. The sky was bright blue again but very heavy. The opening under his bristles dribbled on.

“Care Charmer Sleep. Cracker mottoes. Old tags. Rag bag of a brain. But don’t sleep because of the cellar. How sleep the brave. Nat’s asleep. And old gin-soak. Rolled along the bottom or drifting like an old bundle. This is high adventure and anyone can have it. Lie down, rat. Accept your cage. How much rain in this month? How many convoys? How many planes? My hands are larger. All my body is larger and tenderer. Emergency. Action stations. I said I should be ill. I can feel the old scar on my leg tingling more than the rest. Salt in my trousers. Ants in my pants.”

He hutched himself sideways in the crevice and withdrew his right hand. He felt his cheek with it but the cheek was dry.

“The tingling can’t be sweat, then.”

He got his hand back and scratched in his crutch. The edge of the duffle was irritating his face. He remembered that he ought to be wearing the balaclava but was too exhausted to find it. He lay still and his body burned.

He opened his eyes and the sky was violet over him. There was an irregularity in the eye sockets. He lay there, his eyes unfocused and thought of the heat lumps on his face. He wondered if they would close the sockets altogether.

Heat lumps.

The burnings and shiverings of his body succeeded each other as if they were going over him in waves. Suddenly they were waves of molten stuff, solder, melted lead, heated acid, so thick that it moved like oil. Then he was fighting and crying to get out of the crevice.

He knelt, shaking on the rock. He put his hands down and they hurt when he leaned his weight on them. He peered down at them first with one eye then the other. They swelled and diminished with a slow pulsing.

“That’s not real. Thread of Life. Hang on. That’s not real.”

But what was real was the mean size of the hands. They were too big even on the average, butcher’s hands so full of blood that their flesh was pulpy and swollen. His elbows gave way and he fell between his hands. His cheek was against the uniquely hard rock, his mouth open and he was looking blearily back into the crevice. The waves were still in his body and he recognized them. He gritted his teeth and hung on to himself in the centre of his globe.

“That must mean I’m running a temperature of well over a hundred. I ought to be in hospital.”

Smells. Formalin. Ether. Meth. Idioform. Sweet
chloroform
. Iodine.

Sights. Chromium. White sheets. White bandages. High windows.

Touches. Pain, Pain, Pain.

Sounds. Forces programme drooling like a cretin in the ears from the headphones hitched under the fever chart.

Tastes. Dry lips.

He spoke again with intense solemnity and significance.

“I must go sick.”

He lugged the clothes off his body. Before he had got down to his vest and pants the burning was intolerable so that he tore off his clothes and threw them anywhere. He stood up naked and the air was hot on his body, but the action of being naked seemed to do something, for his body started to shiver. He sat painfully on the wall by the white scar of the Claudian and his teeth chattered.

“I must keep going somehow.”

But the horizon would not stay still. Like his hands, the sea pulsed. At one moment the purple line was so far away that it had no significance and the next, so close that he could stretch out his arm and lay hold.

“Think. Be intelligent.”

He held his head with both hands and shut his eyes.

“Drink plenty of water.”

He opened his eyes and the High Street pulsed below him. The rock was striped with lines of seaweed that he saw presently were black shadows cast by the sun and not seaweed at all. The sea beyond the High Street was dead flat and featureless so that he could have stepped down and walked on it, only his feet were swollen and sore. He took his body with great care to the water-hole and pulled himself in. At once he was refrigerated. He put his face in the water and half-gulped, half-ate it with chattering teeth. He crawled away to the crevice.

“The squeezing did it, the awful pressure. It was the weight of the sky and the air. How can one human body support all that weight without bruising into a pulp?”

He made a little water in the trench. The reptiles were floating back to the sea round the rock. They said nothing but sat on the flat sea with their legs hidden.

“I need a crap. I must see about that. Now I must wear everything and sweat this heat out of my body.”

By the time he had pulled on all his clothing dusk was come and he felt his way into the crevice with his legs. The crevice enlarged and became populous. There were times when it was larger than the rock, larger than the world, times when it was a tin box so huge that a spade knocking at the side sounded like distant thunder. Then after that there was a time when he was back in rock and distant thunder was sounding like the knocking of a spade against a vast tin box. All the time the opening beneath his window was dribbling on like the Forces Programme, cross-talking and singing to people whom he could not see but knew were there. For a moment or two he was home and his father was like a mountain. The thunder and lightning were playing round the mountain’s head and his mother was weeping tears like acid and knitting a sock without a beginning or end. The tears were a kind of charm for after he had felt them scald him they changed the crevice into a pattern.

The opening spoke.

“She is sorry for me on this rock.”

Sybil was weeping and Alfred. Helen was crying. A bright boy face was crying. He saw half-forgotten but now clearly remembered faces and they were all weeping.

“That is because they know I am alone on a rock in the middle of a tin box.”

They wept tears that turned them to stone faces in a wall, masks hung in rows in a corridor without beginning or end. There were notices that said No Smoking, Gentlemen, Ladies, Exit and there were many uniformed
attendants
. Down there was the other room, to be avoided, because there the gods sat behind their terrible knees and feet of black stone, but here the stone faces wept and had wept. Their stone cheeks were furrowed, they were blurred and only recognizable by some indefinite mode of identity. Their tears made a pool on the stone floor so that his feet were burned to the ankles. He scrabbled to climb up the wall and the scalding stuff welled up his ankles to his calves, his knees. He was struggling, half-swimming,
half-climbing
. The wall was turning over, curving like the wall of a tunnel in the underground. The tears were no longer running down the stone to join the burning sea. They were falling freely, dropping on him. One came, a dot, a pearl, a ball, a globe, that moved on him, spread. He began to scream. He was inside the ball of water that was burning him to the bone and past. It consumed him utterly. He was dissolved and spread throughout the tear an extension of sheer, disembodied pain.

He burst the surface and grabbed a stone wall. There was hardly any light but he knew better than to waste time because of what was coming. There were projections in the wall of the tunnel so that though it was more nearly a well than a tunnel he could still climb. He laid hold, pulled himself up, projection after projection. The light was bright enough to show him the projections. They were faces, like the ones in the endless corridor. They were not weeping but they were trodden. They appeared to be made of some chalky material for when he put his weight on them they would break away so that only by constant movement upward was he able to keep up at all. He could hear his voice shouting in the well.

“I am! I am! I am!”

And all the time there was another voice that hung in his ears like the drooling of the Forces Programme. Nobody paid any attention to this voice but the nature of the cretin was to go on talking even though it said the same thing over and over again. This voice had some connection with the lower part of his own face and leaked on as he climbed and broke the chalky, convenient faces.

“Tunnels and wells and drops of water all this is old stuff. You can’t tell me. I know my stuff just sexual images from the unconscious, the libido, or is it the id? All explained and known. Just sexual stuff what can you expect? Sensation, all tunnels and wells and drops of water. All old stuff, you can’t tell me. I know.”

10
 
 

A
tongue of summer lightning licked right inside the inner crevice so that he saw shapes there. Some were angled and massive as the corners of corridors and between them was the light falling into impenetrable distances. One shape was a woman who unfroze for that instant and lived. The lightning created or discovered her in the act of breathing in; and so nearly was that breath finished that she seemed only to check and breathe out again. He knew without thinking who she was and where she was and when, he knew why she was breathing so quickly, lifting the silk blouse with apples, the forbidden fruit, knew why there were patches of colour on either cheek-bone and why the flush had run as it so uniquely did into the nose. Therefore she presented to him the high forehead, the remote and unconquered face with the three patches of pink arranged across the middle. As for the eyes, they fired an ammunition of contempt and outrage. They were eyes that confirmed all the unworded opinions of his body and fevered head. Seen as a clothed body or listened to, she was common and undistinguished. But the eyes belonged to some other person for they had nothing to do with the irregularity of the face or the aspirations, prudish and social, of the voice. There was the individual, Mary, who was nothing but the intersection of influences from the cradle up, the Mary gloved and hatted for church, she Mary who ate with such maddening refinement, the Mary who carried, poised on her two little feet, a treasure of demoniac and musky attractiveness that was all the more terrible because she was almost unconscious of it. This intersection was so inevitably constructed that its every word and action could be predicted. The intersection would choose the ordinary rather than the exceptional; would fly to what was respectable as to a magnet. It was a fit companion for the
pursed-up
mouth, the too high forehead, the mousey hair. But the eyes—they had nothing in common with the mask of flesh that nature had fixed on what must surely be a real and invisible face. They were one with the incredible smallness of the waist and the apple breasts, the transparency of the flesh. They were large and wise with a wisdom that never reached the surface to be expressed in speech. They gave to her many silences—so explicable in terms of the intersection—a mystery that was not there. But combined with the furious musk, the little guarded breasts, the surely impregnable virtue, they were the death sentence of Actaeon. They made her occupy as by right, a cleared space in the world behind the eyes that was lit by flickers of summer lightning. They made her a madness, not so much in the loins as in the pride, the need to assert and break, a blight in the growing point of life. They brought back the nights of childhood, the hot, eternal bed with seamed sheets, the desperation. The things she did became important though they were trivial, the very onyx she wore became a talisman. A thread from her tweed skirt—though she had bought it off the hook in a shop where identical skirts hung empty and unchanged—that same thread was magicked into power by association. Her surname—and he thumped rock with lifted knees—her surname now abandoned to dead Nathaniel forced him to a reference book lest it should wind back to some distinction that would set her even more firmly at the centre than she was. By what chance, or worse what law of the universe was she set there in the road to power and success, unbreakable yet tormenting with the need to conquer and break? How could she take this place behind the eyes as by right when she was nothing but another step on which one must place the advancing foot? Those nights of imagined copulation, when one thought not of love nor sensation nor comfort nor triumph, but of torture rather, the very rhythm of the body reinforced by hissed ejaculations—take that and that! That for your pursed mouth and that for your pink patches, your closed knees, your impregnable balance on the high, female shoes—and that if it kills you for your magic and your isled virtue!

How can she so hold the centre of my darkness when the only real feeling I have for her is hate?

Pale face, pink patches. The last chance and I know what she is going to say, inevitably out of the intersection. And here it comes quickly, with an accent immediately elevated to the top drawer.

“No.”

There are at least three vowels in the one syllable.

BOOK: Pincher Martin
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