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Authors: Pat Murphy

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BOOK: Points of Departure
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He was halfway across when the first snowflakes fell.

The pain returned to his feet: a sharp hurt that
seemed to extend deep into his bones. He tried to move more quickly, but his feet could no longer feel the rocks beneath him. He stumbled, caught himself, then slipped again and fell, twisting to one side and catching himself on his arm.

The river snatched at the pack; the current yanked it to and fro. Xavier clung to the pack’s straps, struggling to regain his footing and to hoist the waterlogged
pack from the river. He staggered forward, floundering, gasping from the shock of the cold water, almost losing his thongs, dragging himself onto the far bank and flinging his pack beside him.

From the scraggly bushes on the riverside, a raven laughed hysterically. Xavier ignored the bird, breathing in great gasps and clutching at the damp grass that grew on the bank. After a moment, he rolled
over to check his ack. Only then did he realize that the river had snatched the boots from his pack, as well as soaking his food, and drenching his sleeping bag.

For a moment, he lay on the ground, unwilling to move.

His feet ached from the cold, his hands trembled. Then he felt for the carved bone pendant around his neck. The old man had said he would see the yeti. The reassurance comforted
him. He forced himself to sit up and figure out how to get warm.

A pair of damp wool socks provided some protection for his feet; his wool sweater blocked some of the wind. He warmed imself with exercise, searching for driftwood in the bushes that grew along the river. When he was moving, his arms and legs did not tremble as violently.

An hour’s search yielded a small stack of sticks, none bigger
around than a finger, and a few damp logs, driftwood cast on shore by the river. His teeth chattering, he searched for tinder, scraps of dry material small enough to catch quickly, but the snow had dampened the leaves and grasses, leaving nothing dry.

The wind grew stronger, slicing through his wet clothing and making him shiver uncontrollably. With his pocketknife, he whittled a few thin splinters
from a stick, heaping them together in the shelter of a bush. He built a small teepee of sticks over the tinder and hunched over it.

The first match went out immediately. The head of the second match—wretched Nepali matches—broke off without catching. The third matched burned reluctantly. When he held the flame beside his heap of shavings, two slivers of wood smoldered for a moment, but the red
glow faded as soon as the match went out.

Xavier’s hands shook as he carefully arranged grass beside the wood shavings. The grass, like the wood, would not burn. Desperate for warmth, he patted his pockets, searching for a scrap of paper. In his wallet, he found his traveler’s checks, bone dry and warm from his body heat.

They were worthless in the woods, and he hesitated only for a moment before
crumpling a $50 check. He arranged the splinters of wood over the dry paper.

The check burned well, but it was small and it burned out before the wood caught. He sacrificed two more, holding his hands out to protect the tiny flame from the wind. The checks whispered as they burned, tiny crackling voices that spoke of distant places and hidden secrets.

When he added the fourth and fifth check,
the wood caught, flames moving reluctantly from stick to stick. He propped a driftwood log near the fire where it would dry and made himself as comfortable as he could, sitting with his back in the bushes to protect it from the wind. He draped his wet sleeping bag over his lap where the fire would warm it.

The night was long. Despite the cold, he dozed off now and then, waking only to cough,
a hoarse grating sound in the darkness. When he woke, he found himself clutching the bone. He dreamed of chasing the yeti through the pale gray crevices of cloud mountains. He woke to feed the fire, then returned to dreams.

After a time, the darkness and the cold no longer seemed alien. They were threatening, but familiar. It seemed natural to wake in the darkness, struggling for warmth.

In
the morning, he hiked in rubber thongs. He coughed constantly. Once, on the outskirts of a village, a little girl who was tending a herd of goats greeted him timidly. He tried to reply, but the sound that came from his mouth was only a rough croaking, noise with no meaning like the clatter of rocks in a rock slide. He tried to smile, wanting to show the child that he meant no harm, but she scampered
up the slope with her goats.

He hiked on for three days. Some of his food spoiled and he knew that food would be scarce farther north. But somehow, for some inexplicable reason, he was happy. The wool socks grew tattered and encrusted with mud, but his feet grew used to being cold. His beard grew thicker and he washed less frequently, growing accustomed to the grime on his face and hands. He
hurried through villages, avoiding people. When he was greeted, he nodded, but remained silent.

He passed through the Village of Dhi in the early evening, walking quickly through the darkness. Rather than making him eager for human company, solitude left him wishing for more solitude. A dog barked wildly from inside a house, a near hysterical baying. Xavier grinned savagely and kept walking.
He despised the laundry flapping from the lines and the heaps of dung beside the trail.

He slipped through the village, nodding a greeting to a woman filling a metal jug at a stream. She dropped the jug and stared at him. Though she called out, he did not stop, but kept walking away into the darkness to seek the mountains.

As he hiked, he listened to the wind, to the river’s voice, to the chatter
of ravens. The sound seemed to flow through him, bringing him peace. Though the weather grew colder, he did not worry.

He made camp a day’s walk from Dhi by the confluence of the Mustang Khola and a smaller stream that was unnamed on his map. The wind was constant there, sweeping around the boulders and scouring the rocks. In a small hollow between two house-size boulders, he pitched his tent.

The first night, he heard the howling of wolves in the distance. At midnight, he woke when snow began to fall, a gentle flurry that drifted against the tent. In the morning, he found the tracks of wolves in the snowflakes that powdered the ground near his fire ring.

During the first few days, he explored his surroundings.

He saw fat short-tailed mice scampering among the rocks.

Wild sheep;
the blue Himalayan
bharal
, grazed by the stream. Xavier climbed upstream, following sheep trails among the boulders.

Half a day’s scramble up the stream, he found a small cave, tucked among the rocks. From the look of the cave, it had once been inhabited by a hermit, a holy man, or a
sennin
, a mountain lunatic. Three fire-blackened rocks formed a triangular hearth; a mound of brush in the back
provided a scratchy bed. Beneath the cave, the valley broadened into a small meadow: tough, red-brown grass poked through the light snow. The cave’s entrance offered a view of the river valley better than any he had found elsewhere.

He moved his gear to the cave just before the second snowfall and made his bed in the brush heap in the back.

He grew adept at cooking over a small fire: the smoke
made his eyes itch, but he grew used to that. In the cave, his sleep schedule changed. Daylight reflecting from the snow hurt his eyes, and so he slept through the brightest part of the day, then woke at twilight to watch the wolves chase the blue sheep through the moonlit valleys. He dreamed during those long daylight sleeps. In his dreams, the old man came to him and told him that he would see
the yeti.

Somehow, he was certain that his goal was near. This valley had the flavor of the fantastic: the wind muttered of secrets; the boulders watched him as he slept. Sometimes, he believed that he would soon understand the language of the raven that perched outside his cave each evening. He knew this place as a man knows the landscape of his own dreams, and he knew that the yeti was here.

He woke and slept, woke and slept, watching the valley for signs of the unusual. His hair and beard grew long and wild. He discarded his tattered wool socks and his feet grew tough and calloused. His skin chapped in the wind.

In the sand by the river, he discovered the mark of a broad bare foot; on a thorny bush, he found a red-gold tuft of hair. A few signs and a feeling, nothing more, but that
was enough.

His supplies ran low, but he was reluctant to leave the valley to find more. He ate wild greens and trapped short-tailed mice in an old food tin and roasted them over the fire. Once, he found a bharal that had been killed by wolves, and he used his pocketknife to hack meat from the carcass.

In his dreams, the valley was filled with moving shadows that walked on two legs, shambling
like bears, shaggy and slope browed. When he woke, his dreams did not fade, but remained as sharp and clear as the world around him. He dreamed of the raven, but somehow the bird was more than a raven. The black bird was the old man who had given him the bone. The old man wanted something in return.

Xavier never went out by day.

At last, his food ran out completely. He captured one last mouse,
charred its body in the fire, and picked its bones clean. By moonlight, he walked to the Village of Dhi. The trail made him nervous; it was too well trodden.

The first smell of woodsmoke made him stop. He heard barking dogs in the distance.

On the edge of the village, he paused to drink in a still pool. He was startled by his own reflection. His eyes were wild and rimmed with red; his face was
covered with thick red-brown hair. He crouched in the field near a house, unwilling to go closer. Stacked in racks by the house were ears of corn, dried by the wind and the sun.

Hunger drove him forward, but something held him back. He did not belong here. The sky was growing light when he moved at last. He stood below the racks and reached up to pull corn free—one ear, two ears, a dozen, two
dozen. He was tying them up into a bundle when he heard a sound.

Ten feet away stood a ragged boy, barefoot in the chilly morning. His face was smudged with dirt and already his nose was running. His eyes were wide, and they grew wider when Xavier looked at him.
“Meh-teh,”
he whispered, backing away from Xavier, then turning to run.
“Meh-teh!”

Xavier ran too, losing one of his thongs in the
rocks by the trail, abandoning the other. The raven led him on, laughing overhead. He ran back to his cave.

He roasted an ear of corn in the fire. It was charred and tough, but he ate it with relish. He slept for a long time, dreaming of the old man and the raven, two who were one. He knew that he belonged in this place. Each night, he went to the village and stole food. When the dogs barked,
people ran from their huts, carrying torches and knives and shouting
“Meh-teh! Meh-teh!”

One day soon, he knew he would find a pot of
chang
in the path. The raven told him so in a dream. When he found the
chang
, he would drink it and fall asleep. The villagers would capture him and the old man who was the raven would take his scalp. That was the way of things.

He was happy.

Rachel in Love

I
T IS A SUNDAY MORNING
in summer and a small brown chimpanzee named Rachel sits on the living room floor of a remote ranch house on the edge of the Painted Desert.

She is watching a Tarzan movie on television. Her hairy arms are wrapped around her knees and she rocks back and forth with suppressed excitement. She knows that her father would say that she’s too old for such childish
amusements—but since Aaron is still sleeping, he can’t chastise her.

On the television, Tarzan has been trapped in a bamboo cage by a band of wicked pygmies. Rachel is afraid that he won’t escape in time to save Jane from the ivory smugglers who hold her captive. The movie cuts to Jane, who is tied up in the back of a jeep, and Rachel whimpers softly to herself. She knows better than to howl:
she peeked into her father’s bedroom earlier, and he was still in bed. Aaron doesn’t like her to howl when he is sleeping.

When the movie breaks for a commercial, Rachel goes to her father’s room. She is ready for breakfast and she wants him to get up. She tiptoes to the bed to see if he is awake.

His eyes are open and he is staring at nothing. His face is pale and his lips are a purplish color.
Dr. Aaron Jacobs, the man Rachel calls father, is not asleep. He is dead, having died in the night of a heart attack.

When Rachel shakes him, his head rocks back and forth in time with her shaking, but his eyes do not blink, and he does not breathe. She places his hand on her head, nudging him so that he will waken and stroke her. He does not move. When she leans toward him, his hand falls to
dangle limply over the edge of the bed.

In the breeze from the open bedroom window, the fine wisps of gray hair that he had carefully combed over his bald spot each morning shift and flutter, exposing the naked scalp. In the other room, elephants trumpet as they stampede across the jungle to rescue Tarzan. Rachel whimpers softly, but her father does not move.

Rachel backs away from her father’s
body. In the living room, Tarzan is swinging across the jungle on vines, going to save Jane. Rachel ignores the television. She prowls through the house as if searching for comfort—stepping into her own small bedroom, wandering through her father’s laboratory. From the cages that line the walls, white rats stare at her with hot red eyes. A rabbit hops across its cage, making a series of slow dull
thumps, like a feather pillow tumbling down a flight of stairs.

She thinks that perhaps she made a mistake. Perhaps her father is just sleeping. She returns to the bedroom, but nothing has changed. Her father lies open-eyed on the bed. For a long time, she huddles beside his body, clinging to his hand.

He is the only person she has ever known. He is her father, her teacher, her friend. She cannot
leave him alone.

The afternoon sun blazes through the window, and still Aaron does not move. The room grows dark, but Rachel does not turn on the lights. She is waiting for Aaron to wake up. When the moon rises, its silver light shines through the window to cast a bright rectangle on the far wall.

BOOK: Points of Departure
12.14Mb size Format: txt, pdf, ePub
ads

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